If there was ever a bullet-hell shooter that was also a cure for insomnia, Earth Atlantis would be it. Ugly, droning, and tedious to play; it is hard to find anything worse than this on the Xbox Store. While it is a functioning game, it is another example of poor design and miscalculated art direction that undoes any technical know-how the programmers implemented.

A strategy game taking place in prohibition-era roaring '20s, which has players role-playing as a bigtime gangster, slowly building their enterprise, and doing anything expected in such a line of work, whether that's selling alcohol, running whorehouses, striking deals with other crooks, "renting" guns for hire, looting or ransacking establishments, bribing the boys in blue, and many, many, many more. Quite an ambitious title, right? Sadly, an assortment of technical issues, an annoyingly busy UI, a total lack of balance, as well as a lack of challenge, has led to something that just isn't fun. Potential, thy name is Empire of Sin… but potential is great only when met.

There is next to nothing good to say about Dustwind: The Last Resort. From an abysmal UI that is nearly impossible to see due the tiny text, to chronic controller problems, to the egregious issue of large maps without the ability to run, this gets in its own way so frequently that players will come away angry about just how bad of an experience it is.

This homage to classic survival horror manages to become boring long before the three hours that are required to reach the end. SENSEs: Midnight is a painfully slow, generic adventure game, that's a step back from Sense: A Cyberpunk Ghost Story, which played better, looked better, and had a far stronger and creepier atmosphere. Oh, and be aware of the bugs - the bite more than supernatural apparitions.

The characters are bland and honestly annoying, and there's very little to make Infinite Dunamis stand out in a long line of already lacklustre titles.

Collateral Thinking doesn't suffer from a lack of variety so much as it suffers from its excess.

The roguelike procedural generation in Touhou: Genso Wanderer Reloaded often generates terrible flaws, horrible stages, and difficulty levels all over the shop - when the difficulty spikes, the challenging nature often just results in repetitive and frustrating grinding. There is far too much dialogue to read through, meaning huge gaps between actually being able to play… It's hard to find much to like here. It will certainly interest Touhou fans who get to enjoy some of their favourite characters, but for casual fans and those new to the series, all they are getting is a rather monotonous dungeon crawler.

Considering just how many variations of games can be played in darts, the modes on offer in Darts Up is pretty shameful, with no saving of scores aside from Arcade online rankings, no replay value of any kind, and a rushed and subpar presentation overall.

The blurb for The Deer God promises to Challenge your religion and your platforming skills, but it does neither. The platforming moments are ridiculously easy, and the combat is easily abused. The worst of the game, though, is the story, which constantly stresses a morality that makes no sense at all, all culminating in an absolutely moronic ending. There are many fantastic indie titles that have made the jump to Nindies. This is not one of them.

The prospect of ARK Park gave a chance for a VR experience that would show some stunning interactive experiences. It failed… and it fails in almost every area. It tries to adapt each key element of ARK: Survival Evolved and instead gives a horrible pale imitation of each, isolating each into a little slice, which doesn't live up to - or even represent - the original.

The cinematic platformer had a very simple formula to follow and it isn't hard to make an appealing game in this genre. There have been so many over the years and the recent influx of independent developers doing their take on the whole 'kid in a nightmarish world' sub genre, there are more options now than ever. This should be at the very bottom of that list of options as it feels more like a Chinese boot-leg than anything of artistic merit. Dull, buggy, unpolished and, most of all, Albert & Otto is criminally derivative - its best quality is that it is over in about 90 minutes.

Super Wiloo Demake is a game that begs the question: "who is this for? Children should avoid it, lest they be turned off to platformers forever. Platform enthusiasts should turn away for the same reason. So who does that leave, trophy hunters? Might want to pick up My Name is Mayo instead - at least it has some humour. This is some of the worst Ratalaika has put out there, and that's saying something.

There is very little to recommend about Commandos 2 - HD REMASTER. The controls are absolutely horrendous, the field of view crippling, the load times unbearable, the randomness of events stifling, and the general inability to do what you want to do annoying, to name a few of the problems. This game represents a cash grab attempt to cash in on an old series, but the one behind it forgot to do much in the way of actually even improving it.

Ultimately, the final product is just dull, too simple to appeal to the hardcore, and too dense to appeal to the casual. It's hard to see who could enjoy this outside of hardcore J-History buffs and, even then, a textbook would be more entertaining.

