A cosy, relaxed afternoon kind of game, Time Loader is a short, unchallenging but easy going little game. The soundtrack is lush and the gameplay, graphics and story are all decent enough to keep you engaged. While not memorable or worth screwing up the space-time continuum for, Time Loader is a dependable little earth JCB.

Let’s Sing 2025 doesn’t necessarily do anything wrong (except for online multiplayer stuck behind another paywall, I suppose), but it’s just a bit samey at this point, and the playlist isn’t full of enough pure karaoke bangers to really recommend upgrading if you’ve already picked up Let’s Sing 2024.

Whilst the tropes, atmosphere and Xenomorph fear factor are intact, I'm not bursting from my chest with excitement for Alien: Rogue Incursion. The gameplay is cumbersome and inaccurate, the Xenomorphs' presence becomes a hindrance when you're backtracking and outside of a few great story moments it's quite slow. If you're fan of the Alien franchise, you'll love that it'll transport you into that world but you may have wished you hadn't stayed.

Calling Front Mission 1st Remake a remake is stretching the term, when this is more of a like-for-like remaster of the original game, with new graphics and sparse quality-of-life updates. A diluted script, and no embellishment or modernising of the original whatsoever left me feeling disappointed when I had such high hopes for what a modern remake of a Front Mission game could have been.

SoulVars is a great console port of a mobile game, but it doesn’t quite do a good enough job of keeping you hooked whilst playing. The combat system is exceptional by being and rewarding albeit a little grind. Unfortunately, the story and influence are left as set dressing.

With a bit more time and budget, King’s Bounty II could have been one of the pinnacles of the fantasy medieval genre. The turn-based combat is deep, rewarding and challenging (though sometimes unfairly balanced), while the world of Nostria is artistically interesting and well-realised. If only the developers had been afforded the time and money to actually get the title running properly to overcome all the technical problems. The story is lacklustre with shamefully bad dialogue and voice acting, with everything other than the core combat system feeling under-developed and lacking the quality of life elements that have become the norm. King’s Bounty II ends up a decent prize, but a rather hollow haul of treasure that had so much more potential – a bounty more fit for a nobleman than a king.

It fails to deliver a compelling group of characters or a plot with any interesting hook, and doesn’t live up to the games that it’s clearly inspired by. It is a lot like The World Ends with You, which I also felt failed to give its characters any real depth, but it is not Persona 3, for example, that delves deep into its characters and their motivations to the point you feel you know them. All I knew, even after many hours with Demonschool’s cast, was that they were snarky and annoying, and they couldn’t accept plainly obvious things for hours on end.

I’d still love to know what conversations took place that led to “hey, we should remaster Zool”, but Zool Redimensioned does a pretty decent job of applying a fresh coat of paint, but in a way that remains very reverent to the source material. An excellent achievement from a group that only started programming 12 months ago. Unfortunately, the source material itself is the ultimate problem here – Zool was an average game back in 1992 and it’s little more than average here in 2021. A pleasant nostalgia trip, yes, but sadly it’s offers nothing to compete with the best modern platformers.

A decent enough romp, Star Wars: The Force Unleashed is let down by a few technical issues and some extremely dated graphics. Switch Lite users won’t get the full experience, but still enough to go on. Console limitations aside, it is fun to hoof Rebels about and use them like levitating pin cushions from time to time.

Afterlove EP is a poignant and heartfelt visual novel that explores some intense stuff about grief, wrapped up in the conceit of still talking to those who have passed on. However the lack of control, choice and gameplay options left me wanting to process my grief elsewhere.

A perfectly serviceable remaster, Panzer Dragoon: Remake still feels like a missed opportunity to reinvigorate a franchise that deserves it. Would love to see what MegaPixel Studio could do with one of the sequels and a little more creative freedom, but this feels a little too difficult to recommend at the price.

A fun and simple affair, Aluna hearkens back to classics like Gauntlet and Diablo, but in a much brighter setting. However, any fun in this action RPG is stifled by technical issues on the Switch and just some simply terrible voice acting outside of the main cast.

LEGO 2K Drive is a terrific addition to the LEGO video game universe, with a bright and breezy atmosphere, super fun races and a fantastic creator mode with classic LEGO jokes aplenty for all ages, sadly tainted by egregious and forced microtransactions which are all too easy to consider thanks to the slow progress of earning in-game currency. For a game at full AAA price of £70, it’s difficult to justify why they were included at all and ultimately brings down the entire experience.

Little Nightmares III still looks incredible, but clunky controls, an awkward camera, and a watered-down sense of dread stop it from fully reaching its potential. Co-op brings a fun new twist to this entry, but some of the fear and magic that made the series special seems to have slipped through the cracks.

