Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. All the "Star Wars" movies will continue to entertain us for many years to come. They were grand fun, and this last one's a corker.
  2. Mark my words: Mindhunters will do for psycho-thrillers what "Showgirls" did for stripper movies.
  3. It would take the dark wit of a Billy Wilder or a Coen brother--or at least a Neil Simon--to put across this kind of material.
  4. Unleashed is like an old dog: No new tricks.
    • 35 Metascore
    • 38 Critic Score
    If you are at all squeamish about incest and/or prefer sex scenes without violent undertones, you should avoid this movie.
  5. Don't let the fast-and-loose vibe fool you: Right up to its operatic finale, this is one tight one last job.
  6. Chicago-bred Haskell is such an intense, contentious, prickly figure, he would tend to take over any film portrait, and he definitely dominates here.
  7. It's Ferrell who is the vehicle, a mow-you-down comic engine, and everyone else is just along for the ride in this marginally effective, starkly unoriginal family comedy.
  8. A gargantuan epic, a historical adventure-drama of overwhelming visual grandeur.
  9. An absorbing story. Even though it takes you to places you may not want to go, the film never loses its human touch--that feel of skin on skin or of the past inescapably invading the present.
  10. Gratuitous gore and young, nubile flesh bind together a cardboard plot.
  11. While the film's strength lies in an ensemble effort, it's really Sarah and Jannik who provide the film with its most compelling characters, its momentum and, ultimately, its heart.
  12. Like Robert Altman's "Short Cuts," it is an all-star fresco, but the stars--none of whom carries the movie--get to play the kind of morally ambivalent, sometimes unlikable parts that big-name actors usually avoid.
  13. What isn't scary--or exciting, amusing or fun--is XXX: State of the Union, a movie so preposterous, cliché-packed and over the top that it makes the original "XXX" seem as good as the original "State of the Union."
  14. Politics hovers over every moment of Another Road Home, Elon's layered, loving and deeply personal documentary about her quest to find the Palestinian caregiver who raised her.
  15. Its gorgeous black-and-white photography, dirty and matte, will almost convince you that anything this slow, small and bereft of dialogue must be important.
  16. Takes a potentially explosive subject and does it subtly and perceptively.
    • 63 Metascore
    • 75 Critic Score
    One caution: If you get motion sickness, beware, as much of the ride is bumpy and there's some hill-climbing and -descending that some might find disturbing, even in the comfort of an IMAX theater seat.
  17. Even if this new version of "Hitchhiker" doesn't quite capture it all, you'll still want to stick your thumb out and catch a ride.
  18. As beautifully designed, swift and sleek as a classic sports car, throbbing with emotion and intelligence, it's a neat suspense film that's also dramatically and sociologically potent, with two supremely talented stars, Nicole Kidman and Sean Penn, delivering beyond the emotional call of duty.
  19. A poor man's "When Harry Met Sally."
  20. Should hold you spellbound.
    • 43 Metascore
    • 75 Critic Score
    The result is a feeling of quiet heroism--people doing things because it's right to do them, even if it's not easy.
    • 49 Metascore
    • 25 Critic Score
    A sad, wasted movie.
  21. The fatal flaw in David Duchovny's big-screen directorial debut, House of D, is not Robin Williams as a retarded janitor. It's David Duchovny, the man who chose to cast Robin Williams as a retarded janitor.
  22. Corny as it may sound though, it's all true-except, of course, for that mythical movie last-second championship bit.
  23. As bizarre, provocative and almost deliberately off-putting an indie picture as anything that's popped up in theaters recently.
  24. The gall of Peter and Bobby Farrelly. To think that a romantic comedy might work absent a sleazy wager or maddening miscommunication takes a lot of chutzpah.
  25. A classy triple shot of film erotica from three brilliant writer-directors.
  26. All three men turn in superb and understated performances.

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