Because of its stronger starting point, Grounded 2 should wind up the bigger, better, buggier-in-a-good-way survival game. Its best new toys make survival gameplay much smoother and more enjoyable; the adolescent spirit that truly makes Grounded stand out in a sea of survival games is still on full display here, too. It will take some time for Creative mode to catch up and eventually surpass what the first game did for those who like to play this game more like an interior decorator than a hunter-gatherer. All of that means Grounded 2 is a good early-access game that improves on its previous version in some big ways, while still earning the label of being an in-progress experience. [Early Access Score = 70]

The surrealistic nature of Dead Take reaches a fever pitch in the game's final half hour, and it loses me a bit there. Overall, however, this is a great game, and I would have loved to chase down more USB drives and watch many more FMV recordings--these performances left me rapt and I was always eager to search out more. But even beyond this gameplay loop, Chase's efforts to delve deeper into a bizarre mansion and splice together corrupted recordings of people is rewardingly symbolic in a narrative sense. You're going into a person's twisted and guarded psyche and unearthing the painful truths hidden within to not only beat a video game, but also witness, as Cain so often puts it, "something real." Those truths are sickening and scary and it propels the experience of Dead Take into one of the most harrowing I've experienced this year. These are not five hours I'll easily forget.

As someone who loves Lord of the Rings, life-sims, and cozy games, Tales of the Shire is heartbreakingly disappointing--so much so that I find myself genuinely wondering what went wrong. With such a strong premise, a solid team working on it, and what seemed like a concentrated effort being made to let this game fully cook before it was shipped, I’m ultimately confused by the finished product and concerned for what happened during production. Although Tales of the Shire has some charming ideas, dull gameplay, heaps of bugs, and a general sense of emptiness ultimately drag this once-promising life sim down to the pits of Moria.

Despite everything I've just said, I didn't have a terrible time with Shadow Labyrinth. There are way too many frustrating moments, the story is mind-numbingly dull, and a lot of what you're doing is monotonous. Yet, for long periods, it's also merely just fine. It's a by-the-numbers metroidvania woven together with an occasional Pac-Man remix. An odd combination, for sure, and one I wish had a better game built around it, but at least we'll always have that one Secret Level episode.

As a horror obsessive, I hope others like me push through the game's frustrating puzzles and dense plot to see Luto's best parts, because they're numerous and unforgettable. This being Broken Bird Games' first project makes me incredibly excited to see where the team goes from here. I often wonder what P.T. would've looked like as a full game. We'll never know for sure, but it would've been lucky to be something like Luto.

Overall, The Edge of Fate is far from the worst expansion that has been released during Destiny 2’s tenure, but as the direct successor to 2024’s phenomenal The Final Shape, it falls short. It reuses old assets, fails to impress with its new environments and mechanics, and the main story seems to stop just as it’s about to get interesting. Of course, that’ll be fleshed out through the year’s updates and seasonal content, but with a distinct lack of anything exciting to do now, I fear I’m on the brink of another involuntary Destiny 2 hiatus.

While these complaints might dampen the overall experience, ultimately, Wuchang: Fallen Feathers is a great experience filled with far more satisfying battles than frustrating ones, wonderful ideas, and truly gorgeous locations. Considering this is Leenzee's debut title, I have extremely high hopes for the studio's future endeavors, and even Wuchang itself, assuming it receives a few needed adjustments. However, even as it exists now, Wuchang is absolutely a game I'd recommend to soulslike fans, so long as they don't mind getting a bit sweaty.

With most new Sims 4 expansions, I usually hone in on the one or two aspects I like the most and don't sweat the rest too much. But with its fun new occult type, a wonderful new world, and unique build and CAS items, Enchanted by Nature is a rare Sims 4 pack that feels like a complete experience in itself. I can appreciate that players who prefer the dollhouse side of The Sims 4 may find the amount of CAS and build mode items lacking, but Enchanted by Nature is so much fun as a whole that I can live with that.

Despite the occasional flaw, College Football 26 builds upon its solid foundations to graduate near the top of its class. This is a fantastic football game that revels in the singularity of the college experience, from the pageantry, traditions, and electric atmosphere of each school on game day, through to the recruitment process, and the myriad heated rivalries between its 136 teams. After a hugely successful comeback, EA Sports College Football 26 furthers the series' upward trajectory, making for one of the greatest shows on turf.

As part of the launch line-up for the Switch 2, [Donkey Kong Bananza] nicely fills the gap for one of Nintendo's signature substantial single-player adventures. But more importantly, it's an excellent game in its own right, and deserves to be mentioned alongside games like Mario Odyssey as among Nintendo's best recent work.

I imagine most players will quit shortly after having completed Dune: Awakening's main story and arriving at the Deep Desert. But that doesn't mean all the hours prior to reaching the endgame aren't worth experiencing or aren't enjoyable. Funcom has turned Herbert's legendary sci-fi planet of Arrakis into a captivating video game setting. Part story-driven RPG, MMO, survival base-builder, sci-fi helicopter simulator, and third-person shooter, Dune: Awakening is a multi-headed hydra of experiences that, somehow, coalesces into a largely satisfying whole. While it suffers from a serious lack of variety when it comes to enemies and activities, and its endgame as of writing is a largely pointless endeavor with no real goal to strive for, Dune: Awakening nonetheless succeeds at bringing the universe of Dune to life in a way never before seen. When the Spice is flowing, it's easy to lose oneself to the rhythms of Dune: Awakening's desert for hours at a time. Just take care not to attract Shai-Hulud.

Underneath all of the micro- and macrotransactions, lewd gazing, cluttered menus, and the overwhelming hawking of cosmetics and other items, Mecha Break is a decent multiplayer game featuring a bunch of cool and distinct mechs that clash in frequently thrilling battles. It's a shame that everything surrounding its hectic action sours the experience, and the lack of meaningful customization is a notable oversight, but Operation Verge is a good time and worth checking out, even if you only have a fleeting interest in giant robots slapping the paint off each other.

