For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
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| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Although several of her (Breillat's) previous films were intriguing and provocative, this one seems styled more as raw material for satire on "Mad TV" or "Saturday Night Live."- Chicago Tribune
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Reviewed by
Allison Benedikt
John Waters is back with this awfully bawdy, never sexy, rarely funny, actually boring, one-note sex comedy.- Chicago Tribune
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Reviewed by
Allison Benedikt
These are some terrifically funny and gutsy guys who want to draw attention to what they see as the natural limit of WTO policy.- Chicago Tribune
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Robert K. Elder
A gleefully gory, pitch-perfect parody of George Romero's zombie films. But this isn't a movie about other movies. Shaun of the Dead stands on its own.- Chicago Tribune
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Michael Wilmington
It's a harmless enough movie, and quite a good-looking one; Bettany and Dunst are an attractive enough couple, even if Lizzie has been written as a selfish little snip and he as a whining man-child.- Chicago Tribune
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Allison Benedikt
Conran has got himself a looker, with Paltrow in soft focus, the whole world larger than life and a title that, said in the proper low-pitched voice, conveys the tone of the film: exuberant, idiosyncratic and timeless.- Chicago Tribune
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Michael Wilmington
Townsend seemed to me ill-matched as a romantic hero: way too moony-eyed and mushy to cope with the likes of the towering Theron and torchy Cruz.- Chicago Tribune
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Here we witness a healthy friendship between a gay and straight male that doesn't call for stilted changes in personality or sexual orientation.- Chicago Tribune
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Michael Wilmington
A weird, funny, melancholy tribute to movies and movie-going, an opus for film geeks that rang my personal bell. A bizarre minimalist epic that will either transport or infuriate, it's defiantly, exquisitely eccentric.- Chicago Tribune
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For the most part, The Gold Diggers is not even chuckle-producing. At best, it might warm a cockle or two or provoke a bit of a smile.- Chicago Tribune
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Robert K. Elder
Commits the cardinal sin of not being quite as funny as its star.- Chicago Tribune
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Robert K. Elder
It's a dense, winding tale with all of Sayles' razor-sharp dialogue and intrigue. But instead of tracing character paths, Sayles sacrifices solid storytelling in favor of forwarding a political (and environmental) ideology.- Chicago Tribune
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Robert K. Elder
Like "Blade Runner," it's dense enough to be rewarding on multiple viewings, the hallmark of a classic.- Chicago Tribune
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Michael Wilmington
Slickly produced, well cast and very excitingly made, it's based on plot hooks so silly, most of them blow up in your face.- Chicago Tribune
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Sid Smith
Criminal is an exercise where viewers are likely to ponder not "How did the characters do it?" but "Who cares?"- Chicago Tribune
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Allison Benedikt
The entire film is poorly lit, and the melancholy music, much of it from the wonderful Wilco spin-off band Autumn Defense, gives us the sense that things are getting heavy. But in the end, we observe more than feel.- Chicago Tribune
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The kind of movie that produces a particular series of questions: How the heck did this get made? Who needed a tax shelter? Who had money to burn?- Chicago Tribune
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Michael Wilmington
Campbell and her character are willing to take chances. But Toback's tangled noirish plot, with Vera as a post-feminist femme fatale, isn't particularly clever or original.- Chicago Tribune
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Robert K. Elder
Might be justified as "mindless fun" if it weren't for the acute lack of fun in its 93 minutes.- Chicago Tribune
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Michael Wilmington
To work, it has to make us feel crazy with love, like "Vertigo" did. Instead, it often just makes us feel crazy for believing any of it.- Chicago Tribune
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Robert K. Elder
Belongs to that brand of sweeping, conflict-era drama epitomized by "Saving Private Ryan," "Gone with the Wind" and TV miniseries "North and South."- Chicago Tribune
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Michael Wilmington
Graced with Nair's loving direction, Witherspoon's radiance and that great cast, it is a treat, if somewhat less so than the novel.- Chicago Tribune
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Michael Wilmington
The kind of fascinatingly bad film only a really gifted and fearless moviemaker could make: a 92-minute long raggedy-raunchy vision of sex, transit and alienation in which Gallo focuses on himself so obsessively, it's as if he'd become his own stalker.- Chicago Tribune
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Michael Wilmington
Swooningly beautiful, furious and thrilling, Zhang Yimou's Hero is an action movie for the ages.- Chicago Tribune
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To be fair, it's little better or worse than the original. But, to be honest, the original--minus its nascent stars--wasn't very good.- Chicago Tribune
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Reviewed by
Michael Wilmington
The script isn't really good enough to worry about whether it's being over-directed; in fact, E. Elias Merhige's over-direction is one of the best things about this movie--along with Ben Kingsley's grimly unstoppable killer-of-killers, Benjamin O'Ryan.- Chicago Tribune
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Allison Benedikt
Even if the movie's only goal is to preach to the choir, its fondness for hyperbole and lack of discernment is more insult than rallying cry.- Chicago Tribune
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Michael Wilmington
Another of his (McElwee) beguiling "personal chronicle" movies.- Chicago Tribune
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Sid Smith
Led by a trio of dumb, dumber and dumbest, Without a Paddle is a testosterone comedy that might just as well be titled "Without a Brain Cell."- Chicago Tribune
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Michael Wilmington
The movie goes too far on too little motivation - and the middle section, with its maggoty villains, roiling skies and native revolts, seems almost barmy. Yet Exorcist: Beginning does score a small victory. It's not as bad as you'd think.- Chicago Tribune
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