Mutropolis evokes the same feelings its older and most revered predecessors do. However, the technical problems and clunky sometimes nonsensical puzzles holds the title back from being a point and click that stands out of the ever-growing crowd.

The Hittites are an excellent addition which add extra hours of playtime and additional playstyles to be enjoyed, and are the highlight of the DLC. Unlike Alexander’s attempts to conquer Psersia, however, the scenarios are a bit of a miss. An experienced player who knows the game very well may well be able to emulate Alexander himself, but for a new player they very well may end up on the wrong side of history.

A challenging and addictive driving game, You Suck At Parking maximises a simple premise to provide hours of laughs and fun. Either in single player or against friends, this game is among the most pleasing arcade games you’ll play this year.

Expedition Zero hooks you in with its first hour of tense atmosphere and excellent world design, only to fling you away with horrendous combat, counter-intuitive survival & exploration mechanics, and a barebones story. This expedition simply isn’t worth embarking on, but maybe one day there’ll be an adventure worth going on.

World War I returns with the Italian theatre authentically recreated for some grounded, methodical FPS action. The real war was a grind and Isonzo maybe captures that feeling a little too well with a lack of variety in maps and modes, coupled with some major technical and visual issues. Even so, it’s an earnest effort that’ll draw in appreciators of history and those who like their FPS experiences to be more tactical and threatening than the Battlefield 2042s of the world.

Svoboda 1945: Liberation defines why some stories should be told in the medium of games. This multimedia experience is filled with impactful emotions and hard truths that are long overdue in lesser known war stories. Although its short lived as far as games go, the lessons you learn are so unique that Charles Games has set a precedent in storytelling.

A succinct and well-told story, Jack Move’s character-writing and dialogue are endearing, and its pixel art charms. It’s a short and satisfying bitesize JRPG of around 8 hours for players with a bit less time on their hands or perfect in between 100-hour behemoths.

This is an easy recommendation to anyone who loves a unique and interesting story and yearns for a casual platforming experience. An adventure to be discovered by many. Little Orpheus has creativity, beautiful visuals and smart witty characterisation. With a run time of three hours split into nine small episodes, it certainly will not disrespect your time.

Sunday Gold is a gem mined from the rough and the dirt. The writing is on point and witty, the gameplay streamlined yet satisfying and the art style is catchy and engrossing. There are some rough edges to this golden nugget, but it’s enough to form an ingot which the game’s playable gang would promptly steal. Peaky Blinders meets comic book noir, better grab your whiskey and peaked cap.

Yet another success for Paul Raschid, The Gallery is a unique, poignant and often powerful FMV game set across both 1981 and 2021. With an engaging branching narrative, top class acting talent and quality of life tools to keep you playing, it’s a high quality entry into the genre. There are a few endings that fall flat, but when there are so many endings to unlock, this feels negligible.

A satisfying game play loop is the strongest aspect of Made in Abyss: Binary Star Falling into Darkness. Resource management and balancing your character’s needs gives the game a risk vs reward angle that makes it feel more like a survival game than an action RPG. There are issues – frequent texture pop in and a lacklustre story being the most severe – but despite them, Made in Abyss: Binary Star Falling into Darkness is a rewarding experience.

City Eye is a surveillance simulation game that has an interesting concept but disappoints in many areas. From bottlenecking progress in late stages by padding the game unnecessarily to repetitive mechanics and a lack of variety, the game fails to capitalise on an interesting premise. You’ll find yourself less likely to be fighting crime, and more likely to be waiting for them to happen.

A stylish, well-voiced, visual novel that tells a poignant and heartfelt story over five, one-hour episodes, We Are OFK is more interactive TV series than game. Let yourself drift away in its peaceful melancholia, but don’t expect much in the way of gameplay.

NBA 2K23 has something for everyone to get stuck into – whether you want to get engrossed in the Jordan era or have your own come up in MyCareer, all provide a lot to work with. With some of the best visuals to hit consoles and deep gameplay that plays so solidly, NBA 2K23 is a great iteration of the franchise.

A bespoke table top adventure brought to digital life, Betrayal At Club Low is incredibly well designed and a lot of quirky fun. Like a battle of whits against a dungeon master that’s determined to make you smile as much as they are to defeat you, Betrayal At Club Low is a dark horse for sleeper hit of the year.