Tony Hawk's Pro Skater 3+4 is a phenomenal game of skate, one that fans would flock to without hesitation if it weren't for some of the strange decisions regarding the game's Career mode and THPS 4 levels. Some of the changes feel needless, and overall, THPS 4 just doesn't fit as well into the same structure as the original three games. It's also disappointing that newcomers won't be able to experience the fourth game the way it was originally intended. Once the initial disappointment fades, however, you're left with a remake that still handles as well as these games ever have, and that's something that's worth playing no matter who you are.

With missing features, server issues, and some gameplay quirks that need to be ironed out, in many ways, Rematch feels like an early-access game. Its foundation is strong, though, capturing the chaotic energy of playing football with your school pals. It's disorganised at times, and the people you're playing with might be frustrating, but there are very few moments when you're not having fun. It's a different kind of football game, yet it's intuitive, and the allure of improving your skill level is captivating. If Slocap can sand off its rough edges, Rematch could be something special. But even in its current state, saying "no" to one more match is a challenging proposition.

The first Death Stranding was eerily prescient. Releasing in 2019, it was impossible to divorce it from the COVID-19 pandemic that followed a year later, the parallels between preppers living in bunkers and people struggling to find ways to connect with others reflecting a period of quarantine and uncertainty about the future. By contrast, Death Stranding 2 is less precise and clear about what it wants to say; it seems committed to making you ponder many things at once, inviting different takeaways. Its story touches on topics like the increasing harms of climate change, how our everyday actions are being automated with each passing day, the damaging presence of guns, the clash between governments and privately owned entities, and the importance of helping others in any way we can. If the sequel is prescient of anything, it is that fixation on the past binds us to repeat history, no matter how much we try to pretend otherwise.

Sometimes the game gets in its own way by not tutorializing key points, like how to best deal with status effects and play roles dependably. But once you've gained that institutional knowledge, FBC: Firebreak is an enjoyably chaotic power fantasy, and an interesting experiment for Remedy between its bigger, weirder projects.

When you finish finding all the stamps in Nintendo Switch 2 Welcome Tour, your reward is a greeting from the curator, and that's very much the approach Nintendo has taken here. Welcome Tour is an interactive virtual museum exhibit, all centered around showcasing Nintendo's latest piece of hardware. It carries the calm sensibility of a museum, which makes it feel very approachable and good-natured. And like any good museum, it's a decent way to spend an afternoon to marvel at the exhibits and learn a few things along the way. But I sense Nintendo's self-consciousness coming through in the decision to charge for it--the mindset that imagines if it's free, people will conclude that it's worthless. Nintendo Switch 2 Welcome Tour certainly isn't worthless. It's a well-made, often informative, sometimes-frustrating introduction to the new hardware. It's just too bad Nintendo didn't model it after many great museums: with no fee, so the work inside could speak for itself.

Even if you manage to achieve a stable experience, MindsEye still commits the cardinal sin of being mind-numbingly boring. More than anything, it feels like a game firmly trapped in the past. It wouldn't have been good 15 years ago, either, but perhaps some of its design choices would have made more sense. As it is, issues like broken AI and uneven car physics simply exacerbate the problems with its archaic and insipid design. Impressive visuals can't compensate for a lack of substance, whether that comes from its pointless world, tedious combat, or any number of other egregious shortcomings. If you're looking for quality, cast your mind's eye elsewhere.

The moral dilemmas and confronting moments created by manufacturing and living with alternate versions of yourself is a captivating narrative that The Alters delivers on, creating moments of emotional and mechanical tension by balancing its various management systems atop one another. It paves the way for some nail-biting victories and memorable interactions, but is also hampered by occasional tedium and needlessly frustrating exploration that is governed too heavily by a single resource. Still, the plight of Jan Dolski and his mission to get home is one that is bound to be very different for each player of The Alters, and is a stressful adventure I won't soon forget.

There were so many aspects of Japanese Drift Master that I desperately wanted to love, especially given that so few racing games hone in on drifting as a mechanic anymore like it attempts to. But in focusing so heavily on getting drifts to feel great (as they often do), all its other parts have been left to the wayside. The scale of its ambition is clear, but in trying to cater for a variety of event types, it undermines its most compelling mechanic, and continually reminds you how inadequate it is at supporting racing styles outside of that narrow focus. It's a racer that, more often than not, doesn't bring about the joy of tearing through the streets in a blazing-fast car, wasting its otherwise captivating setting with roads that don't support that fantasy. JDM: Japanese Drift Master can look good in small snippets, but it's sorely lacking as a complete package.

Mario Kart World is a massive, sprawling sequel that playfully expands and iterates on the qualities that made Mario Kart 8 Deluxe such an enduring success. It's an incredibly fun and rewarding kart racing experience that's easy to understand, with enough mechanical nuance to reward veteran kart racers, all presented beautifully as a Switch 2 showpiece. It will be shocking if this game doesn't enjoy the same long-term success of its predecessor, because it's among the best in the series and a worthy marquee title for the launch of a new Nintendo console.

It's also not a bad thing that Lies of P: Overture is essentially more of the same. The base game is arguably the best souls-like to come out of a studio not named From Software since the genre took off. However, I would imagine it's less than ideal for anyone who's recently finished Lies of P for the first time. For people like me, who haven't touched it since it launched in September 2023, I was more than happy to dedicate another 15 hours to more of the same. Overture is a beginning that caps off a fantastic game.

I am optimistic about the swings that Bungie is taking with the expansion, especially those that overhaul the core game. You're likely to find me spending too much time fiddling with weapon mods at the shooting range when The Edge of Fate launches on July 19. [8-Hour Hands-On Impressions]

All of this left me lukewarm on To A T, and wanting to like it more than I did. It's a cute and charming visual metaphor, with some insightful and funny writing, and it's a lovely parable about the struggles of growing up and feeling different. It's a very gentle, likable story about a topic that games don't often explore. But the story doesn't have quite enough heft to last through even the relatively short playtime, and the act of playing it often feels tedious. There are individual things to like about To A T, but like its protagonist, it has some room to grow.

