Nearly everything about Neputnia Virtual Stars just feels like half-assed fanservice for the sake of fanservice. The gameplay – while somewhat competent – feels undercooked, the story is flat out boring, and the presentation doesn’t do much to salvage the first two. The inclusion of VTuber content is dim bright spot, but it’s not bright enough to bring this game up to any sort of recommendation. Prospective players should just skip this one, and Neptunia fans deserve better than this disappointment.

If this game cooked for another six months to a year, the devs could take it beyond just having the basics to being something truly special. But as it stands right now, this game does not really offer enough satisfaction and enjoyment to be worth its asking price.

After so many Dragon Ball games repeating the same story arcs and putting players in control of the same characters, it’s a fun and refreshing experience (at first) to see what events on the scale of Dragon Ball Z would feel like from the perspective of a regular joe shmoe on the street. It’s a novel enough concept that makes for some great fun in the first few days of play, but it doesn’t take much longer for the cracks to start showing. This take on the asymmetrical multiplayer genre makes sense and there’s some appreciable execution outside of it simply being a Dragon Ball game, but it’s hard to see The Breakers really grabbing players thanks to its dearth of content, multiple grinds, and matches that start to feel a bit too familiar once you get past the new player experience.

It’s difficult to recommend on a story basis thanks to its generic narrative, and even harder to recommend on a gameplay basis thanks to the slew of glitches, loose controls, and boring progression. With more time and refinement, Blackwind could very well have been an enjoyable experience, but alas, it didn’t seem to be written in the stars.

I wouldn’t go as far as to say that Foreclosed is a complete waste of effort to play. It’s clear the developers were trying to make something cool here, but whether you’re looking for a third person shooter, a cyberpunk game, or a story-heavy game, your time would almost assuredly be better spent elsewhere. Every system presented to the player works on a functional level, but their implementation simply isn’t up to par with what’s required to make an engaging video game—even one that’s only about four hours long—and this culminates in an experience that ends up being more half-baked than hard-boiled.

It’s a very level game—enjoyable at first, but not very exciting after you’ve spent several hours with it. When you combine this with its emphasis on replayability over length and a paucity of mechanical revision, you get a lacking game with a highly contradictory price tag. These drawbacks are hefty, and they cause 2023’s Colossal Cave to be a difficult recommendation for those who aren’t already enamored with its text adventure roots.

If you’re really desperate to get inside a virtual aircraft and experience passenger flight again, I’m not going to stop you. But even with Bacronym accurately depicting what happens on any given flight, the appeal is going to be limited. I’m really hoping that additional content is coming for this game. Mostly because this is a passing curiosity at best, and a nose-pickingly boring experience at worst. Wait for a sale if it piques your interest, but avoid it otherwise.

I think if you’re a fan of the Hyperdimension Neptunia series and just want to see more of the characters and play an easy action game without using much brain power, this may satisfy that itch. But for those looking for more out of the titles they choose to spend $40 on, this three-hour escapade may not be for you.

Alas, poor Strobophagia. You look really good. You have some promise. But you are, at the end of the day, just lacking the meat you really need to be worth an unqualified recommendation. I don’t really dislike this game, on a whole. While it’s a wispy sort of thing, it’s clear that the developers had ambitions, and you can see the places at the corners where the ambition starts to creep in and almost promise to elevate the proceedings. It’s just that each time that happens, all you get is that hint, that idea faintly expressed until you just sigh and go about your business. So the score I’m giving this game is on the high end of that same number… but ultimately, it’s a game I can’t really recommend to a lot of people. For all the neat ideas at play and the interesting visuals, it never quite has enough meat on its bones. There’s just not enough to rave about here.

The game is wonderful artistically, but it just has far too many problems right now to recommend. The developers, Gato Studio, seem to recognize this and are preparing updates, but once again I find myself reminding game studios how badly things can go if you release something before it is ready. It is really hard to gain back the trust of players after you lose it.

Tedious amounts of fetch quests, clunky controls, sloppy presentation/execution, outdated visuals, and a mediocre soundtrack are really hard things to ignore, especially when considering the $29.99 price point. All in all, I’ve heard a lot about SWERY’s games and was looking forward to this experience, so it’s a bummer it fell short.

