It doesn't match the level of finesse exhibited in their first game, but Injustice is still a stellar example of writing - especially in a fighting game - and with Story mode, Arcade mode, Versus matches and the STARS Labs it offers a ludicrously large amount of value for money.

Most importantly though is that BioShock Infinite takes the story and uses the gameplay to enhance it. It puts the player firmly in the shoes of Booker, it makes Elizabeth not just your ward but a crucial part of your game. It connects the player and the player character inextricably, and then it tells a story through that connection.

If it were just the campaign with co-op, Judgment would seem difficult to justify for its triple A asking price, but with the addition of the excellent Overrun mode - and a couple of friends - it's a worthwhile purchase.

Multiplayer successfully delivers everything I really want from a new God of War game. If only the singleplayer were as good.

SimCity made me connect with the Sims in my world more than any Sims game ever could - and then it made me wilfully hurt them to further my own agenda. It simultaneously made me uncomfortable with my actions and impelled to win at the same time. That's an odd feeling to get out of a game where you can deliberately unleash a giant fire breathing lizard on an unsuspecting populace.

Crystal Dynamics has exceeded my expectations and crafted one of the most intense, rewarding, surprising and bloody origin stories I’ve had the pleasure of playing through. It’s been a long time since I HAD to finish a game.

Crysis 3 almost knocks it out of the ballpark on so many levels. The controls and visuals are certainly spot on, but the level design and pacing both have sporadic moments that let it, and you, down.

It’s an extremely solid action game, a brutal, crazy ride that fits in nicely with the rest of Platinum’s oeuvre, but one that falls just short of being an instant classic thanks to some finicky controls and muted design choices.

The saddest thing is there’s still a lot of fun to be found in Colonial Marines. As much as I loathed it at times, this was mostly due to the fact that when the game gets it right, it really gets it right. Last-gen graphics, poor quality control and sloppy writing further taint an enjoyable co-op experience that otherwise goes a long way to making the player fe

Antichamber will turn your brain inside out and then ask you to reach inside your own head and turn it back the right way. It’s quite unlike anything else I’ve ever played, and it simultaneously made me feel like an idiot and a genius. It’s daring, confident, original and enjoyable, not to mention ridiculously smart. Just make sure you’ve got some paracetamol handy before you start playing.

As a huge fan of both Dead Space 1 and 2 I thought this would be a massive disappointment, but Dead Space 3 successfully illustrates that it's tension I crave from these sorts of games, not fear. Because Dead Space 3 anchors its tension in the challenge the game presents, the player is able to customise how tense an experience they have through the difficulty settings (and it gets pretty bloody difficult). This is a good thing, and both Dead Space fans and sci-fi fans will get a lot out of this sci-fi shooter.

Each level looks so enormously different that aside from a very distinctive 2D style, it very rarely seems like the same game at all.

There is some dark-ish humour but it never goes far enough and borders on embarrassingly bad in most places. Those attuned to adventure titles will feel their puzzle sensibilities tickled but definitely not itched.

It's unfortunate that the story is so incredibly mundane, with a bad case of structural repetition for each main area. Oliver's grief is a valid emotion to ride, but it takes a back seat to so many hours of grinding.

As commendable as it is that 5th Cell have made a game that will likely encourage children to think outside the box, experiment with words, and unleash their imaginations on the screen, for those of us who have grown up and have been cultivating our love affair with words for years now, it's the most boring Scribblenauts entry ever.

The sense of characters being real emotional beings is far above most other releases, even if the actual emotions being displayed are not particularly new. If you've never played a Devil May Cry game, this is a somewhat lighter but far more entertaining offering. For series devotees, give it a chance - there's humour here plus action and depth if you crave it.

Playing through Disney's Epic Mickey 2: The Power of Two was one of the most irritating and unrewarding experiences I've had the misfortune of completing in over 30 years of gaming. It should be banished to The Wasteland where other unfinished and incomplete ideas wait in limbo to be restored into a functional, more complete version.

As a multiplayer scrolling platformer, NSMBU successfully ad libs from a well worn Mario script to produce an evolution of the 2D platformer and importantly, a step forward for quality multiplayer games on the Wii U.

Nan Assault Neo successfully blends the biological with the mechanical into a twin stick shooter that just feels right.

Nintendo Land oozes with familiarity and might even alert some of the most ardent players to gems they may have missed. With that in mind I have a number of Pikmin games to acquire and devour.

What it lacks in variety it makes up in sheer insanity.

The gameplay itself is great, and a lot of fun, and I can see myself bringing it out to play when friends who have the game are over, and we'll have a ball with it, but the other areas just feel a bit lacking - online in particular.

