Overall, it’s just hard to recall a less ambitious multiplayer shooter than CrossfireX. Its generic single player campaign fares much better than its multiplayer, which is simply lacking in everything we’ve come to expect from the genre. Smilegate’s previous shooters have obviously connected with millions in the Asian market, but it’s hard to imagine CrossfireX igniting anything near that kind of enthusiasm in the very competitive multiplayer scene.

If you’re in desperate need for this style of game, then you’ll probably find some redeeming qualities – just don’t expect a very deep experience.

While Fate/Extella: The Umbral Star is a solid experience during combat, the overly complex plot is paired with some juvenile and cringe-worthy dialogue that mars the experience.

With over 15 tracks, 100 motorbikes and a lengthy World Tour mode, it’s good bang for the buck. The technical issues, lengthy load times, lacklustre visuals and an erratic AI should be enough to steer most gamers away this fall season.

Moonfall does a lot of things not necessarily wrong, but to a lower quality than you might hope for in a purchased product. It’s Fishcow Studios’ second published title, so there’s hope for improvement in the future. If this were a browser-based free game, it would easily be nine out of ten. However, with a sticker price of a bit under ten dollars, it’s going to be average at best.

At only $32.99, I’d say Boston Lockdown is worth the money if the lag is fixed but leaves much to be desired for any die-hard fans of the tabletop game.

Panzer Dragoon: Remake won’t be for everyone. I never played the original game, but I have a basic knowledge of the franchise. It looked familiar to a personal favourite of mine, Star Fox, but unfortunately, Panzer Dragoon was nowhere near as enjoyable. It simply lacks a lot of the fun touches and personality that make the Star Fox franchise so good. Panzer Dragoon does have some fun moments and some of the visuals are quite impressive. I didn’t care much for the story and the game is quite short. If you were a fan of the original, nostalgia alone might be enough to make the purchase. It’s worth noting that a remake of the sequel is already in development, so if you do enjoy Panzer Dragoon: Remake, you’ll have something more to look forward to.

It pains me to say it seeing as I had such high hopes but The Crew missed its mark by a long shot and just barely chugs over the starting line.

There’s lots to do in this game, there’s lots of challenge and it all works pretty smoothly. But Project Highrise just feels flat and never achieves the “just one more turn” level of addiction that I love in the best sim titles. Despite its strengths, including the extra content in the Architect’s Edition, there’s a certain je ne sais quoi that’s lacking – be it color, humor, variety, what have you – that had me just wishing I could hang up my hardhat after not too long.

It’s great to see new content in Back 4 Blood, it’s a shame the developers opted to make the new areas so difficult. Visually, these new areas are bland and dull. Clearly, the focus was to provide the most hardcore of Back 4 Blood players a new challenge. For the rest of us, these new hives aren’t even worth trying. On a positive note, the two new characters are a welcome addition to the cast of heroes. Beyond that, it’s really hard to recommend the Tunnels of Terror unless you and your squad are Back 4 Blood professionals. Casual fans need not apply. What a damn shame.

If you really enjoy dark dungeon crawlers that are punishing to those who rush in, Necropolis could be a lot of fun for you. If you’re a fan of the Souls series and looking at this because it has some similarities, I recommend looking elsewhere. The combat and randomness will likely just leave you frustrated.

This is a fun little puzzle game that’s easy to pick up and easy to get addicted to.

PC is the ideal method of playing Trine 4: The Nightmare Prince. If you have a PC that can run it, I recommend grabbing Trine 4 for PC because after trying the Nintendo Switch version in both docked and portable mode, the experience isn’t as magical. The core gameplay, story and puzzle solving are all still quality but the experience feels more clunky with a controller or Joy-Con.

What sort of horror game puts you to sleep? One that doesn’t try anything new. And that’s what Infliction is. I can’t stress enough that it isn’t the technical side of the game that I don’t like – I think a lot of what’s there is well done with the budget they had. The lighting is good, some of (not all) the voice acting is strong, and the sound design is solid. But it’s the lack of innovation in storytelling and mechanics that throw me off. It’s frustrating too because ideas like the Polaroid camera and Cooking With Masimo show me that this team is capable of coming up with some genuinely fun stuff. But until then, I guess we’ll just be afflicted by Infliction.

Fans of the original game may find much here to like and a welcome sense of return. For everyone else there are far more engrossing and scary horror games waiting to chill you.