Justice Sucks: Tactical Vacuum Action rights all the previous wrongs that Roombo: First Blood set. The presentation, gameplay improvements and variety this game has to offer when you’re just a Roomba killing folks makes for an entertaining gameplay loop that finally sucks the landing.

Steelrising is a more accessible Souls-like which has plenty to appease rookies and veterans of the genre. A stunning visualisation of revolutionary Paris and a more direct story make for an engaging romp and while the combat has some balancing issues, it has the variety to remain interesting through its runtime. A Souls game with delicious French flavour, you’ll want to hear these people singing the song of angry Automats.

An asset flip of a game you can play for free in a browser, Hover Racer is a poor, uninspired and content light anti-grav racer. If the creatively devoid track designs and lack of polish don’t put you off, the incessant screen ripping (even when played on a PS5) probably will.

While Arenas of Tanks is undoubtedly better than Petite Games’ previous tank battle game, this title still has a number of issues that sour the whole experience. Bugs, exploits and a lack of engaging content mean that the otherwise enjoyable combat is left languishing between the rough edges. Maybe third time will be the charm for Petite Games and this series.

Paying homage to Sherlock Holmes and Agatha Christie murder mysteries through the lens of classic British humour, Lord Winklebottom Investigates will have you puzzling and pondering a curious and quirky case. It’s arrestingly charming, complete with a gorgeous hand drawn art style and excellent voice acting. The challenging leaps of logic required to complete the game mean this might not be suitable for point and click novices but fans of the Lucas Arts classics will have a blast here.

A coming-of-(m)age story with optional romance and multiple endings, Spellbound: The Magic Within is a diverse and inclusive visual novel that’s engaging from start to finish. It’s lacking some quality of life tools which can make replaying it tedious but it’s still an entertaining alternative to the big wizarding worlds and a pleasant way to spend an afternoon.

Back 4 Blood’s second expansion Children of the Worm delivers some urgently needed fresh content with a new campaign, character and weapons. It relies on the stale objective design and flawed gameplay of its base, but it also offers some fun missions and new enemy types to overcome. It’s a step in the right direction for Turtle Rock Studios and Back 4 Blood, most importantly leaving me optimistic for the planned third expansion, instead of with an intrepid fear of mediocrity that followed Tunnels of Terror.

The TMNT: The Cowabunga Collection is exactly what it says it is. It’s thirteen classic Turtles adventures, with some modern quality of life improvements to tip the scales on occasion. For those expecting more in terms of remake, remaster or more content, it won’t be found here. Just pure nostalgia.

An incredibly accessible game, ‘Please, Touch The Artwork’ is a masterful interpretation and adaptation of modern art into well designed story and puzzles. There’s a few foibles to work around but otherwise, this is a unique experience that comes with a strong recommendation.

Over its five-or-so hours, Lost in Play barely puts a foot wrong, delivering cerebral gaming and effervescent entertainment. In doing so, it makes many of the genre’s design challenges look easy. Here’s hoping it inspires and influences future graphic adventures – or at least gets a sequel.

Crypto’s second return in Destroy All Humans! 2 Reprobed is another successful remake from Black Forest Games. A few technical issues and poorly aged mission designs aside, this irreverent, smartass alien still has plenty to offer the modern world with hilarious quips and hugely entertaining gameplay. Fire up your death rays, crack a joke at 1960s society, bust down that fourth wall – Cryptosperidium is back and he’s standing tall. Arkvoodle be praised!

Rough, goofy and deeply perplexing, “I’m in Love With Your Dead Grandmother” is among the worst FMV games on consoles. Its only saving grace is how obvious it is that the creators are having a good time making it, giving it a charming sincerity.

Tinykin’s 3D Puzzle/Platforming and Collectathon experience is one really worth having in your collection. The cutesy and nostalgic presentation offers unique charm in a space that has felt saturated. It’s clearly a game that has been made with love throughout. A few bugs notwithstanding, this is one that should be on your radar.

