For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
Good action movies live on style and excitement. But they also need credibility, and in Hostage, ALMOST a good genre piece, plausibility keeps getting slaughtered.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Sid Smith
An irresistible Irish comedy, lovingly told, beautifully acted and graced with the perfect balance of chuckles and bittersweet heartache.- Chicago Tribune
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- Critic Score
Despite some moments of genuine tension, Dot the i walks (and occasionally hops right over) a very fine line between thriller/drama and parody.- Chicago Tribune
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
Even if you enjoyed the mean, funny 1995 John Travolta-Elmore Leonard crime comedy "Get Shorty"-and many of us did-this forced sequel isn't likely to help you repeat the experience.- Chicago Tribune
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- Critic Score
A gripping drama that will leave thoughtful cinemagoers wrestling with basic Big Questions.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Allison Benedikt
Tucker has done a bang-up job, distancing and hypnotizing us with his frenzied, fragmented, sexy images. But war isn't a video game.- Chicago Tribune
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- Critic Score
Despite the film's pat plot turns and instructional tone, there are moments of charm, thanks to the fetching, committed cast.- Chicago Tribune
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Reviewed by
Robert K. Elder
Doesn't revert to hairpin plot twists or other dramatic trickery to hook us in; Auerbach simply lets us live with her characters-which, it turns out, is reward enough.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
A major cinema event of the year, a masterpiece of Italian film traditions in social/political realism and historical family epic.- Chicago Tribune
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Reviewed by
Michael Wilmington
More an uninspired letdown than a flabbergasting turkey... One reason for this lack of bite lies in the werewolves themselves. They're a bit too teddy-bearish, even oddly cuddly, and the fright scenes work better when you don't see much of them.- Chicago Tribune
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Reviewed by
Michael Wilmington
The film may be bad-and mad-but it's not predictable.- Chicago Tribune
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It's a rare combination of romance and sly social commentary, delivered with a raw emotional punch.- Chicago Tribune
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- Critic Score
All of these folks are damaged souls, trying their best to find purpose and forgiveness.- Chicago Tribune
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Reviewed by
Robert K. Elder
A sweetly benign comedy that allows the actor (Jones) to lampoon his tough guy image honed in "The Fugitive" and "U.S. Marshals."- Chicago Tribune
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Reviewed by
Michael Wilmington
Though the story is potentially fascinating and the visuals sometimes spellbinding, the movie itself is stranded in the purgatory of the second-rate.- Chicago Tribune
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Reviewed by
Allison Benedikt
Even with a new leading man and a more family-friendly rating, some things never change: The Mask still stars Industrial Light & Magic.- Chicago Tribune
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Reviewed by
Michael Wilmington
Downfall, whatever its shortcomings, bears strong witness to great evil. That is its triumph as a film.- Chicago Tribune
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Reviewed by
Allison Benedikt
The scenery is pretty and the locals endearing, but Schorr never gets past charming.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Robert K. Elder
Tries hard to be sweet but plays like "Pollyanna" with fleas.- Chicago Tribune
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Reviewed by
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Reviewed by
Robert K. Elder
Against "Whale Rider's" well-acted, intimate story, Gordon's film feels like an endless spiral of sub-par soap-opera acting, mired in trite, predictable dialogue.- Chicago Tribune
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Reviewed by
Robert K. Elder
When applied properly, short-form animation can bring dreams and nightmares to life like no other medium.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
It's "knowingly" off-the-rails--and if you're in a tolerant or adventurous mood, very entertaining.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
The movie, like Hitch, tries to be cool, funny and sweet but falls on its face without generating any real sympathy, smarts or humor.- Chicago Tribune
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