Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The final shot, of the three characters now united, may be the quietest affirmation of life I've ever seen in a movie, and one of the truest.
  2. Pulling the bandage of sentiment cleanly away from oozing concepts like ''heroism'' and ''our nation's war on terror'' in the aftermath of recent wounds, here's a drama about the most politically charged crisis of our time that grants the dignity of autonomy to every soul involved.
  3. James Gray's Two Lovers really is a '70s movie, in the mode of such raw, unfiltered character studies as "The Panic in Needle Park," "Wanda," and "Fat City."
  4. A spectacular windup toy of a thriller -- a contraption made by an artist.
  5. What matters for today's hero is the good fight, and Gladiator KOs us with a doozy.
  6. Bong Joon-ho's wildly entertaining saga should become the hip, thinking-person's monster movie of choice.
  7. The movie is a toxic dart aimed at the spangly new heart of American hypocrisy: our fake-tolerant, fake-charitable, fake-liberated-yet-still madly-closeted fame culture.
  8. Anna's thoughts matter because, as played by the wonderfully nuanced newcomer Alycia Delmore, the no-bull responses of this perceptive woman are a key to Humpday's sly, wised-up feminist outlook.
  9. Capote honors its subject by doing just what Truman Capote did. It teases, fascinates, and haunts.
  10. Under the direction of "Bend It Like Beckham's" Gurinder Chadha, this festively busy and exuberantly multicultural charmer is its own intriguingly postmodern creation.
  11. Forget Devo, Nico, Bowie, or Beefheart: The most mesmerizing freak show in the history of rock & roll was Klaus Nomi.
  12. Up and Down captures Prague life with a fervor that's comical but a longing that's serious; no one is easy to pigeonhole.
  13. But while this piquant, tapas-like movie (a 2003 film- festival favorite only now being released) asserts that landscape is a kind of destiny from which one cannot escape, Sorin takes delighted, serious interest in how far a person can advance psychologically, even if all roads lead back to a home at the end of the world.
  14. This sincere, delicate, and intrinsically religious comedy may also become that most unexpected of blessings - Danny Boyle's first family classic.
  15. Told in a tricky flashback mode that's vivid even with a few too many temporal kinks, Don't Move is the sort of thing that Claude Chabrol was once praised for making with more pretension and a lot less less juice.
  16. All of Kung Fu Hustle is like that: You don't just watch it, you ride with it, laughing all the way.
  17. A realistic drama that looks and feels as inevitably true and moving as a good documentary.
  18. Then there's Todd Solondz's Palindromes, which is that rare event: a memorable provocation.
  19. The blessings of salvation have rarely felt so mixed, the parameters of Lolita-hood so elusive - which is exactly Martel's specialty.
  20. We do live in a fraught world of interconnections, Bier makes clear, and what happens far away matters, in unexpected ways, close to home.
    • 58 Metascore
    • 91 Critic Score
    Bounding out of the gate like a greyhound, Unleashed needs only its first 30 seconds or so to elevate itself well above the average action potboiler.
  21. Gripping, highly original.
  22. Dishes up some very corny jokes, but the images have a brighter-than-life vivacity.
  23. The worldview, the sense of childlike fun shaded with adult melancholy, and the joyful, serene attention to visual oddity and wordless beauty could only be made in Japan. And, specifically, made by Hayao Miyazaki.
  24. A film of uncommon originality.
  25. An attack-of-the-aliens disaster film crafted with sinister technological grandeur -- a true popcorn apocalypse.
  26. On the Outs parses the hopes and terrors of blasted lives with an empathy that never cheapens into pity. The movie wounds as much as it heals, and that's its true power.
  27. Funny, ungirdled romp - a buddy picture about buddies who actually know what women want.
  28. The home-studio recording sequences in Hustle & Flow are funky, rowdy, and indelible. Brewer gives us the pleasure of watching characters create music from the ground up.
  29. There are many places a visitor may go astray in 2046 -- places where the filmmaker appears to be a bit at loose ends too. Still, Wong's invitation -- ''Let's get lost'' -- is irresistible.

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