Too much is left to chance and not enough to player skill. I guess you could call it the pure definition of insanity. But those gamers who like a cruel, twisted challenge to keep them awake at night whispering just one more jump over and over again will find a decent game and one almighty almost insurmountable challenge here.

Channelling your inner desire to become just like Spiderman, Windlands 2 has some epic moments that are buried under tedious combat design, poor story structure and inconsistent grappling that is hindered by the current PSVR tech. When the harmony of swinging works, it encapsulates the best of what only immersive VR can do, if only the game itself could provide the platform to let it spread its wings and soar.

There’s a bit of a learning curve with House of Golf 2 which takes away some of the ‘pick up and play’ elements of other titles in the genre, but there’s some good course design and it’s fun to find the shortcuts hidden around them. There’s nothing here that will challenge the golf titans in gaming, but there’s plenty to discover if you’re willing to give it the time.

Undetected is unapologetic in being a love-letter to the original Metal Gear Solid. It’s fan service in a fresh coat of paint and will bring up those fond memories from 24 years ago for those who enjoyed Kojima’s original PS1 vision. Simplistic gameplay and AI make this a lesser experience for those who aren’t fans, but for those who adore the series, it’ll remind you of just how good MGS1 truly was.

When Potata: Fairy Flower is doing what it does best – tense platforming among open, branching levels loaded with danger – it’s excellent. Sure, it can be punishing at times but it has been quite some time since a game made my palms as sweaty as this game did at times. For that, it has to be commended. It’s a shame these moments are offset by meandering, sometimes nonsensical quests coupled with reams of text to read, some of which are confusing, and puzzles which grind the game to a halt.

There’s much to love in 9th Dawn III: Shadow of Erthil but it requires such an investment and patience from the player in order to pay off that many won’t push through to see the game’s best moments. The plot could have been tightened up, the presentation will be divisive and the combat lacks meaningful depth but the game world and activities it contains will have you busy for many, many hours if 9th Dawn III gets its hooks into you.

The Land Beneath Us has a lot of ideas thrown into the roguelite dungeon crawler that with a bit more fine-tuning could be great. However, for now, it’s just okay. Whether it’s the weapon/perk bloat or lack of executable builds that’ll help you beat the game, it just doesn’t feel fun when mechanics aren’t going your way.

Despite its obvious and numerous drawbacks, Broken Mind is an oddly compelling story driven first person shooter cum adventure puzzler. It’s not going to be challenging those titles at the apex of the genre but its a perfectly fine game to spend an evening with.

The story A Fold Apart tells is a powerful one, unfortunately undercut by the way it is delivered at times but a beautiful piano soundtrack and art style that’s deeper than it first appears helps it stick the landing.

With a different gameplay focus, bright and breezy presentation, a simple yet effective match engine and a long overdue women’s football management mode, We Are Football does a pretty decent job of setting itself apart from Football Manager. However, a cluttered and messy UI, when combined with a frankly overwhelming amount of information to process, served to be pretty off-putting and left me pining for the relative simplicity of FM Touch. If you want to dig into some boardroom minutiae, this might just be the game for you. As it is, there was just a little too much white noise around the good stuff to make this a unanimous recommendation.

Beyond the Dawn was never going to be an epic on the scale of a full Tales release, but it’s sad that this is the last taste of Arise’s world that I’ll remember. A poor story with little reason to be told and virtually no new features at all make this hard to recommend. It may look the same as the main game on the surface, but the soul just isn’t there.

Clocking in at just under 3 hours for a single play through, Gunman Clive HD Collection is a short yet charming experience on PS4. For the first game, the length isn’t so much a detriment because the game flows very quickly and is constantly fresh and fun. The remastered sequel is a far less enjoyable experience, doubling its length but containing some truly irritating or confusing sections. The unique art style is as much an annoyance as it is pleasing on the eye when used incorrectly but at least the soundtrack remains consistently pleasant.

Ad Infinitum initially intrigues with a haunting and visceral sense of atmosphere and nightmare vision. The stealth gameplay unfortunately feels disjointed and the story ends up predictable despite the mysterious first impression. Yet, despite having as many bugs as a WW1 mud-swamped trench, Ad Infinitum has the heart of a soldier desperate to make it through one more nightmarish day.

