Backbone is a grim, unhappy tale that didn't sate any of my hunger for a good murder mystery. However, if you are looking for a deeply interesting world with complex and unsettling themes which will stick with you, I'd still recommend you give it a go.

Directive 8020 is a near-perfect advancement of Supermassive Games’ tried and tested formula, with added stealth, puzzling, and adventure elements really boosting player agency. Outside of a couple of jump scares, the game’s narrative relies on tension and dread compared to The Dark Pictures franchise’s typical brand of horror, but the game is all the richer for this, rooting itself in tangibility and fears that plague us all. Decisions are difficult to make with thrilling consequences that are both a joy and devastating to watch play out. Add in great performances from the cast and impressive visuals, and it’s hard to see Directive 8020 as anything other than a hit.

Overall Nintendo Switch Sports brings forward a fun, first-rate, much-loved Wii series to the Switch console. Classics such as bowling and chambara can now be enjoyed by newcomers, while long-time fans of the series can relish new additions to said classics - for example, special bowling - as well as new mini games. Time will tell if the update brings another level to the game, and whether DLC additions will make the roster of events more attractive (golf is due, post-release); but right now, Nintendo Switch Sports is a lively reinvention of a Wii-era essential.

It delivers a tight, action-heavy experience where you tear through hordes of enemies, earn loot and level up. Sadly, I was unable to test the multiplayer mode during my review, but overall Stranger Of Paradise: Final Fantasy Origin is a very good game in its own right.

There are some issues with The Witcher: Monster Slayer that will likely hold it back from being a huge success, but there's still a good game in here. Little touches like dialogue options in the quests, or the ability to unlock weapons and outfits that we've seen in other Witcher games are delightful inclusions. It's also less than 2GB according to my phone, so it won't eat much storage space. Sadly, the overall experience is marred by a gesturing towards microtransactions and a tendency for quests to lead you down real-life dead ends.

While I didn’t love my time with Dragon Quest Monsters: The Dark Prince, I appreciate the simplicity of its gameplay, with it undoubtedly offering fun in accessible bursts. Unlike richer, more immersive RPGs, there aren't any complex mechanics to get to grips with – you just get stuck in, the controls intuitive regardless of knowledge. This title won’t win awards, nor will it spark debates over the genre’s unique innovations, but it’ll offer some a means to while away the hours, lost in a sea of colourful monsters, which is sometimes all we ever really need.

Platforming fans will be hard-pressed to come away from Big Hops though with anything other than a smile on their face. It shows a strong sense of vision. Here is an end product that pays homage to the greats of the genre whilst carving out its own identity. With several varied worlds, creative gameplay, and a respectable 10 to 12 hour runtime, there’s very little else I could ask for from the title. Big Hops is a ribbiting, sorry, riveting adventure that’ll kickstart your 2026 in the best way possible.

The port itself is perfectly fine, working well in handheld mode on the Switch. Load times are short and all the game's functions map well to the Joy-Cons. So, if you're looking to play Stranger's Wrath on the move and you've not picked it up on mobile, this is a great option. It's just that, while I'm a big fan of Stranger's Wrath, and I'm looking forward to returning to Oddworld with Soulstorm, as good as a game as this once was, its shine has dimmed over the years.

Pokémon Scarlet and Violet have finally delivered on the promise of an open-world entry, but with all the technical issues and stripped-back features, it’s hard to not feel like the Nintendo Switch held these games back. But if this is what an open-world Pokémon game is now, it's tantalising to consider what is coming in the future.

When it's all said and done, all laughed and cried, Wattam really is a game apart from the pack - a clear continuation of the creative mindset of its maker, given what he's done before now, but also quite, quite different. It follows its own playful logic, offering clear instructions and never giving into surrealness for the sake of it, and is absolutely a more meaningful experience than meets the eye.

Strategy games often take themselves way too seriously whereas Minecraft Legends does the exact opposite. It’s an enjoyable, lighthearted hybrid that prioritises exploration as much as tactical battle gameplay. It’s accessible for younger audiences and RTS newbies while still being challenging at later stages in the campaign. The Minecraft Midas touch has turned another genre to gold but a few hiccups mean Legends isn’t quite a diamond.

Little Hope is a genuinely good time horror game, that isn't quite at the apex of what the team behind it can achieve. It's good fun alone but really comes alive when shared with another person, or group. I have no doubt that when the full Dark Pictures Anthology is complete and sold as a package, that history will remember it quite fondly. Despite the well worn path this entry treads at times, it whittles out enough of a memorable story for those who dig these kinds of games to really find enjoyment in.

Other than a few issues here and there - incredibly small text being one, which I beg be patched in the future to allow for scaling - Yu-Gi-Oh! Legacy of the Duelist: Link Evolution is the pinnacle of all the Yu-Gi-Oh! TCG video games. It's one that honours each generation in a way that will make fans from across all eras of the franchise feel warmly welcome - if also sometimes a tad overwhelmed.

Ultimately, Button City is an excellent game. There are plenty of lovable characters to interact with. The minigames are delightful, especially Gobabots. The main story will fill you with a range of emotions, and I've no doubt you'll want to play through it multiple times. Lastly, it's a game about games, and that's something to be cherished.

Like Master Onion himself, Sifu has layers - and the closer you get to its centre, the more you understand its own structure, what makes it and its many obstacles tick. The closer you get to it, the clearer the details between the deckings. And just like a peeled onion, it might well make you cry. There’s no shame in that, here - but you’d best accept up front that it’s not going to get any easier, or sting any less, the more you slice into it.

