I won’t sugarcoat things: I hated playing this game. But I recognize that part of my constant misery was due to the roguelite elements corralling gameplay into certain styles and rhythms. In Death: Unchained asks a lot of you, in terms of practice, patience, and persistence. When it comes to roguelites, I am mostly sapped of these things. But that doesn’t apply to everybody! You may hear my dire warnings as a clarion call, a war cry demanding your full attention. The lack of progression between runs, the unforgiving aiming system, and the complex controls all proved an insurmountable barrier. Hardier souls than myself are welcome to scale this mountain, but be warned: the ascent is a treacherous one. Download In Death: Unchained if you’re not afraid of a little suffering and strife mixed in with your satisfaction.

To all the Soul Reaver fans out there, I apologize. Perhaps there’s some essential flavor that nostalgia adds to the soup, but I’m sadly missing it. For me, coming into these games cold was a dreadful shock. The big stretches of empty space are pretty painful. Fighting enemies is easier than I expected, but still not terribly engaging. The puzzles are stretched out over the same bizarre layouts, which makes them more frustrating. The visuals are a major improvement over the old games, however. I like the narrative’s premise well enough, but it was hard to get into the swing of things. Again, mostly due to the archaic gameplay. If you’re a fan of the old games, then Legacy of Kain: Soul Reaver 1&2 Remastered will be a breath of fresh air. On the other hand, new players will likely have a very difficult time with these games.

Defense Technica is a fully serviceable tower defense game, but I don’t buy the claim of being the ‘next evolution’ in the genre by any means. It is fun in short bursts, but unless you like a grueling difficulty, it’s a game that is tough to hold your interest for more than a short period once you hit that wall.

Hardcore DBZ fans are going to love it regardless while casual fans and gamers are going to give it a big pass. Personally, while I did have some fun, the lack of offline play, the long wait times for online play, the dated graphics and repetitive game play have put me squarely in the latter.

Starfield is a broad and ambitious game that falls significantly short of the mark whether compared to previous Bethesda efforts or other entries in the space RPG landscape like No Man’s Sky. There are some competent gameplay pieces, but they feel like they were built in the vacuum of space without radio contact, and never really came together when everything got wired up. Some die-hard Bethesda fans might be able to find the fun I was looking for, but I’d recommend tempering expectations at the very least. If you’re a PS5-only player who missed out on the 2023 release, tread with caution. The PS5 version lured me back like a toxic ex who promised they’d changed, and what I found confirmed what I’d already known. Starfield is easily the weakest single-player game in Bethesda’s catalogue, and a sour glimpse into what we might have to expect out of The Elder Scrolls 6.

If you’ve got the pass already, then Vault-Tec Workshop is worth looking into. If you played the hell out of Fallout Shelter, then you’re sure to love this update. Otherwise, save your money for Nuka World, and cross your fingers in hopes that it’s as good as Far Harbour.

All in all, Heavy Fire: Red Shadow is a game that is easy to overlook and doesn’t really give you much reason not to. There’s fun to be had and it’s an easy way to waste a half hour, but that’s really all you’ll be doing. With repetitive gameplay, a strange storyline, and a tone that oddly feels more like a recruitment video than anything else, Heavy Fire seems like it probably should have stayed dormant. Seriously though, if it does unlock a special invite to join the military, someone please let me know!

Treasures has a lot of good building blocks, but they don’t add up to much. The gameplay loop starts out compelling, but it quickly goes stale. The visual presentation is alright, but the music is terribly flat. And the act of traversal, of actually exploring, left me unsatisfied. Worse, I never felt like I was working towards anything particularly interesting. Money eventually ends up meaningless in most RPGs, and this game does not buck that trend. If you find yourself hopelessly compelled by the prospect of hunting for loot, this might be your game. Otherwise, I can’t really recommend Dragon Quest Treasures.

This is a rather cursory attempt at a remaster. The use of downgraded assets, missing content, no DLC, no multiplayer, and no ability to quick save are all big letdowns. One thing the remaster does carry on though is the legacy of the original game in being able to run in a smooth and consistent manner. Further patches may improve the game but in its current state, the only reaction possible with this release is disappointment.