While its evocative graphics will attract players on this beautiful journey, the simple traversal puzzles and lack of emotional weight mean Planet of Lana is just not very memorable.

Positively drowning the player in guilt-ridden moral choices and gameplay-orientated dilemmas, War Hospital is an immersive and intense management title. Its limbs are battered and bruised, owing to significant technical issues and more minor glitches, making it more unstable than the soldiers you desperately try to save. War is hell, and you’ll be lamenting both your choices when losing each soldier and your mind when you lose hours of your time.

This kart racer is for the Nickelodeon fans and families alike. It’s an approachable entry for newcomers as it has a lot of reimagined content from the first two games. It’s also accessible, with a low skill barrier for entry that admittedly can go surprisingly high for experienced players. There’s a lot of content to get through but you’ll have seen the best of it after a hours and it doesn’t stand out amongst its peers, outside of featuring a load of Nickelodeon IPs.

Even with its issues though, Gravity Chase has enough content and verve about it to keep fans of Ballistics, WipEout or Radial-G entertained for a few evenings. For a budget title, it’s an admirable attempt to capture the spirit of the zero-g racing greats that came before it. In the long run though, it just can’t keep pace with the luminaries of the genre.

Knight vs Giant: The Broken Excalibur is a fun action rogue-like that wears the armour of Hades proudly. Unfortunately, that armour is weighed down thanks to tedious progression and upgrades systems, a less interesting story and some minor gameplay issues. Despite the problems, there is a visual flourish and the odd run that comes together into something altogether enjoyable, in spite of the flaws.

Cave Digger loses a lot of immersion in the journey to flat screen TV’s but the game play loop of mining and then re-investing in making the digging faster and more efficient still works a treat. Coupled with the darkly funny DLC which is included in the non-VR version of the game, this is a game that’s still worth a look when played on a TV rather than a headset.

Often as generic as its name, Battle Hunters needed a far more nuanced plot to really make use of its bloated 28 strong cast of heroes. That being said, the game world and it’s combat (despite not working as it should) are entertaining enough to fill it’s 15 hour length.

CRSED: FOAD probably won’t ever see major numbers like at the very height of PUBG and its revamp may have just come a little too late for the masses to really be all that bothered, but it’s a fun quirky indie distraction from the mainstream support acts that looks better than ever before.

The Hittites are an excellent addition which add extra hours of playtime and additional playstyles to be enjoyed, and are the highlight of the DLC. Unlike Alexander’s attempts to conquer Psersia, however, the scenarios are a bit of a miss. An experienced player who knows the game very well may well be able to emulate Alexander himself, but for a new player they very well may end up on the wrong side of history.

Fury Unleashed is also exceptionally hard.

Mutropolis evokes the same feelings its older and most revered predecessors do. However, the technical problems and clunky sometimes nonsensical puzzles holds the title back from being a point and click that stands out of the ever-growing crowd.

Rooftops & Alleys has a great foundation of parkour gameplay. But with a handful of levels and no great variety of missions that'll have you tripping over your feet, this won't keep players around for long; unless they're hardcore into parkour.

Spirit of the North remains a beautiful but hollow experience on PS5. The 4K 60 frames upgrade is glorious to behold, but the lack of DualSense integration in a game that’s crying out for it and hangups from the last-gen version makes it difficult to recommend.

To some, a short relaxing spiritual adventure through some lush environments will really appeal. For me, I wanted more than what was delivered. I wanted to be a fox, I wanted that feeling like when I was a wolf in Okami, but clearly there was a lot more to that game than I appreciated. Sadly the lonely experience of Spirit of the North is only a transparent, albeit beautiful, imitation.

Supermassive Games’ The Devil in Me lays some new ideas for the Dark Pictures franchise’s future. While well-intentioned, the implementation of these new gameplay ideas isn’t quite there yet. Lacklustre new mechanics and a bloated runtime do more harm than good. The Devil in Me would’ve been better off as a shorter, more refined experience. Great visuals, a solid cast, and a fun slasher premise can only take it so far.