With minor interaction even required from the gamer, and barely any challenge overall, your 200 Nintendo Points should be retained for something far more worthy in the future.

The Wii version of Rogue Trooper had much better controls, the graphics fit the animations and is still the best way to play out the Quartz Zone Massacre. Rogue Trooper Redux on Switch is an unpolished mess with technical issues and looks horrible docked and in portable mode. The new model's rigs cause extensive clipping and makes character anatomy do all sorts bizarre contortions and twists that are just painful to look at. The limits of old hardware made the developers be creative with their modelling and consider more carefully how they would be rigged. All of that is thrown out the window in favour of technical advancements... not artistic advancements. While it is playable, expect a very sloppy version of what was already a run of the mill third-person shooter.

Ping Pong Trick Shot only wins points because it manages to function as an application. Beyond that, the gameplay is just an exhausted mini-game that doesn't even function well most of the time. The list of improvements needed to bring this to a passable application are numerous, suffice it to say, it would be advised to pass this one up.

Sexy low-poly girl beats zombies in a mall for about an hour, and the biggest challenge, besides the unpolished controls, will be to stay awake, as you'll pretty get what this can give in less than 10 minutes, and then be required to keep on with the monotonous gameplay just to reach the finishing line. Hot Blood is not recommended at all. Not even to lovers of low-budget, silly titles.

In many ways, Plantera is an interesting idea. How about creating a more active clicker? It is the kind of game that has to be made to find the true appeal of something, and as such, it has a lot of value for the company, and maybe even the entire industry, to see what to avoid. The problem is, however, that it got released. This is a game that, during play test, should have got turned down and got reworked until it became a far more appealing package for its customer base. The lesson to be learned is to not sell unripe fruit.

Thief of Thieves has a gratingly sassy heroine, and a completely forgettable storyline. The stealth gameplay is like in those forced, half-baked stealth sessions in other games, as the mechanics as clunky... and then some. Finally, this port is actually the weakest version of it, as it's technically broken, with loading times that can put you to tears. Don't wait for Season Two.

Fans of the show will enjoy the adventures as a new ghoul at Monster High, and being friends with Ghoulia, Spectra, Frankie, and the rest of the gang at Monster High will certainly be entertaining enough. However, there are gameplay issues which drag the score down a lot.

Die by the Blade falls short in delivering a truly engaging experience in the current state it is in. The developers have made a statement promising to put right its issues and include further single player modes to improve the package offering. It is an admirable position, but also a concerning trend in the industry today. Without a doubt, it is an interesting concept to bring back and modernise, but here it feels more like a missed opportunity than a modern successor to its classic inspiration. Perhaps one for the Cyberpunk 2077 or No Man's Sky treatment?

Tabletop Gallery is little more than a time waster - something to pass a couple of minutes with here and there, while waiting for dinner to warm up.

Tiny Racer is an extremely hard title to recommend to anyone. The non-contact racing is fine, and if there was an option in the settings to complete races without bumping into other cars or getting flung off the course by a ramp, then this might have had more going for it. Heck, even if it threw the racing out the window, and instead became a stunt-game that focused on accruing points for performing crazy and whimsical stunts, this would've been a more enjoyable experience - but alas, Tiny Racer takes the best parts of 'yeeting' toy cars in a bedroom, and turns it into a highly frustrating digital experience.

Yes, Decay of Logos is that bad. Underneath a generally good-looking bonnet, lies a pile of half-broken machinery, leaking tubes, and tangled circuitry. This soulslike has a lack of balance, is not very fun to play, and most importantly, is broken. The fact that almost three whole years after its initial release have passed, and the developer still hasn't fixed its many bugs, says a lot about the quality of this bad attempt at a budget Dark Souls.

Such a let-down, and flawed in almost every aspect that made the full version so special. The stages themselves are fun, as expected, because they're capturing the only aspect of TT's fantastic LEGO games: the gameplay. This is a perfect example as to why people are dubious over handheld ports of titles. These butchered remains of fantastic games are an unnecessary addition for fans of the full version, and unworthy examples for those without the console edition. Avoid.

Ultimately, The Croods: Prehistoric Party is simply a very disappointing experience plagued by bad game design and control issues.