Dividing its time beautifully between rouge-like dungeon crawler and cult management simulator, Cult of the lamb is everything you would want and need from the mix of genres. A fantastic soundtrack and incredibly moreish gameplay, this is a big recommendation for anyone who is in awe of the vibrantly cute aesthetic it presents. While it’s currently harrowed by some glitches preventing certain aspects of gameplay from shining, once these are ironed out this could easily be ‘Game of the Year’ material.

It is a little rough around the edges, which is to be expected from a small team and backed by an indie publisher. Stick with Thymesia however and you’ll make some good memories with it, hopefully with some care down the line to refine the experience.

A tremendously fun FPS with a quirky and creative presentation, Fashion Squad Police is packed with fast-paced and surprisingly deep non-violent action. A couple of difficulty spikes and occasionally frustrating encounters smudge a slight stain on its beaming overalls, but they’re more a water mark than a red wine stain. Grab your dapper sneakers, suit up your most glamourous get-up and start slapping the dull outta the unfashionable lot.

Are You Smarter Than A 5th Grader? is a fine albeit one note quiz show game that won’t necessarily please the fans of the franchise. That said, it may be welcomed by casual players that want to play a party game with friends/family.

Cursed to Golf is a fun arcade sports game, but its roguelike elements don’t stack up well with other entries in the genre. Its long run times hurt the experience, making failure often more annoying than something to learn from. Its cute art, simple but fun mechanics, and challenge kept me enjoying Cursed to Golf to its end, but it’s lacking that addictive element that keep roguelike players coming back for more.

The Saints have come marching in once again and while Santo Ileso offers a fun playground for these reborn renegades, it’s somewhat marred by a wealth of graphical issues, some underwhelming gunplay and a predictable narrative. Having said all that, you can customise your character into an orange, hurl yourself into traffic to make money and throw a self-propelled football at enemies to send them into space. It’s Saints Row as you remember, for better or worse, with a new coat of paint and refurbished for modern times.

Wonder Boy collection isn’t a bad collection of games. It’s just a simple no-frills homage to a bygone era. It could have done with a few more games, modes or even a few extra celebrations for this once-great franchise. Still, this is a pleasant run and jump down memory lane.

Voyage is a wonderful piece of art that will wow you visually and sonically at every turn. It’s the gameplay that sadly holds it back from greatness. An awesome debut, Venturous are a developer to watch.

Two point Campus is an easy recommendation for anyone a fan of the management sim genre. Exceptional level of detail to design and a wonderous explosion of creativity within University Life. Like its predecessor Two Point Hospital, challenges will still be present throughout each individual campus, but these challenges are worth your time. Pick up your pencil case and your red plastic cups and enroll.

Mechanic Battle has an internal battle of wanting to be a halfway average game or a terrible excuse for a cash grab. Either way I hope the lessons learned from the making of this game is that you get as much love as you put in, and this one is still waiting for their parents to come back with the milk.

Mr. Prepper fulfils the bunker survival simulator competently. The personal Cold War I was having with the way it controls and the treaties I wanted to break for it being so pedantic – even on the Switch – left a lot to be desired however. If this genre is of interest and you own a Switch you may be able to enjoy what it has to offer, warts and all.

To summarise, there’s not a lot to Black Death: A Tragic Dirge and what is here falls between poor or simply adequate. Trophy hunters will be happy with an easy to unlock Platinum but anyone else will find a visually pleasing but thematically bland and uninspired virtual diorama to explore that lacks direction or purpose.

The potential behind Way of the Hunter is there to give the likes of the Cabela series a run for its money. It’s just marred with a few too many technical issues that prevent it from being a fun and immersive experience overall. Stuff it and move on to the next quarry instead.

Arcade Paradise is a cracking laundry / arcade simulator that rewards you for your patience and dedication to the cause. Once the arcade opens up you’ll have an absolute blast finding your new favourite game in a huge selection of unique takes on old school classics. There’s a road to get there, but this one is all about the destination. A hugely rewarding, feel-good experience you have to play.

Story of Seasons: Pioneers of Olive Town continues the same charming cutesy aesthetic as its predecessors, although at times feels discombobulated in organisation. A decent enough farming management addition to the genre, the game features a depth of gameplay but is light on narrative. Prepare and expect to be in it for the long haul if you want to see any real results from your hard work.