Demon Skin definitely needed a lot more work. It’s a buggy mess and a number of features mentioned in the help section or announcement trailers are just straight up missing. At its core, it has a plot they seem to be trying to do something original with, and a combat system that makes blocking more engaging. They could have done so much more, but at the end of the day I cannot recommend getting this.

Ultimately it’s just a tedious, scowling experience substituting actual improvement for growling noises and the occasional neon sign. And that’s disappointing.

One would hope this monumental shortcoming can be fixed with a patch, but as it stands, this port of Panorama Cotton—a blast of a game in its original form—is a nonstarter.

It’s not only the kind of game that you can finish in an afternoon, it’s also the kind that doesn’t leave much of an impression on you after the fact. While it’s able to roll down the road, it’s doing so holding things together with zip ties and a dream. It’s the kind of hot mess where the best experience would be to just give the album a listen on Spotify, because everything else just doesn’t do it justice.

Every minute I played this game was just a reminder that I still need to play through the updated classic, Metroid Prime Remastered (I’ve just been too busy!). While I simply can’t recommend this game even to the most forgiving fans of the genre it so badly wants to be a part of, if you want to put “metroidvania” and “first-person” together, there really is nothing better than the Metroid Prime series. Go play those instead of this.

I’ll be honest, this doesn’t feel like something that should have been released yet. It feels more like an early build of a game still in development. The visuals need some polish, combat needs larger hit detection for melee and dodging…it really needs a lot more love. At the same time, it’s clear heart was put into this. A lot of the things I find frustrating, I can see how they’d be fun with some minor adjustments. With some more work I’d call it a decent indie title, but as it currently stands, I’d look elsewhere for your Touhou fix.

Infinite would be an easy [70]…if parts of its platforming engine, parts that are mandatory to complete the game, didn’t rely on a coin-flip to determine whether they would actually work or not. With important functions being so obviously broken, I can’t in good faith give out anything more than a middling score.

Resident Evil Resistance is an interesting addition to the series. It’s not great, but it’s also much better than 2016’s Umbrella Corps for those looking for a multiplayer experience set in the Resident Evil universe. Fans of the series will no doubt have some fun playing a few matches and tinkering around with abilities and cards, but beyond checking out an occasional update, I don’t know that I’ll personally be playing much more of it in the future.

Everything about Puddle Knights is very polished and refined. No bugs or problems to speak of, just fun puzzles to solve. It was a really fun experience and makes you think in a good way. There’s nothing like staring at a stage for a while and then having the solution eventually jump out at you in a “Eureka!” moment. All told, the game offers a very satisfying experience that is pretty well worth the cost of entry.

If you’ve already played and enjoyed Orochi 4 itself, the Ultimate expansion makes everything better. The only downside is the asking price ($39.99) for existing owners of the game is a bit high for an add-on, but…you really do get a lot for the money. If you’re a fan and you haven’t already bought this, it is a worthwhile purchase. If you are more casually interested in Warriors stuff, maybe wait for a sale….but still get it. It won’t disappoint you with many more hours of mook-smooshing fun.

It never crosses the line to offensive, but it just doesn’t do anything original or interesting.

Keen is a puzzler that tries to reach up and achieve more beyond its base ideas, and while it doesn’t always succeed, the end product still remains something worth taking a look at.

Ultimately, it’s not hard to understand Krystopia: Nova’s Journey. It has some nice moments here and there, but they’re just that. They’re moments. Drips and drabs within a sea of mediocrity and “good enough” and elements that are both familiar and tedious. I’ve really tried my best to temper my natural disinclination toward adventure games here, but the fact of the matter is that for most non-adventure game fans, this is going to be a hard pass anyhow. The characters and dialogue don’t overcome the fundamental nature of point-and-click games, and the puzzles don’t feel satisfyingly complex but instead frustrating and unclear.