It's a game about man's tenuous dominion over nature. It's about thinking for yourself, about adapting or dying and about having fun doing it. It's a reminder of all the bad things people say about Australian wildlife, and you get to see it without getting sand in your boxers. So where the bloody hell are you?

Hitman Absolution is a mistake. Even if in your mind the plot loops all the way past 'so bad it's bad' and back to 'so bad it's good' again, Hitman Absolution has more bugs than a service station meat pie and less direction than a headless chicken. A genuinely fun mode like Contracts can't save that. IO Interactive needs to restart from the Blood Money checkpoint and try again - they screwed up this run spectacularly.

Multiplayer races do capture a bit of that spirit, but the Single Player gameplay is more exploratory in nature - and the true heart of LBP Karting lies in its creation mode. Making tracks and playing them with friends and checking out the awe-inspiring work of others is what LittleBigPlanet has always been about - and LittleBigPlanet Karting is no different.

The entire experience, virtually across the board, screamed of cool ideas and massive potential but Ubisoft may have bitten off more than it could chew. The final product was equal parts sloppy and magnificent. For every moment I set the Vita down to applaud there were similar moments the air turned blue as I cursed in frustration.

This is the biggest movement in any direction we've seen from a Call of Duty game since Modern Warfare - but unlike Infinity Ward's game changer, Black Ops 2 lacks a little in both the polish and conviction areas. It's going to be hard to go back to the same corridor shooters after Black Ops 2 - and it's going to be harder still for someone to convince me to play generic Team Deathmatch - but the game still feels like it falls short in some areas.

There are very few games which are able to buck trends with aplomb and do it this gracefully. Pick it up when you can and give it the time it deserves.

The combat overall leaves much to be desired. Halo is so rigid in its linearity that the player is forced to learn gunfight sequences by rote - remember where the snipers are, make sure you find the Watcher quickly to put him down, memorise where extra ammo is.

While I had a better time than expected taking Warfighter online, its singleplayer remains a well-crafted imitator in a year of new ideas.

Need for Speed Most Wanted does a great job at what it's supposed to - the cars feel good, the game looks pretty and the multiplayer is phenomenal. Some curious decisions hurt more than they help, and I'll never get used to the LSD inspired intro videos, but overall it's evidence that Criterion are getting ever closer to nailing that balance between arcade and simulation racing.

There is a thin line between telling the player a story and letting them experience it, and it's one the previous games parkoured along with only the occasional misstep. Assassin's Creed 3 however, falls flat on the side of telling you its story - and it would be unforgivable if it weren't for the billion other things you can do in the game.

Most importantly, what Skylanders Giants achieves is a superior sequel to a hugely successful first game and demonstrates that developers and publishers are capable of innovation in a period where all we've come to expect are carbon copy sequels.

It's a different beast to its predecessors, but it's incredibly addictive and easy to start playing at 4:00 and only realise you haven't moved since at 11:00. The way Firaxis have used personalisation to give you a sense of attachment to what are otherwise personality free characters is excellent and makes XCOM an excellent addition to any gamer's library.

For an arcade downloadable title Mark of the Ninja brings substantial value for money. A single playthrough will keep you entertained for over a half dozen hours and that's just the tip of the sword.

Resident Evil 6 is as confused and destitute as its zombies, left adrift without any true direction, an action game stuck over the top of a survival horror engine.

Dishonored, like Thief, or Deus Ex, is one of those timeless games you'll play a dozen times. The game world is gorgeous - a steampunk City 17, the story is spectacularly written and almost depressingly dark and the gameplay is wonderful - either as a stealthy game, or an action fighter... or anywhere in between. Dishonored is all about giving - it gives you the weapon, it gives you the name, and then it gives you the choice - vengeance is entirely up to you.

It's a fantastic looking game - but more importantly, it's a fantastic feeling game.

A great game. As far as gameplay goes, this is going to bring back memories of the earlier Diablo games. The story is perhaps less interesting, but it certainly doesn't take itself as seriously as Diablo so I'm happy with that. For the price Runic are charging, this is an absolute gem - and I've got an empty socket.

FIFA 13 - by way of first touch control, improved Attacking AI and skill-bridging features - is the best football game on the market...Thanks to a few janky player collision interpretations, some frustrating AI decisions and a sub-par commentary it's not the best football game it can be - but that won't stop me from playing it for hours and hours and hours and...

Tekken Tag Tournament 2 is a well-made fighting game that is at its best in a room full of friends with a passing interest in Tekken in general. It's a love letter to Tekken fans, and people who want to see a kangaroo beat the **** out of a dinosaur.

