It’s taken ansdor four years to develop Slipstream to this point, and they should be proud of their achievement in and of itself, regardless of the competition or the words and score on this page. If you’re reading this now, congratulations, and I hope this is a sign of more to come.

If you love 1997’s Starship Troopers or the franchise as a whole, you’ll love being able to command your own Mobile Infantry in Terran Command. Whilst this isn’t the strongest strategy game around, it is still an RTS worth a punt, especially if all you want to do is destroy endless waves of bugs. It's an exciting addition to the Starship Troopers franchise which clearly still has its audience so many years after the release of that first movie, and even more since Robert A Heinlein's inspirational novel, which is now a mighty 63 years young. Make Star Wars look positively pipsqueaky.

Maquette, in many ways, is a delight. Visually it's stunning, and the puzzles you encounter are often nice little brain teasers - I can imagine playing on a sofa with a significant other would elicit some fun conversations in the same way a murder mystery might. It has its problems and it's not perfect, but, as I said, you should think of Maquette as a rom-com of games. Not the highest form of art and not up for an Oscar nomination, but something you can certainly enjoy on a rainy Sunday afternoon.

I desperately want to be able to recommend this game to fans of the genre, and when it worked properly, it felt wonderful to play. Even now, I kind of miss the world within this game because it evokes a great sense of place and time through genuinely lush pixel visuals. In the state that it’s currently in, I can’t do this. There were too many moments when I walked away from the game in frustration, not because of my skill level, but because the controls of the Sandfox weren’t responsive enough, or traipsing back through old areas created tedium.

Maneater is in some ways a spiritual successor to Jaws Unleashed, so if you're a die-hard fan of that old cult hit, this is definitely up your creek. The game boasts beautiful environments and a compelling combat system which work really well hand in hand. The story in some ways feels as if it exists just for the sake of it, however - it doesn't seem to add a great deal as the game progresses, other than to explain the origin of the baby bull shark at the start. Maneater makes for an interesting addition to the action-RPG genre, and is one that is sure to capture the imagination of adventurous aquatic gamers, if only for a few hours of undersea fun.

For fans of anime fighting games, Demon Slayer -Kimetsu no Yaiba- The Hinokami Chronicles is a compelling experience. Even if you're a newcomer to the series, this is a game that is fun to play, with a bold narrative that grips you early on. It may feel light at times, but it's a fine example of what CyberConnect2 does best.

It’s in these combinations that the fun really begins. In order to unlock more of these abilities, weapons, or upgrades, you’ll spend another resource back in the hub world and they’ll unlock randomly from a flashy gumball machine. Sometimes it’s an ability that will snag you the kills, or get you out of danger quickly, and you’ll soon have your favourites. Go Mecha Ball is an otherwise run-of-the-mill roguelike, which is not a damning implication. It’s a bit ‘by the numbers’ but it makes for an addictive delivery of dopamine, one that will challenge your skills, and sometimes your patience.

Minecraft Dungeons is an enchanting game that will keep you, and your kids, entertained for a good few hours. A decade on from the original game, this is an exciting move for the behemoth that is the Minecraft franchise, and I can't wait to see where it goes next.

Contra: Operation Galuga is a fine retelling of the game that kicked the run-and-gun formula into mainstream gaming. It retains that arcade feeling along with the bells and whistles you’d expect for a console release, and the introduction of more multiplayer slots would make this a great party game, or one to play late at night when you just want to switch your brain off and talk about life. Where it falters is how memorable it is, as when you’ve rolled credits it’s unlikely you’ll be eager for a second playthrough unless you fancy upgrading the challenge with the difficulty settings.

Let’s Sing Presents ABBA is an injection of joy best enjoyed in small doses. Thanks to its mass appeal, it’s a game that I can see having longevity in my collection as I pull it out at parties for many years to come, even if it’s not one I’ll be running back to often as a solo player - much to the relief of my neighbours, I’m sure. I’d like to see the song selection expanded, but the game’s ‘difficulty’ is accessible enough to be enjoyed by seasoned sopranos and inebriated dancing queens alike.

I can’t say with certainty that I’ll keep returning to Howl, for me it feels like a one complete playthrough title. That being said, I implore anyone whose curiosity has been piqued by its trailer to try it out; with a demo available on both Steam and the Nintendo Switch, there’s no reason not to open your hearts to the dark whimsy of such a cunning game.

Kamaeru: A Frog Refuge wasn’t what I’d hoped for, nor did it scratch that cosy games itch I’ve felt since finishing Pine Hearts. Still, I find it hard to deny its charm however superficial it may be. Maybe we’ve become too conditioned in expecting more from farming sims, and thus the issue rests with us – with me – rather than the game itself. Whatever the reason, the adorable frogs of Kamaeru aren’t enough to have me wading back into the wetlands I’ve so lovingly tended to. Nevertheless, those hoppy little cuties have left an impression all the same.

A Storied Life: Tabitha offers a formula that unfortunately should work better than it does in practice. Players become stuck between creatively crafting Tabitha’s life only to end up with a nonsensical outcome or adhering to a rigid, predetermined path, resulting in a better ending but less joyous experience. Even still, there are some delightful puzzling elements within this short, bite-sized experience that is really exquisitely presented. I enjoyed A Storied Life: Tabitha despite its shortcomings, but it didn’t tug on the heartstrings as I perhaps expected it might.

I’m fairly confident Scorn is aimed specifically at fans of body horror and the darker sides of humanity, because suffering is a key theme here. But fans of dread-filled atmospheres and H. R. Giger-inspired aesthetics will not want to miss it, so long as you have the emotional resolve required.

