For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
Seems small in subject and scope, but it's large in spirit and implication.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a brutally convincing movie about two hell-bent young Turkish-German lovers dancing on the edge of destruction in a Hamburg underworld of drugs and casual sex. Yet it's also compassionate and even tender.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Michael Wilmington
A fine, exciting film that makes a bloody historical event live all over again by showing it through the eyes of children on the edges of the conflict.- Chicago Tribune
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Reviewed by
Sid Smith
A true story, feel-good parable and a respectable, uplifting descendent of "To Sir, With Love" and "Lean On Me."- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
Like all good popular entertainments, the best of it sings.- Chicago Tribune
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Reviewed by
Robert K. Elder
Whatever is lost in translation can't keep Appleseed from feeling a decade late--and its animation from looking like a relic on arrival.- Chicago Tribune
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Reviewed by
Michael Wilmington
In White Noise, Hollywood and Michael Keaton try to make a decent thriller out of ghosts in the machine but come up with lousy reception and static.- Chicago Tribune
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Reviewed by
Robert K. Elder
Sky Blue slows things down, creating a ponderous, almost languid movie-going experience.- Chicago Tribune
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Reviewed by
Allison Benedikt
Grace and Quaid imbue what could have been caricatures--with heart, intelligence and great comic timing.- Chicago Tribune
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Reviewed by
Sid Smith
An important, timeless and sometimes troublesome classic has been filmed successfully and at long last.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a tribute to Penn's talent and guts that he manages to bring it off--even if the movie doesn't.- Chicago Tribune
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Reviewed by
Robert K. Elder
Bobby Long can enchant you. It's a film that feels lived in, confident despite its conventions.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Michael Wilmington
Melodrama triumphs. But here's at least some muted applause for a fine cast and filmmakers trying to confront the real world and its shadows.- Chicago Tribune
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Reviewed by
Allison Benedikt
Though it's hard not to play it, the expectations game is a dangerous one, especially for sequels. And Roach's original, just like his overexposed star, set us up good.- Chicago Tribune
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Reviewed by
Sid Smith
Depending on your predilection, the movie version of The Phantom of the Opera is about as good - or as bad - as its phenomenally successful stage original.- Chicago Tribune
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Reviewed by
Michael Wilmington
Not a striking film visually. It's deliberately plain looking, focused on the appalling events with an almost documentary immediacy.- Chicago Tribune
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Reviewed by
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- Critic Score
If this documentary were about a serious painter, it would be judged a travesty not unlike commercials that goose up the couple in "American Gothic" or show the Mona Lisa laughing.- Chicago Tribune
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Reviewed by
Michael Wilmington
Though "Keys" is not Amelio's best, it has an emotional power almost equal to anything he's done.- Chicago Tribune
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Reviewed by
Michael Wilmington
Sumptuously exciting, glowing with expertise, seething with life, gorgeously designed and thrillingly articulated.- Chicago Tribune
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Reviewed by
Allison Benedikt
Only resonates when he (Brooks) strips it all away and focuses on parent and child.- Chicago Tribune
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Reviewed by
Michael Wilmington
This clunky remake can't rise from the ashes, nor would you want it to.- Chicago Tribune
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Reviewed by
Michael Wilmington
The imagination, energy, chutzpah and sheer affection shown for Darin by director-writer-star Spacey, who plays the singer, are admirable, kicky. This is a movie, that, like Darin himself, takes a lot of chances and delivers on many of them.- Chicago Tribune
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Reviewed by
Michael Wilmington
Wrings honest emotion and riveting dramatics from its tale.- Chicago Tribune
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Reviewed by
Michael Wilmington
Good in many ways, full of talent and intelligence, and marks the debut of a promising young American writer-director, Dan Harris.- Chicago Tribune
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Reviewed by