If Beyond Blue didn't try its best to tell a personal narrative with a cast of characters, I still would've enjoyed it despite its simplicity as a game. Even though the aquatic simulation feels too surface-level at times, I can't deny the game's beautiful imagery, education-minded ambition, or tranquil appeal.

Disintegration is highly ambitious, and I think that over time a combination of free and paid DLC could shore up some of its weaknesses.

Shantae and the Seven Sirens is a compact, attractive, and agreeable adventure, but its muddled design lacks variety, innovation, and vital story engagement. As such, Seven Sirens feels like a sequel on auto-pilot, one that doesn't seize the opportunities offered by its exciting world and lively new cast, ultimately resulting in an entry that's good enough, but had the capacity to be truly magical.

As a hardcore shooter fan since the '90s, Valorant feels very well designed, and provides me with a rush I haven't gotten out of so many other big genre games in the past five years. But Valorant feels like it was meticulously designed in a laboratory to fault. It's fitting given that Riot has over a decade of data and esports experience, but the sterile feel of it does impact my decision to play it more regularly.

Clubhouse Games: 51 Worldwide Classics might sound generic at first blush, but it's secretly one of the best Nintendo Switch games of 2020. It's the right game at the right time with the right temperament.

Even if it didn't have an extra chapter to conquer, Xenoblade Chronicles Definitive Edition deserves a third release.

Signs of the Sojourner is one of the most cohesive narrative games I have ever played. The interplay between mechanics and storytelling is absolutely brilliant, which makes it a shame that it misses the mark in terms of actually being enjoyable to play. The inclusion of a frustrating "fatigue" mechanic is at odds with the general laid-back design approach to deckbuilding. There is something truly beautiful here that is worth experiencing, it's just a shame that the game seems to fight itself at every turn.

Maneater squanders some of its potential, but it's perfect for a rainy weekend when you're craving something original.

Minecraft has proven itself to be quite the enduring and endearing IP over the past decade, and Dungeons is now partially responsible for that legacy.

There's so much about Mafia II that feels like a relic of a bygone era. Video game design has long surpassed and evolved beyond this approach to storytelling. Still, I find myself oddly charmed by it. I've played Mafia II twice now, once in 2010 and once in 2020. Its foibles that irritated me a decade ago seem more forgivable now. Maybe it's because I knew to expect a flawed experience, maybe it's because I'm getting more lenient in my old age. Whatever it is, I relished blowing through a thrilling mobster drama over the course of a weekend, knowing I wouldn't have to dedicated the better part of the next month to finish it. In a lot of respects, Mafia II hasn't aged all that well; strangely, that's why I think it's a better game than it was 10 years ago.

Every time I returned to Fury Unleashed I found myself enjoying what I played. It’s maybe not something that sucked me in and kept me glued to the screen until the end, but it entertained whenever I gave it a chance. For its price, it’s a worthwhile diversion. I just wouldn’t be surprised if nothing inside you gets unleashed.

Hatsune Miku: Project DIVA Mega Mix isn't as fully featured as some previous games, but the DNA is still decidedly Miku.

The Wonderful 101 deserves this new Remastered lease on life after the way it was treated on the Wii U.

Huntdown is a nihilistic, loud, explosive, even obnoxious arcade shooter. But behind its acid comic style and vulgar tone lies a superb, meticulously crafted action experience, packed with creative and addictive carnage, at a breakneck pace, for an agreeable price. Heed the warning: Do Not Sleep on Huntdown. It's an absolute blast.

Ultimately, remaking old games can be tough, but at a base level, the goal is pretty simple: To bring the best bits of an old game to life in a way that a new audience can appreciate. Trials of Mana accomplishes this goal handily. In a sense, it's an ideal remake, holding tight to the core of what made the original game (and the Mana series as a whole) so compelling to so many people at the time, while bringing a novelty and freshness to attract neophytes like yours truly.

Like many expansive online projects, the opportunity is there to really get sucked into a new and exciting world.

There's an unshakable sense that almost everything is less finely-tuned than it should be. Still, this could be one of my favorite flawed games of 2020. It could be the one asymmetrical multiplayer title I keep up with for more than a few weeks. (Sorry, Resident Evil Resistance. I tried!). Granted, I'll need IllFonic to get in the weeds and fight the urge to over-balance, and I'll need my fellow mid-level players to stick with it so the rest of us aren't carved up by diehard Predator fans.

Streets of Rage 4 is an absolute triumph. It looks stunning, it sounds sublime, and it plays like a dream. SoR 4 delivers fistfuls of knock-down, drag-out action for fans old and new, all at a modest price. It's been a long wait for the Streets of Rage faithful, but comebacks rarely get much better than this. GRAND UPPAH!

Moving Out is less strategically satisfying than I would've liked, but it's worth considering if you want something new to play along the lines of Overcooked, Tools Up, and Good Job. It deserves a spot on that co-op shortlist. At the same time, I hope we get DLC that adds more bespoke puzzle scenarios.

Cloudpunk is certainly a game worth seeing, but beyond that, there's not much to back up its cyberpunk aesthetic. Flying around in your hover car is a joy, and the city is a consistently surprising visual treat, but whenever the game gets around to providing context to all of it, it stumbles. You largely get what it says on the box, but Cloudpunk would have benefited from more compelling gameplay and a more focused story. It's not that it's badly designed or horribly written, it just doesn't quite reach the clouds.

All my quibbles are on the periphery of Gears Tactics, though. The core -- getting onto the battlefield and agonizing over every move -- is excellent. There's a smart experience here, one that feels both authentically Gears and tactics. That's the best possible outcome. Gears Tactics is a great Gears game and a great tactics game. This 90% doesn't miss.

Sakura Wars represents an ambitious new start for the franchise, one that might not be to everyone's tastes. While its mediocre combat and dialogue-heavy design may leave some players disengaged, its fabulous presentation, pleasing visuals, delightful characters, and histrionic melodrama will delight others. Perhaps most importantly, it offers the franchise a bright future bursting with potential. Encore!

While not all of the wild departures fire on all cylinders, XCOM: Chimera Squad's open-ended difficulty settings allow everyone to bend the strong combat groundwork to their will.

If the eponymous Savage Planet is your Kindred explorer's residence, the space rock called DL-C1 is a timeshare. It's a decent little getaway -- probably worth the investment, a change of pace, and the vacation is over quicker than you'd like. But, despite what the name suggests, Hot Garbage is far from a dump.

Time has been kind to Modern Warfare 2. The resonance of this particular entry is demonstrated with heartfelt passion in Beenox' high-gloss, finely-tuned remaster. While the overall package is slim and the asking price no doubt steep for some tastes, there's no denying that MW 2's provocative and exciting campaign has aged like wine, an explosive roller-coaster still worth riding.

This world is full of powerful characters and a setting that's worth remembering: remake or not.

I enjoyed my time with Treachery in Beatdown City, and despite a lack of overall polish, it does a good job of emulating beloved 8-bit fighters while maintaining its own ground as a modern brawler. I'm still left thinking about some of the unique strategic fighting elements, and as the fake PSA in the beginning of the game advises, winners don't always have to mash buttons to have a good time.

If you want to get the most out of Good Job!, forget trying to get the best score possible and just have a blast wrecking up your dad's company as this commentary on nepotism slowly plays out. That's when the game is at its best. Save those "S" rankings for a second run through.