Humourless, bland, boring, and, when it comes to the extra rogue element, straight up irritating, Unicorn Dungeon is simply not worth anyone's time, genre fan or not - and that's even when taking its tiny price into consideration.

It is really depressing to play a game like Hyakki Castle. It has some things that could have made it a good game in a vastly underrepresented genre. It got the atmosphere just right, which is one of the most difficult things to nail perfectly. However, it is dragged down by many things that while independently does not ruin a game, it destroys the game when combined. Bad mouse and keyboard controls would not ruin a game, but the painful process of making gamepads work with the game does as it is almost mandatory to use a gamepad to enjoy the game at all, and do not even get started on the hunger system that makes exploring, which is one of the core pillars of enjoyment in the genre heavily, punishable. In the end, while it is easy to want to like Hyakki Castle and see how it could have been a great game, it is too hard to not see that it isn't a good game.

Oh, joy. Legacy of Kain: Ascendance is the miraculous return no one asked for, adding a heroine nobody wanted, and turning a beloved, dark saga into an uninspired, rough-around-the-edges side-scrolling platformer that few if any will enjoy. As for the story and writing, if past titles were Shakespearean poetry in video game form, this resembles a confused school play project. Vae victis? More like vae playeris - woe to the player forced to endure this mess.

An interesting premise, a striking visual style, and a mysterious game world that's bound to keep the gaming community pondering on what's going on in here, Hello Neighbor had the potential to be an iconic classic. Instead, the final release is nothing more than an overpriced, clunky, and incomplete mess of an experience. It's a shame, really.

VR titles are meant to entice new audiences to experience gaming, for beginners to take delight in the interactivity offered and ensure that a new gamer is made for life. Even ignoring this demographic, seasoned gamers should find pleasure in even the simplest of VR activities. Spuds Unearthed ultimately fails in all respects. There is very little amount of fun to be had here, with overcomplicated tutorials which feel unjustified, and a difficulty spike that is so high and frustrating that there is little to no incentive to continue past the first few attempts. Real time strategy titles could really shine in a VR environment, with simple deployments and issuing of orders, until then, this attempt is best shelved and forgotten.

Sadly, The Red Strings Club will fool some into thinking it follows in the footsteps of classics from WadjetEye Games purely because of its aesthetics. Do not be mistaken, though. This is not a patch on any of that company's releases, nor is it affiliated with it at all. Instead, this takes an intriguing style and theme of the world gone mad for technology, mixes in some extremely random love story between the lead duo of hacker and bartender that bears no relevance to the underlying tale, adds in a heavy dose of some of the most painful attempts at puzzles, and then perfectly tops it all off with an overly wordy script filled with too much padding.

Excave II: Wizard of the Underworld is a better game than the original, but that isn't saying much since they are both very boring and tedious hack 'n slash dungeon crawlers.

While an interesting concept, Magin: The Rat Project Stories just falls short in every department after the beginning. The writing is so filled with profanities that it comes off as immature rather than adult. What is worse, though, is that the card-based combat system becomes repetitive because the game punishes the player for experimenting. Great concept on paper, but poorly executed.

Uninteresting and uninspired, Dauntless is certainly impressive in its own right, but as far as actual gameplay goes, what's present fails to engage beyond the surface level. Perhaps that'll be enough for most who download the free title, but between aesthetically resembling Fortnite and aping Monster Hunter's combat wholesale, Phoenix Games has failed to contribute anything truly novel to the experience. Dauntless is as derivative as they come, and while that lack of price tag may be appealing, there are much better games to spend one's time (and even money) on. Go play Monster Hunter instead.

Transference is wasted on Xbox One, since it does not support VR. It is not only unbelievably short, it is lacking in content and substance. It is a perfect example of a one and done kind of game where you never look back after completing it, and then forget all about it. It might get brought up later in life, but even then, memories of playing it will be foggy at best. Half-remembered dreams are more memorable than Transference.

Road to Guangdong can be commended for its unique concept and colourful imagery, but that is all it has. The mundane feel of the story is part of the appeal, as is the relaxing vibe, but there is no substance or discovery to be had, since there is no agency or wrong path. Driving is barely deeper than driving in one direction. Keeping the line under the red bar, and just selling whatever that can found is as engaging as picking out maggots from a heap of rice. The original OutRun is over 30 years old now, and yet manages to have more going on when driving.

