For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Allison Benedikt
Tucker has done a bang-up job, distancing and hypnotizing us with his frenzied, fragmented, sexy images. But war isn't a video game.- Chicago Tribune
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Despite the film's pat plot turns and instructional tone, there are moments of charm, thanks to the fetching, committed cast.- Chicago Tribune
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Reviewed by
Robert K. Elder
Doesn't revert to hairpin plot twists or other dramatic trickery to hook us in; Auerbach simply lets us live with her characters-which, it turns out, is reward enough.- Chicago Tribune
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Reviewed by
Michael Wilmington
A major cinema event of the year, a masterpiece of Italian film traditions in social/political realism and historical family epic.- Chicago Tribune
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Reviewed by
Michael Wilmington
More an uninspired letdown than a flabbergasting turkey... One reason for this lack of bite lies in the werewolves themselves. They're a bit too teddy-bearish, even oddly cuddly, and the fright scenes work better when you don't see much of them.- Chicago Tribune
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Reviewed by
Michael Wilmington
The film may be bad-and mad-but it's not predictable.- Chicago Tribune
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- Critic Score
It's a rare combination of romance and sly social commentary, delivered with a raw emotional punch.- Chicago Tribune
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- Critic Score
All of these folks are damaged souls, trying their best to find purpose and forgiveness.- Chicago Tribune
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Reviewed by
Robert K. Elder
A sweetly benign comedy that allows the actor (Jones) to lampoon his tough guy image honed in "The Fugitive" and "U.S. Marshals."- Chicago Tribune
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Reviewed by
Michael Wilmington
Though the story is potentially fascinating and the visuals sometimes spellbinding, the movie itself is stranded in the purgatory of the second-rate.- Chicago Tribune
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Reviewed by
Allison Benedikt
Even with a new leading man and a more family-friendly rating, some things never change: The Mask still stars Industrial Light & Magic.- Chicago Tribune
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Reviewed by
Michael Wilmington
Downfall, whatever its shortcomings, bears strong witness to great evil. That is its triumph as a film.- Chicago Tribune
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Reviewed by
Allison Benedikt
The scenery is pretty and the locals endearing, but Schorr never gets past charming.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Robert K. Elder
Tries hard to be sweet but plays like "Pollyanna" with fleas.- Chicago Tribune
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Reviewed by
Robert K. Elder
Against "Whale Rider's" well-acted, intimate story, Gordon's film feels like an endless spiral of sub-par soap-opera acting, mired in trite, predictable dialogue.- Chicago Tribune
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Reviewed by
Robert K. Elder
When applied properly, short-form animation can bring dreams and nightmares to life like no other medium.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's "knowingly" off-the-rails--and if you're in a tolerant or adventurous mood, very entertaining.- Chicago Tribune
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Reviewed by
Michael Wilmington
The movie, like Hitch, tries to be cool, funny and sweet but falls on its face without generating any real sympathy, smarts or humor.- Chicago Tribune
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Reviewed by
Allison Benedikt
Full of groovy music and comic characters--many with a priceless reaction to Lovelace's oral party trick--but it hardly manages to say anything new or thoughtful.- Chicago Tribune
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Reviewed by
Allison Benedikt
It's all neat and sweet and one-dimensional, more the moral to a story than a story.- Chicago Tribune
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The film is more than a lesson about overcoming bigotry and ignorance. It's also just a beautifully animated romp through the world of Pooh as created by A.A. Milne.- Chicago Tribune
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Reviewed by
Robert K. Elder
Infusion of comedy elements keeps the story light, without dragging it into the cartoonish.- Chicago Tribune
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Reviewed by
Robert K. Elder
The kind of well-crafted, character-driven work that wows regional film festival crowds and public television audiences but seldom gets seen outside those circles.- Chicago Tribune
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Reviewed by
Michael Wilmington
Wedding Date is neither good art, good entertainment nor even good trash.- Chicago Tribune
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Reviewed by
Michael Wilmington
Nobody Knows, by the often excellent Japanese filmmaker Hirokazu Kore-eda, is one of those special movies that can give us a new way of seeing.- Chicago Tribune
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Reviewed by
Allison Benedikt
McAvoy does his best with this subpar, heart-tugging material. At times his mix of easy charm and inner demon pulls Rory out from under the tired script, but those pesky dramatic forces keep pushing him back in for every predictable plot development.- Chicago Tribune
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Reviewed by
Michael Wilmington
You probably won't find two more fascinating camera subjects, two livelier conversationalists or two richer, more rewarding, more engaging and inspiring companions in any movie, fiction or non-fiction, this year.- Chicago Tribune
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Reviewed by
Michael Wilmington
That this bit of pustulence is based on a video game of the same name is no surprise. It explains the thin plot, characters and abundant gunplay.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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