This isn’t a terrible game. If you’re a fan of the series and really eager to have more of it, it’ll probably serve decently for those purposes, but that’ll still mean overlooking things like weak translation, poor mechanics, and a slipshod feel across the board. But if you aren’t already a fan, there’s little to nothing to recommend it to you, much less to inspire you to learn more. And, last but not least… yes. It’s very wrong to try to pick up girls in a dungeon. Those girls are trying to do something other than pick up dates. Respect their time and interests. Come on.

Beyond the reset confusion, it’s hard to find any flaws in this game. The puzzle concept is a lot of fun, the visuals are just about perfect for a retro styled game, the 8-bit synth audio experience is on point, and it manages to stump you without overtly frustrating you – a crowning achievement among puzzle games. Give Deleveled a go, I highly doubt you’ll regret it.

Overall, I’d say this is a game that should have stayed on VR. There’s some decent fun here, but the act of controlling it with a keyboard and mouse is just not satisfying. It felt like I was trying to play with one hand tied behind my back, when I wasn’t fighting the system to get my tools to land where I wanted them to.

While I wouldn’t list Fallen Angel as my game of the year, it’s definitely entertaining while it lasts. It’s hard to enough to be satisfying, has a fantastic variety of areas, and the combat is fast and snappy. There’s a few flaws here and there, namely in a few minor bugs and the combat stagnating partway through, but it’s definitely worth the asking price.

REKT is a game that has some potential, but ultimately suffers from being very light on content while seemingly missing every chance to realize that potential. If you like the idea of playing a slimmed-down version of Tony Hawk’s Pro Skater meets Rocket League with cars instead of skateboards, you can certainly get some enjoyment out of this. But I think that’s a pretty niche audience for a game in today’s market.

I, AI really doesn’t push any boundaries or try anything new at all. It’s a budget title and I can cut it some slack for that. But I feel like the only people who could enjoy this are those that spent hours upon hours playing Space Invaders, Galaga, or R-Type back in the 80s, whom might get enough of a nostalgia trip from this to go play those games again. Anyone else will be reaching for the deck of cards pretty quickly.

On the bright side, what Romancing Distance tries to do it does well. Exploring the colorful environment and making decisions was enjoyable, although I wish there had been more of it. Serenity Forge also did a great job in creating characters that are fun to read about. Robin and Stephen’s interactions kept me engaged and I was curious to see how their quarantine romance would develop the entire time. Ultimately, I am glad I gave Half Past Fate: Romancing Distance a try, but I am also thankful that it was short and hope that maybe in the future there is an update where the couple gets their in-person happy ending.

What the Dub?! knows what it wants to be, and it does it well, straight-forward and with very little frills. If you have a friend group that already enjoys the Jackbox series and other quick and easy party games, there’s little reason not to add this one to your rotation.

It’s not terrible, and I can understand why people would gravitate toward it on mobile devices. But on your desktop? There are better uses of your computer.

If for whatever reason you really didn’t care for Assassin’s Creed: Valhalla, this is not the expansion that is going to change your mind. However, it’s hard not to rate it highly despite that fact. If you already own and enjoy the game, it’s easily worth the asking price and delivers a nice meaty slab of content with motive and entertainment to be had whether you’re just starting the game, you’ve beaten the whole thing and explored every nook and cranny, or you’re somewhere between those two extremes. In summary, Wrath of the Druids is more Assassin’s Creed: Valhalla. And considering how darn good the base game is, the DLC being more besides is exactly what it should be and a whole lot of fun.

Ultimately, I didn’t like Siege of Paris all that much… compared to the core game or its first expansion, anyhow. It feels, in many ways, like it was conceived and put into practice as a way to give Eivor something new to do, but it doesn’t really break any new ground compared to that. It’s like eating nothing but bread at dinner; it’ll fill you up, but it doesn’t exactly delight the senses in a new way. None of that is to say that it’s bad, though, because… well, as I mentioned before and bears repeating, Assassin’s Creed: Valhalla is a good game. A bad slice of content for the game is still pretty good. It deserves a high score because compared to an awful lot of games, it’s still delivering what it sets out to be effectively and giving you fun new weapons, areas, and armor to use as you clear through a new set of quests.