If you played Limbo, or more recently, Playdead’s “Inside”, then you already know exactly what kind of game you’re getting with Toby: The Secret Mine. While Toby is no where near as refined as either of those two games, I did enjoy it a touch more than I enjoyed Limbo, but not nearly as much as I enjoyed Inside. Still, with all the glitches and lack of originality, this is a game more for die hard fans of the genre and definitely not someone with a casual interest.

Make no mistake, this is a bad game. However, it’s obvious that developers knew exactly who would be interested in One Piece: Pirate Warriors 3.

A puzzle game is only as good as its level design, and unfortunately, Chip’s Challenge 2’s levels are a mixed bag of hit and miss. Considering it’s a game from 1991; however, it’s impressive that some of these levels are as fun as they are and can still enjoyed.

I think The Walking Dead Onslaught might come off more positively if we hadn’t just experienced the greatness of Saints and Sinners just a few months ago. That game felt much more involved and immersive, with a great story that left an impact. By comparison, The Walking Dead Onslaught feels thin, and lacking in that atmosphere of desperation we’d expect from spending some time in the zombie apocalypse. If you’re a fan of The Walking Dead franchise and hunger for more zombie killing, the missions, gameplay and story in The Walking Dead Onslaught are not bad. But if you’re looking for something deeper to sink your teeth into, stick with Saints and Sinners.

Fast & Furious: Arcade Edition is a lot of fun, for about an hour or so. After that, you’re running the same six courses with different vehicles until you’ve memorized them. Along the way, you’ll almost certainly get sick of seeing these races run over and over. While the essential arcade experience has been successfully ported to consoles, you still lose something essential in doing so. If you can find this game at your local arcade, you’d be better off playing it there. These races are just more fun with the noise, the lights, and the specialized controls.

Without any concrete information as to when we can expect the next season of Peaky Blinders, Peaky Blinders: Mastermind might end up being a nice distraction from the limbo we’ve all been left in. Fans of the show may find this experience to be somewhat satisfying, if not an excessively simple take on an intricate, expertly crafted world. But there isn’t much here if you aren’t hip to the source material. You’ll be lost entirely as far as the motivations of these characters, and missing out on virtually every bit of (brilliant) history doesn’t exactly make for compelling storytelling. Approach this one with caution, and that’s by order of the Peaky Blinders.

Play Perception if you’re in need of a quick horror fix, and not for what could be perceived as something larger.

All in all, I don’t think I can recommend Stranger of Paradise: Final Fantasy Origin. Maybe if you have a dedicated gaming PC and don’t care about lackluster narrative presentation, you’ll enjoy it. As it is, I can only shake my head and go back to Crisis Core -Final Fantasy VII- Reunion.

If you enjoyed the original Postal, then you can enjoy it all over again with some updated visuals, sounds and some added content.

Although King Oddball is repetitive and becomes frustrating with poor level design and the reliance on luck over strategy, there are a few redeeming factors including additional game modes, that actually make the game a decent value for the price. For less than $5, you can play an indie version of Angry Birds, with controls that are even more simple.

I will say there was a lot of ambition for this game, but so much of the content is crippled by the cumbersome combat system.

Hidden Dragon Legend is not a terrible game, and it does try hard at times. Some decent art design and combat mechanics offer the potential for a bit of enjoyment. However, it doesn’t present enough variation in gameplay to stay fresh, and the combat – a major part of the game – begins to break down when things get hectic. Irritation, frustration, and maybe boredom will begin to seep in after the initial fun, making this platforming adventure less than legendary.

The Amazing Spider-Man for the Wii is a very average game. The gameplay can be enjoyable when the camera behaves, and the story is exciting to be a part of, unfortunately the graphics really pull down the experience.

Demon Slayer: Kimetsu no Yaiba – The Hinokami Chronicles is as good as it ever was. The Switch version doesn’t add anything for people who have the game on other systems. Naruto: Ultimate Ninja Storm fans, who might be excited for another similar game, should dial their content expectations way back. Demon Slayer: Kimetsu no Yaiba fans don’t need their teeny narrative summarized, the way Naruto fans might’ve wanted theirs. Merging these two franchises wasn’t the right decision. It would’ve been the definition of “a renter” in the 90s.

It’s just too bad that, for what Moons promises, it so rarely delivers. I wanted to be swept up in the Lovecraftian madness, but too often I found myself frustrated from lack of direction or rote fetch quests. Some of the creatures you meet promise intrigue and terror, but some of them too are oddly conceived. And while you can’t fight the monsters here, you can run like SOMA, but where SOMA was thoughtful and left an impression on me to this day, Moons of Madness gets in its own way, hoping visuals can carry it through. It doesn’t quite hit the mark.