Before We Leave is a comforting and accessible city building simulator that will entice and equally challenge you. The momentum occasionally stutters and micro-managing your ever-expanding cities can be a pain at times, but your Peeps will never cease to entice you back in. Helping this fledging society of tiny cute figures colonise islands and planets from neanderthal to fully-developed modern society is a fundamentally lovely experience. Saving them from space whales is certainly tough, but it’s also a wholesome, worthwhile endeavour.

Digimon Survive is a solid blend of Visual Novel and Tactics RPG. It has great moments, but Survive’s combat encounters lack any real depth or challenge to keep them engaging over its runtime. Its story, however, remains interesting enough to push it along, even if it hits its peaks early on. A little more variety could’ve pushed Digimon Survive from good to great.

By design, Postal: Brain Damaged is a relic of an era that passed about 20 years ago. It captures some of the best of the 2000s through lightning quick, buttery smooth and challenging gameplay, but also soils itself by relying on tired old tropes for comic relief and some rough edges with balancing. Postal Dude has a penchant for pissing himself and this Postal entry unfortunately can’t escape the dregs of his urine, but when did a little pee stop him causing havoc?

Yet more PlayStation Trophy bait that deserves to be buried in a land fill, Round Invader Rush is barely more than a tech demo. There’s about 30 seconds of content to be found here and even that is uninspired. This game is just a Platinum trophy with a price tag with no redeeming features.

A genuine diamond in the rough kind of game. Sword and Fairy: Together Forever constantly had my attention with varied gameplay, diverse and gorgeous locations, fantastic pacing and some genuinely touching character moments. If not for a handful of technical issues and a wonky but still understandable translation: Sword and Fairy: Together Forever would’ve scored higher. I loved it, regardless.

I’d describe Bocce as the least enjoyable way to played with some balls. It looks shoddy, sounds awful, has unpredictable physics and a lack of content. It’s functional at least but when that’s the best thing I can say about a game, you know it’s a massive disappointment.

With assured writing and gorgeous pixel art visuals, Mothmen 1966 is a compelling start to the Pixel Pulp series. A few clunky puzzle elements are the only blemish on a fast paced and engrossing story that helps pass two hours in the blink of an eye.

A cute coming of age space robot story and a fine addition to the cosy game genre, Growbot is a short and sweet puzzler with an ethereal soundtrack. This is one for those who want a short story, a beautiful art style and relaxing gameplay.

Loopmancer has all the hallmarks for a phenomenal game, but is just let down by some mechanical issues and a middling story. It’s stellar visual design will reel you into its Cyberpunk world and its fast-paced combat will hook you into trying out even more outlandish varieties of weapons. Unlike most dystopian cities, the rot only occurs at the top and in patches, leaving a healthy and exciting core to explore for a few loops. Just don’t look at the faces, even Dredd couldn’t make them any more hideous.

The game has had twenty five years to be transformed into something to wow fans of the series. Instead, it just feels like a lazy port with ugly character models, awkward controls, and an assumption you’ve played it before. Perhaps one for the hardcore Blade Runner fans, but not the newcomers.

A reworked version of the original game that addresses most of the criticism that was aimed at it, Firegirl DX is a much more enjoyable game this time around. It unfortunately falls foul of a few new issues as it blazes a trail on consoles but these flaws can’t spoil what is a fun blend of 2D and 3D visuals in a competent roguelike package.

It’s short, lifeless and lacks substance but for 10 minutes, zipping around a Martian landscape in Space Explorers: Red Planet is strangely entertaining. This isn’t a ‘good’ game but of all the low-budget titles flooding the PSN Store these days, this is certainly one of the better ones.

SpellForce 3: Reforced is a valiant effort to mesh RTS and RPG into a functional package on console. In theory, it shouldn’t work at all, but for the most part it succeeds more than it fails. There’s plenty of issues, whether it be the shallowness of the tactics for success, the visual oddities that plague your journey or the overabundance of burdening dialogue to cut through, but the essence of this fantasy game is good enough to shine through.

