Tour de France 2020 is an improvement over its 2019 counterpart, thanks to the improved loading screen times, and reduced crashes that may take place. However, by and large it is still pretty much the same game otherwise, with minimal changes or quality-of-life features to make the experience more engaging. For those who love the sport of cycling, then this may fill in the time until the real-life racing starts up again - however for those with no interest in the sport, then it may be a tough task for Tour de France 2020 to latch newcomers into the title. The ingredients for a really engaging micro-managed cycling-simulator is here, but it is let down by the AI.

Quad Fighter K is a, somewhat simplistic, co-op-focused vertical shooter, with humdrum, NES-like retro visuals (with actual retro visuals being much better). It's one of those typical games whose main selling point seems to be the nostalgia factor, and nothing more than that.

Early glimpses of the puzzles and dungeons showed just how great Ary and the Secret of Seasons could be, and while those are realised here, it's just not enough to make up for the numerous issues and missteps. Many players won't be able to even see those best moments unless they have the considerable patience needed to be able to get over halfway through. A true disappointment; there is an awful lot to like here, but ultimately it's hard to recommend this. Strangely, considering how many times it's been delayed, this just feels unfinished, like a preview build.

Even Mario Party die-hards will struggle to find much to enjoy in this rudimentary compilation. There are occasional glimmers of nostalgic genius, but they are few and far between when compared to the plainness of the side modes, brevity of the single-player campaign, and length of the list of dud mini-games on offer. It's a fun distraction for a couple of hours, but Mario Party: The Top 100 lacks the replayability of a mainline Mario Party title, making it a hard sell in the face of its more complete-feeling siblings.

Vesta is the perfect... average game. There's nothing objectively wrong with it, but there's also nothing special here, either. It's a simple action-puzzler, with simple tests of wit, and simple mechanics to deal with them.

More like a - fun and charming - alpha build, rather than a fully realised game, 3D platfomer/puzzler Wings of Glass isn't really a big recommendation. The controls need some work, there's not enough gameplay depth, and it all ends too soon. Its dark and dreamy atmosphere is its saving grace, and it's a shame the developer couldn't find a bigger budget (and more time) to work on the concept at hand, and provide something meatier.

Cool Boarders is a finnicky racer that limits its own appeal by lacking in multiplayer options. A large degree of skill is required to get the most out of it, but the small selection of stages with just the challenge of beating your own top records means there is only so much satisfaction that can be extracted before it is quickly moved on with. Nostalgia will play a big part in whether Cool Boarders sticks the landing.

Feathery Ears is the less flawed, but also less attractive sister of Wings of Glass. Mechanically it's a better polished product, but it lacks that special... "something" of its spiritual predecessor, and the gameplay is a bit more straightforward, and, honestly, boring. Most importantly, like Sayuri Artsy's previous creation, this is more like a proof-of-concept, Early Access title, than a completed game that's worthy of a purchase.

Gear.Club Unlimited 3 offers solid handling, a generous car roster, and welcome two‑player split‑screen support, yet the overall experience struggles to rise above average. Technical inconsistency across both visual modes, dated presentation, rubber‑banding AI, and a repetitive progression loop limit the game’s impact, while the absence of online multiplayer reduces its long‑term appeal. There are enjoyable moments, particularly in short sessions, but the Switch 2 debut of the series falls short of the standard set by Eden Games’ earlier work.

Gameplay-wise, The Outlaw, The Drunk, & The Whore is not as unique as its quirky name would have you believe it to be, as it's just a simple, and only marginally enjoyable hack 'n' slasher - and not a flawless one at that, as fighting can also be annoying, due to the melee attack's short range and slow speed.

The heavy criticism towards Warcraft III: Reforged has nothing to do with the quality of the experience therein. This remains the wonderful real-time strategy that thousands of people have loved. The real problems begin when you take the changes of this remaster into consideration. The half-baked, unimpressive new engine and hit-or-miss design choices; the numerous bugs and network issues; and, finally, those mind-numbing, corporate-smelling decisions, like the fact that custom maps now belong to Blizzard, or how Reforged effectively ruins the original for those who don't even own the new game.

Jet Kave Adventure is a noble effort from 7Levels and mechanically it does show some promise, but it also becomes repetitive quite fast as it fails to nail the smart level design and addictive platforming action of its contemporaries. The level art is gorgeous and does a great job to enliven the sci-fi-imbued prehistoric world that the developer has created, but the platforming itself is far too uniform and simplistic to retain the player's interest. As such, it's best suited to short play sessions but even here, the experience shows too many frustrating cracks to be memorable.

What remains on 3DS is still very much a good and enjoyable experience for sure, granted that the user manages to get used to the cumbersome control scheme.

Heracles Chariot Racing is a pretty fun substitute for Mario Kart for the price, but it pales in direct comparison to the Nintendo series from which it takes many of its concepts. It's best played in multiplayer, but the necessity to own so much plastic for it to be used to full potential and the lack of online hurt the title.

