Ball x Pit is a very easy game to pick up and play, though it’s also one where the central gameplay conceit is very much present in the free demo; I could see some gamers bouncing (pun not intended) off it pretty hard, but if the demo intrigues you, trust me, there’s a lot more to come that does get addictive fast.

Ghost of Yotei achieves what it set out to, in that it wanted to take what makes Ghost of Tsushima so popular (the visual engine, the combat, Sucker Punch’s open worlds) and transport it to a “barely settled” location where they could give us a rip-roaring, all-American Wild West story. So… good on them for achieving that, I guess. But, as I brace for the inevitable comment moderation job ahead, I gotta be honest and say I just didn’t care for any of it. Or the way it capitalises on the Japanese/Ainu setting rather than tries to work with it.

It’s also nice to have something in this genre that isn’t weighed down with all the mobile game contrivances that have taken over the puzzle/RPG hybrid in the years since. It’s unfortunate that it’s such a no-frills release (they couldn’t even put multiplayer in the thing!), and that this is the dictionary definition of a game that has “aged poorly,” but who knows? Perhaps Puzzle Quest really is back this time around, and the development team can use the momentum to finally deliver a second game that moves past the mistakes of previous efforts and builds on the heritage and prestige of the original.

The long and short of it is that Silent Hill f is brilliant. It’s an exceptional story told exceptionally well, with a depth of theme and artistic heritage that makes it worth actual study. That is backed up with an entertaining blend of well-designed combat and intelligent, challenging puzzles. Silent Hill f will – or at least should – make you uncomfortable, and it will haunt your thoughts long after you’ve stopped playing. And that’s the hallmark of a truly special horror game.

As a result of these misfires, Lego Party finds itself in a position where there’s a lot to like about it and bravo to SMG for looking for ways to be creative while also producing a blatant Mario Party clone. On the other hand, it does show that where Nintendo has been producing them for decades now, this is a rookie effort. Perhaps part of the issue is that I played it on a Nintendo console, when I have the alternative sitting right there on the hard drive. On other platforms that don’t have a Mario Party, I can see this resonating more strongly. Unfortunately, though, I can’t see it being a particularly memorable experience for anyone in the long term.

I don’t know if Daemon X Machina: Titanic Scion is going to turn me into a fan of these mecha games, but I certainly enjoyed the combat and design enough that I’m keen to check out some more to see if I do like something about the genre after all. Just be aware that the performance is pretty suspect at times. If you can handle that, then this is certainly an ambitious and entertaining sci-fi game for on the go.

Ultimately, perhaps we do need to remember that this is FuRyu’s first self-published game, and the existence of Varlet at all is, itself, an experiment. We didn’t get the usual creative subversion that we’ve come to expect from the company behind the likes of Lost Dimension, The Caligula Effect, Crystar, and Reynatis, but in taking this step as a company, perhaps FuRyu will be able to protect its ability to continue to do those games in the future. Valent itself, unfortunately, is a game I wish I could love more than I did.

With dozens of characters drawn from the series and a full ten courses, Everybody’s Golf Hot Shots does act like a celebration of the series to date. However, it’s also painfully clear that this game comes from a new developer trying to find their place with such a venerable series. HYDE was timid to try to be too innovative, but at the same tim,e clearly struggled to achieve the same precision from the previous developers. Unlike Clap Hanz’s Easy Come Easy Golf, HYDE’s game actually wants to challenge players and require skill. And I’m quite sure that a patch or two will get the game to where it needs to be. For now, however, as enjoyable as Everybody’s Golf Hot Shots is, it’s just a touch too frustrating for its own good.

It’s always great to see a developer grow in confidence, embrace new ideas, and find new ways to embrace their creativity. Submansion is a lot of things – quirky, surreal, whimsical and dark. It’s also the kind of game that could only come from a single developer exploring their personal creativity.