It's expertly paced, cleverly written, gorgeously refined and beautifully executed. What surprised me the most is the sheer level of detail involved. Personalised character elements, the duel for loot system and the depth of your skill tree customisation makes playing for yourself more satisfying than ever. Symbiotic AI and meta-challenge systems give you more reason to fight on. And a combination of loot-chasing and story make Borderlands 2 a must own.

I'd recommend Tokyo Jungle to anyone looking for an utterly unique take on the post-apocalyptic theme. It's the sort of game that can get overwhelming if you play it all in one weekend, but if you jump into it every now and then you'll find yourself repeatedly enamoured with the world.

A fitting sequel and takes several important strides forward for the franchise. The strengthening of the multiplayer adds some much needed replayability, the sense of scope and scale is impressive and allowing you to see the climactic battle through the eyes of a smorgasbord of Autobots and Decepticons, each with wildly differing play styles was a definite step in the right direction.

If you only listen to Cradle of Filth or Jay-Z you will probably find very little to enjoy about the game. But if you like your music a bit softer and a bit more electronic and if you like the idea of making music and then sharing it with your friends (and the world) I can't imagine a better game for you.

Even with the despicable lack of Old Salty Crab content in Sleeping Dogs, it is definitely worth your time. It's fun to run about beating people up, sing Karaoke and jump from car to car and it is made even better by Sleeping Dogs' excellent story and characters.

Darksiders 2 "the game" is worth your time. Darksiders 2 the story is a little forgettable - and that's a bit disappointing, considering the first game contains one of my favourite moments in recent video game history.

The environments and the reasonably compelling flashback atmosphere lend what would otherwise be a pretty poor game a glimmer of hope.

If the shift powers had been less drip-fed, the puzzles more open to experimentation, the dimensions less generic and the general conceit more fully realised, Quantum Conundrum may well have blown us away as much as Portal did.

It's not a particularly great rhythm game, nor is it really a Final Fantasy one, but for some reason the two work together well.

The Amazing Spider-Man isn't a bad game outside of its ridiculous story - it's just pointless. It's very nice looking and it is very cathartic to swing about the streets of Manhattan, but without a good reason to do it, you might as well not bother.

The Line lacks a strong direction. There's a very powerful hint of an outstanding game sitting beneath what is ultimately a flawed experience. I can imagine it being easier to play on PC - not something you'd typically say about a third person shooter - and yet I can't see that making up for all of its faults.

Roaming around a vast countryside in Dragon's Dogma is the sort of adventuring experience I imagined playing Dungeons & Dragons growing up. It's about hunting down great monsters, about charting areas on your own and about remembering what it's like to be afraid of the dark - and then conquering that fear.

I've played 28 hours of Diablo 3 (according to the in-game measurement) - but this isn't the whole story. I've spent six hours not playing it - nearly a quarter of my time total. With no competitive multiplayer (except for the facile concept of a 'race to the finish line'), constant network related issues and what I feel is negative movement in terms of the 'loot' metagame, Diablo 3 in its current state isn't something I see myself playing any more.

If you don't need mods and prefer to play on your Xbox 360, Minecraft: Xbox 360 Edition is much better built than its PC partner. Long time fans will no doubt find some of the differences disappointing - for instance the world is limited to 1024x1024 - and while this is small compared to the PC version, with an 8 player multiplayer limit it's still massive. If you are looking to finally see what the fuss is about, Minecraft: Xbox 360 Edition is an excellent purchase.

Max Payne 3 makes you feel like the man with a very particular set of skills. With a good story, jaw-dropping action and fantastic graphics, it's a must-experience game. It's an homage to some fantastic movies, it's a step forward for Rockstar games and it's a satisfying continuation of the Max Payne saga.

It's a story-heavy sequel to a game with a pretty forgettable story and the story it has is almost laughably bad. It abandons the concept of being a supervillain, but never burdens you with the responsibility of being a good guy and ultimately, it brings almost nothing new to the franchise.

With an intensely addictive gameplay model - the sort usually seen in the likes of Angry Birds - and expertly created tracks and game modes, Trials Evolution is a must-buy.

The co-operative features are silky smooth with great voice chat and not a hint of lag and the inclusion of Daily Challenges keeps the content fresh and constantly evolving. It may not be perfect, but goddamn it's a hell of a lot of fun.

This departure from the franchise is an invigorating reboot that should satisfy both racing enthusiasts and action junkies alike while the decidedly robust track creation system should have the community upping the ante for months to come. Frag, destroy, create and decimate - it's all on the cards in Ridge Racer Unbounded.

