Son Hayes never speaks of the scars on his back. The shotgun pellets left under his skin make for a sporadic pattern of blue-black dots. The men he works with take bets on how he got them. His brothers, Boy and Kid Hayes, don't discuss it. His past, just like the scars, is never far behind him. This stands true for the memory of his father, a man who never bothered to give his children proper names. He left the three brothers, Son, Boy, and Kid, when they were young. Their last impressions of him were of a violent drunk who never hesitated to put his own needs ahead of his family's. The brothers were left to be raised by their mother, a hateful woman who to this day blames her children for the life she's been left with and the loss of the man she couldn't keep. Their father, having left the memory of his children as completely as he left their home, managed to move on and put his life back together. He sobered up, became a devout Christian, married a wonderful woman, and fathered four new sons--all of whom received proper names. His life became a model that most would aspire to--a man successful in business, community, and family--with his only true failing being the sons he turned his back on. (Liberation Entertainment)

The story of singer Tina Turner's rise to stardom and how she gained the courage to break free from her abusive husband, Ike Turner.

Young Moroccan filmmaker Asmae El Moudir wants to know why she only has one photograph from her childhood, and why the girl in the picture isn’t even her. She decides to explore the past and its mysteries by creating a handmade replica of the Casablanca neighborhood where she grew up. There, she begins to interrogate the tales her mother, father, and grandmother tell about their home and their country. Slowly, she starts to unravel the layers of deception and intentional forgetting that have shaped her life. The truth is hard to face, but in this sometimes surreal nonfiction film, El Moudir begins to draw what is real to the surface. [Outsider Pictures]

Veniamin is a high school student who recently has become a fervent Christian, reciting Bible passages from heart for seemingly every occasion. He is convinced that the world has been lost to evil, and begins to challenge the morals and beliefs of the adults around him. When the school psychologist teaches sex ed using condoms on carrots, he tears off his clothes to rail against fornication. Neither his mother, an Orthodox priest, nor the principal can discipline the increasingly vehement evangelist. His next steps, attempting miracles and smiting sinners.

In the spring of 1945 on the German island of Amrum, 12-year-old Nanning spends his days working the farm and his nights fishing. Despite the hardship, life on the windswept isle seems idyllic. When farmer Tessa (Diane Kruger) mentions to Nanning that the war will soon be over, the boy—too young to understand the political implications—is pleased to imagine that his Nazi officer father might soon be coming home. But word of Germany’s imminent defeat sends his mother into decline, and as Nanning looks to his community for support, he learns that the true enemy is far closer than he imagined.

Feeling confined by her well-mannered suburban environment, the pubescent Rita gradually attempts to test and break the expectations made of her. As she skips class to pursue her infatuation for a local bus driver as well as her own desires, her disapproving parents and classmates begin to question the motivation behind her provocations. However, Rita’s adolescent rebellions occlude a more sinister intention.

As the star player at an elite youth tennis academy, Julie’s life revolves around the game she loves. She trains hard, pausing only for class or physical therapy before returning to the gym fixated on making it into the Belgian Tennis Federation. When her coach Jérémy is suddenly suspended following the suicide of one of his female protégées, all the players at the academy are encouraged to speak up about their experiences with him. Julie, however, decides to keep quiet. Despite strong suspicions from those around her that Julie’s relationship with Jérémy was inappropriate at best, her persistent silence begins to speak volumes. Confused and full of anxiety, the pressure she once channeled solely towards training shifts inward, affecting her confidence, her focus, and her game.

Zola (Taylour Paige), a Detroit waitress, strikes up a new friendship with a customer, Stefani (Riley Keough), who seduces her to join a weekend of dancing and partying in Florida. What at first seems like a glamorous trip full of “hoeism” rapidly transforms into a 48-hour journey involving a nameless pimp, an idiot boyfriend, some Tampa gangsters and other unexpected adventures in this wild, see-it-to-believe-it tale based on a series of viral, uproarious tweets.