When it comes to Dead Rising 4: Frank's Big Package, the same question comes up over and over again: Who is this for? Here's a title that not only fails to win over fans of Dead Rising, but it also fails to win over fans of videogames. Slaying hundreds of thousands of zombies is not compelling entertainment, especially when the combat mechanics are so unsatisfying. The entire adventure just feels tired and cynical, sapping players of the necessary energy to carry on with their day. This critic racked up well over 25 hours of play and didn't laugh, not even once. What else needs to be said? Maybe this game is for people who no longer wish to experience joy.

Overall, Angry Bunnies is a bad Angry Birds clone that suffers heavily from being rushed and bad physics, which is one of the things that made the original strive.

There's nothing here that fans of the genre haven't seen before. If the inexplicable attack patterns and unfair deaths don't drive people away, they will soon discover that there's nothing really compelling or clever about the game. In short, it's not worth the grey hairs.

Quite obviously rushed through development in order to come onto the market at the same time as the film, this is sure to be another movie-to-game bargain bin dweller in a few weeks.

Presumably some of the bugs and related issues might eventually get patched out; one thing that does not change though, is the core of the game. Given it is mostly a clone of a game over 15 years old, for all intents and purposes it is worse than all across the board. Almost every aspect of [i[Warcraft III is better than this game. This would need a massive overhaul to come close to recommending.

CID The Dummy could have been a decent enough little game were it not for Wii controls shoehorned in.

Junior Classic Games knows its target crowd, and yet does as much as it can to stuff things up for them. Youngsters will get a kick out of their first forays into popular paper games like Hangman and wordsearches, as well as the different animals on show, but there is nothing here to keep them playing beyond the initial try or two.

Past all of the cringe dialogue and turgid gameplay, perhaps Dustborn’s biggest sin is feeling more like vacuous agitprop than an actual story. Whatever fight against fascism Pax – and by extension Red Thread Games – had in mind, it's an unintentionally hilarious one since her words feel as plastic as her bat.

The core of the gameplay is basically fetch quests occasionally broken up with uninspired combat sections on the seas. It's all quite dull and repetitive. It's trying to thrive on its charming style and the usual addictive nature of survival games, but even that isn't enough. In addition, there are two to three hours of gameplay here to fully complete the game. It's hardly fun for even that briefest of time.

In spite of a fairly interesting and unique set piece, JCB Pioneer: Mars never quite manages to take advantage of its Martian background. Detrimentally slow pacing, performance issues, and a shallow gameplay loop, all work to break down what should be a memorable survival title into just another piece of shovelware coasting by on a solid premise. Worst of all, it is incomplete as of its release, still being sold as an Early Access title on Steam. It's not impossible that it will have its (very) rough edges softened with time, but the possibility of playing a complete and well made game eventually hardly justifies a purchase.

While The Meating clings to its NES roots, those roots ultimately feel more like dead weight than a solid foundation. It succeeds in capturing the look and feel of those classic NES titles, but at the same time it struggles to innovate or offer a compelling reason for players to invest their time. In the crowded landscape of retro-inspired indies, The Meating fails to distinguish itself. The end result is something that feels more antiquated than nostalgic, and like most meat that has been left out too long it is probably best to steer clear and look for something a bit fresher.

Tedious, meandering, and needlessly obtuse, Soulblight is far better conceptually than it is in execution. The prospect of uncovering the mysteries of a dying world is gripping enough, but the story is told in such a convoluted manner that forming any sort of narrative attachment is virtually impossible. Not helping matters are the title's poor technical performance on Nintendo Switch and the sheer insufferable nature of its combat. Coupled with a top-down aesthetic that frankly does the gameplay no favours, Soulblight offers little of value despite a relatively interesting premise.

From being a technical disaster and unfunny self-aware piece of software, Shaq-Fu: A Legend Reborn is an embarrassment to Shaq-Fu's 16-bit legacy. The original may not have been much, but at least it was not made ironically. The original was made by a talented team that did the best it could with what it had. A Legend Reborn is made with current technology and it somehow looks uglier and plays worse than the game that was coded in the '90s with pixels.

Since the title doesn't even attempt to hide its shortcomings, it feels like its creators are perhaps aware that parents might not read up on the title's shortcomings before purchasing it for their child, safe in the knowledge that it's a recognisable brand. That, if true, is something to really take issue with. Thankfully, the world is full of people with a conscience, who will deter folk from this monstrosity and tell them to go play Mario Kart instead.

