Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A domestic tragedy of lacerating vision.
  2. Nothing I've read about Iraq or seen on TV in the past few weeks has felt nearly as real and intimate as this commanding fiction.
  3. This lone, fallen Nazi's obsessive distance from his actions is enough to give The Specialist a lingering chill.
  4. Haunting and hopeful.
  5. The Cockettes weren't talented, exactly, yet the bedazzled flakiness of their passion takes you closer than just about any movie has to what was once really meant by the term ''free-spirited.''
  6. Even blood, spilled so freely, has a distinctive intensity of red in this beautiful and harrowing film.
  7. A sprightly, lovingly researched, rather misty-eyed sports documentary that's steeped in ethnic pride.
  8. There's a bravura recklessness to Beautiful People that perfectly fits its subject.
  9. Pungent, funny, and surprisingly forceful.
  10. The film satirizes, and celebrates, an idea pivotal to both Hollywood and love: that in a world of impostors, the pretender with the most conviction can become exactly what he pretends to be.
  11. As compelling as it is bizarre.
  12. Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal ''meaning.''
  13. Cagey, high gloss comedy.
  14. The nonprofessional cast of Bahman Ghobadi's remarkable, slow, rough edged feature reveals a simple, piercing grimness and determination framed by the gray, icy landscape of Iranian Kurdistan.
  15. It takes skill these days, if not nerve, to put a vital, happy nuclear family on screen and to invite us to share in every quiet tremor, every gentle jostle and smile of their steady, deep-flowing contentment.
  16. Watching Bounce, you look at him (Affleck) and believe how much he's got at stake, and you look at Paltrow and know why.
  17. It's a tiny, sunny character study about a fat guy who's an unlikely chick magnet. And as such it's a pip.
  18. Fonteyne edges closer than most to capturing the mysterious rhythms of liaisons -- pornographique, romantique, and otherwise.
  19. Emotional presence and a sophisticated understanding of commitment-phobia (as something other than a comedic punchline or an excuse for sex scenes) distinguishes this intense, contained drama, as does the unforced, sensual, and sensitive cinematography of Uta Briesewitz.
  20. Turns the tricks of psychology into duplicitous high play.
  21. Turns out to be a supple, intriguing, and beautifully staged movie. It features Dillon, in his most forceful performance since ''Drugstore Cowboy.''
  22. Watch for the director's own mother, Lili Kosashvili, a standout as Zaza's fierce, stately mama.
  23. Feels delightfully organic, eccentrically rambling, the found artistic collage of a woman who herself loves to collect.
  24. Bean's commitment to serious theological examination is exciting, Gosling's performance is riveting, and this fiery and imperfect feature shines as a demonstration of independent filmmaking at its most uncompromising.
  25. Acting doesn't get more personal, or much greater.
  26. What matters now, what Lumumba conveys, is the urgent chaos of revolution.
    • 71 Metascore
    • 91 Critic Score
    Unfolds with such unforced inevitability that absurdity never condescends to sticky adorableness.
  27. When the submarine has to dive 400 meters beneath the surface to avoid detection, you can practically feel the water pressure crushing in on the sailors.
  28. Linklater has hardly been a slacker this year. I'll take the tricky confrontational babble of Tape over some of the gauzier soliloquies in ''Waking Life,'' but either way, he's a filmmaker in love with the music of talk, and let's bless him for that.
  29. Grant is the rare actor who can mix the characteristics of sex appeal and ambivalence in believable, rather than irritating, proportions.

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