Accel World vs. Sword Art Online: Millennium Twilight is a game for the fans. If you’re into one or both of these properties, it’s worth your time. If you’re not, while the freedom of movement and combat are fun, the environments are too dull and the story too boring and low stakes to really recommend it.

The core of Sword Coast Legends has potential. The single player story is fine, but not remarkable, and the capacity for multiplayer is welcome but ultimately disappointing.

A Gummy’s Life is a mixed bag of sweet and sour candies. Free for all mode is a fun experience but after an hour of play becomes stale unless you have friends around to play alongside you. Other modes merely feel like putting sprinkles on a muffin to make it a cupcake. It isn’t a horrible game – it doesn’t have any major flaws or anything; it is a game that is perfect for when you and some friends just want to have a taste of some good fighting game fun. Rag-dolling around, falling over, and tossing each other can lead to some funny, enjoyable experiences. But when isolated to the player and a few bots however, the charm is glazed over by all the flaws of the AI and the online availability issues.

Babylon’s Fall falters with its implementation of a live-service model. While it contains a compelling, multi-faceted combat system, its brilliance is lost in a crowd of unnecessary features. The art direction, although interesting, doesn’t capture the notion of an oil painting. Instead, it looks bland and at times, downright ugly. Unfortunately, it seems that a troubled development period has marred the game, resulting in a directionless, cluttered and convoluted adventure.

Granted, Block ‘N Load doesn’t have any of the same balance issues that plagued Ace of Spades, but it has fallen into the unconscious trend of making the most boring ways to play the game become the most effective.

While the game's simplistic combat, overall look and satisfying power moves will certainly appeal to younger fans of the Marvel Universe and may even warrant a purchase for them, those who are not Marvel Fans may just want to pass this Kinect title by.

Light Tracer is the kind of VR game that I could just take or leave, either or and be fine with it. Its controls, while not optimal, aren’t bad enough to make me want to stop playing on their own. A lack of real immersion is there, but again, not a deal breaker.

Balan Wonderworld features a range of interesting ideas that are plagued by dated mechanics. Even after losing yourself in the absurd universe, you are quickly brought back to reality due to the rigid movement and odd control scheme that oppose expectations of the genre. Although the game has a lot of charm, it does little to stand out amongst the crowd and due to this, it can be rightfully overlooked.

Munin falls into a middle of the road game for me. While the artwork, music and story were strong, the actual gameplay fluctuated between too easy and way too hard far too frequently, and the controls were unreliable enough to add to the difficulty.

Payload hit pay dirt when they dropped TerraTech, a fun, time suck that lets you build crazy vehicles and blow stuff up. It’s been a big hit for them and well earned! However, the port over to console seems to have a hit a bit of a snag as the controls are almost unusable in a game that demands tight controls. For as much time as I’d like to continue to sink into this game, trying to master the controls that seem to be designed to fight you was a lesson in futility which I don’t hope to repeat any time soon.

Ultimately, Black Desert on PS4 is very user-friendly, and looks fantastic when running at a premium performance level. But while Black Desert’s aesthetic prowess and customizable sandbox experience is an achievement in the world of MMOs, it’s not a game that offers enough enticement in the minute-to-minute gameplay — or even in the grander, month-to-month scope of things — to leave me thirsty for more.

The biggest frustration was the lack of indication when a chapter is completed.

Hyakki Castle has a lot of interesting elements. Unfortunately, it’s most talked about feature, team splitting, could have used more work and it felt like there needed to be more to it besides switching on some floor panels.

There’s definitely a market for this game, but I completely understand why so many long-time fans are so upset. It feels like Ubisoft basically tried to dumb down an amazing series to gain more popularity, and I’m not so sure expansion packs can fix this.

A solid attempt at replicating the Left 4 Dead formula, but it also misses the mark in a few key areas.

Although my own experience with this game has been a profoundly negative one, I can’t completely condemn it. After all, the graphics are delightful and the premise is an engrossing one.

In the end, Never Gone is a stylish and good looking slasher that will give you a ton of hours on your mobile device.

To be charitable, a case could be made for Hot Lap Racing on PC as a throwback to simpler games. You certainly don’t need an automotive engineering degree to understand and play it. If all you want is a simple racer to jump into and play, you’re covered. Especially on the Nintendo Switch, Hot Lap Racing definitely fills a neglected niche. The selection of cars, tracks, and modes is certainly adequate, especially for fans of Euro-centric motorsport. On PC, though, it’s hard not to compare Hot Lap Racing to the scores of better and more refined games already parked in the garage.

