It is hard to shake the feeling that Monster Hunter Stories 3 is going to slip under the radar, and that would be a real shame. This is not merely a charming sidestep for Monster Hunter fans. It is a confident, ambitious JRPG in its own right, with strong storytelling, smart systems, and a clear identity. For the first time, the spinoff feels every bit as essential as the main series.

But it’s nice to have the genesis of such a storied series available, too. Like with any art form, being able to track the progress and changes that occur over time has inherent value to people who love the medium, and games like Nobunaga’s Ambition are like settling down to a vintage Humphrey Bogart or Charlie Chaplin film: they help you to appreciate the entire medium all the more.

I’ve played, and loved, Project Zero 2 many times over, with both the PS2 and Nintendo Wii versions. While it would have been nice for Koei Tecmo to get the frame rate under control for the sake of the cinematic quality beating at the heart of Fatal Frame 2: Crimson Butterfly Remake, in every other area, this remake deepens the gameplay mechanics while maintaining the incredible art direction and torturously beautiful story. That makes it the superior version of the finest horror game of all.

There is a lot that you can potentially get out of Gear.Club 3, especially if you enjoy time trial challenges, where you’ll get a lot out of the large number of tracks and online leaderboards. Collecting all the cars and then playing around with them is a lot of fun, and ideal for pick-up-and-play sessions. It might not be a must play, but it’s one of those games that you’ll likely find yourself spending more time with than you realise.

I thoroughly enjoyed each separate segment (except one) as discrete gameplay units and distinct slices of Resident Evil history. But as a coherent overall experience and statement of intent, Resident Evil Requiem is a mutated beast left to exsanguinate on the floor.

Arcade Archives is doing an exceptional job in properly preserving games that would otherwise be left to dodgy emulators or lost to time. Quester might not be the best arcade game you’ve ever played, but it is a moment in gaming history, and it’s enjoyable enough. I, for one, am glad it’s available on modern platforms.

This is a genuinely well-written, complex, literary-quality mystery horror story that will teach you something about Japanese ghost storytelling traditions and does an exceptional job of highlighting one of the country’s more interesting, if less-visited, locations. It’s filled with intelligently structured and rewarding puzzles, and the gorgeous art really makes the atmosphere sing. I’m so very impressed that Square Enix has seen the value of these visual novels, and happy that they’ve been such creative successes. With any luck, this one is also enough of a creative success to earn a third, because there are a lot of ghost stories right across Japan that this series could go places.

On the Game Cube app, there is Mario Strikers. That is an excellent example of a time where Nintendo and its party sports developers had a handle over the balance between capturing the basics of the sport and making it arcade fun. Now, though, they’ve lost the plot entirely. I genuinely don’t understand who this is for, but it isn’t me. Or anyone that I know who loved what Mario Tennis once was.

While I’ll always be a fan and advocate of Snow Bros., a retro collection that somehow overlooks the main version of the game it’s meant to be celebrating is both a pathetic effort at licensing, and an utterly pointless product, to the point that it’s an insult to the fans to put it out in the first place. I’ll be the only person on the planet that gets value out of this, because I’m the last fan standing of Snow Bros. on the Game Boy. To everyone else, it’s worthless.

I’d be lying if I said that this is a game for everyone. By its nature, the absurdism and surrealism of Romeo is a Dead Man is only going to resonate with people who can appreciate that quality about it. The game itself point-blank refuses to be entertaining to play on a passive level. But given that video games around us are becoming more and more generic, “best practice” driven, and in general, everything that Romeo is a Dead Man pokes fun at, it’s nice to have the occasional game that’s willing to put some people off in pursuit of its creative vision.

Overall, Dynasty Warriors Origins is a big, explosive, and massively entertaining action game, and true to its title, a conscious effort by Koei Tecmo to get back to the qualities that so many people have enjoyed from the series over the years. Lu Bu is terrifying, Sun Shangxiang is history’s greatest tomboy, Zhuge Liang is brilliant, and watching all these stories play out with such energy is just utterly brilliant.

The Run is a fun, feature-film-length game with mystery, murder, and a whole lot of running. I was rooting for Zanna from the beginning, when she was bright-eyed and pushy-tailed with innocence oozing out of her pores. Handsome, mysterious farmer Matteo adds more questions than answers, but he’s a welcome break in watching one person run alone, interrupted now and then by masked murderers. The acting was good, but the story is where The Run shines. And the endings I found? *insert mind blown emoji here*

It is strange to me that in the end, Dragon Quest VII Reimagined is better for new players to Dragon Quest than existing fans. I would think that the “VII” next to the title would put off those newcomers, who would assume that they would be coming in six titles too late. More to the point, no RPG trading on nostalgia – port, remake, or entirely new game – should overlook the existing fans entirely. Dragon Quest VII Reimagined makes some very smart decisions with the narrative and gameplay, and is so very close to the perfect version of the masterpiece thanks to that, but players have to go in knowing that the challenge is essentially non-existent.

Games these days are rarely “finished”, but I’m not 100% certain that a smaller niche title like Speedball will see much in the way of post-release content and patching. If it does, it could evolve into a nice little game for those who fondly remember the original – but as always, I can only review what’s in front of me, and at launch, there’s just not enough of Speedball to make it a particularly compelling prospect at full game price.

