I wouldn’t recommend No Sleep for Kaname Date at full price, not even to the series’ most die-hard fans. Spike Chunsoft’s spin-off doesn’t try to reinvent the wheel, and while it may entertain those simply craving another outing with Date in this bizarre universe, it relies too heavily on familiar tropes without expanding or deepening them. As a result, it struggles to carve out its own identity or leave a lasting impression. The story has its moments, but it's padded with obvious narrative detours that drag the experience down; cut the fluff and you'd have a solid standalone expansion. The escape rooms are fun, though far from essential. The cast and comedic direction remain top-notch as always, but is that enough to justify a purchase? If you're new to the franchise... what are you even doing here? Go play The Somnium Files first.

GreedFall: The Dying World, unfortunately, doesn’t stray too far from the kind of productions developer Spiders – and publisher Nacon – have delivered over the years. It’s a game full of promising ideas and solid RPG foundations, yet it ultimately stumbles when it comes to execution. The final result is still enjoyable and offers plenty of elements that RPG fans will appreciate. Its world is fascinating, the moral choices are engaging, and the tactical combat system works well. However, the experience is held back by scattered bugs, AI that isn’t always reactive, and a graphical presentation that could use some polish, with several on-screen elements – subtitles included – appearing frustratingly small. It’s hard to say whether these issues stem from budget limitations, the need for more development time, or a team that hasn’t quite reached full maturity yet. What’s clear is that GreedFall: The Dying World feels like a hidden gem in the rough: a game with clear potential, but still weighed down by imperfections that we hope future updates and patches will address. Spiders’ talent and the strengths of its games are not in doubt, yet that definitive leap in quality still seems just out of reach. Even so, GreedFall: The Dying World remains an easy recommendation for RPG fans willing to accept a few technical compromises in exchange for an ambitious and atmospheric role-playing experience.

Shadow Labyrinth gives birth to the Pactroidvania genre, giving a level structure as intricate as the name suggests, a deeper plot than anyone could have predicted and myriads of references. It is a game that absolutely should not be taken lightly, intended for both new players and long-time fans.

Killing Floor 3 delivers on its promise of brutal combat and satisfying weapon feedback, offering moments of adrenaline-fueled chaos that feel tactile and intense. The gunplay is sharp, and close-quarters fights can be thrilling, especially for players looking for raw, straightforward action. However, beneath the surface lies a game that struggles to justify its existence as a full sequel. Mission structure becomes repetitive quickly, co-op elements feel underdeveloped, and boss fights often devolve into chaotic bullet sponges. The perk and crafting systems, while ambitious, lack meaningful progression and fail to keep the gameplay loop engaging. Technically, the game performs well on Xbox Series X, but its visuals, level design, and presentation rarely rise above the average. Killing Floor 3 plays well enough—but in a genre that’s evolving rapidly, it feels stuck in place, offering fleeting thrills without long-term hooks.

Warriors: Abyss may be what many would call a “small game,” but that doesn’t take away from its quality or fun factor. The game prioritizes efficiency and fluidity over sheer visual impact. These technical choices make for a fast-paced and chaotic, yet consistently smooth experience; no small feat given the overwhelming number of models on screen. The run-to-run progression keeps the gameplay fresh and engaging, ensuring that every new game is always different and scheming. In its genre, Warriors: Abyss can be defined a success.

JDM is absolutely "raw", it has a huge heart, some flaws, but it doesn't miss a beat when it comes to doing real "drift". If you like arcade racing... buy it! If you like drifting in a more or less thorough way, with pad or steering wheel, don't leave it on the shelf.

Spirit of the North 2 is both a "more of the same" of the first chapter and a missed opportunity for the development team to take flight with a superior quality product. The Lore and the game-design are amazing, this is undeniable, but the technical problems and the superficiality in the interface make the gameplay difficult and cumbersome, preventing us from giving him a higher than sufficient rating. And it's honestly a shame...

Trident’s Tale is a pirate adventure designed to entertain without complications: colorful, accessible, and full of small ideas that make it enjoyable to explore, especially for younger players or those looking to relax between more demanding games. Despite some technical shortcomings and a fairly mild challenge, the game still manages to entertain with charm and lightheartedness. However, players seeking depth, variety in combat, or a higher level of difficulty might find it too simplified for their tastes.