At the end of the day, quibbles about music or visuals or story are kind of secondary to this particular game. This is a title that is an amalgamation of two separate game types that both rely heavily on their gameplay to be pleasurable… and to its credit, Metallic Child really nails that part of the formula. It manages to be fun without feeling formulaic, and it even kept alive that sense of always struggling just a little further in the hopes of clearing a run even when things felt less than promising early on. That’s a sign that something is working right. Of course, none of that is to say that the game wouldn’t be better with a better story or better environments or any of that; just that what it needs to get right it does very right, so much that it elevates the game beyond what could have been a rather bare-bones presentation to be quite a good title. If you like the idea of flinging around robots and unlocking weapons from defeated bosses, you should definitely give this one a go.

Overall, Gleylancer isn’t some kind of boundary pushing or standard setting entry in the shmup genre. And it doesn’t have to be. What it does, it does well. The difficulty curve is a bit wonky, but even at its hardest it never feels impossible. Putting the options to use was a ton of fun, even if my method of using them ended up a bit…uncomfortable for my thumb. At its budget price ($6.99 at the time of writing), this game is an absolute no-brainer for shmup fans. I would argue that it’s a great option for genre newcomers as well, with its relatively easy opening levels before the difficulty really ramps up. As I continue my exploration of retro shmups, I’m glad this one fell into my hands.

Really, if I had to boil down my issues to one thing, it’s that the developers need to understand how to add content to a game. Games are all about what we as players choose to do, and for extra content to actually mean anything it should ask me to make different choices. For every dating minigame I’m making the same choices every other time that minigame shows up, for every frame of bowling I am making the same choices as every frame before it. All the pretty visuals don’t change that it is the same minute or so of content repeated over and over.

The story is convoluted and sloppy, the characters are caricatures of themselves, and the choice system feels pointless when the game is obviously linear and should’ve just stuck to telling the story it wanted to tell without the false sense of choice. Unfortunately, the only passable part of it all, the soundtrack, wasn’t able to make up for the janky visuals and tons of spelling errors. I was just left tired by the time I reached the end. Fortunately, Spire Games isn’t charging an arm and a leg for this game, but even ten bucks at the time of writing feels like a lot when the experience is so lackluster. For those that are somehow able to stay engaged, The VII Enigma has a total of 17 endings and 26 achievements, so there’s that to consider. I was just not one of those people.

If you’re a fan of the franchise or you want something that feels a bit like a good old-school hack-and-slash platformer, you’ll get some enjoyment out of the game. But it ultimately feels like a very pretty and well-intentioned game that made itself too easy and ultimately lost out on its main appeal.

I dare say the KickStarter that supported this release would have done just as well if it was an actual card game. I think that could definitely work and if it isn’t in the cards (wink), well, it should be. Regardless though, this game is a great value with it’s strong replayability, and it is definitely worthy of recommendation to fans of the genre, but I think even other curious souls out there should give it a go. It’s is very pick-up-and-play and could spark a new interest in a new genre for you if you are that curious soul.

Neptunia x SENRAN KAGURA: Ninja Wars succeeds at being a fun crossover and a decent enough game to play. It’s solid enough to satisfy fans and newbies alike, has a solid gameplay foundation, and isn’t afraid to let loose when the time calls for it. There’s enough here to keep you busy, and everything involved is at least competent enough to keep your attention. So long as you aren’t expecting Game of the Year material, you’ll find yourself having fun with this one. If your aim is to coast and relish in a little bit of cheesy ninja action, this definitely fits the bill.

Dwerve is a difficult game to put down. It incorporates the strategic aspects of tower defense with the reactive dodging of action games and fully reaps the benefits of both elements. Having to approach each of the varied combat encounters with tactical and mechanical skill creates a layer of engagement that not every game can reach, urging you to keep playing and tinker with your approach all the way up to its conclusion. Despite its somewhat lacking storyline, Dwerve is a fun, challenging trek through dangerous dungeons and dwarven history that carries itself with aplomb.