As a big-time Shantae fan, I’ve loved having the opportunity to fill in the gap for the game in the seies that we very nearly didn’t get. It’s more a curiosity than something essential – more recent titles in the series are definitely better, but if this continues to breathe life into the series, then I’m all for it.

On the one hand, we’re talking about the game that is to Kojima what Dr. Strangelove is to Stanley Kubrick (i.e. the masterpiece in a resume that basically has no misses). Even considering how brilliant Death Stranding is, Metal Gear Solid 3 is just something special, meaningful, and important as a work of art. It’s hard to see how anyone could improve on it, so it didn’t really need a “remake” in the way some other titles do. On the other hand, this really isn’t a new game, and while it wouldn’t be fair to say the remake’s efforts were “lazy,” it’s also hard to shake the feeling that where the Silent Hill 2 remake was exciting by virtue of how new it was, this is just that game, that we’ve already played and loved to death, in a prettier dress. But hey, if you’ve somehow not played Metal Gear Solid 3 before, this is going to blow your mind.

Story of Seasons doesn’t exactly paint a picture of the realities of the life of a farmer. It is, after all, one of the hardest, if noblest, jobs. But the sweet utopia that the series offers is pristine escapism, and Grand Bazaar has one of the strongest concepts and executions that we’ve seen in the series. This game is a total delight.

Nightdive proves over and over again that for a certain type of vintage video game – the more mature and high-profile “blockbusters” of yesteryear – it is a formidable choice for not only making the game playable on modern hardware, but straddling the balance between giving the nostalgic the game they remembered while making it as playable and enjoyable as new games today. Heretic and Hexen are both brilliant dark fantasy adventures, and they’ve been polished to a special kind of sheen that celebrates the impact they had on many thousands of fans back in the day.

All of this might sound critical of Iwakura Aria, and I guess in one way I am disappointed in this, but only because it could have very easily been another House in Fata Morgana. The intensity of the themes are there. The art is right up there with the best VN art I’ve ever had the pleasure to see. The writing is beautifully eloquent, and this is a rare visual novel that I would happily pick up as a proper novel, where it would stand strong on any bookshop’s shelves against any of the literature on there. Even as it is, Iwakura Aria is better than 99% of the other visual novels out there. It’s essential as-is, and right on the cusp of being a masterpiece, and that’s ultimately why I’m disappointed that it doesn’t quite get there.

A lot of it is very standard genre fare, and as most people have played at least one Mystery Dungeon title in the past, you know what you’re going to get… at least in terms of how it plays. What distinguishes Mado Monogatari is its extreme enthusiasm and relentless humour. With a joyful art style, hugely entertaining character design and a painfully catchy and exuberant soundtrack, Mado Monogatari ends up being more memorable than it has any right to be. It’s been a stressful couple of weeks for me with an almost overwhelming workload, but whenever I loaded this up I found myself smiling and relaxed almost immediately afterwards.

Tales of the Shire: A The Lord of the Rings Game is such a great idea, but it becomes way too apparent, far too quickly, that the developers either didn’t have the budget to fully explore their idea, or simply had no idea how to turn the great idea into a compelling game. It’ll leave such a warm impression on you, but once that’s worn off, the game sours more quickly than a poorly cooked rhubarb pie. Hobbits like that for some reason. I do not.

I can’t think of a game that I have played in years that has been made with as much love as UFO 50. It’s the kind of project that could only come from people who love video games that much, and it does feel like a celebration of video games right down to its digital pores. I would have happily purchased 20 (if not more) of the games in this collection as standalone titles. Having them all in one package feels so generous I almost feel like we’re all taking advantage of the developers here.

I had a lot of fun with Rugby League 26, and it’s not even a sport I follow closely. I have been playing Rugby League games from as far back as the Commodore, with E.T.’s Rugby League (no, not the Spielberg Alien). As I said, the sport lends itself to big hitting, arcade-like fast play, and Rugby League 26 delivers this, and will continue to improve as the patches roll in.