I wanted to like this game more. It’s charming, technically competent but ultimately I could not get past it’s shortcomings to consider it much more than an average game.

Although Shinobi likely isn’t going to gain any new fans from this release, it is a comprehensive, well put together, package for the original game. It contains every modern enhancement I could think of, and for only $8, it’s a steal for all Shinobi fans.

Samurai Jack: Battle Through Time is a mediocre trip down memory lane. Although interacting with beloved characters is amusing, its core gameplay is dull and repetitive. Fans may enjoy the new narrative that extends the epic conclusion of season 5 but be prepared to endure some blunt, boring combat.

Overall, In Nightmare hits the mark. It fits its self-defined genre, and was an otherwise decent game. Its overabundance of mechanics and reliance on standard horror game features hold the title back from being more unique than it could be. Though In Nightmare should not supplant any of your favorite horror titles, the game’s narrative and attempt to differentiate itself through its visuals might just be enough to garner a curious horror game fan’s attention.

The puzzles, story and characters all were much stronger in concept than in execution.

Goliath has an appealing premise and a promising goal, but in the end it doesn’t live up to its own expectations.

Animal Super Squad just isn’t all that interesting to play. Why? It simply feels like it’s manufactured to try and capitalize on what made certain other games successful for streamers and content creators across the internet. Sometimes that very well may work, but in this case, it just feels shallow.

Styx: Shards of Darkness had the potential to be a really fun and clever stealth game in a high-fantasy setting with a memorable and witty protagonist. Unfortunately, it never progresses beyond being a moderately functional game with low-fantasy aspirations and an irredeemable main character that would be pretty forgettable if he wasn’t so damn annoying.

If you’re primarily interested in a story and don’t consider Walking Simulator to be a four-letter word, there are some interesting ideas in play in The Thin Silence – just don’t expect to find adventure game nirvana along the way.

While the humor and random aspects detract from the story and premise, if you just get the basic story and skip the rest, it really is a blast to rush through.

It’s more average than definitive.

For those at the end, this probably isn’t going to be the most enthralling.

Ghost Recon Wildlands is a game that is hurt by its own ambition. Its blend of genres results in a game that tries to do everything, yet excels at nothing. The sheer scope of the world makes it impossible to be filled with interesting details, and Ubisoft manages to make the entire country of Bolivia feel boring. Nothing fits together as well as it should, and it all results in one very disappointing package.

The combat feels smooth and responsive, yet there wasn’t enough variety. I like the characters, though I quickly got tired of listening to them. The RPG component was the worst offender. A system meant to create depth instead offered frustration in high doses.

If you are a competitive RTS player, I recommend you play Ashes of the Singularity and decide for yourself if it’s the game for you. There is certainly a lot to dig into for a hardcore player. However, if you are a more casual player, Ashes of the Singularity probably won’t engage you for long enough to learn the ins-and-outs of all the systems at play.

Pumped BMX+ is a sharp looking title with controls that are some of the best for this genre after you get through the learning curve. However, we have a lackluster soundtrack and repetitive game play that perhaps should have branched out into something new rather than keep the mold of short game play experiences on mobile devices.

By the end of my time with Rain World, I no longer found the Slugcat cute or endearing. He was a cruel joke, a mistake the entire world worked tirelessly to correct. A prey animal destined to melt in the jaws of a monsoon. Perhaps with time and tolerance, more dedicated gamers than me will finish this title. Some other kind souls will find the patience to guide this missing link and their kin to salvation. Make no mistake, this is a beautiful world. Just know that it is also a merciless one.

Space Chef combines cooking, crafting, and adventuring into one seamless quest, but none of its individual parts truly shine. Progress may be slow, but the variety of options grows steadily, letting you cook up all manner of strange dishes to serve to your customers. The planets are diverse, and there’s no shortage of small tasks to keep you busy. However, while there’s plenty to do, few of these activities feel particularly rewarding. Its simple mechanics make it approachable and best suited for short play sessions rather than long stretches. With so many cozy games offering stronger management and life-sim elements, Space Chef risks fading quietly into the background.

The graphical and audio enhancements are phenomenal and huge selling points, but having a pretty game without responsive AI quickly makes those enhancements meaningless. The heart and soul of the game is there, even in the tutorial, but it’s simply too old.

Romance of the Three Kingdoms XIII brings historical authenticity to life with real world locations, figures, and events.