The highest compliment that can be said about Pop-Up Pilgrims is that it is not broken. At best, this is an extremely uninteresting and dull game. It plays like some kind of first-year student project that is only slightly elevated by some competent, yet generic art assets. VR is capable of so much more, yet here is a perfect example of a gross misuse of the platform.

“A cold-case detective thriller without genuine detecting” sounds more like a strange joke than proper description for this game. Combine that alongside poor storytelling and shoddy presentation, and it’s sad to say John Morley’s final case ends with a pitiful whimper rather than a bang.

At times, the secret to enjoying a video game is patience. Like a seemingly incomprehensible puzzle, it's up to the player to take their time, giving careful consideration to every aspect. However, as Noahmund proves, patience can have its limits. There is merit to be found in this strategy RPG, but it's buried under a number of issues, namely the uneven pacing, annoying combat, and progress-halting bugs. Some people might be able to struggle through them; others will feel that their time is better invested elsewhere.

Bleeding Edge has almost nothing to offer. What potential it has in it is woefully stuck in a product that is so meagre and void of content. It is like taking a single slice of cheese, and trying to cover an entire pizza pie; there just not enough here to make this work passed a few hours, and that's all. There are not enough modes, not enough interest in the community to keep it going, and the combat is way too simplistic for high level play.

This game is torture to play with the Wiimote, looks pathetic and lacks even stripped down versions of features that other platforms have.

The concept behind Late Shift is not necessarily a bad one, but if you're going to design a game around an interactive story, it is crucial the story is actually well done. This isn't the case here, sadly, and is a mess of continuity errors, laughably bad acting, and straight up nonsensical plot points. It doesn't matter which decisions you make, because you're always going to get a bad ending by virtue of having to play the game to get to it. This is a short, entirely forgettable experience that isn't even worth the low price of admission. There is some novelty here because of it being FMV, but with how bad things are, it certainly feels more like FML than anything else.

Human: Fall Flat on Nintendo Switch is neither good if labelled as a purposely "bad" game, nor as a physics puzzler. Why? It is purely because the controls make things more aggravating than hilarious, and, secondly, due to how uninspiring the puzzles themselves are. That's why.

SYNTHETIK: Ultimate is a wonderful roguelike that's been utterly ruined by its Switch port. What should be one of the best games on the Nintendo Switch is instead emblematic of everything wrong with the eShop. Frame rate dips, technical hiccups, and game breaking glitches tear down all the goodwill this game establishes. When there's no such thing as quality assurance, amazing games release in unplayable states. SYNTHETIK: Ultimate should be played, just not on Nintendo Switch.

It is a sloppy mess that gets off on the wrong foot, only to shoot itself in the foot right after. It is a weird hodgepodge of body horror, cyberpunk sleaze, and secret agent shenanigans that, in theory, should work, but don't.

Mario Tennis: Ultra Smash should, quite frankly, not exist. It is an embarrassment with next to no content, absolutely no strategy involved, and feels like a blatant cash grab more than anything.

While promising a cool twist on the platforming genre, Wavey the Rocket proved to be an absolutely miserable experience that is hard to recommend to just about anyone. Complex controls, ungratifying gameplay, and performance issues that significantly affect the gameplay, this simply isn't fun to play. For those looking for a genuinely fun and engaging platformer, this isn't one that's going to hold your attention for very long.

There are some games out there that are "so-bad-its-good," like most of Swery's games. Outbreak: The New Nightmare is one of those "so-bad-it-gave-me-depression" ones. The developer likely is inexperienced, and working with almost no budget, but not everyone should make a game. The saying "anyone can make a game", means that a good game designer can come from anywhere. All survival-horror fans must stay away from this one.

I've Got to Run! missed out on being a unique experience on the Wii U, and instead turned out to be a poor excuse of a game.

Don't wait for a bargain bin sale. Don't accept it as a gift. Succubus With Guns is one more trashy "NSFW" game, like the thousands of others that can be found on Steam. It's a boring, repetitive, and sloppily crafted third-person shooter, where players shoot wave after wave of enemies, getting sleepier by the minute. The breast physics are hilarious for like a second.