Pokémon Scarlet and Violet have finally delivered on the promise of an open-world entry, but with all the technical issues and stripped-back features, it’s hard to not feel like the Nintendo Switch held these games back. But if this is what an open-world Pokémon game is now, it's tantalising to consider what is coming in the future.

Player exploration is actively encouraged by a gorgeously animated world that’s filled with sights and sounds to keep you engaged, even having that Zelda: Breath Of The Wild feel of ‘Hey, what’s that over there?’ as you get side-tracked for the umpteenth time. While I wish it would have baked its ideas for a little longer under the desert sun, I’d happily recommend this to any and all anime fans, especially those who love the work of Akira Toriyama.

Technically speaking, I'd recommend playing the game on something other than a Switch because I did see significant frame rate drops and the UI would benefit from a big screen, though I did enjoy sitting in the sun and checking off a few tasks for the day. Furthermore, the touch controls were a little finicky, and it's difficult to place objects exactly where you want them, unlike Animal Crossing. But, it's the curious text that accompanies the various odds and ends that intrigues me. Letters that arrive on the island, apparently unanswered, probing the appearance of a wrecked boat on the shores. As my collection of resources grows, I want to know what else is out there on this weird haven where the boundary between worlds is thin. It doesn't offer the very same adorableness of other games in the genre, yet its muted colours and purposeful pace is welcoming. If you're looking for a low impact and narratively engaging life sim, then spend a while on Cozy Grove.

There are moments when you’ll take control of another character when the narrators go off the traditional path, and these are welcomed because they add new layers to the gameplay, like melee combat, something that Antar doesn’t rely on. But, because so much of the game is told while you’re in Antar’s shoes, there’s a sense of missed opportunity. Thankfully, the game isn’t very long at all, so while this is a sore point, in the grand scheme of things it’s over relatively quickly and I was left with a fondness for the odd interludes with different characters, set dressing, and accompanying audio design.

All things considered, Abyssus is a good game with a solid foundation, that could easily be a great game come future patches. Even now, it’s great fun to dive in and blow enemies away, particularly with a squad of friends, even if that does inordinately ramp up the difficulty. At the introductory offer price being offered in the Steam store until August 19, I’d feel more than comfortable recommending it to a friend, and it has the potential to be a staple evening’s enjoyment if it can get over the biggest hurdles discussed in this review.

The standout parts of Silt therefore are its artistic and sound design, creating that sense of unknowable and unsettling scale, a world that is home to weird little things and beings with too many teeth than is advisable. Respectably, the game clocks in at about six hours long, though I languished in some levels because the pieces of the puzzle of why the diver was down here were irresistible. I’ve got a theory, and what you’ll find down in the deep must be seen to be believed.

Buried underneath the messy narrative and the mundane gameplay, there's a good game in here, somewhere. But for the most part, The Medium is a game that I'm very happy to put behind me and never think about again. For any fans of horror, I would firmly recommend you give this game a miss.

Perhaps it's the writing, or those aforementioned best moments, or more likely some potent combination of factors, but Sable is special. I can feel it, still, hours after putting the pad down; the sensation of riding a geyser to a mountain peak, the crack of the crystal pillar under my avatar's feet. That golden sunrise breathing warmth back into this world. At the risk of repeating myself, it absolutely deserves to be played - just maybe not right now, and not quite like this.

Little Nightmares 3 feels like a sequel in name alone. As a co-operative experience with either a friend, family member or partner, it’s a good time and should give you sufficient spooks and scares as well as a few laughs here and there. Visually, the game is on point with some gorgeous and intriguing settings, but they lack depth and get moved along too quickly. The story is the biggest drawback though, and if you’re expecting a story on par with the first game’s, look somewhere else.

Blades of Fire isn’t for everyone, and that’s fine. Losing your best weapon only to be transported right back to the beginning of a segment with only degraded and broken remaining weapons can be a truly painful experience, but if you persevere and push on, you’ll soon discover that Blades of Fire is a real gem. Its original focus on weapon building is refreshing, and there’s something about it that feels modern and yet so distinctly old-school. Blades of Fire is challenging and punishing, it’s true, but as Taylor Swift once said, “Nothing safe is worth the drive.” Prevail through the peril, and Blades of Fire will reward you.

Minor irritations aside, I can't fault Twelve Minutes for its ambition. Luis Antonio has set out to tell the kind of story that can only truly be told in a video game, offering up a tense and often deeply unsettling interactive thriller that succeeds in breathing new life into the point-and-click adventure genre. I can say with certainty that the story and its potential outcomes won't be for everyone, but you'll be left chewing over what happened hours after the credits roll.

Sonic Frontiers is the best 3D Sonic in a long, long time. It’s bigger, faster, smarter, and I absolutely cannot fault its ambition. Unfortunately, it’s constantly derailed by the exact same things that have been holding back Sonic games for the last few decades. With a little more polish, I truly believe Sonic Frontiers could have been one of the greats. As it stands, it’s a frequently good time with occasional flashes of brilliance.

We Create Stuff aimed to replicate old school horror in this game, and in that regard, it's a success. The puzzles click together with satisfaction and nothing feels like it's been left behind in the journey from one tape to the next. However, In Sound Mind does draw from other games and so becomes a pastiche, albeit an exciting one with a cracking soundtrack. Plus, a few frame rate dips and crashes took me out of the environments that had been created with such artistic care. What will stick with me is the utter treat it is to scurry round a horror game that isn't afraid of using the entire colour wheel, subverting conventions of what scary can be, and for that I give In Sound Mind a lot of credit.