For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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- By Critic Score
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Reviewed by
Owen Gleiberman
The movie is on some level a stunt, but it has the fervent, sun-dazed pull of an authentic experience unfolding in real time, with glints of drama, comedy, and terror mixed into the almost-but-not-quite tedium.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A dazzlingly crafted documentary about the teenage surf punks of lower Los Angeles who singlehandedly transformed skateboarding into the extreme sport it has become.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The script is a steady accretion of small stabs to the heart, propelling the gorgeous performances of Berling, Regnier, and especially the 76-year-old French cinema veteran Bouquet, whose every faint smile is killing.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A deft, funny, shrewdly unsettling tribute to such slasher-exploitation thrillers as "Terror Train," "New Year's Evil," and Craven's own "A Nightmare on Elm Street."- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Acompelling, cant free drama about clashing class systems and challenged family relationships that's all the more engrossing for its organic, near documentary style.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A suspenseful and delightfully creepy French drama.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Leconte (''Ridicule'') gives his heart to the luck of romance, to the dream state visual style of Fellini, and, most lyrically, to the passion of the dagger point swoon.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The subtle selectivity of Leconte's eye, how he moves with great control from gesture to gesture, is matched by the disciplined intensity of the performances.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
That the story is so oldfashioned and domestic and the family so average and secular is, in its way, the wind beneath this Broken Wings.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Realer and more consequential than much being packaged for TV and movies these days as ''reality,'' the fictional In This World unfolds with the deceptive dispassion of a documentary, but builds with a sure sense of dramatic epic.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The writer-director, Peter Sollett, cast the film with kids from his own neighborhood, who give themselves over to the camera with a spirit of improvised play that morphs into vivid, layered acting.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
As a sharky, gay TV journalist investigating the story, Tom Selleck charms by playing in contrast to his own determinedly hetero persona.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Thrilling little epic set in the bewildering arena of the English language.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Shrewd, tough, and lively -- a junior-league "One Flew Over the Cuckoo's Nest."- Entertainment Weekly
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- Critic Score
Who knew that Brat Packer Sheedy would shine as a heroin-addicted photographer who had too much fame too early?- Entertainment Weekly
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There's a word for an actress who can go from nervous to winsome to raunchy to romantic in a heartbeat and get you to adore her the whole time. The word is star.- Entertainment Weekly
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- Critic Score
This gonzo satiric thriller is a riveting portrait of early-60's paranoia. [15 Nov 1996, p.82]- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Her death was shocking; this well-made telling of her life is inspiring.- Entertainment Weekly
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- Critic Score
Kineticism and suspense, combined with strongly conceived characters....Made Cameron a talent to watch. [13 Jan 1995, p. 67]- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The vivid fictional specifics, and the simple loveliness of the artless performances by nonactor Mongolian nomads, attest to the filmmakers' abundant artistry.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Hoffman plays Dan Mahowny's addiction to instant money as something dirty and private and, at the same time, soul-quickening.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The most unexpectedly audacious, exhilarating, wildly creative adventure thriller I've seen in ages.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
After a while, a didactic overdeliberateness seeps into Noé's design, but there's no doubt that he's a new kind of dark film wizard: a poet of apocalyptic shock.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A crowd-pleaser in the deepest sense, mixes heartbreak and happiness together until you don't even want to see them apart.- Entertainment Weekly
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Lisa Schwarzbaum
This patient, perceptive, nonjudgmental love story about age difference is the first to convincingly explain the temporal physics of May-December romances.- Entertainment Weekly
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- Critic Score
This genteel period piece invites a typically Mametian tension between its characters' stylized manners and their underlying motivations.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
It's all very French, very intricate, and -- this is Rivette's magic -- seemingly as light as air.- Entertainment Weekly
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