Elden Ring Nightreign's announcement was a genuine surprise. The details explaining the kind of game it was were even more surprising. This peculiar mix of a From Software RPG spliced with elements of roguelites and battle royales sounds like the kind of experimental concept no game studio would actually devote money to. But here's From Software, tapping into its creativity to put its own weird, bold spin on a thrilling cooperative multiplayer experience. Even if the end result were middling, this is the kind of risk worth celebrating, but doubly so now that it turned out to be such a fantastic, anomalous thing. The part of From Software's collective brain that created oddities like Metal Wolf Chaos and Otogi: Myth of Demons is still very much alive and well.

Deliver At All Costs is a solid game for an hour. But then the formulaic nature of delivering goods from point A to point B becomes tiresome. Enacting wanton destruction and experiencing the unique setup of each delivery for the first time creates brief thrills, but breaking stuff just to break it doesn't remain enjoyable for long and the meandering and unfulfilling story that connects each delivery drags the whole experience down. Parts of Deliver At All Costs work really well, but it too often ruins its own fun.

Imagine sitting on the floor in front of your TV watching the pilot episode for Teenage Mutant Ninja Turtles in the 1990s, and that's how it feels to play TMNT: Tactical Takedown. All the elements are there, you had a great time while it lasted, but you can sense it's really the rock-solid foundation for something much grander. The game itself is a great distillation of some radical concepts, but it also feels like it's straining against its own limitations. Nonetheless, this is a great start to what I can only hope becomes another way to spend time with the turtles.

All told, this is another great compendium of some of Capcom's best fighting games in their history. How many more Capcom can put together, however, remains to be seen.

With a set destination, the journey has to be the focal point of Old Skies--which is great for it, as the game is a fantastic journey. The memorable dialogue is bolstered by an incredible cast of voice actors, and the story is compelling from its shocking first hour to its timey-wimey final moments. I'm normally one to play point-and-click games in small bursts to sit with each chapter of the story, but I found myself regularly playing Old Skies in large chunks, going through multiple chapters in each sitting just to see what would happen next. And even though I didn't enjoy every step there, the overall package more than made up for it with one of my favorite stories of this year.

These misgivings aside, Revenge of the Savage Planet offers up a carefree adventure that's a rollicking good time either solo or with a friend--whether online or in split-screen. It's a more confident and varied sequel, with a shift in perspective that maximizes its slapstick comedy and platforming chops. Combat is a letdown, but everything around it is a joy, from finding creative ways to use its gadgets and solve puzzles to simply exploring every nook and cranny of its diverse and bountiful planets. Revenge of the Savage Planet may have been born from less-than-ideal circumstances, but it's evident from playing it just how much Raccoon Logic is reveling in it existing at all.

It's surprising how much Doom: The Dark Ages manages to reign in some of the changes Doom Eternal made while also taking the series in a wholly new direction that redefines its rules of engagement. The emphasis is on melee combat that harmonizes beautifully with the tried-and-tested pace of Doom's action, making each new attack parried and counter-attack landed feel as satisfying as the first. It's a finely tuned adventure that delivers the power fantasy of ripping and tearing through thousands of demons without losing an underlying complexity that makes each encounter engaging to blast through. Although it can falter at times when straying too far from the fundamentals, Doom: The Dark Ages shows that there's still so much fertile ground that this series can explore, and that sometimes smart, measured changes can take the series in surprising new directions and yield some of its finest moments.

Controversy aside, Fatal Fury has come back in a big way with City Of The Wolves. I can't get enough of the REV System and its tactical edge to the classic 2D fighting format, as it adds an energy to each match that other fighters don't have. The roster offers plenty of variety and experimentation, and each member of it looks incredible thanks to the comic-themed style. I just wish there were more to do with these characters that didn't feel as repetitive as Episodes Of South Town does. Luckily, a very solid online environment fixes the issue, as every match I've played so far has run without incident.

Skin Deep doesn't reimagine immersive sims, but it takes the level design principles that players have enjoyed for decades and recontextualizes them for its brightly lit, goofier-than-usual world. Sometimes, preferred routes to success can become too reliable and make very differently shaped spaceships the settings for some familiar outcomes, but much more often, it's a game of clever actions and surprising reactions. It checks all the boxes of a great immersive sim, where each level is a puzzle box and you hold any number of figurative keys to unlocking it. And, yes, you can flush the toilets.

Virtuous seem to understand that trademark Oblivion "charm" because the remaster keeps the best of the Bethesda jank intact while gently reworking some of Oblivion's more dated mechanics.

When you factor in the voice talent involved, the visual splendor on offer, and the sheer scale of the whole game, it really feels like Clair Obscur is punching above its weight, considering the comparatively small size of the team at Sandfall. This is a supremely confident game that reinterprets familiar mechanics with an imaginative eye. Its combat is a consistent delight, delivering thrills with thoughtful strategy and reactive action in equal measure, complementing a heartfelt story of shared grief and camaraderie. There are minor pitfalls in relation to its narrow exploration and some quality-of-life issues, but these missteps aren't enough to significantly detract from a game with all the makings of an RPG classic.

Sunderfolk does a great job of emulating the experience of playing a tactical-focused tabletop game with your friends, where the moments you most remember were the ones you and your fellow players made together, not the tale that the Game Master tells.

Blue Prince is one of the most memorable video game experiences I have ever had. It is at once accessible and impenetrable, frustrating and euphoric. Like each of my dozens of permutations of the Mount Holly manor house itself, it is truly one of a kind.

Wanderstop, at its core, is the type of game that I suspect a player will need to play at precisely the right time in life to truly connect with. As its story (and Alta) unraveled around me, I was reminded of my own struggles and kept thinking about how comforting it might have been back then. Regardless, I adore the fact that it exists and will surely serve that purpose for so many others. It's an audiovisual delight, its narrative and characters are memorable, and I applaud the way it tackles burnout and how self-destructive productivity can be--especially in a time when just about every other influencer is preaching hustle culture and life optimization. That said, Wanderstop is not for everyone, and its gameplay and rough edges create a formidable barrier to truly enjoying what it does well.