Given how hard the last few years have been, I have to admit that it felt nice to play a game with low stakes. I had forgotten how great it is to just enjoy titles without worrying about putting in countless hours or gaining levels. I was truly just there to enjoy a visual novel that had all of the necessary components for success; a well-rounded cast, a short yet engaging story, and beautiful art. Perhaps to some, Aquadine will come off as lacking any real urgency or sadness, but this is an opinion I would attribute to the game’s more mystical setting. If like me, you don’t mind the mythical and have a few hours to spare then this is exactly the right game for you. Just beware of its $20 price point (I do feel this is a little much given how short it is) and the grating voice acting

If you’re desperate for another farming life sim and have nothing else to play, or you really like the art style so much that you’re willing to overlook a relatively lackluster play experience, then you’ll get something worthwhile out of the game. I sure hope you do. But for the average player, I just can’t find much to recommend it over a lot of other games. Re: Legend falls far short of being a legendary experience.

Thanks to sparse placement of save rooms and challenging enemy locations, the player will be constantly hitting walls to their progression and replaying the same paths repeatedly (and in both directions). Tragically, the only reward for triumphing over these is often a predictable, meager upgrade or another equally difficult stretch of rooms, thus forcing Astronite to be a monotonous experience. The quality boss fights simply aren’t plentiful enough to make up for its shortcomings.

At best it’s a very boring platformer with no charm or substance, and at worst it’s throw-down-your-controller frustrating. The enemies are sparse and boring, and it takes too long before you gain new abilities that would give any depth whatsoever to the game. Unfortunately, I really find myself unable to come up with a reason to recommend this to anyone.

So Kandria is a strange game, but there’s a value in the game being confusing, and weird, and gangly, and distinct. It’s unique in a lot of ways, and that uniqueness is well worth seeing for yourself if what I’ve been saying sounds remotely interesting to you.

While this game is largely an incremental upgrade to past versions, its improvement make Supercross 6 the perfect time for newcomers curious about the sport to hop on board. I somewhat wonder where the game can go from here, because it really checks all the boxes now and carries my recommendation for fans of real racing experiences. Given how I have so little negative to say, I feel it has most certainly earned a score bump.

If you do enjoy the idea of what amounts to a never-ending survival horde defense mode and are willing to do quite a lot of playing before you earn other characters? There’s stuff to like here! This is not a bad game. But it’s a game that looks a lot more charming than it winds up being. It’s an all right game masquerading as a good one, and while that doesn’t make it bad, it does make it less than the sum of its parts.

Lord of the Rings: Gollum struggles under its own weight from the word go. Any benefit from a grimmer, more unvarnished look at the characters of Middle-earth from an atypical perspective is immediately undercut by a bevy of technical issues, clunky controls, unexciting game design, and stilted presentation at constant odds with the player. When you get down to brass tacks, Gollum feels undercooked from all sides in its attempt to snatch the One Ring, leaving it with no recourse but to plummet straight into the mouth of Mount Doom.

Now, I don’t want to sell it too short here. The right kind of person can certainly appreciate this sort of thing and those people might enjoy this a lot more and make it worth buying. But for the rest of us, the gameplay just isn’t remarkable enough, and I don’t think a bucket of humor dumped over the player’s head is what the doctor ordered. This earns it a score that reflects the niche audience that can appreciate the game for what it is.

Putting an actual number to this is more difficult than for most games. I enjoyed my time with Komorebi, but was left disappointed at the same time. Everything I loved had some small detail to criticize, and every criticism I had was tied to something I loved. Overall I would say it all depends on your perspective. Some people like the bottle episodes more than the season finales after all. If you prefer hanging out and getting to know people with a splash of sci-fi dystopian-ish intrigue to give them something to talk about, this will be right up your alley. If you’re here primarily for the sci-fi dystopia and seeing the characters bond over their shared struggle is just a bonus, you’ll probably find it a bit lacking. Still, at the end of the day, if my main criticism is simply that I preferred the previous entry… that’s probably saying something.

I am really happy that I stepped outside of my comfort zone and tried out this title. It has a lot of charm and I can openly admit that by the end of my playthrough, I was a fan of the protagonist, the cast, and even the villain a little bit. It’s obvious that Whateverland has a story it wants to tell and it leaves it up to you how you want to go about that experience.

