If craving a punishing retro-style brawler, Slave Zero X has what it takes to test your patience - in more ways than one. While it nails the tone and equal parts stylish and grotesque aesthetic of ‘90s anime action, behind its cool look, strong atmosphere and neat ideas lies a failed attempt at channelling the spirit of a Devil May Cry or Bayonetta; one so weighed down by frustration, imbalance and sloppy execution that its brilliance struggles to shine through.

Rio is fun while it lasts, and takes a more considered approach to its subject matter than thrusting it into a standard platformer template. Unfortunately, it's let down by a lack of content, only offering a few hours of play when all is said and done, and rather poor instructions and narration do not help.

A good tactical game makes you feel dumb when loosing, Banner of the Maid makes you feel cheated, as it's less about forming a plan, and more about retrying missions to discover which exact "route" to follow. Add to this a heavy lack of balance, some annoying friendly AI, and a needlessly long length, and this makes this Chinese-born SRPG hard to recommend. Its flawless pixel art style, and sexy anime look are really the only things of any worth here.

Iron Man is your classic film tie-in; it reeks of under-development and simply isn't worth your time or money.

Grimshade is a love letter to the JRPGs of the '90s. Trouble is it's one that wasn't as eloquently written as it should. The weak-to-decent presentation cannot be fixed, of course, but there's some hope for this, if the developer ever heavily rebalance the tactical battles.

Few games in the realm of naughty/lewd/ecchi/hentai can really be considered classics, but that doesn't mean that there aren't some that are a bit more entertaining than expected, offering fun gameplay along with some titillation. Slime Girl Smoothies sadly isn't that. It's a boring and repetitive experience that lacks the addicting, and most of all, the casual-friendly, pick-up-and-play nature of many puzzlers. Unless with a fetish for sexy slime girls, stay away.

Whilst moderately addictive at first, Gogo's Crazy Bones does not reach the same level of addictiveness as Angry Birds, with not as much variety included for the higher price. The concept works in principle, but sadly some of the allure of the mobile phone-based title it sources is lost in this DS version of the theme.

Graphically impressive and different from the norm, Lila's Sky Ark is a charming title to look at. The music balances with the presentation splendidly. When it comes to game mechanics, however, there tends to be a lot lacking. With only the ability to hurl stonework and other quirky items, major boss fights almost feel silly. The main story remains a mystery if not actively exploring and may cause some players to feel lost or question the purpose of gameplay. This may be a benefit for those seeking a more thought-provoking game, yet it takes too much time to get there.

3D Classics: Excitebike may be vaguely fun in very short play sessions, but with the advances in technology and a superior WiiWare version available, it simply feels dated. The 3D visuals are fantastic and the added save functionality is an improvement, but those alone are not enough to keep every player hooked.

The flashy, “loud” and repetitive visuals hinder battlefield readability, while standard, unremarkable shmup gameplay fails in helping Shinorubi stand out in any way. Floaty controls, forgettable bosses, and weak scoring systems leave behind an experience that is dull. Bad? No. Just painfully average.

There is clearly an audience for Ling: A Road Alone. It's the kind of gamer who does Final Fantasy runs with level one characters, or who plays Dark Souls with a Dance Dance Revolution gamepad. That is to say, Ling: A Road Alone is absurdly difficult for the sake of being absurdly difficult. If that's your kind of thing, the kind that is often unfair or sadistic in its difficulty, then Ling: A Road Alone is a must play. Otherwise, there's not much here that can be recommended.

If you desperately need handheld versions of the classic Sonic titles, you have no alternative than to buy Sonic Classic Collection. However, the true greatness of the games on offer here does not get to shine through properly as there are a number of a issues, from glitchiness and slowdown to removed features.

It is decent at its core, but that's it.

If you've got three enthusiastic mates, preferably each willing to chip in for the game, then there's a lot of fun to be had here. But, for most people, it would probably be cheaper and easier to stick with plain ol' Pictionary.

Nine characters and a story scenario of a couple of hours for twenty quid isn't bad by fighting game standards. As such, this may be well worth the price for anyone still heavily invested in BlazBlue: Cross Tag Battle. The previous DLC pack features 22 new fighters for £6 less, though, and the extra story episode just doesn't make up for it. Unless a fan of more than a couple of the combatants joining with Ver. 2.0, it would be wise to wait for a discount.

