Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. Seems small in subject and scope, but it's large in spirit and implication.
  2. All in all, it's a fascinating, kid-friendly journey.
  3. Won't make your day, but it won't kill it either.
  4. It's a brutally convincing movie about two hell-bent young Turkish-German lovers dancing on the edge of destruction in a Hamburg underworld of drugs and casual sex. Yet it's also compassionate and even tender.
  5. The movie rips and roars.
  6. A fine, exciting film that makes a bloody historical event live all over again by showing it through the eyes of children on the edges of the conflict.
  7. A true story, feel-good parable and a respectable, uplifting descendent of "To Sir, With Love" and "Lean On Me."
  8. Devotees of awful filmmaking can't go wrong with this one.
  9. Endearing but predictable.
  10. Like all good popular entertainments, the best of it sings.
  11. Whatever is lost in translation can't keep Appleseed from feeling a decade late--and its animation from looking like a relic on arrival.
  12. In White Noise, Hollywood and Michael Keaton try to make a decent thriller out of ghosts in the machine but come up with lousy reception and static.
  13. Sky Blue slows things down, creating a ponderous, almost languid movie-going experience.
  14. Grace and Quaid imbue what could have been caricatures--with heart, intelligence and great comic timing.
  15. An important, timeless and sometimes troublesome classic has been filmed successfully and at long last.
  16. It's a tribute to Penn's talent and guts that he manages to bring it off--even if the movie doesn't.
  17. Bobby Long can enchant you. It's a film that feels lived in, confident despite its conventions.
  18. Seems a little lightweight, even for a kids' movie.
  19. Melodrama triumphs. But here's at least some muted applause for a fine cast and filmmakers trying to confront the real world and its shadows.
  20. Though it's hard not to play it, the expectations game is a dangerous one, especially for sequels. And Roach's original, just like his overexposed star, set us up good.
  21. Depending on your predilection, the movie version of The Phantom of the Opera is about as good - or as bad - as its phenomenally successful stage original.
  22. Not a striking film visually. It's deliberately plain looking, focused on the appalling events with an almost documentary immediacy.
    • 74 Metascore
    • 50 Critic Score
    If this documentary were about a serious painter, it would be judged a travesty not unlike commercials that goose up the couple in "American Gothic" or show the Mona Lisa laughing.
  23. Though "Keys" is not Amelio's best, it has an emotional power almost equal to anything he's done.
  24. Sumptuously exciting, glowing with expertise, seething with life, gorgeously designed and thrillingly articulated.
  25. Only resonates when he (Brooks) strips it all away and focuses on parent and child.
  26. This clunky remake can't rise from the ashes, nor would you want it to.
  27. The imagination, energy, chutzpah and sheer affection shown for Darin by director-writer-star Spacey, who plays the singer, are admirable, kicky. This is a movie, that, like Darin himself, takes a lot of chances and delivers on many of them.
  28. Wrings honest emotion and riveting dramatics from its tale.
  29. Good in many ways, full of talent and intelligence, and marks the debut of a promising young American writer-director, Dan Harris.

Top Trailers