What Black Forest Games and THQ Nordic have achieved with the Destroy All Humans! remake is impressive. It certainly doesn't feel worlds away from the original, which is always a concern when there's a classic of this calibre being remade. Although some of the enhancements are a bit hit and miss, most do work really well, and can make you wonder how you coped without them in the original. It's clear that a great deal of effort has been put into enhancing what already was a stellar title, whilst also introducing it to a new audience. Players who have been dying to play as Crypto-137 once again will feel right at home when they're tasked, once more, to Destroy All Humans!

With Disco Elysium being one of my all-time favourite games, I was eager to check out Rue Valley with all of its similarities and although it does not stand side-by-side with it, it does have its own merits. As such, I encourage you to give it a go and see how you can make your 47-minute time-loops make a difference in a town filled with drama, looming corporations, family feuds, and even a possible alien or two.

Once the game ended I felt underwhelmed. For something that looks this gorgeous and has such a confident sense of style, that feeling doesn’t translate to the actual gameplay. All I could think about were the missed chances of having this cute shadow frog interact more with the world or have an emotional connection through its adventure, rather than just constantly chasing an ever-changing endpoint that never really satisfies.

The Turrican games have stood the gameplay test of time as elegantly as any of their contemporaries - the likes of Super Metroid, Gunstar Heroes and Metal Slug. These are uncomplicated, elemental experiences - run, roll, jump, blast lasers at robots until robots explode, repeat (unless the time runs out on a level - there are some sprawling ones!) - but such was their purity at the source that no amount of time passed can significantly dull them. They are tough as nails, mind, very much designed with the arcade mentality of having players blast through their pocket change to make progress (even though Turrican was only ever a home-gaming concern), so consider that before taking the plunge. Or, alternatively, cheat. I'll allow it.

Like Mario Tennis Aces before it, Super Rush gently caresses its traditional take on the sport it's simulating to a new, better-than-ever standard. But just like that older game, too, its exaggerated extra modes don't stand above the 'basic' experience of simply playing 18 holes as a superpowered plumber.

Everyone has been up in arms as of late over Sony’s reliance on remasters and remakes, and I get it. Such projects should never outweigh or replace originality and innovation. That being said, Until Dawn is one such IP that I’m glad hasn’t been left to, like poor Hannah and Beth, wither away. Ballistic Moon has rid the game of its outdated tendencies, creating something that is far more grounded, detailed, and immersive. Perhaps a remake wasn’t ‘necessary’ but is any game ‘necessary’? The prevalence of Until Dawn’s wendigo spirit on the mountain, including Josh’s potential post-credits transformation, always left me thinking that the game, as a franchise, had more mileage in its tank. If Ballistic Moon’s remake has got more people on board with that thought process then I can only be wholly grateful that it exists.

While it is far from perfect and lacks the punch, fluidity and excitement that the classic Fight Night series had, Undisputed is a welcomed return to boxing games and will please a lot of fans.

You won't want to leave Lake when the credits roll, such is the splendour of its setting and the welcome warmth of so many people who call this place home (assuming you weren't a dick to everyone). But you'll wish its flashes of understated majesty and its softly spoken introspective exchanges weren't compromised by performance that's woefully inconsistent. But if Gamious manages to patch this into a steadier experience, you can add a point, or even two, to the score below. Because there's something special here, beneath the creaks and the cracks.

Let’s Sing 2024 is a mixed bag; it’s a party that doesn’t reach its full potential, sadly fizzling out before it gets started. It’s a shame because I believe the core of the franchise is still there behind all the new licks of paint, it’s just harder to see when other, less favourable elements catch your eyes instead. But it still bursts with fun, ready to be unpacked at a moment’s notice and, for that reason, it’s a decent game in my eyes.

SpongeBob SquarePants: The Cosmic Shake is a seven to nine hour dose of pure, stake-free fun. It’s a platformer that won’t offer you anything you haven’t seen before, but it executes what it does well. The familiarity of the characters and world is always going to be its selling point, and fans won’t be disappointed by the quality of the humour.

Overall though, it feels like a patchwork of things the team wanted to make work but didn't finalise. It's like the hotel recreation itself - odd, but promising, and then as we delve deeper and deeper we realise that the enigmatic engineering has its weaknesses and its parts that aren't done yet. This isn't to detract from the fear that I felt, nor from the stomach-churning sense of dread whenever Du'Met turned his head like a hawk realising he might have heard someone breathe. I only wish the nausea wasn't from indigestion after an overstuffed and underdone game.

I think if I was more invested in the TRON world, or had a passion for the narratives that have already been told, I would have enjoyed TRON: Catalyst much more. With the lack of drive to see this world unfurl before me, it really felt like a simple action game, moving from point-to-point, with decent combat. It’s dripping with gorgeous design, and I could walk around in the world happily, or zoom around on my bike, all day, but the isometric view does remove some immersion. There’s a spark here, and a high level of polish, but I think it just wasn't really for me in the end.

I really like that the difficulty of Warsaw seems intrinsically tied to the plight of the Polish people during the Uprising, even if it does at times make the game more punishing than fun. Having never played it on PC (or for that matter the PlayStation 4 or Xbox One) it's difficult to say whether the Nintendo Switch is the way to experience the game, but I am happy to concede playing it there felt like a completely natural experience. If you're in need of a new roguelike and have an affinity for World War Two history, Warsaw is well-worth a look.

The Isle of Armor DLC feels like a glimpse into the future of what Pokémon is going to be. It's just a shame that elements from the base release hold it back. Let's hope the next half of the DLC, The Tundra Crown pushes the gameplay to even greater heights.