If you disregard the nostalgia factor, the game is anything but extraordinary. It won’t win over new, younger players... but on the other hand they are not the target audience. [13/2019, p.78]

Rush of Blood has too many moments when you expect a jump scare, hunting for points and goodies is not as enjoyable as it should be and its bosses are boring. [13/2016, p.78]

Subtract the long expired controversy and what you get is an old game that has almost nothing to offer to contemporary players. [09/2016, p.63]

A great way to take a 15-minute break. [06/2015, p.55]

If you hoped for World of Warcraft dressed in colourful superhero tights, Marvel Heroes is not it. It stands somewhere between typical MMORPGs and action RPGs and had considerable potential but fails to kindle any major emotions. Developers will have to work hard to refine this game. [CD-Action 08/2013, p.68]

It’s curious that XSEED waited so long to publish Ys I & II Chronicles, as both games are visibly more primitive than their successors from 2012. Instead of dessert we were served a stale biscuit. [CD-Action 05/2013, p.70]

Every time I gave Space Run Galaxy a chance, I got tired of it after a couple dozen minutes. [09/2016, p.65]

PSP origins of the game are obvious on every step of the way, exposed by ugly character models, low quality textures and small areas riddled with loading screens. I can only recommend it to a narrow group of most enthusiastic jRPG fans. [05/2015, p.77]

Although it's just a movie tie-in with noticeable budget limitations, it's solid, especially in the combat department. I was surprised by Super Soldier's rich combat system obviously inspired by Batman: Arkham Asylum. It can offer a couple of hours of mindless but decent entertainment. [August 2011, p.62]

Great first impression fades away dispelled by primitive run-of-the-mill dungeon designs and the fact that instead of raising the difficulty level by clever enemy designs the game just throws more foes and buffs at you. [13/2016, p.82]

Same old grind, same old lags, still no content promised to be delivered “just after the game’s release”. [06/2015, p.58]

Overwhelming grinding in single player and unbalanced PvP make it hard to find any reason to play HIT. [09/2016, p.66]

An intriguing idea of a game but unfortunately lacks soul. [05/2020, p.77]

A playable Czech cartoon. Short and likeable. Compared to other Amanita Design’s games it’s just a snack – but it still has the studio’s trademark pleasant quirkiness. [13/2019, p.90]

It seems like the writers had solid ideas for the beginning and the end of – but not quite for the middle of the story. Ultimately it is very straightforward, lacks twists and false leads. [04/2020, p.60]

Fun and creative game that would work better on tablets. [06/2015, p.62]

I would situate this game somewhere between ‘acceptable’ and ‘not bad’. Developers had big ambitions and suffered a defeat, but in my eyes it’s an honorable defeat. [08/2014, p.56]

Solid in every aspect but outstanding in none. [05/2014, p.61]

If you expect a revolution in terms of gameplay, you’ll be disappointed. The developers still experiment in search of the perfect interactive cinematic experience formula, but their attempts are too modest to really make a difference. The Devil in Me is not only derivative, but also squanders the potential of its story and setting, and compared to The Quarry, looks like an unpolished project developed on a tight budget.

As a sandbox game No More Heroes is extremely bad – the city is ugly, repetitive and almost completely empty. Those who dig the Japanese craziness will appreciate the game's biggest treasure – its atmosphere and absolute unpredictability. First you save your progress in a toilet, a moment later you run around with a lawnmower doing a side quest, then you agree to assassinate a corporate boss and at last you listen to the protagonist's philosophical monologue about the meaning of life. [August 2011, p.69]

When I look at this game it reminds me of the humorous Diablo 3 logo. The one with the sun, rainbow, clouds and unicorns. It's this game! Having in mind that it wasn't designed for hardcore gamers, I can let some of the boredom resulting from the combat system's simplicity slide. But only some. [August 2011, p.70]

The driving model is better than in the previous WRC game and is surprisingly solid. Despite that it’s hard not to notice that the developer’s budget was very limited. [01/2014, p.72]

When you’re playing with three other people, session includes 1.5h of watching others make their moves. It’s not a problem when you’re sitting around the board of the original Talisman game, chatting and laughing, but it doesn’t work too well in a computer game. Otherwise it’s a great adaptation. [05/2014, p.66]

It's not a bad game, just a lacklustre one. Saber Interactive borrowed a bunch of ideas that are fun on their own but somehow failed to combine them into a great game. [September 2012, p.70]

This game could have been on par with Theme Park or Rollercoaster Tycoon and maybe someday – after numerous patches – it will be. But for now, it is a disappointment to all the fans of amusement parks, rollercoasters, and haunted houses.

The designers decided that convoluted RPG mechanics and 40 hours of artificially bloated content is what the action RPG genre needs. [05/2014, p.68]

The gameplay tries to accomplish too many things at once and would use more simplicity in exchange for a more interesting, unique story. [04/2020, p.82]

Janitor Bleeds is a retro-style survival horror that has you exploring a haunted abandoned arcade and features a game within a game as its key element. The developers did pretty well to achieve the sense of danger without resorting to jump scares, but as a whole Janitor Bleeds is neither very scary nor easy to recommend.