Snake Man’s Adventure feels exactly like what it is. A first attempt. While Dososoft may have a handle on the technical side of things, the company needs more experience and/or creative aid in the fashioning of their games. As Snake Man stands or slithers, it is too difficult for young players and too simple narratively for older ones.

Brothers: A Tale of Two Sons looks like it would be a fun, artsy game to play with a buddy, but most of what you do feels like pointless busy work with almost no trace of the story past the two-minute mark. You’ll run around, climb things, pull levers and move objects, but in a way that requires virtually no thought or strategy. I’d definitely recommend this game to young siblings or children in general, as it is aesthetically pretty and very low pressure. For any other audience, I think the game would be too mindless in its objectives and too frustrating in its clunky-ness to merit even its $14.99 price tag.

The player will be doing a lot of the same in Contra: Rogue Corps. Although the progression systems and multiple modes are welcome, the game is just ok, and it definitely doesn’t feel like Contra. If the price was less it would be a good budget title, but for Konami’s newest Contra offering, it just doesn’t cut the mustard.

The charming character art, the well-crafted levels and the new twist on combat can’t overcome the pervasive sense of frustration and boredom that marked my attempted playthrough.

With the proper people, equipment, and time to play and fully utilize Guilt Battle Arena, the game is relatively fun pioneering on a simplistic and straightforward idea. However, it is easy to see how simplicity can easily fall into mediocrity, especially when that’s all it has going for it.

No, she wasn’t created with the best intentions. No, today’s character design by committee would never give her the green light these days. But there’s still plenty of room for Lara — cheeky, uncompromising, even distasteful — to play for sport. For now, I’ll stick with cleaning Croft Manor in PowerWash Simulator.

Though The Inpatient shines in a few areas, it falls short of what made Until Dawn one of finest horror games of this generation.

Overall, Coffin Dodgers isn’t the worst kart racing game but it doesn’t reinvent the wheel either.

Lots of work, time, and love was put into Cobalt, but ultimately, it’s a product that makes me hope that the future will improve, because what is currently available, just isn’t that enticing.

I find about 80 percent of this game incredibly compelling, and if you don’t focus on the progression of the story or the ending, there are amazing moments here. The unfortunate part is that narrative games live and die by, well, their narratives. Still, I’m glad I played it. I find some sort of weird excitement in being monumentally disappointed by stories — they give me context on what we appreciate in the titles we do enjoy. So if you are like me, The Suicide of Rachel Foster might just be worth your time.

It may sound harsh, but Nobody Saves the World really threw all my pet peeves into a barrel and gave it a nice coat of paint. To give this game some props though, the co-op is fun for a little while and the game plays well. The coat of paint is, without a lie, a really nice art style. It’s just that the grind really sucks and it makes you grind from THE INTRO DUNGEON. Oh right, I was supposed to be talking about the positives. Probably the best thing about this game is that it has a very long potential gameplay time, and if you have a kid or a casual friend you want to relax and punch some monsters with, Nobody Saves the World might be a really good game.

Do yourself a favour and play GH Live PlayStation 4 or Xbox One, before touching the IOS version.

Fragments of Him is a well thought out story that ultimately is undone by its gameplay choices. By trying to make gamers interact with the story more, the story became even more inaccessible. While I can appreciate the sentiment that Sassybot was gunning for, the delivery ended up being the undoing of a compelling storyline.

Considering the price, and if you enjoy these types of first-person dungeon crawlers, you really can’t go wrong if you need a quick fix to waste away a few hours and earn some easy achievements.

The only really good part about The Dwarves is the characters and the world they live in. It’s an interesting tale, and one I’d gladly sit through if the combat was improved, load times were decreased, or any of the RPG elements had more depth.

I wanted to love EA Sports PGA Tour. Though I find myself as disappointed as Bart Simpson was when he got Lee Carvallo’s Putting Challenge for Christmas. The initial gameplay showcase had me as excited as a kid in a candy store. There’s no denying it’s a gorgeous game. Course flyovers and commentary are also superb. But these fleeting moments of brilliance make PGA Tour’s missteps all the more frustrating. Until EA gets under the hood and performs the mountain of work required to get it up to snuff, I’ll be sticking to PGA Tour 2K23. At least that game works.