Texan Jimmy Van Horn (David Zellner) arrives in China brimming with optimism, only to realize that acquiring a share of the country’s rapidly growing riches is not as easy as it appeared from back home. Armed with an absurd product pitch and short on the charisma or quick thinking needed to convince local businessmen of his sincerity, Jimmy soon finds himself out of funds, leaving him at the mercy of those who promise to help him stay in the place he’s gambled away his entire livelihood to be. As it turns out, there’s a lot of unpleasant work in China for guys who look like Jimmy Van Horn.

A father (Michael Shannon), goes on the run to protect his young son, Alton (Jaeden Lieberher), and uncover the truth behind the boy’s special powers. What starts as a race from religious extremists and local law enforcement quickly escalates to a nationwide manhunt involving the highest levels of the Federal Government. Ultimately his father risks everything to protect Alton and help fulfill a destiny that could change the world forever.

Spa Night is a portrait of forbidden sexual awakening set in the nocturnal world of spas and karaoke bars in Los Angeles’ Koreatown. David Cho (Joe Seo), a timid 18-year-old living with his financially-struggling immigrant parents, chances upon a secret cruising spot when he takes a job at an all-male spa. There he begins to realize hidden desires that threaten his life as a dutiful son and student. [Strand Releasing]

In this unique ghost story set on the Peruvian seaside, a married fisherman struggles to reconcile his devotion to his male lover within his town's rigid traditions. Miguel, a handsome young fisherman, and his beautiful bride, Mariela, are about to welcome their first child. But Miguel harbors a secret; he's in love with Santiago, a painter, who is ostracized by the town because he's gay. After a tragic accident occurs, Miguel must choose between sentencing Santiago to eternal torment or doing right by him and, in turn, revealing their relationship to Mariela—and the entire village. (The Film Collaborative)

Focusing on a Chinese theatrical troupe in 1979, this film follows a group of performing artists who change with the cultural and political changes in their country.

The re-release of Jacques Demy's 1963 film starring Jeanne Moreau and Claude Mann as a pair of gambling lovers.

Taking its title from the Japanese symbol of the rising sun, Reygadas unapologetically uses widescreen cinema, the most lush of formats, as a backdrop for exploring thorny issues of life and death. (Film Forum)

In the mid-seventies, a strange man arrives in a quiet provincial city. In a restaurant, without any apparent reason, he starts insulting Claudio, a renowned lawyer. The community supports the lawyer and the stranger is humiliated and thrown out of the place. Later that night the stranger, who is determined to wreak a terrible vengeance, intercepts Claudio and his wife Susana. The lawyer then takes a path of no return involving death, secrets and silences.

The lives of two very different brothers become simultaneously intertwined and thrust apart in this intense and powerful drama. (IFC Films)

After almost fifty years of marriage, the Countess Sofya, Leo Tolstoy’s devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers. The more extreme her behavior becomes, however, the more easily Chertkov is able to persuade Tolstoy of the damage she will do to his glorious legacy. (Sony Picture Classics)

The acclaimed film director Esteban Martínez is a legend both for his films and for his past marked by violence and excess. For his new project, he offers his daughter Emilia a role under the pretext of helping her with her stalled acting career. Living together on set will foster a closeness they haven’t shared for years, but it will also reopen old wounds that never healed. [Cannes]

From Academy Award-winning writer and director Paolo Sorrentino (Il Divo, The Great Beauty, The Young Pope), comes the story of a boy, Fabietto Schisa, in the tumultuous Naples of the 1980s. The Hand of God is a story full of unexpected joys, such as the arrival of football legend Diego Maradona, and an equally unexpected tragedy. Fate plays its part, joy and tragedy intertwine, and Fabietto’s future is set in motion. Sorrentino returns to his hometown to tell his most personal story, a tale of fate and family, sports and cinema, love and loss. [Netflix]

As Philip (Jason Schwartzman) awaits the publication of his second novel, he feels alienated by the constant crowds and noise of his home city, his deteriorating relationship with his photographer girlfriend Ashley (Elisabeth Moss), and his own indifference to promoting the novel. So when his idol, Ike Zimmerman (Jonathan Pryce), offers his isolated summer home as a refuge, Phlip finally gets the peace and quiet to focus on his favorite subject—himself.