PBA Pro Bowling 2026 on the Nintendo Switch has an extremely short lifespan, thanks to the lack of multiplayer and just one meaningful single-player mode. The development team really have done a good job of capturing the sport, and it’s a substantial improvement on FarSight’s previous efforts, which were both dry and not quite nuanced enough to do the sport justice. This gets that right, but just imagine going to the bowling alley to play a game by yourself. It’s not half the experience without friends around, and that applies to both the real sport and the digital adaptation.

Code Vein II is very, very close to joining From Software’s games and the Nioh series in the upper echelons of soulslikes. A quality narrative, fluid combat and an excellent, Ocarina of Time-like approach to progression combine in a way that makes it very hard to put the controller down. It does feel like it’s in search of an identity of its own at times, and it's unlikely to develop the reputation Ocarina of Time has for that reason, but Code Vein II has a lot going for it.

The long and short of it is that FFVII Remake Intergrade is a truly excellent game, and it plays brilliantly on the Nintendo Switch 2. Having such an excellent port of an excellent game to play on the go more than justifies a second purchase of it.

Lached Up Games gets more confident and ambitious with every title. The 15-20 hours that Help! I’m Turning Into A Mermaid! takes to run through make you wish that the developer had a bigger budget to work with, but you’ll be glad that games like this somehow get made in the first place.

I just suspect that in the world of board games, anime fan service aesthetics are something that heavily limits the number of gaming groups that are going to be willing to play. Not everyone likes fan service, and if even one person is put off by Heart of Crown’s characters (particularly the lolis), then that’s a group that’s never going to vote to play it on game night. Therefore, as I’m not a fan of playing randoms online, Heart of Crown is likely to be a single-player only experience for me, and that’s a disappointing way for an otherwise excellent game to fall short.

Temirana might not be up with my very favourite visual novels, but it is entertaining, with good and warm energy behind it. It’s not the ideal entry point to otome as it doesn’t really have a hook beyond “exactly the kind of game otome fans like to see,” but if you are a convert, you’ll find yourself chuckling along with the way it plays within the genre traditions right throughout.

Sugoroku isn’t a brilliant board game. It’s not Wingspan, or Catan, or Lords of Waterdeep. It’s not even Hero Quest or Talisman. But sometimes a game has cultural resonance beyond the entertainment value of its mechanics and systems. Sugoroku is as Japanese as Shinto, Kabuki, Pikachu and Sushi. And for that sociological reason, it’s actually worth having a take on Sugoroku and playing it. This one is actually one of the best examples of it.

But these titles do deserve to be remembered as part of the overall patchwork that the games industry grew out of, and I’m genuinely happy that I had the chance to discover Rammy’s Great Adventure. It’s not an easy thing to recommend to anyone because… Well, the Switch already has so many great roguelikes. But if you’re in the mood for something eclectic and eccentric, or just a piece of gaming history that you absolutely haven’t played before, Rammy’s Great Adventure and its sequel and the existence of this remake is genuinely fascinating.

If you are the type that might have bought a Terminator 2 game back in the 1990s when it was something of a cultural institution, and as long as you stick to the regular difficulty modes you’ll enough to entertain you here. Otherwise, though, this is going to be a bit niche for everyone else.

If you’ve never played Tomb Raider, then you can grab this and enjoy the ride. It still looks comparable to other modern titles on Switch 2. The action is also taut and, the first time through, exciting. The thing is, though: Tomb Raider just isn’t worth replaying that often. The best games – as works of art – delight over and over, no matter how familiar they become. With Tomb Raider, and so many other blockbusters over the last 15 years, familiarity just makes the lack of creative inspiration behind them and the slavish devotion to risk-free content delivery all the more apparent.

Gorgeous art, an excellent soundtrack, a massive epic narrative that actually feels earned thanks to the strength of the writing and characterisation, and an exciting, tactical combat system. Yeah, it is, quite genuinely, an 80+ hour game, but that’s what the Christmas break is for, right?

It is way, way better than Bubble Bobble 4 Friends, and it could be great for you if you like your games on the とても難しい side, or if you don’t already have a copy of the still excellent Bubble Symphony to hand. If you’re after that classic Bubble Bobble gameplay, however, the original is still the best.

Sometimes, when I review a game, I expect to be an outlier. And my gut tells me that will be the case when this review is published, and I feel free to check out other review scores. But I cannot in good faith give a game that I want to like a good score; I have to rate what’s in front of me. And what I see is a lack of character growth, a lack of accessibility, and a lack of clear graphics. An interesting narrative only carries so much weight. It quickly makes one exhausted.

Cricket 26 is iterative, rather than a bold new vision for how cricket games should play, but Big Ant’s earned the privilege to approach its cricket games like this now because they’ve spent the past ten years building up to a cricket series that already offers a quality simulation of the sport. It might not have the investment of the big blockbuster properties, but nonetheless, this year’s Cricket offers an earnest, enthusiastic, and high-quality take on the sport for fans. I’ve always been an admirer of the vision and clear passion for the sport that Big Ant has, and I fully expect that this new title will occupy yet more hundreds of hours of my time.