For every infrequent good idea, Crime Boss: Rockay City seems determined to undermine it. First-person roguelike mechanics in a narrative-focused game is an intriguing concept, but between bugs, bland performances, and rote action, the killer concept is dead on arrival.

Skyfront VR is a perfectly serviceable, run-of-the-mill shooter, bearing little difference to the ones you’ve played many times before. The developers miss an opportunity here to expand and innovate upon the idea of zero-g arena combat, lending to an overall feel of “been there, done that”. When there are already so many VR shooters available, most of which, for better or worse, try to push the boundaries of the medium in their own ways, one may find it difficult to justify spending money for “perfectly serviceable”.

Pierhead Arcade just didn’t offer enough to keep me excited.

Wreckreation, a game with a vision beyond the developer’s abilities, serves as a prime example of a game released too early. This feels very much like a beta release. If fundamental aspects of the game don’t work properly, players cannot enjoy ambitious world-building features like Live Mix. To their credit, the developer is engaged in bug fixes and has published a roadmap of upcoming patches. However, these fixes may come too late to keep players engaged. For Burnout fans, wait for the next game, or until they fix the bugs in this one.

Looking back the initial release of Vicious Circle seems like a bit of a letdown but I do think Rooster Teeth is going to be committed moving forward to enhancing the experience. While currently I would be hesitant to pay full price for this game at $22.79 CAD I would be interested to see how they build this tiny world and I could very well see it becoming a completely different story after a few major updates. For now, just try and listen to that deafening Peggy Sue wail sound clip on YouTube.

The whole affair feels sort of perfunctory.

If you’re an FPS fan itching for something to play on your Xbox Series X/S, then this could satisfy you for an afternoon. Otherwise, I would just wait until Bright Memory: Infinite releases.

If you own the season pass then this is certainly worth installing but unless you’re a serious fiend for all things settlement building, you may as well just wait for Nuka World.

It doesn’t commit any wrongdoings, but it’s also boring enough to become forgettable.

Overall, Shelter is an indie game that accomplishes most of what it sets out to do but is ultimately not really meant for a console release. The controls just aren’t meant for this kind of game and coupled with just how difficult it really is, it really took away from a lot of the enjoyment I could have garnered from it.

I loved the idea of pursuing Black Cat’s storyline, and while I don’t need much excuse to play more Spider-Man, I didn’t feel like this DLC offered much in the way of excitement or variety. I felt this chapter was unimaginative in its features, and for $10 a pop, I didn’t feel compelled enough to want more. If you’ve platinumed the game and crave a few more hours of gameplay, The Heist does the job just fine. Just don’t expect a wildly stimulating plot or any radical new additions. It’s more of the same, and for some, that’s okay.

Granblue Fantasy: Relink does a few things very well. Its art direction and music are gorgeous. The online multiplayer co-op combat gameplay works well. But as a single-player action JRPG, Granblue Fantasy: Relink is mostly quite generic. It’s also the story sequel to a game not released in North America, which really soured my ability to get invested in the story or characters. Action JRPG fans looking for more games in the genre might enjoy Granblue Fantasy: Relink, but there are too many other better options for non-diehard JRPG fans to recommend the game.

If you can get past the audio (preferably by simply turning it off), Lost Orbit is fun and occasionally exciting but not particularly original.

Fans of the Reigns franchise are likely to enjoy this Witcher iteration. It retains the staples of the series while developing elements that successfully blend both worlds. However, if you’re new and looking for a deep, immersive, ‘choose your own adventure’ experience, this isn’t it. While the scenarios are interesting and there are plenty of branching paths, the experience often feels disjointed, as decisions lack real impact. Though the short runs can be addictive, the basic gameplay may ultimately leave you swiping left on this one.

I really wanted to love 007 Legends, given the source material they had to rely on, as well as how I had enjoyed the previous Bond games; however, at the end of the day I am left underwhelmed by the whole experience having played what I view as a average game at best.