A group of young Parisians turn to a bohemian existence after the events of May 1968. (Film Distribution)

Victoria and Florence, two lesbian ex-cons, want to start a new life in the backwoods of Quebec. Seeking peace and quite, the couple slowly begin to feel under siege as Vic's probation office keeps unexpectedly popping up and a strange woman in the neighborhood turns out to be an increasingly menacing shadow from Flo's past.

When the Marquis d’Urfé, a noble emissary of the King of France, is attacked and abandoned in the remote countryside, he finds refuge at an eerie, isolated manor. The resident family, reluctant to take him in, exhibits strange behavior as they await the imminent return of their father, Gorcha. But what begins simply as strange quickly devolves into a full fledged nightmare when Gorcha returns, seemingly no longer himself.

When small-time mob leader Zhou Zenong (Hu Ge) accidentally kills a cop, a dead-or-alive bounty is placed on his head, forcing him on the lam from both the police as well as dangerous gangsters out for the reward. Hiding out in China’s densely populated (and deeply divided) Wuhan province, Zhou becomes entangled with a beautiful, enigmatic woman, who has mysterious intentions of her own.

In a corrupt, greed-fueled world, a powerful alchemist leads a Christ-like character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.

A Mexican biologist living in New York returns to his hometown, nestled in the majestic butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal metamorphosis.

A family of beekeepers living in stark isolation in the Tuscan countryside are disrupted by the simultaneous arrival of a silently troubled teenaged boy taken in as a farmhand and a reality TV show intent on showcasing the family. Both intrusions are of particular interest to the eldest daughter, Gelsomina (Maria Alexandra Lungu), who is struggling to find her footing in the world. [Oscilloscope Laboratories]

On a remote island along Croatia’s Adriatic coast, 17-year-old Julija (Gracija Filipovic) spends her days diving for eel with her domineering father Ante and watching other teens party on a nearby yacht. Julija bristles at Ante’s heavy handed cruelty and resents her mother Nela’s passivity. She longs for independence but is unsure how to achieve it, until the arrival of the rich and mysterious Javier seems to offer a way out. Javier is considering buying Ante’s land to build a resort, which would allow the family to escape their island isolation for the city. Once Ante’s employer and Nela’s lover, Javier flirts shamelessly with Nela and Julija, setting off a subtle battle of hypermasculine one-upmanship that pushes Ante to humiliate and control Julija even more. Flattered by Javier’s praise and stories of traveling the world, Julija sees him as the solution to all her problems. But does his affection portend freedom, or something more sinister?

Paul Dedalus is at a crossroads in his life. He has to make several decisions; should he complete his doctorate, does he want to become a full professor, does he really love his long-standing girlfriend, or should he re-start with one of his other lovers? Is he avoiding the despairing life his father can't escape from?

Tito is a shy 10-year-old boy who lives with his mother. Suddenly, an unusual epidemic starts to spread, making people sick whenever they get scared. Tito quickly discovers that the cure is somehow related to his missing father’s research on bird song. He embarks on a journey to save the world from the epidemic with his friends. Tito’s search for the antidote becomes a quest for his missing father and for his own identity.

When handsome and charismatic Pablo arrives at his affluent family’s house everyone is eagerly awaiting the return of their beloved son, devoted father and caring husband. A seemingly exemplary pillar of Guatemala City’s Evangelical Christian community, Pablo’s announcement that he intends to leave his wife for another man sends shock waves through the family. As Pablo tries to acclimate to his new life in the city’s gay subculture with the liberated Francisco, his ultra-religious family does everything in its power to get their prodigal son back on track, no matter the cost.

Munezo Katagiri (Nagase), an honest and low ranking samurai is trapped in a state of personal and professional imbalance. Secretly in love with his family’s maid, Kie (Tabata), Munezo begins an uneasy courtship with her, knowing that a relationship is impossible. Raised to respect traditions from the past and the demanding moral code of the samurai, circumstances have now forced Munezo to look to the future. Required to master western military strategies, particularly the art of artillery, Munezo is ordered to find and kill Yaichiro, a former friend, samurai, and brilliant swordsman. Munezo knows that he cannot beat Yaichiro with fire power alone, so he enlists the help of his old teacher, Kansai Toda, a master swordsman who entrusts Munezo with the secret and power of The Hidden Blade. (Tartan Films)

A veteran British barrister must defend his client in a murder trial that has surprise after surprise.