Ultimately, RoboDunk is a pile of pieces that all work together in the strictest sense, but they don’t enrich one another. I enjoyed it well enough, but I never felt compelled to go back by anything in particular. It’s just… if you want a basketball-ish roguelike, this is definitely it, and it does everything right enough. But I can’t see you being blown away by it.

The overall gameplay is quite decent. But the bizarre design decisions regarding flight, settlements, and NPC interaction, coupled with some annoying issues, like lack of fast-travel or tutorials, leave you with with a blend of both fun and frustration that just doesn’t quite payoff in the end. I can see a niche audience for a game like this. But to have a broader appeal, I think Airship: Kingdoms Adrift needed more time in the oven to expand its feature set and create a good on-boarding experience.

While it certainly exceeded my expectations in a number of areas, Of Blades & Tails still has quite a few areas it could improve on. It’s an awfully rough start and the middle needs some work narratively, but it nails the landing. With over 20 hours to beat, a charming aesthetic, and a variety of ways to tackle combat, there’s a lot to sink your teeth into here. I just wish this wasn’t a case of “Yeah it gets good ten hours in.”

HunterX: code name T is a middle-of-the-road experience. If you’re looking for a new metroidvania to sink your teeth into, your attention would probably be better spent elsewhere, and that’s a shame because there are some solid ideas here. The inclusion of a notable parry system that decreases enemy stats while increasing your own isn’t enough to stave off the exhaustion that creeps up from the game’s other aspects. Enemies, bosses, and areas all feel the same to go through, and this eventually builds to a point of exhaustion—even in this shorter metroidvania. It could have been excellent with more refinement, but as it stands, HunterX: code name T remains simply functional and little else.

From the bit I was able to play of it, I think that Paper Ghost Stories: Third Eye Open has a bright future ahead. After all, titles that look to tackle interesting themes from a different perspective are the sort of freshness in storytelling that every reviewer lives for. Couple that with the fact that the game looks and sounds great just means that I will be one of the first people to pick it up when it officially releases.

Sadly, problems begin to arise after you’ve spent a few hours with the game, largely due to the fact that it doesn’t take much time to see a majority of the content Astro Duel II has in store for you. What’s there is fun enough, but it’s hard to fight the feeling that it would be vastly improved by having more to play with—ships and stages specifically, but a more traditional story mode wouldn’t have gone amiss—to prevent things from getting repetitive as quickly as they do.

Classic gaming enthusiasts will definitely applaud this game seeing the light of day again, but it doesn’t come out of the era unscathed. Shinyuden’s work done to do just that is worth complimenting to some extent, but it doesn’t erase how rough this game can be for some. Aero the Acro-Bat shows flashes of a good platformer, but the foundation laid by its original developers might be too big of an obstacle for some modern gamers. The door price may be low, the rest of the franchise is on the way, but this game isn’t going to please everyone. If you can stomach the rough edges it comes with, there is enjoyment to be had. Just don’t go in expecting it to meet the level of the more legendary platformers of the era.

If you are a big fan of tower defense, you will get a kick out of the game. You’ll probably have fun with it for a bit, and if you make sure to just have fun until you’re bored, step away, and then come back to it a couple months later? It’s probably going to keep your affection. But it’s perhaps not as fully-featured as it being a standalone game might suggest. While Flash is gone, it doesn’t mean you can just port games that worked in that format all into being standalone titles. Terrorformer TD has a fun gameplay loop for brief jaunts, but it goes from excitement to tedium faster than I would like.

Ultimately, it’d be wrong to say that Defender’s Quest II feels like more of the same; in visuals it’s very different and everything else feels like a distinct evolution from its original form. But it does feel like it has been made with the same sort of attention to detail and care as the first one. It carries all of the charm and memorability, and it also has that same addictive feeling of inspiring you to take on just one more round. In other words, basically everything I liked about the first game has been either preserved or expanded, and there’s just not much to criticize. This is an amazing package, every bit as good as its predecessor, and if you never heard of that game that means you have two great games to play. Go try it out, because if the idea of a tower defense RPG sounds like a great concept, I assure you that this one nails it just as well as the first game.