Inmates seems undecided on what it wants to be. There are not enough puzzles to call it a puzzle game and not enough scares for it to be a true horror. In its current state, Inmates plays more like a promising proof of concept than a finished product. It’s a shame that these different elements don’t form a cohesive whole, because — beneath the rough edges — Inmates has an original, worthwhile story to tell.

A year later and a new package does little to boost up World War Z’s failings. If it’s on sale or you really need to kill some zombies with some friends it’s a quick way to get all the content and it’ll be brief and inoffensive enough to waste a few hours. If you’re like me and searching eagerly for the next successor to the 2008 classic, you are better served elsewhere.

Sign of the Times is a short, boring escapade that is filled with brilliant moments. However, its biggest failure is its inexcusable and confusing narrative, paired with new characters that I wanted to be rid of.

You can do just about everything one-handed, and it’s all rather simple and intuitive.

Edens Zero is a mediocre attempt to bring a well-loved manga into the interactive medium. The combat lacks the nuance found in stronger action-RPGs. While switching between party members adds some variety, battles quickly become repetitive and tiresome. The story is messy, and its basic presentation fails to hold your attention. Although the game throws together many ideas, none are fully realized, resulting in a disjointed and unpolished experience.

From a narrative perspective, the elevated difficulty and unfair mechanics are perfectly appropriate. How else do you make players feel like they're taking on the gods themselves? Uneven rules and impossible odds, combined with the sinister music and the desolate world, create a lasting feeling of hopeless doom. And yet for me, it's too much.

The Precinct ultimately fails to make walking the beat feel immersive or rewarding. Routine patrols quickly become repetitive, with minor offences dragging down the game’s pacing. Even the main story missions, while more substantial, are formulaic and add little excitement. Coupled with a lack of cinematic presentation and a plot bogged down by tired tropes, the game squanders its retro cop-drama premise. What could have been a gritty, engaging throwback instead feels flat and uninspired.

FIM looks and sounds good but all that effort is for naught if it is an exercise in frustration instead of fun.

Though it packs plenty of nostalgia and a lovely art style, Open Roads lacks the most important part of a narrative adventure – at least for me – a memorable and impactful story. Genre regulars may want to take a chance as the time investment is low, but for my money I’d much rather replay What Remains of Edith Finch or even one of this team’s prior efforts like Tacoma.

There’s a long way to go for Resident Evil Resistance before it can compete with its single-player counterpart. Aside from the incredibly poor combat mechanics, framerate, map design, and loss in fluidity with movement, the game never manages just to be Resident Evil. It tries to do so much to mimic what other similar games are doing, that it’s tripped itself up on the very foundation it was supposed to stand firmly atop of. Mastermind mode is never quite as fun as it could be, but shows potential, and Survivor mode is a complete mess that should be taken back to the drawing board. Luckily this is included with the purchase of Resident Evil 3, so at least you’ll always have that to wash out the taste Resistance leaves in your mouth.

If you’re a Namco fan, you’ve almost certainly bought these games several times before. If you’re not a Namco fan, these games will likely fail to resonate with you. The whole Namco Museum collection is very much of a certain time. As a collection, they don’t stand the test of time, and they certainly aren’t worth the price of admission. If you’re a Pac-Man diehard, you’ll find a lot to love with the Namco Museum Arcade Pac. Otherwise, I’d give this one a pass.

The idea, the story, the world and the team behind it all seemed to point in the right direction and on a number of levels the game succeeds quite well. Despite all of this however, the incredibly basic gameplay hampers the whole experience.

Umiro is creative but short, and lacks staying power in its number of stages, replayability, and narrative.

Bubsy as a character has very little to offer and the gameplay – despite looking nice – is repetitive.

Warbanners becomes quickly unplayable. It’s not pretty to look at or listen to, the story isn’t all that engaging, and the interesting tactical elements are hard to find under all the tedium. I would say that only a die-hard of the genre would appreciate it, but then, a die-hard would be turned off by the design flaws. It looks like we’ll have to wait a little longer for the next turn-based masterpiece.

