For 7,613 reviews, this publication has graded:
-
62% higher than the average critic
-
2% same as the average critic
-
36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
-
Positive: 5,116 out of 7613
-
Mixed: 1,475 out of 7613
-
Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Michael Wilmington
For anyone who likes classic, offbeat American moviemaking, in the rural-thriller genre from "Moonrise" to "Macon County Jail," Undertow is one to check. Seething with violence, bleeding with lyricism, it's a poem from the junk heap, a cry from the swamp.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
A master of atmosphere, Japanese director Takashi Shimizu leads his audience along on a celluloid leash to his pitch-black attic of horror, inviting each hair on the back of your neck to stand up.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
The "comedy" part of Sex is Comedy comes intentionally from cast-crew interaction.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
The movie tries hard to duplicate the original's mood and story, but, like Gere or Lopez, is too much of a visual knockout to rope us in.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Michael Wilmington
Ultimately, p.s. confirms Kidd's talent without expanding it or achieving the comic/dramatic heights of "Roger Dodger."- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A beautiful picture with a great heart, a classic-to-be with a common touch.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Robert K. Elder
Team America's strengths are in its musical numbers, especially Kim Jong Il's mournful "I'm So Ronery" (translation: "Lonely"), a heartfelt peek into the dictator's soul.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
Shackles its characters with stale dialogue straight out of decades-old Sgt. Rock comic books.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Michael Wilmington
Among its many excellences, Vera Drake functions superbly as a pure thriller; the last half is reminiscent in structure and detail of Hitchcock's "The Wrong Man."- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
There isn't a bad performance here, but besides Thornton, Luke stands out.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
A well-intentioned, ill-conceived blip of a movie that just happens to star two of the most esteemed actors of our time--Michael Caine and Christopher Walken.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A rich, shining valentine to the British theater and the eternal joys of Shakespeare,- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Michael Wilmington
Watching Jonathan Caouette's amazing autobiographical documentary Tarnation is like descending into a pop-music, underground-movie hell and heaven, the shattered and shattering landscape of a living body and mind.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Allison Benedikt
Instead of cashing in on barely healed wounds, Ladder 49 could have taken a different cue from pornography and gone the way of "Boogie Nights," a fascinating, difficult and honest glimpse into another storied profession.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Boasts a really spectacular cast to voice those reasonably funny jokes.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
As one might imagine, with such a neato premise and lofty goal, the plot's a little messy. So points docked for execution.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
Anton, because after watching your tantrums, abuse and addiction in DIG! I went straight to the record store to buy your music. And that's something.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
It's not a hasty, knocked-together promo job--though it is clearly pro-Kerry.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Critic Score
Therese's story would work better as a marionette show than on the big screen. The camera is best at picking up subtleties, and there are simply none here.- Chicago Tribune
- Read full review
-
-
Reviewed by
Robert K. Elder
Jakes' characters are points to be made, flesh and blood cautionary tales that don't particularly feel human. His dialogue, even in the mouths of Michelle and her troubled mother, sounds as if it comes straight from the pulpit.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
It's hard to breathe in Andrew Lau and Alan Mak's Infernal Affairs, a relentlessly taut Hong Kong cop thriller that, unlike many of its cinematic peers, doesn't burn off tension in choreographed action sequences.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
It's a glossy, well-mounted, slickly done but almost stuporously predictable affair, both formula-bound and utterly illogical.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Sid Smith
The stylish and imaginative imagery in director Joseph Ruben's film, not to mention the parapsychological twists and mysteries, evoke the work of director M. Night Shyamalan.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Salles' movie isn't fiery or didactic. It doesn't rage or storm. Salles romanticizes the youthful Ernesto.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Allison Benedikt
Flockhart, as an actress desperate to show the world her talent but lethally unsure if she has any, embodies the obsessively driven personality it must take to make it, or to try to make it, in pictures. She's the personification of what The Last Shot could have been.- Chicago Tribune
- Read full review
-
Reviewed by