For fans of Uchikoshi’s works, picking up Never 7 is an interesting experience to see where he got his start, so long as you’re prepared for a twenty-year-old game with some questionable design choices. If this would be your first visual novel, though, I would recommend passing on this one for now. Pick up Ever 17 instead.

Even 23 years later, Ever 17 – The Out of Infinity still holds up. The quality of the narrative and the twists toward the end are not quite so novel in this day and age what with how many amazing visual novels have come out since then. But I found myself growing to love the cast, and the setting is absolutely genius in how it manages to keep giving the characters new challenges to overcome without feeling contrived. That all said, I don’t feel this is the best way to experience Ever 17, mostly due to the quality of the translation. I know it seems like a minor thing, but it causes me to question how much care was given to the writing across the board, and for a visual novel that’s more important than ever. If you have a way to try one of the other versions, give it a shot. But if not this is still a perfectly serviceable, and definitely more accessible version.

I should have expected a game called Dead Trash to be a pile of garbage. Most of the play experience is frustrating in a way that feels far from intentional, like the developers just didn’t test anything before deciding to ship it. I didn’t even mention every bug, just the most noteworthy ones. They nailed the aesthetic perfectly, but while aesthetic makes for an enticing Steam page it is not enough to carry a game on its own. “It runs” feels like the highest praise I could give to it, but given how much enjoyment I got from it I almost wish it hadn’t.

Alcyone is the epitome of a niche video game. I’m not a fan of mobile games but that really seems like it would be a better platform. If I could lay in bed under a comforter and nothing but lamplight and my phone I could probably play through it in one sitting. For now I just have bloodshot eyes and visions of a great new world that I hope to play again once I’ve recovered.

Pilo and the Holobook is a game that knows what it wants to be, and succeeds at it. It’s a cute and cozy little adventure aimed at a young audience, short and sweet with a price to match. There are a few snags here and there, some puzzles could be signposted a bit better and the secondary scenes could do with a better payoff. Still, at the end of the day the core of the experience is solid enough and there’s plenty of little moments that will make you smile.

This is a fun game, and while you can definitely tell that it’s not quite a full RPG in its own right, I still enjoyed it front to back. So if you want a somewhat romance-tilted RPG featuring a cast of women that’s on the lightweight side but still hits all of the major notes? This one is worth your time. Just be aware ahead of time that it is a bit lightweight, because otherwise you might be a touch disappointed.

Voron: Raven’s Story is certainly a flawed game, though to be fair it is an indie game largely made by one person and costs a mere $10, so one can only expect so much. The one thing the game truly has going for it, and what will determine whether you’ll enjoy it or not, are the unique flight mechanics. While I personally enjoyed it, I can definitely see it being a hard sell for most. I found the game was at its best during the challenges where I had to dodge obstacles and push my speed to the limit, but things fell off whenever I was simply traversing a large open area and gliding for long stretches. Still, if you’ve enjoyed the freedom of flying around in games and want a more relaxing and charming game about flight, Voron is certainly worth taking a look at.

Hamstermind offers a variety of unique challenges. Some work out better than others, but the experience is pretty high on the quality scale, for the most part. It’s an enjoyable romp, as long as you prepare yourself to get stumped, as the difficulty ramps up fast. You don’t see this sort of game too often these days, so if you’ve a hankering for games that really make you think, this could be a good choice. But maybe you could toss another hint or two my way, Righteous Tree? Thanks! Ahem.

GRIDbeat! has all the components of an excellent rhythm game: A unique aesthetic, addictive gameplay, a respectable difficulty curve, and (of course) a positively bumpin’ soundtrack. All of these qualities make it a relatively easy recommendation for fans of this genre, but each of them also has a depreciating caveat that lessens the experience. Somewhat samey level designs can occasionally cause visuals to lose their luster, a lack of meaningful change in the core gameplay loop, and very predictable difficulty spikes in each level are all snags that will come and go in different points throughout GRIDbeat! Everything mostly works the way it’s intended to, but it’s hard to ignore the missed potential. There’s no caveat for how enjoyable the soundtrack is, though. It’s just damn good.