For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
Jaoui handles her crowd of vivid characters so naturally, and shoots her scenes so unobtrusively, that the diagrammatic cleverness of the plot never overwhelms the intelligence of the observations.- Entertainment Weekly
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Owen Gleiberman
The result is something as original as it is unlikely: a study in grief that is flooded with happiness.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Everything is vast and hugely ambitious in Martin Scorsese's magisterial, scrambled historical epic.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Has a rowdy, jumpin'-jive vivacity. It's not quite as emotionally rounded as ''Shrek'' was... but it's got heart and delirium in equal doses, as well as a firecracker rhythm all its own.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Consider Primer a successful lab experiment with, as they might say in techie chat rooms, significant indie-cred applications, IMHO. Oh, and :-).- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
This galvanizing cinematic work is also gorgeous, experimental, alive with a Scandinavian strain of chutzpah, and artistically elegant.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film may be bloody, but it's also bloody gorgeous: a grandly fetishized epic of cinematic aggression. It's a tale of vengeance that hinges on Tarantino's love of ferocity as spectacle -- his immersion in action and exploitation, his addiction to the jazzy catharsis of junk-film kicks.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Mitchell directs and stars in the riotous, loving, and only occasionally pathos-milking film adaptation of his own acclaimed Off Broadway play, with great up-your-ante music and lyrics by Stephen Trask.- Entertainment Weekly
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Owen Gleiberman
The beauty of Baadasssss! is the way Mario Van Peebles salutes his father's truth by coaxing it into legend.- Entertainment Weekly
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Owen Gleiberman
Just when you're certain that Jarmusch is treading water with his borderline-tedious cleverness, something happens: Coffee and Cigarettes turns into a movie FULL of talk -- rich, supple, hilarious, masterfully orchestrated talk.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A buoyant, funny, and disarmingly humane comedy of beautiful losers in revolt.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Kinsey is patient and educational and never (darn it) rude or shocking.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
As a musical biography, Ray is driven by the primal excitement of rock-and-soul at the moment of its discovery.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Turns out to be the funniest, most risk-taking, most incisive movie of the summer.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Minghella makes an enticing, intelligent, well-shaped picture about the extreme perils of class envy and sexual panic.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
This is a movie that considers graphic violence with a refined taste for the sensuous: Guts spill, blood spurts, corpses stink, but there is a handsome, absurdist humanity to the way Jeunet (who wrote the script with Guillaume Laurant) maps out the crossroads of human carnage and human caring.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The clammy power of Young Adam lies as much in the frank, emotional nakedness the actors bring to their roles under Mackenzie's care as in the baroque hopelessness of the plot.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's wonderful to see a Japanese movie in which a samurai, for all his somber discipline and skill, is also a touching and complicated ordinary man.- Entertainment Weekly
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Lisa Schwarzbaum
Traces the sport to its Polynesian beginnings, then zooms in on the genesis of 20th- century Southern California surf culture -- the boards, the bikinis, the laid-back cowabunga.- Entertainment Weekly
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Owen Gleiberman
Freshly transplanted from the stage, is a thrilling ode to the intertwined glories of sex, showmanship, and lying: what the film calls ''the old razzle-dazzle.''- Entertainment Weekly
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Owen Gleiberman
The rare commercial comedy that leaves you entranced by what can happen only in the movies.- Entertainment Weekly
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Owen Gleiberman
Movie stars radiate a power -- physical, erotic, spiritual -- that draws an audience into their orbit. Yet watching Curtis Hanson's gritty and electrifying 8 Mile, the first thing you notice about Eminem, the most scaldingly powerful artist in pop music today, is how vulnerable he looks.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a film noir that grows more potent as its secrets are revealed.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A warm embrace of tradition and boisterous, ethnographically rich local culture.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Romantic comedies usually strike one or two moods, but in Afterglow, the writer-director Alan Rudolph runs through rainbows of feeling in a single scene.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Breakdown feels at first so casual, so comfortable with its own small expectations (a good but unglamorous cast, a sturdy but unspectacular plot), that the authentic feelings of suspense are a surprise.- Entertainment Weekly
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