MADiSON channels the best instalments of the first-person horror genre to deliver a frantic, nerve-shredding and atmospheric tale of demonic possession. It delivers the scares often and will have you tentatively looking over your shoulder at that shadow that definitely wasn’t there before. It’s been a while since I felt this much trepidation moving through a cursed home, but it feels frighteningly good to test this demonic presence again. A must play for horror fans this year.

Offering up something more lighthearted than a Milestone sim, MX vs ATV Legends does racing competently, be it bike or quad. Unfortunately, the same can’t be said for the UTV’s, or the game’s complete lack of anything outside out of its racing career modes. It’s certainly one for MX fans, but not for those looking for more content and fun in a mud-racer.

A dry, poorly thought out and mercifully short clicker game, The Bronze Age is yet another “trophy bait” title from Webnetic. Without a single redeeming feature, the only people who will find any enjoyment here are shameless PlayStation trophy collectors that want to see a number go up.

It’s by no means a bad game, but Yurukill just never manages to hit the same heights as its contemporaries. There’s solid groundwork here for a sequel, it has its unique selling point in the shmup sections, and the puzzles are mostly fun. I wanted to love it, but its story didn’t come together in a satisfying way and too many mechanics felt half-baked or redundant.

If you thought that OlliOlli World couldn’t expand on its charm offensive, then you’d be a fool. Retaining that charm with an absolute challenge of a game behind it, this new DLC is more of the same with a lick of extra-terrestrial paint to it. If you’ve got the patience and the passion for it, then OlliOlli World’s Void Riders is the out-of-this-world trip for fans of persistence and point-based perfection.

Neon White is a video game vision executed with the kind of immense creativity and skill the industry needs more of. Intensely satisfying gameplay combines with a well-executed story, engaging characters and a crisp art style. Every facet compliments another area of the title with a serene cohesion which culminates in an adrenaline pumping, high-octane blockbuster of a game. Neon White is a very strong contender for my game of the year, and if you own a Switch or PC you owe it to yourself to experience this incredible title. Failure is common in Hell, but only through trial can you reach the salvation of Neon Heaven.

A desperately sub-par clicker game that’s little more than a reskin of Webnetic’s previous games, The Wine Story is two minutes of ineffectual clicking without reward. Trophy hunters will be happy with the rapid Platinum trophy turnaround but without any real artistic merit, achievements made here will feel hollow.

Pocky and Rocky Reshrined is a gorgeous run-and-gun shooter, lovingly and faithfully reimagined. It’s just as much fun as it was back in the nineties, but little in the way of extra content and decidedly old-school controls hold it back from greatness.

Excellent writing, an incredible number of choices with consequences that genuinely impact the whole journey, and a ton of replay value, Steve Jackson’s Sorcery! – The Complete Collection is an absolute treat of an RPG, and if you love the genre, you should play it. The only black marks on it were the menu navigation and the bugs I experienced, but they weren’t enough to make me not want to recommend it.

Despite its obvious and numerous drawbacks, Broken Mind is an oddly compelling story driven first person shooter cum adventure puzzler. It’s not going to be challenging those titles at the apex of the genre but its a perfectly fine game to spend an evening with.

Another disappointing and short addition to the wonderful Jurassic World Evolution 2, this movie tie-in content is rapidly exposed as bare-bones and dinosaur feed. The new mechanics are tedious, requiring more of the gameplay least enjoyed in the base games, while the admission fee to this additional park ride simply isn’t worth it unless you’re a hardcore fan.

A Night At the Races is an interesting if unbalanced narrative experiment. Despite its issues, it’s a peculiar indie curio that completely divorces its central arcade game play from its story which results in some odd effects. If you like original experiences, this is certainly worth the hour it takes to complete.

It’ll scratch an itch for a niche subset of JRPG fans, but its almost complete lack of an engaging narrative or characters, alongside repetitive areas, means Metal Max Xeno Reborn left me very underwhelmed. If not for its systems-heavy combat mechanics and solid Monster Hunter-esque gameplay loop, there would be very little here for me to recommend.

Guild of Dungeoneering: Ultimate Edition is a remaster done right. All new animations, effects, bug fixes and nice surprises are stuffed in alongside all of the DLC content to make a complete package. The handcrafted art style is lovely, the card-based exploration and combat mostly satisfying and easy to get into. While it may lack a bit of depth to keep the dungeon raiding at full throttle, it has enough in the tank for a good few hours of monster slaying.