Perhaps the largest compliment we can bestow is that it feels very old school, like a spiritual remake of Silent Hill rather than a bold new statement.

If you've ever wanted to get into a non-combat flight simulator but thought it sounded too difficult or esoteric, Flight is one to try out. After all - the price is right, and flying planes is so much darn fun!

If it was a Wii game it would be one of the best on the console - hell if they stripped out the awkward, pain in the ass Land Battles it would be a much better game. Still, is it so much to ask that one 3DS game not be portable, one 3DS game not follow the format of 'pick up and play anywhere'? With the 3DS' currently small catalogue, I think so - but maybe in the future, things will change. I really hope they do.

Operation Raccoon City gets fifty percent of the way there. It has some really cool ideas and core concepts that deserve acknowledgement and recognition counterbalanced by almost half-cocked development choices. I hoped that this would set a new benchmark for the series and usher in a new direction, but this isn't the title to do it.

It might sound like like an exaggeration, but it's not - Journey makes people stop what they are doing and then it holds them in its thrall, making them sit down to watch in silence (barring the occasional exclamation.) When I played it towards the end of an entertaining Saturday night, my living room slowly filled up with my roommates' guests, none of them saying anything, just sitting and watching. If thatgamecompany ever decides to take over the world we will all be in trouble.

I can't even begin to describe how much I tried to like this game...Unfortunately the execution was so unresponsive and flawed it destroyed any immersion or emotion the experience could have potentially delivered and that is a crying shame.

The combat leaves something to be desired, which might diminish what you get out of playing it in 'Action' mode, but what Mass Effect 3 really sets out to do - wrap up one of the best space operas of all time - it does expertly.

The gameplay is fun, fresh, exciting and bloody tough. Newcomers, however, will find the switches in difficulty brutal and unforgiving. It doesn't cater all that well to the casual enthusiast and will surely alienate those without fond franchise memories to sustain them.

If you already purchased Rayman Origins on your PS3, 360 or Wii you can safely skip this one. It really is just the home console game perfectly ported across to the PS Vita - so if you, like me, never got Rayman Origins the first time around, grab it now. It's the best platformer out today.

With the extensive customisation, robust level editor with instant access to the PS3 library, and overall polished track design, it doesn't really matter where the ideas in ModNation came from. It's one of the more complete packages in the Vita launch lineup, and also one of the safest bets in terms of having fun.

The graphics are fantastic, the gameplay is tight and - while lacking the customisation introduced in Wipeout Pulse - the soundtrack is good. It's let down by long loading times and a short-ish campaign, but Cross-Play gives it both a little added longevity and makes it into a bit of a 'feature highlight' game. It's a must-have Vita game - just make sure you set aside time to play it.

At a time when Japanese developers seem to moving to more readily embrace "Westernised" gaming values, kudos to CyberConnect2 for sticking to its guns and providing a gaming experience quite unlike anything I've ever played before and one I look forward to revisiting in twenty minute blocks time and time again.

Action gamers who found their way to Uncharted via God of War and similar bombastic franchises will only have their itches scratched in the cutscenes. Whereas if your main enjoyment comes from the character interaction and cute dialogue these games seem to do better than so many others, you won't be disappointed at all.

Crippled, but not useless. Even though its main story mode presents no challenge whatsoever - you can find that elsewhere - going through all the special moves was fun enough for the first little while.

The single-player alone doesn't make Shank 2 a must buy, but if you enjoy horde modes with a spicy Mexican twist then Shank 2 is an unbelievably fun addition to your party game collection.

For an engine company, Unigine has displayed some solid design with Oil Rush. It plays just as good as it looks, and offers a less micro-intensive strategy alternative. At its heart, it's all about unit distribution, and gathering that critical mass of firepower to shift the momentum in your favour.

Don't get me wrong - this is the best UFC game, the best combat sports game and one of the better fighting games to come out... it's just that I can see it being even better, and I'm disappointed that hasn't happened yet.

All the licensing in the world can't help you if the core gameplay is faulty, and in the case of Grand Slam Tennis 2 it just keeps serving double faults. The more you play it the less you find to like about it until eventually you just wish you hadn't started at all.

It's still a little distressing that a game with all the potential in the world to be one of the most spectacular gaming experiences of the decade is instead... a middle-of-the-road title. It may not crash, and it may not really bore you, but it isn't polished, and doesn't fully engross you.

Absolutely get Kingdoms of Amalur: Reckoning if you're looking for a deep fantasy world - but if you can't handle the MMO flavour, you might want to give it a pass. KOA:R shines when it is being creative or original - when you get lost in the depth of the combat, or the wealth of backstory - and falters when it apes other games. And seriously - it's 2012... lose the invisible walls already.