The game is okay, but only just. If you were a hardcore fan of it back in the day, this might be a great walk down memory lane for you, but I really can’t think of a good reason they brought Jedi Academy back from the brink with even less than a fresh coat of paint. Had this been given the full remake treatment it could undoubtedly have been epic, but as it stands it was a bit of a clunky cash-grab game when it first launched and it still feels the same today. Maybe this entry should have stayed in a galaxy far, far away.

There is a ton of stuff to do in The Good Life, even multiple main storylines to pursue. Unfortunately, completing them and fulfilling the side missions is not very fun. Between the constant back and forth across the huge map and the fetch quests, I feel that more in-depth gameplay features would really help me enjoy this game.

As it stands, it’s mostly an exercise in frustration. I don’t know what it would take to get me to return to The Long Journey Home. I very much want to. I love the animations of the ship landing in an alien structure, and the dialogue between the astronauts as you drift through space. The music creates a lovely atmosphere. The quests are mysterious and intriguing. But the core gameplay just isn’t there, and that discourages me from coming back. The Long Journey Home is bound to drift to the far left side of my Switch home screen, but I hope it’s not forever. I will keep my eyes peeled for an announcement promising “drastic changes.” In the meantime, I will dream of a better game.

The game is most enjoyable for fans of the series, but an overall shallow experience sinks the title in an already small Vita pond.

While the game looks pretty enough there just isn’t a lot of depth to it. The feeling of playing ping pong is mostly here, but with the technological deficiencies in tracking that prevent the control and finesse needed in a fast paced game, VR Ping Pro misses the mark.

Rabbids Land is not an awful game by any means; however, it is not a good one either. Given the whole package that is offered, what one is left with is a decidedly average experience at best.

Tennis On-Court is full of missed opportunities. This is the first game in the sport to hit the PSVR 2 and due to this, interest around the game was at a high. However, Fishing Cactus failed to capitalize on the excitement due to a number of issues. There is potential with the mechanics but the focus on creating a simulator makes the moment-to-moment gameplay feel inconsistent and the lack of modes means you’ll quickly tire of the experience.

I would jokingly say that this game is where these memes went to die, forced to fight each other for all eternity in purgatory.

The Outer Worlds on the Nintendo Switch is the final straw for me. My heart can’t take the disappointment of these ports anymore. Time and time again, a port of an otherwise excellent game is released on the Switch (at full price, mind you) only to be a shell of the developer’s original vision. I get it, there’s money to be made, and there will always be that dedicated group of fans that can’t be told no, and will argue these games don’t look the way they do. But we all know that’s a joke. The Outer Worlds on the Switch looks bad, plays bad, and did nothing more than make me want to get the game elsewhere. I guess that’s a win for Obsidian.

Flashback 2 has some nice ideas but bugs, a lack of polish and the clunky design hinder the entire experience. At each step, it feels as if you’re fighting with the game to get a hit of nostalgia. Beneath the wealth of issues, there is something of merit, however, the sheer volume of issues will just frustrate and infuriate.

Gang Beasts is an interesting attempt at switching up the beat-em-up genre with a unique blend of gameplay styles, and as a whole it almost works, however, the severely limited options the game offers and its general lack of the basic building blocks a game needs makes this a title best reserved for playing with friends when nobody cares who wins and you simply want to laugh at stupidity.

While the core mix of action platforming and city building is a thing of beauty, this Renaissance version of ActRaiser is bogged down by motion sickness-inducing framerate drops, ugly prerendered character models, and far too frequent tower defense sections. If ActRaiser Renaissance is your only way to play ActRaiser, then please do yourself the favor, but I would highly recommend getting a Super Nintendo with a game cartridge, or a Wii with the virtual console download installed.

While acknowledging the 11-year-long commitment that finally brought the game to release, there are simply too many serious problems to ignore. Lost Soul Aside’s sometimes excellent action is undercut by flat characters, cliche story, terrible writing and rough mechanics.

The pace of the game is slow, there isn’t a whole lot of depth to be found anywhere in Paradise Lost, and it’s not without its frame rate drops and bugs either. Don’t get me wrong, there are certainly some diamonds to be found in the rough here, but they’re few and far between. What Paradise Lost does deliver on is a minimally interactive experience as more of a walking simulator than an alternate history first-player adventure game. And it does look and sound exactly as you’d expect if you were to find yourself as a 12-year-old boy, trapped in a desolate Nazi bunker. Overall there’s just a lot of potential left untapped and that’s really its biggest problem.