The Last Case of John Morley is a small, atmospheric noir that relies heavily on environmental storytelling and strict linearity. It’s short, cohesive, and supported by surprisingly strong voice acting, but lacks suspense, emotional depth, and memorable twists. A solid pick for fans of slow-paced narrative walking sims, though less appealing to players seeking tension or mechanical variety.

Formula Legends may be an indie project, but it’s a well-crafted homage to the golden era of Formula 1. It strikes a balance between arcade accessibility and a layer of strategic nuance, offering smooth, enjoyable gameplay that only suffers from a few lingering bugs. The game is easy to pick up and play, delivering instant fun, yet mastering its vintage machines demands time and dedication. While it won’t go down as a landmark racing title, it provides plenty of entertainment for those who appreciate F1 history and prefer a more relaxed experience over the complexity of ultra-realistic sims. A strong package overall—though the lack of multiplayer is a notable drawback.

Grit and Valor - 1949 is a delightfully tasty indie title that you don’t come across every day on Valve’s store. Charming dioramas, a story that’s overall original and intriguing, and an action game cleverly disguised as a tactical-strategic experience built around a decently conceived roguelike should, albeit with some reservation, convince you to make the purchase.

Quarantine Zone: The Last Check offers a handful of interesting ideas compared to traditional simulation games, but its strengths never extend beyond the initial premise. Brigada Games’ title plays all its cards early on, only to struggle in later sessions with repetitive and shallow mechanics. A more solid framework and more demanding challenges could have alleviated the gameplay’s tedious nature, but in its current state it is hard to recommend, especially at its asking price.

Big Bad Wolf's latest is a visually arresting Lovecraftian deep-dive that prioritizes "big brains" over big guns, but its overly safe structure prevents it from reaching true horror greatness. While the 2053 tech-noir setting is a brilliant spin on the mythos, the thalassophobia here is mostly "vibes" and very little bite. The investigative loop is genuinely high-brow, featuring a complex sonar-based system that rewards meticulous detail-hunting. However, the total absence of combat or persistent physical threats makes the 11-hour journey feel like a guided tour of an underwater museum rather than a desperate struggle for survival. Branching paths and multiple endings provide some much-needed narrative stakes, yet the AI companion, Key, feels like a hollow shell of what a modern interactive partner should be. It’s an essential pick for lore-hungry detectives and tech enthusiasts wanting to push Path-Tracing to its limits, but hardcore horror fans will likely find the lack of "Game Over" consequences a bit underwhelming. A sophisticated investigative gem that desperately needs more teeth.

Gundam fans, especially those fond of SEED, will enjoy this nostalgic dive into the Cosmic Era. Everyone else is left with a middling action game packed with names but lacking in substance. The generous framework might appeal to genre enthusiasts and even spark interest in the source material, but as a standalone experience, Battle Destiny Remastered falls short, and struggles even more on Switch.

Fallen City Brawl is a game that, despite its limits, manages to entertain. It’s a short but intense experience, ideal for those who want to relive the atmosphere of pinball machines and arcades. The graphical imperfections, the questionable weapon balancing, and a certain lack of polish keep it away from excellence, but the beating heart of the beat ’em up is there—and it beats strong.

Outbound is a video game that managed to surprise us in its own way, incorporating van life into a hybrid formula capable of entertaining even those who don't particularly enjoy the genre. Crafting, resource gathering, and progression never feel overly frustrating, effectively balancing every single component and keeping it within the player's reach. The charm of this production is undeniable, but it's worth pointing out that around the midpoint of the experience (which will nonetheless last over 30 hours) and as the in-game days go by, a certain sense of repetitiveness sets in. Every single area has been designed to offer a sense of calm, with the sounds of ocean waves and rustling trees, in a dystopian future where only renewable energy is used without leaving the slightest mark on nature. However, this world feels too empty — no human presence, just us and a vast array of crafting possibilities. Fortunately, we have a wonderful little dog to keep us company, who represents the most "heartwarming" element of the entire game. Outbound is a relaxing game, an interactive holiday and a road trip that serves as an escape from the increasingly pulse-pounding frenzy of modern video games. Respect for the environment, a sense of community, and anti-consumerism — perhaps this title could even inspire us to reflect on an ever more sustainable future.