And that's what South of Midnight is: an unapologetic love letter to the American Deep South; specifically, the gothic vibes that permeate the mythology and superstitions of the region as well as the history and culture of the people who live there. It doesn't exactly wow with its combat and platforming, but these parts of the game are mechanically sound, and South of Midnight's memorable characters, incredible visuals, and catchy soundtrack are so strong that it doesn't really matter that the gameplay is just decent. South of Midnight is the type of story that will sit with you, and a good reminder that we need more games about the American Deep South. Compulsion Games hasn't made a direct sequel to any of its games yet, but it needs to make an exception here--I am not done with this world.

Atomfall isn't Fallout. Sometimes, that's because Fallout is understandably a much bigger, better game. But Atomfall also structures its story and world so unlike typical open-world games, Fallout or otherwise, that the distinction isn't merely meant as a slight on Rebellion's latest effort. Its fresh, mystery-laden open-world design overcomes a bundle of world-building cliches and a few gameplay hindrances to feel novel and worthwhile the entire time. Often, a new video game IP takes until its sequel to truly establish its identity. The theoretical Atomfall 2 feels like it could be a much greater game someday, so long as it's built on this game's intriguing quest framework. Here and now, Atomfall is a good game that sometimes gets in its own way, but it's the process of finding your unique path through its story that will stick with you after the dust settles.

MLB The Show 25 plays a typically excellent game of baseball. Ambush Hitting is lackluster, but tweaks to fielding make for a more well-rounded game. Meanwhile, Road to the Show finally gets the shot in the arm it's been crying out for with the inclusion of amateur games and a reworked progression system; free agency is more engaging in Franchise, and Diamond Dynasty smartly shifts away from the restrictive Sets and Seasons model while also introducing an enjoyable new single-player mode. Whether its additions are incremental or more significant, MLB The Show 25 makes enough positive changes to justify another year out on the diamond.

Despite a forgettable story and some constricted level design, The First Berserker: Khazan's excellent combat is more than enough to cover for these missteps. It's challenging, engaging, and consistently satisfying, complemented by a cavalcade of dynamic enemies and a versatile progression system that extends beyond the typical XP-based approach. It can feel derivative at times, yet The First Berserker's confluence of ideas and influences makes for a thrilling souls-like that stands out in what has become an increasingly crowded genre.

As a whole, my time with InZoi was underwhelming. Though I know more items and cosmetics are headed to the game and that there's plenty of time and potential for its developers to focus more on the game's social aspects, as it stands right now gameplay isn't enjoyable and I worry that InZoi won't place as much importance on its social-simulation aspects as I'd prefer. Though I'm opting to remain hopeful, after spending a few dozen hours with InZoi--and despite my absolute delight at getting the opportunity to review a game I have been eagerly waiting to play since its announcement--I've come to the conclusion that I most likely won't pick it up again until it's spent far more time in development. [Early Access Provisional Score = 60]

So much of Shadows' issues come from Yasuke's inclusion. Not because he's a badly written character or because he doesn't feel like he belongs, but because much of what makes an Assassin's Creed game an Assassin's Creed is stripped away to make his samurai fantasy work. Naoe's shinobi fantasy works far better, effortlessly sliding into the gameplay loop of hunting down mysterious targets, puzzling through the best way to reach them, cutting them down, and disappearing without a trace. Naoe and Yasuke's story could have used more unity, especially in giving the duo a shared purpose to drive the plotline and their character development forward. But at the very least, Naoe's gameplay is the best that the series has felt since the transition to a more action-RPG format--Assassin's Creed Shadows is an absolute blast to play.

WWE 2K25 is an excellent game on a mechanical level, offering tremendous depth and breadth to create matches that mimic reality in exciting ways. Its bevy of game modes comprises several worthwhile timesinks and interesting new wrinkles, each of them appealing to one or more sections of wrestling fandom. Its creation suite is in a tier of its own and deserves to be the envy of everyone else bringing user-generated content into their games. Online multiplayer woes exist in both previously seen and new forms this year, but there is so much here that deserves praise. I wouldn't throw out an otherwise exciting WrestleMania over a bad match or two. Similarly, I don't feel a handful of poorly implemented PvP features leaves WWE 2K25 as anything less than the number one contender for sports game of the year.

As it stands, this is a package of two great games that is serviceable. Outside of some interface issues that are mostly artifacts of the games' age, there's nothing wrong with Suikoden I and II--in fact, they remain as excellent as ever. But it's hard to get rid of the nagging feeling that this remaster feels uneven between the weirdly contrasting visuals and the general lack of quality-of-life improvements beyond the bare minimum. Suikoden is a phenomenal series that deserves all the love it can get, and with how expensive the original titles have become, any way to let people enjoy them is welcome--but these two games really deserve to be reintroduced with the red carpet, not the tacky doormat.

Split Fiction could very well be the best cooperative game I've ever played. At the very least, I firmly believe it sets a new standard for the genre. And yet, it's more than that. Split Fiction is a love letter to creativity--to stories, games, and the people who make them. It is funny, dark, joyous, childish, tender, cheesy, thrilling, and remarkable. All this combined with gorgeous environments, fantastic gameplay, and sheer spectacle make Hazelight Studio's newest release an early contender for the best game of 2025.

Lost Records explores and depicts adolescence in a way that not only surpasses many games, but several works of media in general. It's no secret that we are inundated with "coming-of-age" stories, and as a fan of the cliche, I'd argue it's for good reason. The era between childhood and adulthood is one filled with hormones, emotions, self-discovery, lust, defiance, and experiences that ultimately shape the person you will become, shedding some semblance of your former self. Yet both the story that Lost Records explores and the one being shaped in the "current" time, in which women in their 40s come together and dispel the grating notion that women of that age are decrepit, matronly, and boring, do so in a way that feels fascinating, new, and important. As it stands now, Lost Records: Bloom and Rage is poised to be one of Don't Nod's greatest titles. Ultimately, however, much of the game's success is dependent upon the release of its second half, which is scheduled to release this April. It will take answers, action, and rewarded patience to stick the landing, but as of right now, I have faith that the team will do so.