Considering how mindless and tailor-fit for mobile audiences the substanceless gameplay loop of Shop Titans is, one has to wonder why Kabam saw fit to pursue a PC release. Of course, the "why" is made painfully clear the moment players hit their first wall. Progression is very blatantly designed around micro-transactions. Anyone who doesn't want to spend a dime will need to contend with a very long grind. Even then, the game actively withholds items and content from players who don't want to spend real money. Worse yet is the monthly subscription service, which Kabam fully expects anyone who wants to play Shop Titans in earnest to purchase. Already aggressively mediocre experience by design, jumping from mobile to PC has done Kabam's shopkeeping "simulator" no favours. Shop Titans is worse than video game junk food; it's slop.

The idea of implementing roguelike elements and endless game design in old-school survival horror has potential, but Vaccine fails to capitalise on it. Aspects where the developers could have improved on were perks that could allow a 180-degree turn, a map system, or even a combo system where it can be possible to earn back extra time like Resident Evil's The Mercenaries mode. With much more variety in level design and more enemies, Vaccine could have been an interesting guilty pleasure. In its current state, this seems more like pre-alpha build with many of the features not yet implemented.

Wanking Simulator is just another bottom-of-the-barrel Steam game, and one that isn't as silly as its name suggests. Not a speck of humour can be found within, and the gameplay is unbelievably boring, as the sandbox world is almost devoid of things to do. You are better off doing the real thing. The best things in life don't cost £9.99, after all.

Witch Thief is the worst shoot 'em up this critic has ever played. It is barren of redemption, and is an unsightly blight on the Nintendo eShop. The outrageously long load times should be taken as a warning for anyone who wants to give it a chance, and hope there is some light at the end of the tunnel. There are so many quality bullet-hell titles available on Switch these days, courtesy of Arcade Archives, that nobody should need to be tormented with this one.

There's simply no appeal to the MS Paint drawn world that's been created; it's a boring and thoughtless mini-disaster that should just be ignored and forgotten.

Unbearable technical problems, awful gameplay direction, complete lack of challenge, besides many others flaws, are more than enough to overcome the momentary good platforming sections that Spheroids can offer, leaving nothing but a frown expression on the players who tolerate the game until its boring end.

It provides the full responsibilities of looking after a pet with absolutely none of the reward. Most other animal games deliver that reward through relationship building with a pet as its partner and from watching it grow, but this game completely and utterly destroys that image.

The plethora of issues is so bad that they're liable to shock gamers into fits of laughter.

Nintendo Badge Arcade is the bare minimum of what could be sold as a game. It is a watered down digital crane game at the price of a full-sized one with physical prizes.

The fact that Injection Pi23 manages to actually be playable is why it barely edges out something like Back In 1995. Nobody in their right mind should take this injection, which is only recommended to those who wish to seek out something truly obscure and weird. Playing this is the videogame equivalent of drinking cobra venom. There is nothing to be gained, probably is bad for your health, and should only be done as a dare.

Dolphin Up is a shallow title that is most certainly not dolphin safe.

The asking price of £8 for Animated Jigsaws: Beautiful Japanese Scenery is simply far too high for this. The fundamentals are heavily flawed; the puzzles are far too limited; the animated features are completely underwhelming; basically, there are far too few positive aspects here. The scenery is nice, at least, but not worth buying this game for. It feels like a free phone title.

If Hell does exist, then it's surely the one depicted in Agony, because one can get used to pain and suffering, but these can't compete with utter and complete boredom. Madmind Studios' rushed, controversial cash-grab, is nothing more than one of the contenders for the worst release of 2018, and one of the worst survival horror games ever, full stop.

'Unenjoyable' is a very mild way to describe Blades of Time. This turkey is nigh unplayable depending on a player's tolerance for trashy, glitchy gameplay. With so many elements that are broken, nobody should be playing this, which is too bad because there are some aspects at hand that could have made it interesting. There is a surprising amount of unlockable content that nobody will ever bother to get, because who in their right mind would ever wish to torture themselves? Blades of Time is the skid-row of 3D action games.

Senran Kagura games have always revelled in the fan-service, but they have weaved it into titles that are fun to play. An element of the game… Sometimes a large element… but, not the focus. Senran Kagura Reflexions feels like the extra features bundled into one of the full Senran Kagura entries. At £8.99, this feels massively overpriced, too, even for those who can see value in it. There's certainly not that much value, though, as it's basically a pervy tech demo.

