Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Lynch's first movie since ''Blue Velvet'' that truly envelops you in its spell. It's a piece of celestial Americana -- his journey to the light side of the moon.
  2. A smashingly effective documentary -- I found it more resonant than ''Fahrenheit 9/11'' -- yet to say that it's preaching to the converted would be generous; it's preaching to a microscopic sliver of the converted.
  3. This funny, gory stab-athon is as sophisticated about the mechanics of Part 2s as the original was savvy about horror flicks.
  4. The triumph of ''Spring, Summer'' is that even those of us who don't happen to be Buddhists can catch a glimpse of ourselves in the spinning wheel of hope, destruction, suffering, and bliss.
  5. A story in full billow; it sails through stretches of bloody battle, anxious waiting, wine-soaked relaxation, and marvelous scientific discoveries by the remarkable Maturin (Paul Bettany, well matched again with his ''A Beautiful Mind'' costar).
  6. André Téchiné's beautifully ambiguous, exquisitely underplayed drama Strayed has less to do with the events and moral choices of the era that continue to shape French identity than with the timeless psychological effects of finding oneself unmoored from the familiar.
  7. The fascination of Dig! is that it invites those of us who aren't alt-rock obsessives into the hive, yet it never feels like a dilettante's tour.
  8. The notion of meta has never been diddled more mega than in this giddy Möbius strip of a movie, a contrivance so whizzy and clever that even when it tangles at the end, murked like swampy southwestern Florida itself, the stumble has quotation marks around it.
  9. The first Irish creation I've seen in ages to pull off the high-difficulty feat of trafficking in grit, drollery, and emotion without turning to blarney as a crutch.
  10. As a flight of fantasy, Jurassic Park lacks the emotional unity of Spielberg's classics ("Jaws," "Close Encounters," "E.T."), yet it has enough of his innocent, playful virtuosity to send you out of the theater grinning with delight.
  11. What blows us away is the power of Ifans' moist puppy eyes and chilling smile as a true believer undeterred by reality.
  12. If ''Finding Nemo'' is an awesome Pixar superpower, The Triplets of Belleville is a charming, idiosyncratic, self-governing duchy with huge tourism potential on the other side of the animated-movie planet.
  13. The charming movie, already an international success, seduces.
  14. The movie was a major success for Melanie Griffith, sure, but it was as the secretary's boss ... that Weaver combined all of her star qualities, pulled in laughs, and took home an Academy Award nomination for Best Supporting Actress.
  15. Painfully beautiful autobiographical kaleidoscope.
  16. The film defuses all preconceptions about the ''issues'' of transsexual identity to arrive at a place of tremulous human power.
  17. There are no zombies out of ''28 Days Later'' to alleviate the slow creep of realistic doom in this chilly, tense corker.
  18. While Rodriguez punches through the indie clutter to announce herself as a superb new movie talent, so Kusama scores big points in her first main event.
  19. There aren't many at all like Spielberg and Kubrick, directors willing to lasso dreams (that's Steven) and nightmares (that's Stanley) or die trying. A.I. is a clash of the titans, a jumble, an oedipal drama, a carny act. I want to see it again.
  20. Superb, Oscar-nominated documentary.
  21. Hard to say who's luckier -- those who have seen the work of Canadian filmmaker Guy Maddin before and know what to expect, or those who haven't and for whom The Saddest Music in the World serves as an eye-popping introduction.
  22. Sensational sex-and-its-consequences melodrama.
  23. A funny, shrewd, no-bull family comedy about the relationship between mothers and teenage daughters that allows Curtis the comedian to remember her days as a slinky starlet while making use of her wisdom as the mother of an adolescent girl herself.
  24. Lathan, charismatic and beautifully strong, holds the screen in every scene.
  25. Riveting true-life drama.
  26. Crowe, staying close to his memories, has gotten it, for perhaps the first time, onto the screen.
  27. Has the resonance to stand not just as a terrific cartoon but as an emotionally pungent movie.
    • 82 Metascore
    • 91 Reviewed by
      Ty Burr
    From the opening shot of a burnt-orange GTO cruising a high school parking lot to the strains of Aerosmith's ''Sweet Emotion,'' Richard Linklater's film nails mid-'70s adolescence so precisely that you'll need Clearasil by the end credits.
  28. Dark and giddy at the same time, Leaving Las Vegas takes us into dreamy, intoxicated places that no movie about an alcoholic has gone before.
  29. The result is a movie, and Cannes Palme d'Or winner, of riveting power and sadness, a great match of film and filmmaker -- and star, too.

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