Alien: Rogue Incursion is perhaps a decent Alien game on some VR platforms, but if you're playing it on Quest 3, that should be because it's your only option and you really want to play it for yourself, much like playing an otherwise gorgeous game on the Switch because you prefer some of its unique features over visual fidelity. Even with better visuals on other headsets, Rogue Incursion would still suffer, given its lackluster monster encounters. The VR tools at your disposal are fun, albeit not novel, but more than anything, the game is best enjoyed on the merits of its story. If you're not willing or able to mod Alien: Isolation to play it in VR, then this is the de facto best Alien VR game available, but that doesn't exactly make it a good one.

I won't spoil any of the other monsters you'll come across, but there's seemingly no end to the cavalcade of creative monster designs coming out of Capcom. This has always been Monster Hunter's greatest strength. Whether you're alone or playing with others, Capcom understands the value of throwing you into one climactic battle after another in what would be a set-piece boss fight in almost any other game. Monster Hunter Wilds suffers from some performance issues, the environments are often bland, and the story feels superfluous, but when you're face-to-face with a fearsome monster, few situations are quite as riveting. Monster Hunter Wilds may only make iterative improvements to further refine the formula, but that's all it really needed to do.

Issues aside, Cabernet is an incredible RPG. The concept of comparing vampirism to addiction is nothing new, but framing that storyline within the real-world history of the middle class during the 19th century adds a compelling undercurrent to Liza's story and the various people she befriends, betrays, and smooches during her struggle to come to grips with her new existence. The consequences of Liza's actions feel impactful, and seeing each character's arc all the way through is narratively fulfilling. This is the level of quality that stories about vampires should strive for.

Like a Dragon: Pirate Yakuza in Hawaii is a solid spin-off, putting fan-favorite Goro Majima front and center with a suitably eccentric diversion into buccaneering piracy. The story doesn't pick up until an excellent final chapter, and it's disappointing that the narrative doesn't delve into Majima's complex personality, but this is still a thoroughly entertaining adventure on the high seas. It's quite unlike anything else in the long-running series, and even if it falters more often than usual, it's still essential for anyone who's previously called Kamurocho home.

On multiple fronts, Avowed holds so much promise that it struggles to follow through on. While its combat feels impactful and gives you options to experiment with, it's hamstrung by an overall reliance on gear upgrades and scarce resources that prevent you from fully enjoying the creative freedom it initially advertises. Its world is fun to explore and navigate, but its story fails to wrap this in a captivating tale with a satisfying conclusion. It's an experience that routinely swaps between exhilarating moments and frustrating slogs, and often leans towards the latter the closer you get to the game's climax. Avowed might present itself as the new age of the fantasy role-playing games that it borrows so much from, but it's unlikely to have the same lasting impact.

As it is now, VF5 REVO is the best currently available version of an all-time great 3D fighting game. If you're willing to put the effort into it, Virtua Fighter will reward you with some of the most intense fighting out there. Just please, make sure your PC runs it at a proper frame rate before you do anything else.

While Kingdom Come: Deliverance 2 still stumbles in some aspects of its portrayal of 15th-century Bohemia, the shadow that lingered over the first game has mostly dissipated. This is a massively improved sequel in every other area, with better combat, quest design, and none of the technical issues that plagued the original. Not everyone will vibe with its slow-paced and oftentimes tedious approach, but those willing to meet it on its own terms will find a compelling open-world RPG that relishes in player agency and the consequences of your actions.

Sid Meier's Civilization VII's "one more turn" aspect is still as engaging as ever, and I enjoyed huge portions of my playthroughs. Several facets, such as those related to diplomacy, espionage, crises, and combat address long-standing concerns. Legacy Paths and narrative events, meanwhile, offer rich and rewarding avenues for advancement through the ages. Unfortunately, as someone who's seen the heights that previous series entries have reached, the vanilla Civilization VII experience still needs a few tweaks, as it's held back by the aforementioned issues that occur during brief but crucial era transitions. Granted, the changes this series has undergone over the years--whether it's the square tiles or hexes debate, the "one unit per tile" drama, or city-planning with districts--have been for the better, eventually. The issues deemed controversial or cumbersome at the start paved the way for a better overall experience. As such, even if Civilization VII has a strong foundation, we might not see the game's full potential until much later in its lifespan. But, hey: At least the franchise has been consistent in that regard.

Eternal Strands is a straightforward action-adventure game. The physics-based magic system adds a lot of fun and satisfyingly strategic energy to Brynn's regular run-ins with colossal enemies, but smaller threats rarely rise above being a tedious hindrance. And although the history of the world is interesting to uncover and conversations with Brynn's party members a regularly lively delight, the actual moment-to-moment story beats don't feel all that compelling. It's a shame that Eternal Strands' lows drag parts of its experience down, because the narrative and gameplay have clear highs that would excel in a game that wasn't holding them back.

While the campaign is fun but often too familiar, Resistance shines most of all in some of the game's secondary modes, particularly Invasion and No Cross PvP. Of course, bringing a buddy along to play the story in co-op smooths over some of its roughness, too. I do want to play more of this series, but I'm hopeful the next one takes a bigger leap forward and cleans up some of the long-present jank. Like the difference between the second and third games in the series, it's only going to be the next big step for Sniper Elite if the team finally innovates on what existed before. Otherwise, it's just sparkling familiarity.

Marvel Rivals feels like the first hero shooter since Overwatch launched in 2015 to fully capture the magic of the genre. It offers a ton of heroes to play with, a great visual style, and a focus on making the game fun for everyone. While it does lift directly from Overwatch, its more original ideas make it feel fresh in the space. Marvel Rivals is a great multiplayer shooter in its early days, and if it can deliver on future updates, it could remain one for years to come.