Simply put, Override 2: Super Mech League would have benefited from having more content. It feels rushed, and I cannot help but think the developers were forced into meeting a release deadline. Granted, what we do have is a smooth, and functioning game; but it’s a half-finished one that doesn’t have much of a player base, at all. Modus Games dropped the ball here and I have a hard time recommending Override 2: Super Mech League to anyone.

Despite some promising features, the negatives associated with the gameplay and camera were enough to keep me from fully enjoying this title.

While it can be enjoyable for a mission or two, it’s easy to get bored and move on to something else. If you are simply dying for a mech game and have some money to spare, it might be worth it.

It isn’t an awful game, but it sorely is in need of retooling, especially when it comes to co-op play.

I admire the concept but am underwhelmed by the execution.

To put it in horror terms, Pneumata is a Dr. Jekyll and Mr. Hyde construct. The game environments, sound and lighting are top-notch, but the gameplay is subpar. Maybe future updates will improve the gameplay, but it feels pretty baked in right now, so I doubt it.

The game has a fantastic look and a ton of content for those who love Dragon Ball Z. In the end I think fans of the series may overlook the game's deficiencies, but casual fans that have a Kinect may want to walk right on by this one.

It is the most content-complete version of Payday 2. On the other hand, it’s still a five-year-old game that really hasn’t aged that well and doesn’t seem to have all the updates that other versions have received.

In the end if you forget that you’re playing as World War II Germans, and you play a mission or two at a time, there’s some fun to be had in there now and then, even if it is bug sized and not as complex as an actual tank. That being said, the overall experience isn’t a particularly good one.

Ultimately, Babel Rising is an interesting concept that will fail to hold your interest for very long. It is a game that is a small package without much to offer, and it doesn't really deliver any long-term enjoyment.

Overall, Spy Hunter for the 3DS is mostly a forgettable experience. Wrestling with the games controls, the lack of in-game checkpoints, and less than stellar audio all made for a game that falls flat. There are things that Spy Hunter manages to do well but it the end the bad merely overshadows any good in this case.

For my interest in something to be increased, it has to be entertaining. This is where NBA Live 14 ultimately falls short for me.

The great presentation values present in Epic Mickey 2 are regrettably unbalanced by mediocre gameplay while imprecise and questionable control schemes drag things down even more.

Alien Rage could have been a very good old school shooter a la Bulletstorm, but curious design decisions, poor execution, and a severe lack of polish mar the experience.

There really isn’t a lot to like about Bleeding Edge. I found it uninspired and boring with only a couple redeeming qualities such as some neat character designs and a robust tutorial. I honestly don’t understand why Bleeding Edge was developed. Maybe Xbox Game Studios requested their newly acquired Ninja Theory to throw together a quick team-based online game to fill a void until the Xbox Series X launches. Who knows. I imagine we won’t see much post-launch support with Bleeding Edge, as the team at Ninja Theory is probably fully focused on making Senua’s Saga: Hellblade II. At least Bleeding Edge is free with Xbox Game Pass, so if you subscribe, you can give it a go and see for yourself.

Let’s Sing Country is a decent karaoke experience that’s well-produced and slick. And you don’t have to be a Country fan to have silly fun, crooning into your iPhone like a dorky George Strait. But the tiny number of tracks is a real downer, and put it this way, you’ll get through them long before the beer runs out (a much better measure of karaoke time, honestly). If this was a discount-priced game that would be fine, but for the price Let’s Sing Country should offer a lot more content … y’all.

Badminton Time! VR struggles to capture the addictive rhythm of the sport, with flawed mechanics undermining the experience from the ground up. These foundational issues ripple through every match, resulting in inconsistent, often frustrating gameplay. Despite its appealing presentation, the game fails to land a clean hit, swinging for a point but ultimately serving up a fault.

