As much fun the sporting events deliver, Wii U Olympians have to swallow the bitter pill that they not only had to wait longer than the mobile sports fans. They also get the less attractive package.

Even though Sony obviously took a good look at Wii Sports to get some inspiration for this sequel, it is fun to play, mainly thanks to the tight Move controls. But why are just six disciplines on display?

Yes, the enthusiasm of the 80s is gone. But this still is solid old school entertainment.

Lately Telltales Adventures keep losing me. Batman left me unphased and even though I like Starlord, Rocket and Groot it seems to me that Telltale lost their mojo. This is mediocrity I didn’t expect.

Romeo is a Dead Man is a wild fever dream, you probably won’t experience again. Not everything works, but a lot of it surprises.

Realtime strategy on a global scale with very entertaining multiplayer skirmishes but disappointing campaign.

14-year-old adventure, which despite only minor adjustments is technically at its best on the PC. The dramatic story and the gripping soundtrack in particular still manage to inspire, but the price is high and the quality of the game is no longer quite as high as it was in 2010.

Is it better than its Wii U sibling? No doubt. But “better” doesn’t make the DX version automatically “good” - especially since some of the flaws on Wii U like the redundant solo campaign or the still unbalanced fighting squad are not ironed out. At least you get a little more content and improved multiplayer capabilities.

Visually this interactive experience directed by Heavy Rain’s David Cage and starring Elaine Page as well as Willem Dafoe is stunning, but the mechanics as well as the narrative are mostly average.

Quotation forthcoming.

It still is a decent collection of one of the most difficult game franchises of the NES era.

This is still a solid puzzle game, but 5th cell smoothed out too many edges that made the other Scribblenauts so special.

You don't have to be a Star Wars fan to have fun with the lightsaber battles for Kinect – but it helps tremendously so one can ignore little faults like the bad storytelling in the campaign. Even with the mostly entertaining minigames the game rarely taps its full potential.

Headstrong Games catapults you right into the action: Rocket after rocket, hard-lock-mode, barellroll, Immelmann, BOOM! But if you're looking for a challenge, find other skies to conquer.

A mafia adventure that is often rather mediocre in gameplay terms, but is still entertaining with charismatic characters and a competent, if hardly surprising, story.

Postapocalyptic RPG mixing elements from Mad Max, Terminator and Armored Core with old-fashioned mechanics, storytelling and visuals.

You can’t help but love the robot and the orphan. Unfortunately neither the simple point&click mechanics nor the simple story are above average.

In terms of malice this is in one line with classics like Dungeon Keeper or Evil Genius. But building and maintaining the horror house of your nightmares is more tedious than expected.

For fans, Unfinished Business is a rather blunt but entertaining piece of fan service. Everyone else should think twice before buying.

Quotation forthcoming.

After stumbling into the mythical labyrinth you feel like you’ve travelled thru time – into a PC era approximately 20 years ago. But what it lacks in realism and sheer polygon power, it delivers plenty when it comes to the mixture of stealth, horror and action.

The way it approaches tactical battles, make John Wick Hex not only interesting, but quite unique. But it also starts to show the lack of diversity too soon.

Solid Japanese role-playing game with decent technology, a good combat system but weaknesses in terms of demand, tension and storytelling.

The concept is as cool as the minimalistic art design that gives you the chance to be a four-wheeled magic marker. And while it might take a while to get used to the art of drifting, you get bored quickly by the redundant mission design.

Appealing Papers, Please clone with a Brexit setting that lacks the dystopian atmosphere of its inspiration.

Old school city builder with a beautiful art design but clumsy UI.

It is as good and clean fun under the PSVR headset as it was with Rift a few months ago. Thanks to the tactical slow-motion and the sufficient motion tracking this remains a decent shooting gallery with a sci-fi touch.

While the theatrical design is quite charming it is not as elaborated as in the Puppeteer or Black Knight Sword, while the side scrolling brawler feels generic at times and lacks the esprit of games like Castle Crashers.