Donkey Kong Country Returns is a throwback through and through. It's a little less novel than it was when it first appeared on Wii and was the first DKC game in more than a decade, and at this point a lot of its refinements and clever level ideas have been surpassed by the later Tropical Freeze. It's the best way to play DKC Returns and to revisit some truly top-class level design, though. The visual overhaul looks nice on modern displays and it encompasses the improvements made to the 3DS port. Just be warned: Given the sharp and sometimes frustrating difficulty spikes, only the most dedicated ape enthusiasts need apply.

Dynasty Warriors: Origins is an ambitious game that forcefully pushes the reset button after the failings of Dynasty Warriors 9. It's a marked improvement on that game in almost every area, utilizing modern technology to expand upon its hack-and-slash core while implementing a more considered and action-oriented approach that enhances its exorbitant combat. Longtime fans are likely downtrodden by its minuscule roster and lack of co-op, and the story has a habit of clogging the game's pacing with too many redundant conversations, but these shortcomings mostly fade into the background once you're entrenched in the heat of battle. At that moment, there are few sights better than a dozen peons hurtling helplessly through the air.

It can sometimes be tough to appreciate games from the past because so much of game design is built on iteration. That isn't a problem with Legacy of Kain: Soul Reaver 1&2 Remastered. There are archaic elements to both games, yet it's surprising just how well they hold up today. There's no doubt that improvements to the game's controls and, to a lesser extent, their visuals contribute to this, but the main reason they persevere is because of their masterful melding of story, worldbuilding, and mechanics with a handful of innovative ideas. Much like Raziel, this isn't a perfect revival, but it preserves a pair of classic games and, in an ideal world, will attract a new audience to a series that has been dormant for far too long. Hopefully, this is just the beginning of its resurgence.

Mighty Morphin Power Rangers: Rita's Rewind feels light and disposable. It's a largely enjoyable brawler throwback that plays well and accurately captures the spirit of the original old-school Power Rangers. The vehicle segments can be frustrating, but the larger issue with MMPR is that it's ephemeral. Like watching an episode of Power Rangers on a lazy afternoon, you'll have a little campy fun and then immediately forget about it.

MachineGames has successfully designed a game around its protagonist; its mix of improvisational stealth and combat feels distinct by adopting a fast and loose style that echoes Indy's scrappy persistence. It might not be quite as accomplished in all areas as the studio's Wolfenstein games, but Indiana Jones and The Great Circle is still a frequent delight.

I have fond memories of playing The Thing back in 2002 because there wasn't anything else quite like it. It was inventive and exciting, and even today, no one else is trying to do what Computer Artworks attempted in the single-player space. I commend the studio for what it achieved, but the limitations of the technology--and its design constraints--are much more apparent now, even with nostalgia-tinted glasses on. Nightdive has done a fantastic job of restoring this flawed but intriguing game, continuing its crucial work with game preservation. All of the changes it's made are positive, resulting in a better game, both visually and mechanically. Nonetheless, this is a case where a complete remake would've been much more appealing, allowing for the trust and fear system to be fleshed out with less rigidity and more dynamism. As it is, Computer Artworks' vision might never be fully realized, and that's a shame.

Criticizing Stalker 2's technical issues is tough, simply because it's astounding that GSC managed to launch the game in the first place. Admittedly, this made it easier for me to overlook some of its irritating quirks, particularly when they weren't egregiously crashing the game. Yet even this might not have been the case if it also weren't an engrossing game. Stalker 2 is notably flawed in a few areas, yet these shortcomings tend to dissipate when a compelling, non-linear quest goes awry thanks to an unforeseen element forcing you into a frantic shootout. This unpredictability and the way its various systems interact to create anomalous stories sets Stalker 2 apart. Throw in a beguiling world and the fascinating mysteries hidden within, and it's difficult not to fall under its enticing spell.

The Veilguard is a mostly sound game that works when you're playing as a class that can take advantage of its combat. I haven't run into any glitches or game-breaking bugs. No side quest feels too obtrusive or too fetch quest-y. And now that I've distanced myself from the mage, each combat encounter is snappy and avoids feeling too tedious or frustrating. The Veilguard feels like BioWare making a good BioWare game again, and that in itself makes me extraordinarily happy.

Slay the Princess is a dazzling game, dripping with charm, brilliance, and emotion. Last year, GameSpot included the title on its Best PC Games of 2024 list. A year later, both time and The Pristine Cut have intensified my love for the title. Though there are a few rough spots, Slay the Princess is not only impressive as a game hailing from a small, independent studio, but as a game, period. There are a substantial amount of content warnings surrounding the game--all of which can be found on its official website--but for those willing to endure, it is a must-play.

A few underwhelming cases do little to dampen The Rise of the Golden Idol's unmistakable quality. This is a worthy successor to one of 2022's best games, putting a fresh spin on its singular concept with another collection of challenging and inventive puzzles. With a compelling story tying it all together and smart changes to its interface, Rise of the Golden Idol is everything you could ask for from a sequel; it's an excellent continuation of a singular idea, and there's already more on the way. Armchair sleuths are eating well.

Its story reshapes an adult plot for a younger audience seamlessly, with a strong sense of humor that kids will adore. Like a lot of content aimed at families, my strongest sense of joy is found not in how I experience Lego Horizon but in watching my kids become immersed in it. Levels often feel repetitive, but combat is exciting and tactical enough to teach depth and ask players to consider their approach, even as Aloy may be dressed up like a corn cob, a firefighter, or a pug. It's that blend of child-like style and mechanical substance that makes Lego Horizon Adventures a lovely game to play for parent and child pairings, though it's also just neat to see these usually self-serious characters put through a washing machine loaded with crayons.

Metal Slug Tactics does an excellent job of capturing the look and feel of Metal Slug and reimagining it as a turn-based strategy roguelite. The way its strategic elements combine adrenaline-fueled abilities and sync attacks makes for exciting combat that feels smart. It's too bad that a successful run is so reliant on luck, whether it's a favorable mix of missions or the right rewards and upgrades dropping. That, and the uncomfortably outdated enemy designs, are unforced errors that limit the advance of this otherwise capable army.