The hack and slash side really can get repetitive while the strategy element is, for the unprepared, is downright scary.

The repetitive levels and enemy AI get old quick but the fish react to things differently which is engaging and the environment tells a story as you uncover glowing orange Debris deeper underground. If you don’t mind minimal visuals for an interesting story, Debris is worth checking out.

I do admit that I for one loved some of these titles; some of the simplistic gameplay manages to stand up to the test of time. Unfortunately time is not kind to all of the games, which makes the collection a purely nostalgic purchase, not a must have.

At the end of the day the pacing, environment and storytelling go some way towards offsetting the Kinect-specific issues, resulting in an average game that shouldn't fail to captivate fans of the series and some new players who are there for the ride.

Perhaps a bit over priced at $5.00, considering its 99 cents everywhere else, and there really isn’t much new to offer, although the three stars and leaderboards give you a bit of replay value.

Sadly though the game only boasts four levels to play on and even though these take you from the depths of Atlantis to the top of the trees on the Island of Spirits, this small variety is disappointing.

Dead Island Definitive Collection is the best way to get these two flawed experiences, ones that are enjoyable despite some poor design choices. There’s still nothing quite like Dead Island’s analog combat, but the game’s poor structure can’t be saved with a graphical facelift.

While the game's visuals, witty dialogue and chainsaw welding combat are certainly entertaining, the game is just a tad too thin on features for me to recommend it, especially with the lack of any cooperative play. On top of it all, the wonky camera issues, and other combat related issues I experienced pull the entire experience down a few notches.

As for the overall environments themselves, they definitely had some great ideas, but in the end they just don't seem to have the oomph to push you over the edge and be wowed by them.

Rather than feeling any sort of tension, I was mostly bored.

Overall you’ll find that Army of Two: The Devil’s Cartel can be a reasonably fun way to spend 8 hours of your life, but I don’t know if many people will make the effort to play through it again. It is a frantic shooter that challenges nothing more than your trigger finger and never advances past mindless slaughter.

For those that can look past the issues, the game can open up into a decent hack and slash with fair amount of depth; you just have to invest the time to get there.

Grimm Eclipse isn’t a bad game but it’s not a good game either. It’s just an okay game. Aspects of it show promise and that the developers at Rooster Teeth Games are capable of delivering a fast paced action title with responsive controls. They just need either more time or perhaps a bigger budget (maybe both) to deliver on their potential.

Tech Support: Error Unknown is a short little game, quick to play, easy to digest, and honestly, compelling enough to make me want to find out what happens next. I did a single playthrough, myself, and tried the slightly harder modes, which I didn’t see much of a difference in, but maybe that would become more apparent further down the road. I think, though, that the developers have a lot of unresolved issues from their time at the Help Desk prison and I think I want to hug them. I know I need a hug after that.

With so little effort put into making Space Wolf feel like it actually belongs anywhere near the new systems, it’s hard not to be anything but disappointed and cynical about this release. Graphics aren’t everything, of course, but Space Wolf’s other elements aren’t nearly strong enough to tip this one into the win column.

All in all, did I like Maid of Sker? That depends. I’ve certainly played worse games, and I’ve heard worse ghost stories. It didn’t scare me as much as I would hope, but there was some chilling imagery and a couple of moments that made me jump. On a narrative level, I can see the developer’s trying to make a point about colonialism or slavery, or even the history of English rulers trying to stamp out the Welsh language much like The Quiet Ones try to stamp out any noise. There’s a genuinely good- even great- idea here but the gameplay and execution let it down, and the marketing cared more about selling something unique than selling something accurate. I got something close to what I ordered, but not quite close enough for me to want a second helping.

Scott Pilgrim vs. The World: The Game – Complete Edition isn’t going to win any awards. Hell, I doubt anyone remembers it’s out come March. And that’s probably where it should rest. It’s got a banging’ soundtrack, but you can listen to that without having to play it. Are you and three of your friends the biggest Scott Pilgrim fans on the planet? Okay, you got me. This will probably be the greatest thing to happen since Matthew Patel got the stuffing whipped out of him.

I’ll even give EA credit. Fifa feels like simulation soccer. Madden feels like simulation football. I know that they’re capable of bigger and better things. But, for now, NHL 23, like all the ones before it, still feels like the black sheep of the family. As if it’s simply incapable of ever feeling like hockey. It’s telling that the worst cover in EA Sports NHL history is tied to the most disappointing game in nearly ten years.