Really, the question of whether this game is going to be worthwhile to you is ridiculously simple: Do you enjoy nonograms? If you do, then you don’t really need to be a Miku fan to get value out of this. You’re getting 1000 puzzles, and most of them are very well-designed nonograms. That is, by default incredible value. If you don’t like nonograms, then… well, I just don’t know you.

The issues with Wild Hearts S are minor enough that I’ve been more than willing to put up with them to enjoy the greater context. This is an excellent take on the Monster Hunter formula with stunning production values, an excellent and challenging range of monsters to track down, and, ultimately, a satisfying world to inhabit. It’s just incredible to now also have it in a portable format.

I genuinely didn’t know that I wanted Golden Tee Arcade Classics until it was released, and now I fully expect to be one of my most played games with Nintendo does its annual “what did you play” wrap. It’s challenging, it’s rewarding, it’s nostalgic and, as strange as the entire project is, it’s so very entertaining. I now know what the Simpsons’ excellent Lee Carvallo’s Putting Challenge was parodying, and like so many of the best Simpsons jokes, it’s making fun of a very fine thing indeed.

All of this leaves me in a bit of a conundrum. On the one hand, Mario Party Jamboree is the best thing that has happened to my favourite Nintendo multiplayer properties. On the other hand, this… this was just not Nintendo’s finest hour. A clunky mess of a package that seems not to have been thought through, coupled with an infuriating limitation on online play really lets it down. Also, when you think about it, most of the really good stuff was in the Switch original, and while Jamboree TV adds more, it doesn’t add anything that tops what we already have. Overall, the disappointment of the Switch 2 launch window, despite being essential if you haven’t played it before.

The Wandering Village is the kind of game that you can end up spending a lot of time in, and may just leave you feeling reflective and pensive. It doesn’t do that by bludgeoning you with a narrative lecture. Nor is it over the top or excessive in any way. It’s really very subtle and sedate. Yet, by anthropomorphising the earth as a giant, gentle beast, and giving it a personality, The Wandering Village really does make a stark point of just how cruel we humans can be to our one and only home.

No Sleep For Kaname Date – From AI: The Somnium Files is a kind of filler release, and that’s okay. Not every game needs to be something that overs tens of hours of highly emotional plot and deep gameplay, and the first two AI: The Somnium Files games have already established an intelligent pedigree for the series. It’s nice to have something that goes for pure comedy as a contrast. The Zero Escape team stuck to what they knew with the gameplay, and clearly had bundles of fun doing so. That makes it very easy for fans to have fun with the game in return.

Neverwinter Nights 2 is an artifact of its time, and today straddles a somewhat uncomfortable spot where it’s not quite so nostalgic that it feels “retro” while at the same time, the games industry is now producing far more complex and nuanced narratives, in particular. With that being said, as a stand-in for getting a group together to play some tabletop Dungeons & Dragons, it’s difficult to look past this. Basically, it’s the right kind of kitsch.

Donkey Kong Bananza is the perfect launch window title for the Nintendo Switch 2. It highlights the kind of creative whimsy that Nintendo can achieve with its new hardware, demonstrates that the Switch 2 really is more than a slightly bigger Switch… and is just a very fine game on top of all of that. Donkey Kong has finally appeared in a 3D platformer worth a damn.

Was Bustafellows season2 strictly necessary? Probably not. The original was so beautifully constructed and went out with a bang. By exploring events past that bang, we do get a chance to get to know the characters even more deeply, and the story is every bit as well-written and engaging. So while it’s not strictly necessary, I am not by any means complaining about having the opportunity to dip back into this world again, either.

What’s in Tamagotchi Plaza is well-made enough and entertaining, particularly for the younger audience, but this is a very limited and shallow game that somehow manages to lack the meaning and intellectual value of Tamagotchi themselves. As an opportunity to play a few little minigames with your favourite critters, it has value, but as an experience where you get to hang out in the world of these mascots, Tamagotchi Plaza is lacking badly compared to the likes of Hello Kitty Island Adventure or Disney Dreamlight Valley.