Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
    • 29 Metascore
    • 25 Critic Score
    Although several of her (Breillat's) previous films were intriguing and provocative, this one seems styled more as raw material for satire on "Mad TV" or "Saturday Night Live."
  1. John Waters is back with this awfully bawdy, never sexy, rarely funny, actually boring, one-note sex comedy.
  2. These are some terrifically funny and gutsy guys who want to draw attention to what they see as the natural limit of WTO policy.
  3. A gleefully gory, pitch-perfect parody of George Romero's zombie films. But this isn't a movie about other movies. Shaun of the Dead stands on its own.
  4. It's a harmless enough movie, and quite a good-looking one; Bettany and Dunst are an attractive enough couple, even if Lizzie has been written as a selfish little snip and he as a whining man-child.
  5. Conran has got himself a looker, with Paltrow in soft focus, the whole world larger than life and a title that, said in the proper low-pitched voice, conveys the tone of the film: exuberant, idiosyncratic and timeless.
  6. Townsend seemed to me ill-matched as a romantic hero: way too moony-eyed and mushy to cope with the likes of the towering Theron and torchy Cruz.
    • 51 Metascore
    • 75 Critic Score
    Here we witness a healthy friendship between a gay and straight male that doesn't call for stilted changes in personality or sexual orientation.
  7. A weird, funny, melancholy tribute to movies and movie-going, an opus for film geeks that rang my personal bell. A bizarre minimalist epic that will either transport or infuriate, it's defiantly, exquisitely eccentric.
    • 6 Metascore
    • 25 Critic Score
    For the most part, The Gold Diggers is not even chuckle-producing. At best, it might warm a cockle or two or provoke a bit of a smile.
  8. Commits the cardinal sin of not being quite as funny as its star.
  9. It's a dense, winding tale with all of Sayles' razor-sharp dialogue and intrigue. But instead of tracing character paths, Sayles sacrifices solid storytelling in favor of forwarding a political (and environmental) ideology.
  10. Like "Blade Runner," it's dense enough to be rewarding on multiple viewings, the hallmark of a classic.
  11. Slickly produced, well cast and very excitingly made, it's based on plot hooks so silly, most of them blow up in your face.
  12. Criminal is an exercise where viewers are likely to ponder not "How did the characters do it?" but "Who cares?"
  13. The entire film is poorly lit, and the melancholy music, much of it from the wonderful Wilco spin-off band Autumn Defense, gives us the sense that things are getting heavy. But in the end, we observe more than feel.
    • 34 Metascore
    • 25 Critic Score
    The kind of movie that produces a particular series of questions: How the heck did this get made? Who needed a tax shelter? Who had money to burn?
  14. Campbell and her character are willing to take chances. But Toback's tangled noirish plot, with Vera as a post-feminist femme fatale, isn't particularly clever or original.
  15. Might be justified as "mindless fun" if it weren't for the acute lack of fun in its 93 minutes.
  16. To work, it has to make us feel crazy with love, like "Vertigo" did. Instead, it often just makes us feel crazy for believing any of it.
  17. Belongs to that brand of sweeping, conflict-era drama epitomized by "Saving Private Ryan," "Gone with the Wind" and TV miniseries "North and South."
  18. Graced with Nair's loving direction, Witherspoon's radiance and that great cast, it is a treat, if somewhat less so than the novel.
  19. The kind of fascinatingly bad film only a really gifted and fearless moviemaker could make: a 92-minute long raggedy-raunchy vision of sex, transit and alienation in which Gallo focuses on himself so obsessively, it's as if he'd become his own stalker.
  20. Swooningly beautiful, furious and thrilling, Zhang Yimou's Hero is an action movie for the ages.
    • 40 Metascore
    • 50 Critic Score
    To be fair, it's little better or worse than the original. But, to be honest, the original--minus its nascent stars--wasn't very good.
  21. The script isn't really good enough to worry about whether it's being over-directed; in fact, E. Elias Merhige's over-direction is one of the best things about this movie--along with Ben Kingsley's grimly unstoppable killer-of-killers, Benjamin O'Ryan.
  22. Even if the movie's only goal is to preach to the choir, its fondness for hyperbole and lack of discernment is more insult than rallying cry.
  23. Another of his (McElwee) beguiling "personal chronicle" movies.
  24. Led by a trio of dumb, dumber and dumbest, Without a Paddle is a testosterone comedy that might just as well be titled "Without a Brain Cell."
  25. The movie goes too far on too little motivation - and the middle section, with its maggoty villains, roiling skies and native revolts, seems almost barmy. Yet Exorcist: Beginning does score a small victory. It's not as bad as you'd think.
    • Chicago Tribune

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