Overall, Visual Novel Maker is a solid piece of software that allows creators freedom to make what they want, provided that they have the skills in order to do so. While jumping in can be scary at first, learning the various tasks one-by-one is likely the best option for new players. With a strong programming base, the game opens up to players; however, without prior experience, players will be left to learn almost completely on their own. With the RPG Maker series resulting in some impressive and unique creations, we anticipate that Visual Novel Maker will result in similarly pleasing projects.

Liberated: Enhanced Edition fails to deliver on a promising premise. At its core, the game tells an interesting story in an innovative manner, however, the gameplay sequences let it down. The gunplay is formulaic and lacks variety. Predictable enemy placement means that the game quickly becomes repetitive. While Atomic Wolf attempts to vary the gameplay with puzzles and QTEs, these are few and far between. With some technical issues thrown into the mix, this comic-inspired title has a few too many issues.

More so than any other game I’ve reviewed, House Flipper is going to be what you make of it. In a lot of ways, it’s rough. The graphics are subpar, the sound is about as basic as it gets, and the performance issues at times get so bad you’ll wonder how this ever made it through quality assurance. But there’s an undeniable charm to the game. Flipping a house for profit after working your way through the entire space ended up being as satisfying as I hoped it would be. The fact that the game doesn’t ask for you to have any prior knowledge of anything is a big bonus in my book, too. If you want to turn your brain off, and flip houses, I think you’ll like this. If you want something exciting in any way, shape, or form, move along.

Too often, the gameplay and production values took away from the joy. I’m not sure if the developers were pressed for time or under budgetary restraints, but it just felt rushed and unpolished overall. Like I said before, it’s not so much that Groundhog Day: Like Father Like Son is a totally bad game — it isn’t. It’s just really disappointing that it wasn’t a lot better.

Redeemer aims to deliver a modern take on the brawler genre and in some ways, it does that. Yet, I couldn’t shake the feeling that the game was merely a variation of the combat from Batman: Arkham Asylum. There are combo’s, counters and stealth elements all blended into an action game but it all seems dated. Redeemer just feels slightly displaced in time. It’s an ok game now, but had it come out a few years back it would have seemed a little more fresh and modern.

Big Rumble Boxing: Creed Champions features all the greats from the franchise. Its large roster and faithful character designs will please fans. Unfortunately, it's in the ring where the game falls flat. It fails to strike the right balance between arcade action and the sport of boxing. Although some may find the casual nature quite fun, aficionados will have to wait for that knockout game.

There aren’t enough hack-and-slash action games with a sci-fi setting, but Blackwind stumbles pretty hard and makes enjoying it consistently a challenge. The game’s camera is the worst offender, but issues with platforming, balance and combat are also parts of the problem. I didn’t care that the story could find a consistent tone as much as the game’s mechanics made me want to step away in frustration. I enjoy difficult games, but not unfair, busted or buggy ones.

Episode 5 sadly proves the episodic model does not fit the franchise, or at least this incarnation of it, and that we may have been better off with a more traditional release. If it succeeds in one thing, it’s to set up an explosive finale in the sixth episode.

If you’re a diehard fan of the RoboCop franchise, you may find merit in RoboCop: Rogue City. Regardless of my disappointment with it, I can’t deny that it’s the best RoboCop game we’ve seen. Just keep in mind that isn’t exactly saying much. A weak narrative, archaic character models, generally horrific voice acting, and a slew of technical issues hold Rogue City back from being the game I desperately wanted it to be. Admittedly, shootouts can be fun, but I’m not convinced that alone saves what otherwise feels like a letdown. Much like RoboCop’s enemies, approach with caution.

Suicide Squad: Kill the Justice League drips with potential but never lives up to the Rocksteady pedigree. I had fun with its story, at times being genuinely left on the edge of my seat with what could happen next. Most of the performances – Kevin Conroy being the best of the bunch – also kept me engaged and entertained with the narrative. But the endlessly unambitious gameplay loop grates on me like nails on a chalkboard. Envisioning this as a live-service game with years of life ahead of it is impossible. It’ll be interesting to see if Rocksteady can ever make Suicide Squad feel more entertaining than a bullet to the head.

Enchanted Portals falls far from its influences due to its poor execution. The controls are not tight enough for a precision-based shooter and the bosses lose momentum due to the transition between stages. There’s some creativity with the design and it does achieve the 30s cartoon aesthetic, however, gameplay issues hinder the overall experience.

Overall, Tony Hawk's Pro Skater HD for the PlayStation Network felt like an average and almost forgettable experience.