Minus a couple hiccoughs here and there, ACA NeoGeo: World Heroes Perfect is a flawless, and 100% faithful version of the original arcade effort. However, this cannot change the fact that World Heroes Perfect was, and still is, nothing more than a generic fighter that pales in comparison to the strong competition in the genre, and even compared to SNK's more famous The King of Fighters line. In other words: this is nothing more than a collector's item product.

It will be hard to remain interested in Smoke and Sacrifice for more than a handful of hours. By then most will realise that what started as an emotive journey, ends up being an endless series of unbalanced crafting, unexciting exploration, and controller-breaking, clunky fighting.

The current price tag is insanely high for what's on offer. The new levels can be smashed through in a few hours, and the low difficulty means there's little replayability in aiming for high-scores and rankings on each stage. Nostalgia and an 8-bit classic simply aren't worth the price of admission. That being said, it's fun. Somewhat. If it had included some others from Bubble Bobble history like Rainbow Islands, it would have been more appetizing.

InnerSpace is beautiful... and that's all there is to say about it, because, as much as exploration games go, there are far better alternatives out there - with none of them feeling as disorienting as this one.

Bit Dungeon+ is a dungeon crawler playing on nostalgia to a fault. It has completely neglected the modern touches to the genre that gave birth to its renaissance. Each run feels painfully similar, and towards the end it is possible to run several levels without receiving any upgrades at all. Thankfully, it has multiplayer, which can be entertaining in the right company. That is not enough to make it more than just another dungeon crawler, though.

The Starship Damrey is a solid little adventure title, marred by a limited scope thanks to its origins as part of a three-in-one retail package that never came to light, a low budget, poor control choices and a story that shows potential but is not fleshed out enough to make players really care about the final outcome.

The developers have done their best to offer Queen fans an unmissable experience, but it does mean that if Queen isn't a personal goldmine of song bliss, then it is advisable to steer well clear of this game. It's a serviceable karaoke experience but with the complexity and high notes of Queen this is definitely a hard one to recommend. If Queen are like personal idols, then pick this up without hesitation, otherwise there are more varied and interesting karaoke games out there.

Endless grind, very slow progression, and an abysmal battle system, are the major knocks against what would otherwise be an average experience. The story itself is unique, but hardly goes into depth instead relying far more on shock-value of events occurring rather than actual meaning. Unfortunate, really, as the plot serves up a huge potential for some interesting questions, or dialogue - things that are completely missing.

Creeping Terror's best quality is by far its impeccable production quality and graphics. Generic and uninteresting stalkers aside, the art direction and overall look of the game are incredible for a downloadable 3DS release. The very 'by the numbers' adventure gameplay is serviceable, and really the main event should have been the stalkers, but they are completely undermined by a lack of challenge and pushover difficulty. It is regretful because Creeping Terror could have been the definitive horror 3DS game since all the working pieces are present but are, ultimately, horribly implemented.

Appreciating the narrow focus on the game they sought to deliver was one of the better points of the experience. By stripping away a lot of excess systems it allowed a better core experience. The issues are bad optimization that leads to heavy lag and frequent crashes. Additionally the gameplay is too fast for the 'art' style of attacking to truly be effective resulting in a major loss of what was the initial draw of the game to begin with.

It looks good (mostly), and has all the qualities that seem like it would make a great game. Not only does it fail to come together coherently, yet it also it lacks a sense of magic or "heart" that the art style would suggest it possesses. While nothing is largely technically wrong with Indivisible, it fails to be engaging as a RPG, its platforming fails to recommend it on this front, and the story never goes anywhere significant to offer this up either. This isn't bad, but it just isn't that good either.

Building LEGO-like vehicles, and having them explore a vast world, do quests, and shoot at other, similar tanks or planes, might sound like a fine idea for a construction sandbox, but TerraTech isn't really that good at what it does, for the simple reason that this just isn't fun to play, especially since the transition to the Nintendo Switch has you doing all that building and rebuilding with controls that feel out of place.

Shadowkeep impressed me much less than Forsaken. I hoped that after parting ways with Activision Blizzard Bungie will be more ambitious than to mostly recycle the content we already know. [12/2019, p.76]