For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Allison Benedikt
With husband and wife starring, you can't help but wonder which details here are autobiographical. No matter: This is obviously a deeply personal work for Attal, whose comic timing and passion can only serve him well both on screen and off.- Chicago Tribune
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Reviewed by
Robert K. Elder
Action films can't be this consistently absurd, can't paint their heroes into such dangerous corners, from which only cocktails of luck and divine intervention can save them, over and over. It's a bad-faith bargain with the audience and bad storytelling.- Chicago Tribune
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Reviewed by
Robert K. Elder
Chow's savagely funny cinematic love letter places Hong Kong legends Yuen Wah, Leung Siu Lung and former Bond girl Yuen Qiu in well-cast pivotal parts, establishing Kung Fu Hustle not only as an endearing homage to a genre's history, but an astonishing piece of cinema in its own right.- Chicago Tribune
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Reviewed by
Michael Wilmington
Sin City is an evil place, full of awful people, an obsessive movie full of monomaniacal tough guys. Yet when Miller and Rodriguez move it into gear, noir lives.- Chicago Tribune
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Filmmaker Dana Brown's major error is that he doesn't just shut up and get out of the way.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
A witty and psychologically perceptive look at the Parisian literary scene.- Chicago Tribune
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Reviewed by
Michael Wilmington
The diversity of the Beauty Shop ensemble is a large part of what makes it so much fun to watch;- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
But the film disappoints, partly because it inspires such large expectations.- Chicago Tribune
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Reviewed by
Allison Benedikt
So what started as a female "Agent Cody Banks" happily and seamlessly becomes so much more, with style and substance existing in unusual harmony for a spy spoof.- Chicago Tribune
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Watching Nina's Tragedies, an Israeli film that pocketed 11 of its country's Oscar-equivalents, is a rare but almost perverse experience.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a movie of such jaw-dropping violence, wild improbability and dazzling style it overpowers all resistance.- Chicago Tribune
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Reviewed by
Allison Benedikt
An exhausting, predictable, even maddening moviegoing experience.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's such a knowledgeable work and so pleasantly obsessed with its subject that it will interest even audiences whose attraction to wine is only casual.- Chicago Tribune
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Reviewed by
Allison Benedikt
I'll describe the central characters in Disney's new ice-skating flick, Ice Princess, and you guess the plot.- Chicago Tribune
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Reviewed by
Michael Wilmington
Despite some impressive technical achievements, it too looks like a movie with little reason for being.- Chicago Tribune
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Reviewed by
Michael Wilmington
Allen gives us at least half a classic comedy - more than we usually get at the movies these days - while having some elegant fun with an idea that has intrigued poets and smart alecks through the ages: the interchangeability of comedy and tragedy.- Chicago Tribune
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Reviewed by
Robert K. Elder
Though Katsuhiro Otomo's animated Victorian-era adventure Steamboy stars British characters, it's a Japanese film through and through.- Chicago Tribune
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Reviewed by
Michael Wilmington
Good action movies live on style and excitement. But they also need credibility, and in Hostage, ALMOST a good genre piece, plausibility keeps getting slaughtered.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Sid Smith
An irresistible Irish comedy, lovingly told, beautifully acted and graced with the perfect balance of chuckles and bittersweet heartache.- Chicago Tribune
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Despite some moments of genuine tension, Dot the i walks (and occasionally hops right over) a very fine line between thriller/drama and parody.- Chicago Tribune
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
Even if you enjoyed the mean, funny 1995 John Travolta-Elmore Leonard crime comedy "Get Shorty"-and many of us did-this forced sequel isn't likely to help you repeat the experience.- Chicago Tribune
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A gripping drama that will leave thoughtful cinemagoers wrestling with basic Big Questions.- Chicago Tribune
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- Chicago Tribune
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