Plumber’s Don’t Wear Ties might actually be the worst video game ever. But it’s still worth checking out to laugh at. It’s also an important part of videogame history, and shows how North American developers were banging out garbage in hopes of blind purchases, and rental store purchases. This reason almost caused a market crash in the 1990s, just like the video game market crash of the 1980s, but Japanese consoles, and a handful of North American PC developers kept the market afloat. It’s hard to score Plumbers Don’t Wear Ties: Definitive Edition. But if you’re at all curious, I urge you to buy it to support Limited Run Games, and video game preservation in general. It’s a must play for any fans of media that’s “so bad it’s hilarious”. I loved experiencing this awful game so much that I bought a physical copy.

Unfortunately, this isn’t the Digimon game fans will be jumping up and down for nor is it something they deserve.

Teslagrad 2 is a bit of a fail. It has some interesting puzzle platform gameplay, but its Metroidvania elements are too simple. And it feels like there was very little creativity behind any aspect of it. Almost like the developers were forced into making it. The game’s biggest problem is that it’s way too short. I could see people beating it in 2 hours on a first playthrough. I can’t imagine how fans of the original wouldn’t be disappointed by this sequel, and it’s definitely not going to earn the Teslagrad franchise any new fans.

Temple Of Yog has some great ideas, and can be very fun in short bursts, but it doesn’t have enough variation to sustain it as a rogue-like game I wanted to grind at, and conquer.

I can’t argue that at the heart of Fire Emblem: Shadow Dragon & The Blade of Light is the tried-and-true Fire Emblem formula. And when used as nothing more than a reference to how far the series as a whole has come in 30 years, it answers the question of whether or not it’s worth your hard-earned $6. But I’d bet the farm that the majority of casual Fire Emblem fans won’t be able to deal with the games offensively slow pace. And to top it all off, I love the sights and sounds of the eight and sixteen-bit by-gone era, but by the end of the campaign, I was ready to never again play another classic. There are only so many beeps and crumple sound effects that I can handle in one lifetime.

What Sports Champions 2 lacks in visuals, sound and originality is balanced for the most part by its accessibility; however the end result is an entirely average experience. The choice of sports is questionable with many events having been done before in other games, even for the PS Move.

Overall I think playing Unknown Fate through on a PC with a regular controller really highlighted the elements that were lacking in the game. Things like mundane combat and easy puzzles are evident too in VR, but they are somewhat masked by the immersion factor that VR provides. Stripped of that feeling of total immersion, you get something wholly dependent on the story to drive your interest forward – and of course that’s provided a bug or two along the way doesn’t sap some enjoyment out of the experience. While I like the effort to make the game work with both VR and traditional PC gaming, it could use more polish and ironing out so as to make a better experience for all involved.

If you want to make a visual novel, make a visual novel. If you want to make a visual novel with a heavy emphasis on music, make a visual novel with a heavy emphasis on music. If you want to make a visual novel with a heavy emphasis on music that’s also a rhythm game, you had better be ready to make something really truly special to make it work—Lost in Harmony: The Musical Odyssey is not.

Animal Force is fun when it wants to be, but equally as frustrating. If you can get past that and focus on the sheer chaos of tower defense in a virtual space, then Animal Force may have something to offer.

Desctruction AllStars had a chance to deliver some creative car combat and it mostly set it sights on being mediocre and forgettable. Granted it’s free for PS+ users so it’s not a large barrier to get into. But down the road this is not a game worth a price of admission unless they prove they can do something better. It’ll likely be forgotten in the eventual ocean of other PS5 exclusives that release down the road.

Pixel Gear gave me a little glimpse of what first person shooters can feel like in VR. While the shooting mechanics are solid, the overall game just feels bland and repetitive. In addition to that, the short length makes this a game you won’t be experiencing for very long.

The Walking Dead: Destinies would have been a fitting release a decade ago during the peak of the series’ popularity, ironically, the game plays as if it belongs to that era too. You’ll quickly tire of the repetitive mission structure and grow frustrated with the combat system. Although the game claims to allow you to choose the path that Rick and Co. walk, your decisions barely make a difference. Even die-hard fans of the formidable franchise will want to steer clear of this undead adventure due to its dated design and poor execution.