Game Over Online's Scores

  • Games
For 3,102 reviews, this publication has graded:
  • 70% higher than the average critic
  • 5% same as the average critic
  • 25% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Game review score: 78
Highest review score: 100 The Last of Us
Lowest review score: 10 The Apprentice
Score distribution:
3102 game reviews
    • 67 Metascore
    • 71 Critic Score
    In some ways, Cleopatra: Riddle of the Tomb feels like a family-friendly, casual version of an adventure game. It's engaging, it's simple, and it's short, and it has a premise that's easy to identify with.
    • 70 Metascore
    • 71 Critic Score
    I wouldn’t really recommend it, unless slow-paced, frustrating adventures are your cup of tea. Or unless you really want to play a conspiracy adventure, and your only other choice is "Legacy: Dark Shadows."
    • 72 Metascore
    • 71 Critic Score
    So, overall, Battle Slots might be a useful diversion for you, depending perhaps on how much you like slot machines.
    • 51 Metascore
    • 71 Critic Score
    The game is simple and easy to play, the campaign is short (maybe 10-15 hours) but you can play it multiple times, and developing characters is fun. But the game is also a little sloppy.
    • 86 Metascore
    • 71 Critic Score
    A difficult game to control as you try and keep the camera and all your units going in the right directions with the mouse and keyboard.
    • 71 Metascore
    • 71 Critic Score
    From what I understand, Ino-Co is going to add more campaigns and missions in the future, and so possibly the game will eventually work well and be worthwhile if you stick with it. But in the meantime, I wouldn’t really recommend Elven Legacy unless it receives a bargain bin price and you really like tactical strategy games.
    • 64 Metascore
    • 71 Critic Score
    It’s too short, too flat, and too plain.
    • 67 Metascore
    • 71 Critic Score
    Plays to fans of the series and delivers them a package crammed with more perks than most devotees of a long-cancelled program this side of Star Trek could reasonably expect.
    • 82 Metascore
    • 71 Critic Score
    One of the worst interfaces I’ve ever seen in an adventure game.
    • 75 Metascore
    • 71 Critic Score
    Overall, Dungeons 3 was a mixed bag for me, mostly because I found the campaign to be sort of a chore. It took me 30 hours to finish its 20 missions, and while the humor was great, the lack of challenge took away any sense of tension or excitement, and I knew at the start of every mission that I was going to win after about 90 minutes. I was also sort of surprised that the focus of the game is way more on the surface (where everything interesting happens) rather than the dungeons (which all look about the same), when it should have been the opposite. So while Dungeons 3 isn’t a terrible game or anything, it’s certainly a title where I’d recommend that you wait for a sale before purchasing it.
    • 73 Metascore
    • 71 Critic Score
    I was not, I recall, overly enamored of the first game, and while inevitable, I don’t see that the sequel adds anything that anyone was clambering for.
    • 59 Metascore
    • 71 Critic Score
    Without a linear storyline to back it up, Share the Pain brings a limited amount of its humor to the multiplayer world.
    • 72 Metascore
    • 71 Critic Score
    Novice gamers or gamers who don’t really like games where there are objectives (such as fans of "The Sims" or "SimCity") might like Zoo Tycoon 2.
    • 77 Metascore
    • 71 Critic Score
    I’d only recommend Risen to people who really enjoyed the Gothic series, or perhaps similarly flawed games like Two Worlds or Dungeon Lords.
    • 81 Metascore
    • 71 Critic Score
    The lack of difficulty levels, imbalanced gameplay mechanics and lack of multiplayer support reduce this game from being much more than a rent for anyone other than the most hardcore flight fanatic.
    • 62 Metascore
    • 71 Critic Score
    The problem with Rock Manager is that once you create the song, there aren’t that many things to do, and what you can do doesn’t change much from scenario to scenario, and so it gets repetitive.
    • 65 Metascore
    • 71 Critic Score
    Though the game does have its high points, a fair collection of flaws and technical shortcomings hold the game back from being anything but a second rate game for only diehards of the genre.
    • 72 Metascore
    • 71 Critic Score
    The lack of difficulty levels, imbalanced gameplay mechanics and lack of multiplayer support reduce this game from being much more than a rent for anyone other than the most hardcore flight fanatic.
    • 74 Metascore
    • 70 Critic Score
    This is definitely a single player title first, multiplayer title second. Even in the former, it lacks the material to vault it into the stratosphere and turn XIII into a classic. Style and visuals can only do so much for a game.
    • 55 Metascore
    • 70 Critic Score
    There are some great elements and firefight sequences in Conflict: Vietnam but you just don't see them enough. And when you do, it's sometimes offset by other factors that ultimately mire Conflict: Vietnam's better traits into gameplay quagmire. Instead of an exciting battle, you find yourself slogging through the game.
    • 63 Metascore
    • 70 Critic Score
    Fracture makes all the mistakes of the generic shooter and hangs onto the hope that its one gimmick is enough to bail it out. It isn’t. In fact, it’s not even close.
    • 78 Metascore
    • 70 Critic Score
    Bound in Blood certainly isn’t without its flaws, but for fans of the genre I definitely suggest picking it up and giving it a try.
    • 75 Metascore
    • 70 Critic Score
    In the overall impression of Tomb Raider: Underworld, I believe somewhere under this mess lies an actual good game you can play and enjoy. Unfortunately the lack of polish and refinement that could have done to fix the awful camera and frame rate might have saved the enjoyment of Lara Croft’s newest adventure.
    • 68 Metascore
    • 70 Critic Score
    Stoked doesn’t have all the pizzazz of other snowboarding games but it does a pretty decent job of recreating the mountain feel.
    • 74 Metascore
    • 70 Critic Score
    Wolfenstein is a mediocre title from a franchise known to be innovative and exceptional in their offerings.
    • 66 Metascore
    • 70 Critic Score
    A decent foundation for a possible series. Unfortunately, lackluster navigation, combat maneuvers and repetitious sound effects, amongst other slights weaken this game significantly.
    • 70 Metascore
    • 70 Critic Score
    The upgradeable weapons and map editor are welcome features, but the convoluted plot, repetitive indoor levels, predictable AI and visual quirks hinder its best intentions.
    • 65 Metascore
    • 70 Critic Score
    The superfluous story mode, unbalanced custom versus mode and technical issues relegate this title to a definite rent before you buy game.
    • 72 Metascore
    • 70 Critic Score
    If you're willing to forgive a game some flaws in exchange for a memorable plotline and interesting characters, Syberia has those in spades.
    • 67 Metascore
    • 70 Critic Score
    Ultimately the brevity of PaRappa the Rapper is what makes it such a tough game to recommend.

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