Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. To watch it now is to appreciate more than ever Gene Hackman’s uncompromising talent, Owen Roizman’s great, barely-color cinematography, and a time when the spectacle of a foulmouthed, racist, brutal cop could still outrage as many moviegoers as it excited.
  2. Unlike Cox’s sneering Sid and Nancy, it’s defined more by a tone of affectionate disaffection than antipathy, celebrating a friendlier species of anarchy.
    • 66 Metascore
    • 91 Critic Score
    With its stylized black-and-white sequences and fast-paced melodramatic plot, this homage to film noir is both intense and purposely self-conscious.
  3. Rarely have two actresses been so effortless in their intimacy.
  4. This is the richest role Paltrow has had since ''Shakespeare in Love,'' and she rises to the challenge. She digs deep into Plath's mercurial nature, giving us a Sylvia who's fiercely independent and alive yet burdened with demons of insecurity that bubble up in a rage.
  5. The fetching cast (including Jennifer Beals as a histrionic girlfriend), while a long way from Gwyneth and Matt stature, nevertheless reflects Stillman’s enhanced status as an established indie talent.
  6. Crystal turns in his best (read: least sappy) performance in ages, getting through an entire movie -- most of it, anyway -- without mugging.
  7. Goes where all too few films dare to venture these days -- into the heart of moral darkness.
  8. The nature of silent comedy was to elevate its heroes into myths, but after ''Charlie'' I can't wait to see Chaplin's movies again, this time to glimpse the man on the other side of the icon.
  9. A big, square, rousing political thriller docudrama.
  10. The Fugitive is hardly Hitchcock — it never taps our emotions in a way that threatens to transcend the action — but it’s a mainstream thriller made with conviction, intelligence, and heat. In Hollywood, that used to be called professionalism. These days, it’s rare enough to look like artistry.
  11. Branagh, chewing on a plummy Georgia accent, makes the divorced, boozing, and womanizing Magruder a smug yet touchingly vulnerable legal player.
  12. The charm and art of De Felitta's gentle domestic sketch expand far beyond biographical borders.
  13. It's ''Moskowitz's March,'' really -- and it ends in stirring victory
    • 77 Metascore
    • 91 Critic Score
    It's the electric interplay between Pacino and Depp that will make it a Mob movie classic.
  14. A stirring action movie -- in the international manner of ''The Fast Runner'' or ''No Man's Land."
  15. Riveting family portrait.
  16. High school reunions should only be this satisfying.
  17. One of the great virtues of Disney's most elegant animated ''classic'' in years is how blessedly sermon-free this zippy, dignified retelling of Edgar Rice Burroughs' ripping 1914 yarn is.
  18. On the eve of Wuornos' 2002 execution, Broomfield digs deep into her abusive hell of a background (beatings, incest, sleeping homeless in the frozen Michigan woods) as well as her quasi-psychotic defense mechanisms.
  19. Brashly engaging.
  20. Like all courtroom dramas, A Few Good Men is gimmicky and synthetic. It's also an irresistible throwback to the sort of sharp-edged entertainment Hollywood once provided with regularity.
  21. Ah, monsieur, you can lead a Frenchman to the Big Apple, but you can't make him a New Yorker -- and that's exactly what makes The Professional so fascinating.
  22. So sharp and dryly urbane in its mod-Brit take on the noir, noir, noir, noir world of gambling, dames, and pulp fiction, it makes higher-profile attempts like ''Rounders'' look blah, blah, blah, blah.
  23. Superb psychological thriller.
    • 78 Metascore
    • 91 Critic Score
    Neither the stars' harmonious interplay nor director Anand Tucker's insistent urbanity of camera work can disguise that the cello drama is melodrama.
  24. Trekkies is hilarious, fascinating, and, at times, almost scary.
  25. Janet McTeer displays Amazonian power while Jennifer Jason Leigh tears into her role as a high maintenance creature with a ferocity that leaves little room for her usual acting tics.
  26. Noyce's movie works because the director -- trusts himself, and his audience, to understand that catastrophe isn't always a matter of loud ideology. Rather, it's the result of age-old human weakness. And sometimes it's quiet.
  27. It's not every comedy that can make you laugh with ridicule and cringe in empathetic horror at the same time.

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