Romancing SaGa 2: Revenge of the Seven is a superb remake of a classic game that rarely received due recognition outside of Japan. It's filled with systems that are fun to explore and utilize alongside a core gameplay conceit that remains unique. If you're looking for a different take on JRPGs--or just a unique RPG in general--this is a lengthy journey you'll want to invest lots of time into.

The body-swapping combat, RPG-like team of possessable people, the monster-hunting semi-paranormal narrative--they're all exciting until you engage with them a little, when they reveal themselves to be shallow and underdeveloped. The actual experience of playing Slitterhead is constant repetition of systems that aren't very engaging even their first time, across levels you'll see over and over again, telling a story that never makes much sense, with characters that feel like first-draft lists of stereotypes. Slitterhead has a lot of fascinating ideas and compelling gameplay on the surface, but beneath, it's just boring and banal--a bunch of scary-looking monsters who turn out not to be very scary at all.

That length may have been born from a desire to create a big, meaty RPG, but in the end, it mostly serves to accentuate the simplicity in all aspects. Stretched over so many hours, exploration becomes dull, combat feels repetitive, and the story can't sustain itself. Mario & Luigi: Brothership is well made and has some great ideas, but in breaking free of its handheld limitations, it becomes too ambitious for its own good.

The highs are high enough. Its story is a fun Batman romp that would work as a solid comic book arc, even if it can't touch Rocksteady's mainline saga. Moreover, it's by capturing the full spectrum of Arkham's still-exciting gameplay mechanics so effectively that Shadow becomes a must-play game for Batman fans, and a revealing measuring stick of how much virtual reality has advanced in just a few years. This isn't the first Batman Arkham game made for VR, but it's undoubtedly the first to feel like it belongs with the rest of the series.

Imitation is the sincerest form of flattery, and it's hardly uncommon in the video game industry. Nonetheless, it's difficult to recommend Redacted when both Hades and its sequel exist and do almost everything it's attempting to do with much more aplomb. The Rivals system is a compelling breath of fresh air for the genre, and its combat is engaging--even if parts of it are severely lacking. There's a good game here, somewhere in the middle, once you're past the lackluster opening and monotonous ending. Redacted doesn't really expand on The Callisto Protocol universe, but I'm glad it exists. For as flawed as both games are, I still haven't lost interest in seeing more stories from this world, and I hope Striking Distance has a chance to tell them. Redacted just falls short a few too many times.

Fear The Spotlight is far from the scariest game you could play this Halloween season, but what may be read as a detriment for some is instead its best quality for others. With classically designed but more contained puzzles and combat-free monster encounters, it's a game that utilizes genre touchstones in manners meant to onboard new and/or younger players. Mechanically, it's simple, and the story doesn't come together until you've unlocked and finished the second campaign, but its combination of old and new horror-game design elements makes it a creepy and clever introduction to what is my favorite genre, and what may prove to be yours, too.

A Quiet Place: The Road Ahead is a certainly flawed but also intriguing attempt to make a video game out of a premise that seems not to be conducive to this medium. Crouch-walking around a monster for several hours should've probably been a worse experience, but it proves to be a sound idea that may have been a cult classic if it only had more attention to detail.

Sonic X Shadow Generations is a weird package. On one hand, Sonic Generations is a remaster of a great game from 2011 that now feels like it's a little outdated. And on the other, Shadow Generations is the conclusion to a storyline that the franchise hasn't really cared about since 2006. As someone who specifically got into Sonic games during that early 2000 period, this collection feels like it speaks directly to me. But it also feels much like its protagonists--lost in a place out of time and desperate to return to fonder times. It's a nice enough trip down memory lane, but the trip features all the speed bumps you'd expect from games from that era.

RetroRealms' first two "cabinets" arrive in style with excellent platforming gameplay, an authentic '90s vibe, and an interesting first-person 3D wrapper of a hub world that reminds you the game isn't just mechanically tight; it's also horror-obsessed. Boss Team and Wayforward prove to be a compelling tandem with this game, and given the team's intentions to build out its arcade with additional famous (and sometimes masked) faces, I'm hopeful RetroRealms can go the way of the slasher series and get several sequels of its own.

RetroRealms' first two "cabinets" arrive in style with excellent platforming gameplay, an authentic '90s vibe, and an interesting first-person 3D wrapper of a hub world that reminds you the game isn't just mechanically tight; it's also horror-obsessed. Boss Team and Wayforward prove to be a compelling tandem with this game, and given the team's intentions to build out its arcade with additional famous (and sometimes masked) faces, I'm hopeful RetroRealms can go the way of the slasher series and get several sequels of its own.

Unfortunately, the excitement of that original Mortal Kombat 1 ending is gone, and in its place rests a trepidation and unease over where the story might go next. Fittingly, it seems this once-promising story has been thrown into, well, chaos.

Many new elements are attempted in Super Mario Party Jamboree, and unfortunately I feel like a lot of them are unwelcome. The new modes are largely duds, the tantalizing promise of 20-player online falls a bit flat, and several of the new minigames are a slog. That said, the new maps are the best original ones in many years and Jamboree promises to still be a blast when you've got some friends over. I've reviewed many Mario Party games over the years and it's always a weird series to assign a number to. During the review period you get to play the occasional online session with Nintendo reps and fellow games media members, but a lot of time is spent exploring the maps and minigames solo. In this form, the faults of the game are laid bare and you see it with clear eyes. But once you grab a few close friends and you're laughing with it over a few beers, the deeply flawed game turns into a raucous night of camaraderie and laughter. Jamboree is no more or less nonsense than any Mario Party, and it's one I'll still be playing a ton of despite its flaws.

I once enjoyed the game as a player, back when I was in the middle of the game's target audience. Today, I'm well outside of that, but the game has taken on new meaning to me now that I have kids of my own. Because the core gameplay remains fun and easy to learn, passing down my favorite characters to my kids has been a heartwarming joy, and watching their favorites emerge has been exciting. I can't really play this game competitively anymore; I've outgrown it in that sense. But I could never outgrow these vibrant kids that helped shape my childhood, and I'm confident other parents, whether they grew up with the game or not, will sense a similar magic when they play it with their kids, too.