Repetitive, uninteresting, and lacking in substance, Jumanji: The Curse Returns contributes nothing new or dynamic to the game board genre apart from a dose of movie nostalgia. This game didn’t feel suited to the Switch console, and likely best played on a mobile device because it is short and sweet, but not much else.

More entertaining than your average tycoon game, Ravenous Devils leverages a famous penny dreadful theme, namely Sweeney Todd, to give it a unique, dark tone. It’s a shame that this long pig pie is part-baked with a number of frustrating glitches that upsets its flavour. It also fails to turn its theme into anything mechanically interesting. Still, you’ll easily lose a few evenings to this game before its recipe becomes stale.

Super Perils of Baking is a 16 bit, 2D side scrolling platformer and an ode to the retro game genre in terms of variety, difficulty and platformer peril. It’s jam packed with things to do and collect but you’ll need a sprinkling of rage induced dopamine to get you through the enemies, highs and lows. There’s hours of fun that’s certainly worth your time, especially for the price point.

Wearing every cliché on its sleeve, The Quarry is having a whale of a time with its setting. Sometimes it's satirising the slasher film, others it subverts them. With many endings and path-altering decisions to make, no two playthroughs are alike. Coupled with a heap of horror alumni, as well as up and comers, The Quarry is a veritable romp through jump scares, ghost stories and video nasties.

An essential purchase for fans of Ash Williams and the unique blend of gore and comedy that the Evil Dead series has created, this asymmetrical horror game builds on the foundation that games like Dead by Daylight have laid. It might not innovate but there’s a surprising amount of content and replayability in Evil Dead: The Game that raids 40 years of film and television for ideas and puts them to excellent use.

The promise of branching story lines and visceral combat fall unfortunately short in this upgraded Beat ‘Em Up experience. Despite a fantastic animation style and strong technical performance, it can’t quite grasp what made the best of the genre so compelling. If you have a buddy you can unleash your inner warrior alongside you’ll find something worth risking your honour for. If you venture out alone however, prepare to be a rather disgruntled warrior, provided your non-playable counterpart doesn’t break the game altogether.

Built on mobile game design, Robo Wars has gameplay a toddler could master and a slide-show of boring “levels”, if you’re generous enough to call them that. The use of time-gated loot box structure for progression (with no actual microtransactions) only sullies the experience further. There are apps with far more interesting countdown timers available basically everywhere, which are probably much more worthy of your time… and money.

Don’t fall for the similar name, Bus Driver Simulator Countryside is nothing like its popular predecessor. It is bland, it is ugly, and if it is meant to be an accurate depiction of driving around Russian suburbs, it is offensive to Russia. Don’t wait around for this one, seek alternate routes of enjoyments.

NeonLore as a concept is an intriguing one. A combination of mediums – a game that’s less interactive than a walking simulator and audio books that benefit from a visual component to set the vibe – is a unique prospect. It’s such a shame that the developers couldn’t really follow through in terms of quality. It looks the part, sounds excellent and understands what makes the Cyberpunk theme so special. There’s just far too many rough edges and easily avoidable issues that mar the experience.

A pseudo-sequel that’s worth inserting a coin for, Arcade Spirits: The New Challengers takes the premise of the original and builds upon it in some imaginative ways. With a diverse and interesting cast, most of which you can romance should you choose, as well as some astute commentary on the state of modern day gaming culture, it’s a smart and engrossing title.

In a post Elden Ring world, Dolmen feels dated and too formulaic. It also lacks the personality, character and soul of the genre’s luminaries. If you’re looking for a new Soulslike game to scratch the itch however, Dolmen will certainly do that, despite its lack of mechanical innovation and uneven difficulty.

A short clicker cum incremental game that’s desperately short on personality and purpose, Steam Engine is 20 minutes of waiting for a platinum trophy to unlock. It’s surprisingly among the better titles that RandomSpin have released on PlayStation consoles but it still feels like cynical trophy bait that very few people will get any enjoyment out of.

