Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A surreal, elegantly melancholy, and yet witty ensemble story.
  2. A quietly dazzling microcosm that's always just this side of eerie, just that side of tragic.
  3. The tonal elegance of this black comedy set in a dark time -- is boldly dependent on performances that tug at taut lines of moral complexity.
  4. Superb family drama.
  5. A richly tender and moving experience.
  6. Does more than capture the excitement of marching bands; it gets their clockwork beauty as well.
  7. Here, in paranoid, bad acid trip form, is the real birth of girl power. [2000 re-release]
  8. Although the talent of a kid with the last name of Culkin may not, at this point, register as such a novelty -- Rory follows brothers Macaulay and Kieran -- there is something precociously mature but natural about the work of this youngest Culkin sibling that stands apart.
  9. Del Toro builds excitement, dread, and melodrama in equal layers.
  10. Expertly sinister, office-as-devil's-playground French thriller.
  11. The movie might almost be winking at the fact that any single one of these performers could easily be the featured star of his or her own upper-crust period piece.
  12. Lives happily ever after because it's such a feisty but good natured embrace of the inner ogre in everyone.
  13. Peter Berg's scandalous sick-joke thriller is packed with rude and clever twists, and it delves, with surprising force, into the hypocritical postures of corporate-era male bonding. The cast is terrific, especially Christian Slater.
  14. Nearly four decades ago, Pontecorvo anatomized the very form of modern terrorist warfare: the hidden cells, the cultish leaders, the brutish cycle of attack and counterattack.
  15. The old-world-meets-new mesh is incarnated in the movie's soundtrack, a joyful effusion of disco Bollywood that, by the end of Monsoon Wedding, sent my spirit soaring out of the theater.
    • 70 Metascore
    • 91 Critic Score
    For all its scenes of degradation (five minutes of which have been shorn for an R-rated cut; we recommend the original NC-17 version), Bad Lieutenant is a deeply moral movie. It's not pretty-it's not even very realistic-but it does matter.
  16. Has a fractured fairy-tale charm, even if it isn't a nonstop laugh riot.
  17. Deconstructing Harry is Woody Allen's naughty-boy confessional movie, a disquietingly candid and funny portrait of a pathological narcissist.
  18. Bleak, scathing, and utterly compelling.
  19. Serendipity has no business working, but it does. And by the way, Eugene Levy has no business almost stealing the show, but he does, too.
  20. It's not every day you get to see a movie that begins in satire and ends in reverence, but then, for Kevin Smith, they may ultimately be the same thing.
  21. If the result is often as glib as the targets it's satirizing, it's also driven by a cruelly distilled joy. Wag the Dog is an ode to the thrill of deception, a thrill embodied in Hoffman's inspired performance.
  22. At times, The Iron Giant is more serene than it needs to be, but it's a lovely and touching daydream.
  23. Blithe and exhilarating romantic comedy.
  24. This is perhaps the only science-fiction film that can be called transcendental.
  25. Sky Captain is a gorgeous, funny, and welcome novelty.
  26. If Linklater goes to a bit of an extreme here, it's in making both characters so intelligent and sincere, so ardent and giving, that they seem a little too good to believe.
  27. It's a beautiful contraption of a movie, a gothic backwoods fable that uses its naive yet murderous hero to walk a fine line between sentimentality and dread.
    • Entertainment Weekly
  28. Hanks towers as a near naked, near biblical man. Zemeckis tells his story -- the screenplay is by William Broyles -- with a control magnificent in what isn't shown as much as in what is.
  29. A fast, loose, and very funny parody that pulls off the not-so-simple feat of tweaking Trekkies and honoring them.

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