It does have some nice ideas, but it only executes them sort of well and then pisses all over them with terrible gameplay mechanics, a camera that is surely the spawn of Satan and graphics that look like someone excreted them. Avoid.

There is no reason why anyone would ever play this on any console. Even if it were played on its intended platform, Rip Them Off is barely a game. It is a strategy based, tower-defence where there is no strategy, as it revolves around failing to understand the conditions. No con-artist would ever accept failure, and yet this insists that gamers should learn to enjoy losing.

Tedium rules Avoider's world. Playing through the same scenario over and over again for a high score can only be fun so many times. The lack of real skill or growth also hinders the dodging simulator from being anything other than an unpolished homage. At an incredibly low price tag, it might seem worth it, but it would just be throwing away money at a product with a shelf life of half an hour - if that.

Is this the worst game on the Switch? It is very close. Ark: Survival Evolved is easily the most poorly converted game on the system, which makes it feel like it could be the worst. If things worked and it didn't look like computer generated vomit, it might have been an average survival game at best. Nothing would distinguish itself. It is unfortunate that the one aspect it has that makes it stand out is just how much of a porting disaster it has proven to be.

Ninja Strike: Dangerous Dash is little more than an overpriced iOS game. In fact, that's precisely what it is. Low quality visuals are masterfully blended together with low quality sound design to deliver a package that can't seem to even reach the glories of mediocrity. There are countless endless runners on the Wii U eShop, and Ninja Strike simply doesn't offer anything to make it worth purchasing.

If you like pinball so much that this is tempting just turn on your PC and play the free pinball game that comes with Windows. Much better, much more fun and not a total waste of a Wii game.

All that really needs to be said is that Fantasy Hero ~unsigned legacy~ is an effortless slog. Considering the glut of action RPGs, it's understandable that there would be derivative elements, but this one doesn't even try to do anything unique. Worse, the lack of balance or polish results in a series of escalating aggravations. Before long, the very concept of fun is set ablaze, until nothing but ashes remain.

Rubbish, utter rubbish. Sloppy development, boring minigames and not enough content to keep anyone entertained for longer than twenty minutes.

While Excave does not crap itself with glitches or bugs, the game commits far worse sins by just being so agonisingly boring and dull.

Sanity of Morris is going to be remembered as one of those kinds of ironic and unintentionally funny video games. While it is not quite Big Rigs: Over the Road Racing, the lack of quality control and effort suggests the developers leaned heavily on their concept. The idea of a grounded stealth/horror experience, with adventure-style puzzle-solving is an easy sell to a lot of people. The only problem is that Sanity of Morris does not even try.

Of all of the Nindies to land on launch day, Vroom in the Night Sky, is without a doubt the worst. It starts off with a terrible first impression and never really improves. Players are going to completely finish this within an hour or two, and there really is no reason to go back. The price is absurd considering the low amount of content. This flat, lifeless world is completely unappealing and should be avoided at all costs.

While it's nice to see more and more things get ported to the Switch, there are things that belong on the platform and things that do not. This would be an example of something that does not. A truly tedious experience, after just a few hours. The best thing about The Elder Scrolls: Blades is that it's a fantastic advertisement for playing Skyrim on the Switch.

Skip it in favour of more entertaining paint related activities, like repainting an entire house, watching the paint dry, or drinking a gallon of it.

Populous should not have been re-released - remade and updated most definitely, but not merely re-released.

To sum up, psyscrolr is a very bad game that can be fixed with some extra effort.

Inferno Climber: Reborn has a few interesting qualities, but they are completely buried by a combination of poor controls, an awful camera, and quite possibly the worst frame-rate since Virtual Hydlide. Anybody who dares to take on this action-RPG will have to endure a ton of pain. Perhaps, if they suffer in torment for several hours, they'll uncover something of merit. Even then, is it really worth the cost of their soul?

That A Knight's Quest is being sold on the eShop at all is ludicrous. Combat, enemy design, the camera, the save system, and the script were all in desperate need of more time. Sky9 releasing the title as is, is simply downright embarrassing. Beyond the lack of polish and the frequent bugs, this is a title that ignores 20 years of conventional game design philosophy, and massacres itself in the process. Few have managed to mangle the basics of 3D combat so badly. Play anything else. A Knight's Quest is one of the worst games of 2019.