Those with the patience to can forgive its foibles and push through the issues that Construction Sim 3 has though will be rewarded with that strangely therapeutic and relaxing game play loop. It’s surprisingly rewarding to stand back and survey your virtual creations when they’re finished but there’s plenty of room for improvement with the inevitable next instalment in the Construction Simulator series.

Back 4 Blood’s second expansion Children of the Worm delivers some urgently needed fresh content with a new campaign, character and weapons. It relies on the stale objective design and flawed gameplay of its base, but it also offers some fun missions and new enemy types to overcome. It’s a step in the right direction for Turtle Rock Studios and Back 4 Blood, most importantly leaving me optimistic for the planned third expansion, instead of with an intrepid fear of mediocrity that followed Tunnels of Terror.

There’s certainly fun to be had with a mate/partner/postman in Biped, but there’s very little here to have you playing for any more than a weekend. Once the levels are complete there’s the odd unlock that doesn’t justify prioritising Biped over the likes of Jackbox or Overcooked. If you’re on your own you’ll find little joy in ploughing your way through the adjusted solo campaign, which is more infuriating than infatuating.

Decarnation flirts the line of pretension but ultimately handles the subject matter decently. The gameplay is too on the light side, and sometimes frustrating when it doesn’t work how it should. However, the audio/visuals are stellar making it a decent psychological horror that should please fans of the genre.

Null Drifter is a fun game for a short burst of chaos and has plenty of good points with the dash mechanic and the various power-ups. However, give the game thirty minutes or so and you’ve pretty much seen all it has to offer. If your eyes can somehow translate the flurry of pixels on the screen, you’ll have fun unlocking the trophies, something you seem to win after every bullet fired. Null Drifter is a simple, fun, but ultimately shallow shooter, which is fine if you want a quick blast.

Once the initial shock factor dies down, Martha Is Dead is little more than a walking simulator with a Fatal Frame-esque photography gimmick. It has too many ideas and threads going for it, whereas a focused main plot would have made it much more engaging. A few technical issues marred the immersion, and some of the worst English dubbing since Resident Evil. As long as you aren’t expecting Italian P.T., horror fans may still enjoy this psychological shocker.

Rich gothic atmosphere and solid roguelike, inventory management puzzling give Fortune Seller a promising sales pitch. The ever-increasing payments and frustratingly imbalanced economy demands, however, mean its a hard sell thanks to overzealous haggling. Once this promising antique is better tuned and polished, it'll be ready for more bartering.

Croc: Legend of the Gobbos 2025 is a genuinely good remaster of a video game that's nowhere near as good as you remember it being. Still, the nostalgia hits are all there in the right places and if you need a break from the real world, you could do much worse.

There's not a huge amount to get excited about with Sporting Goods Shop, but what it does it does well enough to justify its existence. If you're new to the genre, you could do a lot worse. A veteran simulator player? Move along, you've seen it all before.

Overall, Visions of Four Heroes is a good quality expansion to Dynasty Warriors: Origins, but may feel too pricey for the lack of fresh material. The two new weapons and early prototype for strategy battles are interesting, while the core gameplay remains excellent. However, the storytelling continues to tread water and the expansion doesn't take much of a risk with its ideas, which may leave some feeling short-changed by its asking price.

Solitaire meets boxing with a cheap, cheerful and limited punch-up. Deck ‘Em is an hour of straightforward fun despite it’s lack of depth or content, but the low entry cost means it’s a decent way to spend the price of a high-street coffee for a bit.

A lack of the promised single-player story mode, middling graphics and relatively shallow combat systems threaten to consume Dune: Spice Wars in the maws of a Sandworm. Thankfully, it’s somewhat rescued by an authentic recreation of the Dune universe and the scope of available ways to play. It won’t be usurping the Imperial council, but the launch of Arrakis’ mining wars is a solid, if unspectacular one.

The Switch version is undoubtedly the worst way to play Layers of Fear 2 – but it’s still worth a look for horror fans who only have the Nintendo hybrid console available to them. The game itself carries an engrossing narrative set in a game world that’s constantly trying to surprise the player through a 5-7 hour adventure. While the puzzles are middling and the visuals less impressive than the other versions of this game, there’s plenty of scares and a thick atmosphere without a massive amount of gore.

S.T.A.L.K.E.R 2: Heart of Chornobyl ventures into the uncharted territory of the PS5 in a much better technical state, though the odd bug is still common. Boasting a huge apocalyptic landscape to explore, impressively long main story and some great gunplay, its destructive charm is easily noticeable. Sadly, it feels caught between two parallel genres and is unable to commit to either, suffering from tedious survival mechanics and superfluous decision making. The mysteries of the Zone pale in comparison to the mystery of what could have been if it had had a unified vision.