Waiting times and microtransactions are never welcome, but Pokémon Champions proves to be very user-friendly. Its current structure is ideal for players who want to explore the series’ competitive battling without investing too much time or resources, offering a progression system that is slow but steady. And most importantly, free. If this approach is maintained, it’s easy to recommend it to those who have drifted away over the years and would appreciate a more focused and controlled environment. You don't even need a subscription to play. That said, content and variety are still lacking. For now, at least. If you prefer having access to the full experience of Pokémon Scarlet and Violet, there’s little reason to switch, especially if you’re already used to playing online. And if you’re still unsure, Pokémon Showdown is always just a click away.

Death on the Nile manages to entertain and keep you engaged, with a story that still feels compelling after so many adaptations. The new ideas don’t always land and some choices feel like missed opportunities. Still, it’s an adventure that flows well and offers a few enjoyable hours to anyone who loves detective stories.

Yasha: Legends of the Demon Blade isn't a bad game, but it's not a good game either. The graphic design would certainly have deserved more attention for the actual systems and the three stories, despite being different and pleasant to play, offer the same enemies and bosses. You will fell about playing the same game three times, and it is a shame. But there's worse out there.

Warhammer 40,000: Speed Freeks is a fun and well-crafted multiplayer experience held back by a severely underpopulated community. Despite belonging to a hugely popular franchise and offering solid, chaotic gameplay with no real competition, it's struggling to take off. Worth checking out if you're into the genre, just make sure you have friends to play with, or you'll be stuck with bots.

Fear the Timeloop is an indie game that, despite its low budget and lackluster animation, still manages to provide some thrills for genre fans. While you wait for the new official Resident Evil, take a tour of Saint Heritage Hospital.

The Precinct is a bit of a disappointment, even if it survives with a passing grade. Aesthetically pleasing, not a complete failure, but generally banal both in terms of how it is played and how it was conceived. An indie game lacking in ideas and programmed superficially, but disguised with pleasant graphics that hide its flaws. It is not completely bad, but it will hardly be remembered.

Ambitious but lacking bite, Echoes of the End borrows from bigger names yet struggles to engage. Its visuals are stunning and the puzzle-platforming has flashes of brilliance, but a directionless story and clunky combat drag it down. Ryn’s magical powers shine, though whenever they’re not in focus the experience falters. The potential is there, but it largely goes unrealized. Worth a shot for fans of narrative-driven adventures, but expect some frustrations.

NUTMEG! A Nostalgic Deckbuilding Football Manager isn't exactly a management sim—even though that is, in effect, what you have to do—nor is it strictly a deckbuilder—even though that is ultimately how you take to the pitch. It defies easy classification and isn't immediately intuitive; yet, in the end—without any unnecessary frills—you simply start playing, and you won't be able to tear yourself away.

The goal The Occultist sets for itself is a noble one: to artfully blend the world of the occult with that of survival horror—offering no weapons and no means of self-defense, relying instead solely on wits and puzzle-solving. It is a journey that did not always unfold harmoniously, yet one that successfully established the right atmosphere and maintained a high level of tension. However, one must also take into account certain technical limitations encountered on consoles, including a frame rate that is not exactly stable.

Beyond the Ice Palace 2 is a sort of spiritual clone of Castlevania, less inspired but still with a big heart. The sequel to an IP that not everyone remembers, but that can find admirers among those who still love this genre of games today and that fully deserves a place in your library.

Moving past a single-player campaign that merely demonstrates the laziness of simply wanting to get the 'homework' done, Black Ops 7 proves once again to be a reliable, noteworthy game and a sure guarantee of longevity, owed primarily to its multiplayer and zombies modes. Call of Duty surprises us yet again with its immediacy and the ease with which players—even the less experienced or complete newcomers—can adapt to the game. The nerf to aim assist is noticeable, it's undeniable, but this can be overcome with a good number of hours played. Graphically clean, without hesitation even in the most impactful moments, Activision achieves its goal of keeping the competition alive in the FPS video game landscape. However, it now has an uncomfortable adversary sitting on the throne beside it—one that they'd be wise to be wary of, to avoid being dethroned.

Edens Zero delivers an uneven experience: it captures the heart of Mashima’s universe with a colorful cast and a strong soundtrack, but the shallow combat and dated technical execution hold it back. Fans will find enough to enjoy, newcomers may be intrigued, but anyone seeking depth or polish will likely walk away disappointed.