Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
  1. It's a thriller that comes at you with gut-clutching ferocity, spewing blood and sex, shaking you up and scrambling your responses.
  2. With rich irony, The World juxtaposes the teasing, grand images of the outside world's wonders with the insular community and the mundane lives of the park employees.
  3. If only they didn't cannibalize their source material so much, then take an extreme rule reversal just before the end credits, they might have achieved something original, rather than just a fan-fiction derivation of George A. Romero's canon.
  4. Rivets and amazes, even if it falls just frustratingly short of the mind-expanding grandeur it could have had.
    • 81 Metascore
    • 50 Critic Score
    Extremely slow--unbearably so at certain points. And even when there's no action, there's very little dialogue, and we're asked to follow the disjointed and dreamlike story line without the help of anything resembling a narrative.
  5. An uninspired misfire of a TV-series knockoff that, despite its great cast and smart filmmakers, never manages to scare up much magic.
  6. Romero's newest is a horror movie for hard-core fans of the gory and the gruesome and a classic genre film for genre aficionados.
  7. A compelling, bittersweet hybrid of a movie.
  8. Yes
    This is the kind of movie that nice people call ambitious. Let's just leave it at that.
  9. Mostly it's an incredible tale of ritual and perseverance.
    • 57 Metascore
    • 63 Critic Score
    Far less interesting than its premise, primarily because we never know what anyone is really thinking.
  10. If "Mean Girls" was Lohan's debutante ball, "Herbie" sits her back at the kiddie table. She's matured, and no longer fits in the Disney mold.
  11. Has the worst happy ending I've seen in a while.
  12. I've had the unique pleasure of reviewing almost all of Duff's movies, and if there's one thing to say about the girl, she's consistent: nice, sweet, blond, inoffensive and uninspiring.
  13. These are not people me and you and everyone we know know--these are "short version" people, characters who comfort each other by quoting Shakespeare.
  14. It's a familiar dance, but something only July could invent, a vignette much like her characters: beautiful, flawed, organic--fine alone but better with the others.
    • 82 Metascore
    • 75 Critic Score
    It's all very mesmerizing, for them and us.
    • 72 Metascore
    • 75 Critic Score
    One fears, however, that not every uncomfortable scene was scripted, and that we have just been privy to some awfully private moments. It makes for uneasy viewing, sure, but it's one of the most compelling rides around.
  15. Moments of this film reminded me of Alexander Payne's great library of male dysfunction -- "Election," "About Schmidt," "Sideways" -- not because King of the Corner actually reaches Payne's plane, but because I wish it had tried.
  16. Nolan is a fascinating, offbeat choice for a huge movie franchise such as this. Just as Bale turns Batman into a near-tragic obsessive -- a Scarlet Pimpernel with the soul of a Hamlet and Monte Cristo -- Nolan turns Batman Begins into something much closer to Miller's "Dark Knight" interpretation.
  17. This romantic-comedy action movie is a fizzle.
  18. The movie suffers from a devastating flaw for a comedy: It isn't very funny.
  19. There's really just not a lot here. I'm sure Racer's story will entertain the very wee ones -- but so do keys.
  20. Perfect for anyone with a youthful heart and a rich imagination.
  21. 5x2
    When you piece it all together, it becomes mildly fascinating.
  22. It's a film objet d'art to contemplate and treasure.
  23. Like all horror films, High Tension builds to a final, sobering flash of chaos that settles all scores. Some viewers will hate Aja's movie for its end-game reveal; others will love it for the very same reason.
  24. The look and feel here is classic Hardwicke: gritty and dark, so as to fool you into thinking this film is serious business.
  25. Hilarious, inspired, frenzied.
    • 53 Metascore
    • 63 Critic Score
    A sweet, if dramatically overlong trifle.

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