Whilst it may seem like an intermission before Bloodlines 2 comes out, Vampire: The Masquerade – Swansong isn’t engaging enough to fill the gap. Lacklustre gameplay, unsightly character models and a sense of “You should know this already” are enough to put off the new players. Maybe for the fans, but that’s only if they’re coffin up the money for it.

A few small gripes aside, Eternal Threads is a smart, uniquely structured and thoroughly enjoyable narrative adventure. By taking a trope that has become associated with the genre and owning it, the game feels fresh among the other games that attempt this concept too. If you enjoyed the likes of Everybody’s Gone To The Rapture or Tacoma, you’ll enjoy this.

A child friendly, deeply approachable title that’s design specifically for the youngest of gamers, My Friend Peppa Pig is a triumph in tie-in game design. Like an interactive episode of the TV show, the little Peppa fans in your life will likely love this title because of its authenticity and ease of interactivity.

Vampire :The Masquerade: Bloodhunt is a solid battle royale with huge potential that it’s not quite reaching just yet. The traversal and rooftop battles are huge fun and the map is terrific. So long as Sharkmob believe in it, there could be something pretty special here down the line.

Lumote: The Mastermote Chronicles is adorable with clever logical puzzles that may appeal to the masses who love a good puzzler. Despite being filled with Bioluminescent beauty though, the lack of direction and repetitive environment holds it back from being anything more than ordinary.

An animated short that has been transformed into an interactive comic book game, The Jekoos on PS4 is a project that constantly feels at odds with itself. Poor quality audio, a dire lack of content and absurdist humour that telegraphs its own punch lines amount to a very disappointing package.

The Stanley Parable: Ultra Deluxe is an essential gaming experience. It’s simultaneously a hilariously absurd adventure that can be enjoyed on its own merits and an insightful examination of storytelling in gaming. The acutely self-aware new content reframes the original game to give it refreshing new purpose alongside a cluster of new barbs aimed at the flaws in modern gaming. A must play.

It may have some technical issues that highlight the indie budget, but the good in Winter Ember outweighs the bad. It has all the stealth trappings; the frustration, the patience, as well as the stickiness of the combat, to harken back to the olden days. It may not be original, yet it doesn’t matter when it looks this nice and plays like the classics.

While it gets the absolute basics right, Alienzix is plagued by poor design decisions that make it a thoroughly unenjoyable experience. Short, bland and frustrating to play, there are plenty of other shmups that are more worthy of your time than this.

Micro Pico Racers is a perfectly fine attempt to replicate the Micro Machines formula. It’s nowhere near as charming and the formula has aged quite a bit in the intervening 30 years between when it was first realised and now. If you’re hankering for a budget racer with a 90’s feel though, this will certainly fit the bill.

Lawn Mowing Simulator lands on PS5 in a good condition, though the lack of PS5-only features and a little bit of spit and polish wouldn’t have gone amiss. Thankfully, the zen wonderment of this game remains, and there’s really nothing else like it.

Arise – A Simple Story contains a beautifully told story within a charming puzzle adventure. With poignant moments and joyful visuals, this game has the ability to capture a breadth of emotion with ease. It’s a short but worthy edition to narrative driven puzzle games.

A decent enough romp, Star Wars: The Force Unleashed is let down by a few technical issues and some extremely dated graphics. Switch Lite users won’t get the full experience, but still enough to go on. Console limitations aside, it is fun to hoof Rebels about and use them like levitating pin cushions from time to time.

In Nightmare is a pale competitor to other titles of the horror-adventure genre. Stealth that’s preferable to charge through, puzzles that are the blandest of time-wasters and a narrative of dark themes burdened with typos and poor delivery. Real nightmares threaten your sleep with terror and fear, whereas In Nightmare only threatens to bore or frustrate you to death.

A charming, if simple, Zelda-like full of pot throwing and weirdness, Lila’s Sky Ark will fill a few hours, but fails to really differentiate itself in a crowded modern market.

An expansion that offers little of anything actually new, Tunnels of Terror adds only minor alterations to a formula that had already felt stale and repetitive in Back 4 Blood. The rogue-lite elements add another layer of mucus to blast off, but Back 4 Blood remains the same meagre husk it was at launch.