Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A mesmerizing work of disturbing power and unease.
  2. Buoyantly clever and amusing.
  3. The movie is smart, serious, and adult about something that matters, but not at the expense of a kind of awful, sensual revelry as le Carré's capacious plot hurtles to its big finish.
  4. Wilkinson once again astonishes with his ability to convey weakness and strength, hypocrisy and gallantry, cruelty and compassion in the same male animal.
  5. This dazzling reverie of a kids-and-adults movie, an unusual collaboration between lord-of-the-cult multimedia artist Dave McKean and king-of-the-comics Neil Gaiman (The Sandman), has something to astonish everyone.
  6. In hovering, The Squid and the Whale becomes its own realistic display of family entropy, as cautionary as it is educational.
  7. What could have been a parlor game becomes a surprisingly rich sketchbook, boosted by the work of fine actors.
  8. The deliriously enjoyable noir comedy-thriller Kiss Kiss, Bang Bang does nothing by halves and everything by doubles.
  9. Of all the shocks in the riveting and timely political thriller Paradise Now, the most unsettling may be the dignity bestowed on a pair of prospective Palestinian suicide bombers.
  10. The Passenger isn't finally the masterpiece some have made it out to be, but it retains a singular intrigue: It's the first, and probably the last, thriller ever made about depression.
  11. Greenwald floats the vital issue of whether Wal-Mart should be restrained by antimonopoly regulations, but his real question is cultural: Even with its rock-bottom prices, is Wal-Mart in the best interest of American consumers?
  12. Zathura is a rarity: a stellar fantasy that faces down childhood anxieties with feet-on-the-ground maturity.
  13. In a season of bulging Movies Earmarked for Importance, it is almost startling to come across something as unhyped - and perfectly swell - as The Ice Harvest.
  14. The movie is literally a series of showstoppers, unified by the impulse to turn life, at its scruffiest, into theater - into a rhapsody of the everyday.
  15. The director of The Descent is savvy enough to suggest even more than he shows. And he's old-school enough to load up on glimpses of good, clean, gruesome gore.
  16. The result is a wacked kiddie Rashomon in which the different versions dovetail with a logic as impeccable as it is flat-out buggy. So who do we root for? Everyone and no one. Hoodwinked's most radical feature is that it's a ride without heroes.
  17. Many have tried, but none can match Malick's touch for shuffling a deck of elegiac images (water/sky/clouds/rain) and fanning out the hand to express what speech cannot; he's a master, too, of incorporating sound that is often wordless but never empty.
  18. In the juxtaposition of cataclysmic matter-of-fact misery and cinematic poetry, the filmmaker finds a calmly stunning way to convey the experience of living with death as something intimate, and, unnervingly, almost natural.
  19. Jarecki is no glib ideologue thumbing his nose at power.
  20. It's a fearless and brilliant racial-historical satire, done in a meticulous re-creation of the Ken Burns mode, that chronicles the last 150 years of America as if the South had won the Civil War.
  21. The actors are terrific, especially Weaving, who plays bottoming out as a tragedy spiked with gallows humor, and Blanchett, who digs deep into the booby-trapped nature of recovery. The revelation, however, is Rowan Woods, a major filmmaker in the making.
  22. Duck Season unfolds with a slaphappy logic that only looks casual. In fact, every unfinished conversation and banal picture on the wall (one's of ducks) matters as four little people share one memorable little day.
  23. The jazzish score, by Lee's music man, Terence Blanchard, is typically intrusive. But the mood is right, the twists are new. And with one casting inspiration, Inside Man furthers the rising stardom of Chiwetel Ejiofor (Serenity).
  24. "Old Boy's" vivid star Choi Min-sik plays a terrible schoolteacher -- yet another damned soul in Park's inflammatory, inimitable movie inventory of hell on earth.
  25. A pitiless yet elegiac Australian Western as caked with beauty as it is with blood.
  26. A work of American art as classic as it is modern. Note to tourists: Leave before the very end of the credits and you'll miss some of the best and funniest roadside sights.
  27. An Inconvenient Truth can't, of course, reveal a future that is still up to us, but by the time you're done watching, the real question is, Which way on God's green earth would you want to err?
  28. The War Tapes captures how the war in Iraq, for all its terrible carnage and death, is in a way too random in its destruction to even be called ''combat.''
  29. Who Killed the Electric Car? makes you angry, and also sad, to live in a country where innovation could be contrived into an enemy.
  30. It's a stylish scramble of evocative footage, groovy music, and crazy-candid reminiscences from key players still proud to score.

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