Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. Exceptionally clever, hilariously gloomy and bitingly subversive.
  2. Achieves a mellowness and melancholy that recalls the jazzy dissonance of director (and here, composer) Eastwood's best work: "The Outlaw Josey Wales," "Bird," "Unforgiven" and "Mystic River."
  3. Likable as it is, suffers from that modern big-movie vice: overkill.
  4. A comedy that seems to have most everything going for it but the ability to make us laugh.
  5. A work both rigorously stylized and deeply personal. Devotees of Kitano and Japanese cinema will admire Dolls.
  6. It's a great film that, sadly, may be ignored by all but the most dedicated, knowledgable filmgoers.
  7. It's a stunningly creepy specimen of Asian horror.
  8. This film carries us so touchingly into their world, it would take a heart of stone, finally, to ignore them.
  9. Thankfully, Reynolds (bearded, looking a bit like Jason Lee) adds some scrappiness and humor to a series that might otherwise have collapsed under self-parody.
  10. Few directors are more adept at playing with all this anguish and exhilaration than Mike Nichols.
  11. It's as thrilling and lushly beautiful a movie as has been released all year, matched only by Zhang's epic "Hero." And I think this film is the more powerful.
  12. One of the best films ever about that game, one of the most exciting, instructive and sheerly entertaining of all chess films.
  13. Macabre, oddly gripping.
  14. The beautifully shot but dramatically strained I Am David falls prey to the defect of all poor road movies: In gluing together unbelievable but convenient episodes with sugary sentimentality, it loses most of its credibility.
  15. It's a magical film which manages to transport and rivet us in the same highly-imaginitive, breezily playful way "Amelie" did.
  16. A compelling piece of press criticism as it probes the media as terror's conduit of choice, spreading message and validating violence in the 1970s and today.
  17. A talented craftsman of dark raillery, Day and his fixation on Hollywood melodrama are indulged to delicious effect in his sophomore effort.
  18. Vast, riveting, madly audacious movie biography.
  19. Phony, disingenuous family entertainment, suffocated by its green bean casserole approach to Middle America, spineless cardboard characters and paper-thin plot "twists."
  20. Though it's a sad, somber, deeply questioning work, it's done with a light, loving spirit.
  21. There's something both moving and crass in how directors Elliot Berlin and Joe Fab film these tiny paper fasteners.
  22. Overall the film is alluringly over-the-top without being overcooked.
    • 67 Metascore
    • 50 Critic Score
    If your kid has SpongeBob SquarePants underwear, it's a good bet she or he will relish The SpongeBob SquarePants Movie.
  23. With the exception of Amelie's voiceover narration in French, Fear and Trembling is entirely in Japanese. And the Japanese cast is superb.
    • 54 Metascore
    • 50 Critic Score
    There might have been something in this stew if the screenwriter and directors had stayed in the moment, but to actually explore the tough stuff they bring up might have made this movie less cool and breezy.
  24. Sometimes cinema's highest achievements become clear only in retrospect. Days of Being Wild--now clearly revealed as one of the peaks of Hong Kong filmmaking and a masterwork of contemporary cinema giant Wong.
  25. If only Bad Education engaged the heart as much as the head, Almodovar's fractured tale might have risen above its alienating noir conventions.
  26. It's an intellectual family film for literate parents and children, immensely pleasing if not perfect, perhaps a smidgen too brightly evasive and determinedly charming.
  27. The trouble with Bridget redux is also simple: Thai jail.
  28. This hip, highly partisan biography of Dr. Alfred C. Kinsey is a surprisingly entertaining movie about the perils of studying sexual behavior in a sexually uptight culture--our own.

Top Trailers