One more by-the-numbers anime-flavoured RPG, That Time I Got Reincarnated as a Slime ISEKAI Chronicles turns out to be a title whose most exciting feature is its name. With its boring story, repetitive gameplay, and general lack of challenge and incentive, it's impossible to recommend this to anyone but the most die-hard of fans… and even they can find better alternatives.

For long-time fans, Super Robot Wars Y is probably...maybe...hopefully a buffet of nostalgia. The thrill of assembling a dream team of mechs and watching them interact, however briefly, is pretty darn cool if an afficionado of the genre. As a standalone product? It never rises above its crossover gimmick and is far from a solid recommendation for those in love with tactical games. Oh, and the price tag is ridiculous.

It is mired by a litany of hurdles, that perhaps a more patient player can deal with, but many will really wrestle with this - for them it is advised to seek out PoEII on a platform that it's design is more inherent. At very least, wait until a patch can fix some glitches, and the egregious loading times, in particular. Someone that can get beyond those inconveniences will discover there is a deep novel-esque adventure to be had. This adventure is full of loot, bounties, ship battles, and engaging fetch quests; all of the usual RPG fare that would keep aficionados happy. The island setting is memorable and full of lyrical, witty writing to be discovered which is great. When it works, it can be immersive and no doubt extensively replayable. It's just a shame that it didn't quite nail the port execution.

Citizens of Space is an amusing comedic RPG that is very rough due to technical issues. Perhaps after the bugs get ironed out it can be recommended, but in its current state it just has too many flaws that will distract. The side-quests are amusing as varied enough to break up the completely linear main plot and one could easy find these optional diversions to be the most entertaining piece to this package. Anyone who enjoyed Citizens of Earth is certain to get a lot of enjoyment from Citizens of Space.

Simultaneously acting as a spiritual successor to Gone Home and a creative leap away from its past legacy (under the Fullbright name), Open Roads can’t avoid being a hodgepodge of conflicted identities. It’s a "walking sim" template with artificially-constrictive interactivity woven into a mother-daughter relationship that’s strapped of gripping drama. Improved production values can only paper over what is otherwise this team’s weakest outing to date.

When in full flow, Star Overdrive gives a great sense of speed and fun from its hoverboard dynamic. It's unfortunate, then, that any reason for the exploration is missing, with similar bland puzzling and the same rinse and repeat scavenging mechanic. With the exception of some fun boss battles and hoverboard mechanics, this one doesn't stick the landing.

Two things must be taken into account here. First, AT SUNDOWN: Shots in the Dark is extremely light on content. Secondly, and maybe, more importantly, it uses a stealth mechanic that enables hiding from plain sight (your sight included) by walking into the dark; a mechanic that will probably turn out to be quite divisive. Definitely try out a demo before a purchase.

Arcade Sports has a decent mixture of games in its package, but unfortunately a few issues hold back what is otherwise a good collection.

Ultimately, Poison Control is a let-down of how good it could have been. Utterly lacking in the cohesive element, some parts absolutely stand out, where so many others fall far short. The shooting is serviceable, the 'cleaning' gets old fast, and the story doesn't really go anywhere. Poisonette and the main character have a great dynamic, which serves to only show how short other aspects really fell short.

The Count Lucanor is as average as it gets. The most impressive aspect is definitely the animated cut-scenes and how many different ways the story can be completed. The problem is that the whole thing is over so quickly - about as long as it takes to tell an actual fairytale. In-game pixel art fails to impress and the amateurish designs and animations undercut the story and themes as depicted in the writing and cut-scenes. Also, Metal Slug 3 is on the Nintendo Switch and runs perfectly, so there is no reason why The Count Lucanor suffers some egregious performance issues.

Strobopahgia certainly has a lot of potential, with a strong aesthetic and some good core concepts, but it plays as an unfinished experience. With more polish in the later acts of the game, expansion on some of the weaker endings, and fleshing out of the music and ambient sound throughout, the game really could stand out. As it is now it would be hard pressed to impress more casual gamers, but for the more horror inclined player looking for something different it would be an interesting hour or two.

Ice Cream Surfer is a reasonably fun little timewaster, and at a time where shoot 'em ups are fewer and further between, some diehard shooter fans might feel like this is worth a punt.

God of War: Sons of Sparta is a tedious and garden-variety metroidvania that brings nothing interesting to show to the class. This prequel stretches over 20 hours, filled with unnecessary padding and the least interesting iteration of Kratos yet, relying on trite game design and utterly soulless execution. Young Kratos, stripped of his signature rage, is an utter dullard preaching honour amidst joyless obedience. There’s no fury, no peril, just persistent boredom, proving that some origins are best left as a mystery.

KickBeat: Special Edition is thoroughly average.