Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
  1. As beautifully designed, swift and sleek as a classic sports car, throbbing with emotion and intelligence, it's a neat suspense film that's also dramatically and sociologically potent, with two supremely talented stars, Nicole Kidman and Sean Penn, delivering beyond the emotional call of duty.
  2. A poor man's "When Harry Met Sally."
  3. Should hold you spellbound.
    • 43 Metascore
    • 75 Critic Score
    The result is a feeling of quiet heroism--people doing things because it's right to do them, even if it's not easy.
    • 49 Metascore
    • 25 Critic Score
    A sad, wasted movie.
  4. The fatal flaw in David Duchovny's big-screen directorial debut, House of D, is not Robin Williams as a retarded janitor. It's David Duchovny, the man who chose to cast Robin Williams as a retarded janitor.
  5. Corny as it may sound though, it's all true-except, of course, for that mythical movie last-second championship bit.
  6. As bizarre, provocative and almost deliberately off-putting an indie picture as anything that's popped up in theaters recently.
  7. The gall of Peter and Bobby Farrelly. To think that a romantic comedy might work absent a sleazy wager or maddening miscommunication takes a lot of chutzpah.
  8. A classy triple shot of film erotica from three brilliant writer-directors.
  9. All three men turn in superb and understated performances.
  10. With husband and wife starring, you can't help but wonder which details here are autobiographical. No matter: This is obviously a deeply personal work for Attal, whose comic timing and passion can only serve him well both on screen and off.
  11. Action films can't be this consistently absurd, can't paint their heroes into such dangerous corners, from which only cocktails of luck and divine intervention can save them, over and over. It's a bad-faith bargain with the audience and bad storytelling.
  12. Chow's savagely funny cinematic love letter places Hong Kong legends Yuen Wah, Leung Siu Lung and former Bond girl Yuen Qiu in well-cast pivotal parts, establishing Kung Fu Hustle not only as an endearing homage to a genre's history, but an astonishing piece of cinema in its own right.
  13. Sin City is an evil place, full of awful people, an obsessive movie full of monomaniacal tough guys. Yet when Miller and Rodriguez move it into gear, noir lives.
    • 61 Metascore
    • 50 Critic Score
    Filmmaker Dana Brown's major error is that he doesn't just shut up and get out of the way.
  14. A highly exciting, visually alive thriller.
  15. A witty and psychologically perceptive look at the Parisian literary scene.
  16. The diversity of the Beauty Shop ensemble is a large part of what makes it so much fun to watch;
  17. Just doesn't have the same zing.
  18. But the film disappoints, partly because it inspires such large expectations.
  19. So what started as a female "Agent Cody Banks" happily and seamlessly becomes so much more, with style and substance existing in unusual harmony for a spy spoof.
    • 61 Metascore
    • 88 Critic Score
    Watching Nina's Tragedies, an Israeli film that pocketed 11 of its country's Oscar-equivalents, is a rare but almost perverse experience.
  20. It's a movie of such jaw-dropping violence, wild improbability and dazzling style it overpowers all resistance.
  21. An exhausting, predictable, even maddening moviegoing experience.
  22. It's such a knowledgeable work and so pleasantly obsessed with its subject that it will interest even audiences whose attraction to wine is only casual.
  23. I'll describe the central characters in Disney's new ice-skating flick, Ice Princess, and you guess the plot.
  24. Despite some impressive technical achievements, it too looks like a movie with little reason for being.
  25. Allen gives us at least half a classic comedy - more than we usually get at the movies these days - while having some elegant fun with an idea that has intrigued poets and smart alecks through the ages: the interchangeability of comedy and tragedy.
  26. Though Katsuhiro Otomo's animated Victorian-era adventure Steamboy stars British characters, it's a Japanese film through and through.

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