There's fun to be had in Dragon Ball: Sparking Zero, but ultimately this return to form does not spark as much joy as we'd hoped.

Somehow, Metaphor: ReFantazio is even greater than the sum of its parts, yet each piece of the game is masterfully crafted. I found the whole experience transcendent and was impressed by how it felt both novel yet familiar--elevated and modern, yet so reminiscent to the fantasy RPGs I sunk countless hours into on my little grey PlayStation. But most importantly, it made me remember that we are lost without hope. It sounds silly and cliche, I know--sometimes it can be. It also certainly doesn't put out the fires set all over the world. But it reminded me that giving into despair and fear serves no one, myself included. It reminded me that fantasy and fiction have power--words and stories have power. They can inspire and comfort, and these things that are vital to preserving. And it reminded me that the proof of good in the world can be us, and that's a good start.

Vessel of Hatred acts as a great reentry point for lapsed Diablo 4 players looking for another fix of the dungeon-crawling action that the original release so deftly introduced. The Spiritborn class is as satisfying to command in skirmishes as it is to experiment with, featuring a level of depth that extends beyond all classes before it. Both the Kurast Undercity and the Dark Citadel are captivating additions to the existing (and drastically improved) endgame conten. The expansion is only let down by a middling story that fails to captivate on the setup of the base game and ends with nothing more than a tease for the presumably real conflict to come. Irrespective of that, Diablo 4 didn't need an expansion to uplift it, but Vessel of Hatred certainly delivers on making the entire thing feel fresh again.

The original Silent Hill 2 is one of the most beloved, culturally significant, and overall best horror games ever made. It appeared to be the case that trying to recapture the magic of that game was to misjudge how impactful its time and place were, and how its limitations helped shape it for the better. Any studio advancing on such a project should've had a Sisyphean task ahead of them, forever chasing its essence like a moth with a hole in your net. However, by staying true to the original game in extremely important ways and taking calculated risks born from an understanding of the source material, all while being supported further by some of the game's original brain trust, Bloober Team has done what was reasonably considered near-impossible. The remake of Silent Hill 2 is a restless dream come true.

There's a lot to like about EA FC 25, from the overhauled tactics to the chaotic addition of Rush and a few welcome improvements to Career mode. It's not a resounding victory, however. The on-field action has stagnated, maintaining its quality but also plenty of its flaws, while changes to Ultimate Team feel antagonistic in their design. In the near future, issues like input lag and its propensity to crash will hopefully be fixed, but the same is unlikely to be true for its long-standing problems. At the end of the day--to borrow common football player lingo--there's fun to be had with EA FC 25, especially if you enjoyed last year's game, but rather than taking a significant leap forward, it's content to settle for midtable form.

With more attention to balancing and better, earlier explanations of how its puzzles, boss encounters, and items behave, I could see Funko Fusion eventually being the enjoyable, adult-oriented Lego alternative it wants to be. It needs some important fixes, but they don't seem like unattainable goals in this era of living games that are constantly evolving. The eventual widespread co-op functionality should hopefully make the game better all on its own, and if more helpful visual language and tooltips arrive soon, too, the game could be redeemed. Until then, however, this is one Funko product not worth displaying on your shelf.

If you've never experienced God of War Ragnarok, then there's a strong chance this port will satisfy you after the extended wait. It's just a pity it's not flawless as the extra time might have you expecting. [Unscored PC Version update]

If Zelda's debut in the spotlight is a one-off, at least it's a memorable adventure. But hopefully this is the beginning of a new legend for the heroine. Echoes of Wisdom's brilliantly integrates echoes system links two eras, proving that the freeform mechanics of the new age can coexist with the franchise's classic formula. Don't mistake this for a spin-off or minor entry between big "mainline" games: The Legend of Zelda: Echoes of Wisdom is a major moment that shouldn't be missed.

Simply put, UFO 50 is an audacious triumph. Dozens of the games are compelling enough to warrant a full playthrough, and even some of the less successful experiments have some intriguing element or inventive idea to draw you in. Best of all, it's exciting to have such a rich vein of strange, creative video game experiences to examine. This is nostalgia, but not the candy-coated feeling of reliving what we've already experienced. It's remembering how it felt to discover something new.

Dead Rising Deluxe Remaster is a better version of a classic, flawed game. Those blemishes are sometimes more glaring today, but some great fixes to the overall package also erase some other issues entirely. Its timeless qualities, like an absurd story and a fun setting, keep it from feeling like an unwelcome retread. Still, I'd hope the next Dead Rising fixes a lot of what this one does poorly--and even some of its sequels did that, so it seems likely. In 2024, Dead Rising is no longer the sort of game that would make me run out and buy a new console, but it is a game that I'm happy to revisit in this improved form.

Frostpunk 2 doesn't replace the first game. Instead, it elevates its rawest themes of human nature to towering heights. It offers a significantly different challenge in its city-building that allows both games to exist in separate sectors of the genre, and it's better for it.

The Plucky Squire is a joyful story about creativity and inspiration that is itself both creative and frequently inspired. In the world of the game, The Plucky Squire is a beloved franchise and popular character with multiple entries in his long-running series. Here in the real world, he deserves to be a star too, and I can only hope this is the start of his success story.

Squirrel With a Gun isn't aggressively bad, and I didn't hate my time with it. It was basically just a thing that I did for four hours. Nothing about the experience really stands out; the whole game is entirely unremarkable and won't live long in the memory. It's kind of like seeing a squirrel in real life. You go, "Oh look, a squirrel," watch the furry critter scurry up a tree, and then get on with your day. That's Squirrel With a Gun in a nutshell.

Wild Bastards is the second instance in as many games where Blue Manchu has left me mesmerized with its knack for creating intricate, interwoven gameplay systems and arranging them in such a way that rewards careful planning and skilled improvisation at different times. With a fantastic cast of 13 unique characters, tight gunplay, a striking sense of style and humor, and a deep array of possibilities in every part of its three-phase loop, Wild Bastards is unholstered brilliance.