The characterisation, acting and story are all spectacular - and the way it works to create connections between the player and the characters within should be taught in schools, if such schools existed. The gunplay is frantic but at the same time you feel powerful, and the art style doesn't strive towards realism because it doesn't need to.

if you're a fan of the eccentricity of Japanese culture, like a mental challenge and reckon you have fingers dextrous enough to take the job on it will test your mettle and push your sanity to breaking point. It's equal parts frustration and exhilaration, completely intoxicating, almost impossible to walk away from and stays with you. If you're after something a little outside the box Catherine's the game for you.

SoulCalibur V closely resembles the Modern Warfare of fighting games with an instantly forgettable story line in its single player campaign paling before a more robust multiplayer and online component. Ignore the story mode and delve deeper into the arcade, character creation and versus modes for the best experience. It's not even close to the finest incarnation of the series but it looks quite pretty and is still reasonably solid.

Final Fantasy XIII wanted you to love it for who it was, but Final Fantasy XIII-2 wants you to love it for who it's like. And compared to Final Fantasy VII, Final Fantasy XII and Chrono Trigger it falters significantly, with a ridiculous and convoluted story, some awful voice acting and the worst music I've heard in a video game. If you're a fan of JRPGs you'll probably enjoy it, but it's in no way the best game on the market - not by a long shot.

If you're the kind that relishes a challenge and has understanding neighbours (for when you swear loudly), Dustforce is a low cost yet deep title that can keep you mercilessly addicted for hours.

Resident Evil Revelations was a genuine eye-opener and one hell of a thrill-ride. It handles like a dream, looks magnificent, has a completely immersive score, clever sound design and unique gameplay mechanics taking the series leaps and bounds forward.

Postal 3 wanted to offend me and it succeeded. It wasn't the racist stereotyping, the rampant sexism, the spankerchiefs or the laughable gore. All of that is done in a manner so pedestrian that I'm more embarrassed for them than I am offended. What offended me was that people are actually selling this. That RunningWithScissors/Akella would have the balls to slap a 'finished' label on this title and start taking people's money.

The introduction of the antagonist Ghirahim and the relationship between Link and Zelda are excellently laid out and the story contains a few twists and turns you will never see coming. It makes the entire experience feel more worthwhile - especially after the bafflingly cliched beginning.

It's about expansion, trading, economics, boats, and staring at a lot of awfully pretty sci-fi buildings while you do so... which, frankly, is more than an enough for me.

Rather than build upon Shattered Dimensions and further refine the Spider-Man experience, Spider-Man: Edge of Time takes a step back and feels like something that was quickly rushed out the door while still trying to trap consumers in a badly tangled web.

Assassin's Creed: Revelations is a fantastic game and while it will be good to move onto a new person and a new story in the next game, fans of the series will feel at least a twinge of regret at their last encounter with Ezio.

The game might look decent enough, but the overly scripted racing and under scripted plot fail to engage the player or give the feeling of a white knuckle battle to reach the finishing line. You end up barely caring about Jack's plight and when it comes to the gameplay... Lets just say if you're a fan of the franchise stick to Hot Pursuit, it's where Need For Speed shines - The Run on the other hand just crashes and burns. Repeatedly.

With the industry taking itself more and more seriously, Volition thumbs its nose at convention and gives you one hell of a ride. Expect that to escalate once you grab a buddy and hit co-op - just take my advice and keep friendly fire off, even if you're a masochist.

Skyrim is completely and utterly addictive in every aspect and quite possibly, I'll say it, the greatest RPG of all time. It affords you the luxury of playing it your way and doesn't try to constrain you. It wants you to get lost in a winter wonderland and believe me, you will. Kiss the rest of your life goodbye.

When it works it really works well and its attention to the canon and lore of the Lord of the Rings is phenomenal, but it does too many things poorly to put it in the same league as a game like Dark Souls or The Witcher 2.

Modern Warfare 3 really is the best multiplayer shooter on console right now. It's not changing the landscape of shooters - it's honing it to its sharpest point. It's a no-brainer purchase for console gamers.

Some people - die-hard fans of the sub-genre spring to mind - might be able to get some entertainment from it, but for me and (probably) most gamers it simply gets bogged down in its hundred and five minor flaws and doesn't have enough 'fun' to make it worthwhile... it dies the death of a thousand tiny paper-cuts.

One hell of a surprise. I thought I'd have fun playing it, but didn't think it would be this much fun. If you're looking for something a little lighter during this bumper release schedule and dig some fast paced intergalactic action, Ratchet and Clank: All 4 One has you covered.