In a tiny rural village in Argentina, Rita Lopez, a pious yet insatiably competitive woman, discovers that staging a miracle could be her ticket to sainthood.

A harrowing exploration of the humanitarian crisis in Syria and the devastating civil war that has defined the country over the last five years.

This is a story of boy meets girl, begins the wry, probing narrator of 500 Days of Summer, and with that the film takes off at breakneck speed into a funny, true to life and unique dissection of the unruly and unpredictable year-and-a-half of one young man’s no-holds-barred love affair.

An American physician and his wife take matters into their own hands after assassins planning to execute a foreign prime minister kidnap their son.

Me and You and Everyone We Know is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. [IFC Films]

December, 1991: The Prince and Princess of Wales’ marriage has long since grown cold. Though rumoursof affairs and a divorce abound, peace is ordained for the Christmas festivities at Sandringham Estate. There's eating and drinking, shooting and hunting. Diana knows the game. This year, things will be a whole lot different.

Do you still remember how, long ago, we trained our thoughts? Most often we'd start from a dream. We wondered how, in total darkness, colours of such intensity could emerge within us. In a soft, low voice. Saying great things. Surprising, deep and accurate matters. Image and words. Like a bad dream written on a stormy night. Under western eyes. The lost paradises. War is here.

With a blend of humor and realism, director Alan Rudolph prods at the complexities, paradoxes and tender beauties of marriage. (Manhattan Pictures International)

In an expedition of the uncharted American wilderness, legendary explorer Hugh Glass (Leonardo DiCaprio) is brutally attacked by a bear and left for dead by members of his own hunting team. In a quest to survive, Glass endures unimaginable grief as well as the betrayal of his confidant John Fitzgerald (Tom Hardy). Guided by sheer will and the love of his family, Glass must navigate a vicious winter in a relentless pursuit to live and find redemption. [20th Century Fox]

This, the first American theatrical release of the 1957 debut feature of Italian director Gillo Pontecorvo, tells the story of a politically torn Italian fishing village.

16-year old Mark (Alex Ozerov) is the son of Russian- Jewish immigrants living in the suburbs north of Toronto. When his uncle enters into an arranged marriage with a woman from Moscow, the woman arrives in Canada with her fourteen year-old daughter, Natasha (Sasha K. Gordon). Mark, a slacker, is conscripted by his parents to take responsibility for the strange girl. He learns that, in Moscow, she’d led a troubled and promiscuous life. A secret and forbidden romance begins between the two of them that has bizarre and tragic consequences for everyone involved.

Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them: what is in the basement may well change their lives forever.

Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character Cassandro, the “Liberace of Lucha Libre.” In the process, he upends not just the macho wrestling world, but also his own life.

An elderly office worker begins to relive both real and imagined memories from his life. As stories hide within stories and the thin line between imagination and reality steadily erodes, a new world of personal remembrance and fantastic melodrama awakens. In this playfully elegiac film, loosely adapted from the fantastical short stories of Chilean writer Herman del Solar, Raoul Ruiz has crafted a final masterwork on his favorite subjects: fiction, history and life itself. [Cinema Guild]

Jean-Paul (Alain Delon) and Marianne (Romy Schneider) indulge in their passion for each other while borrowing a friend's luxurious villa in the south of France. When the friend (Maurice Ronet) and his daughter (Jane Birkin) arrive unexpectedly, rivalries and insecurities surface and events take a sinister turn.

Set in 1954 Detroit, No Sudden Move centers on a group of small-time criminals who are hired to steal what they think is a simple document. When their plan goes horribly wrong, their search for who hired them – and for what ultimate purpose – weaves them through all echelons of the race-torn, rapidly changing city. [HBO Max]

Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love.

Stronger is the inspiring true story of Jeff Bauman, an ordinary man who captured the hearts of his city and the world to become the symbol of hope following the infamous 2013 Boston Marathon bombing. Jeff (Jake Gyllenhaal), a 27-year-old, working-class Boston man who was at the marathon to try and win back his ex-girlfriend Erin (Tatiana Maslany). Waiting for her at the finish line when the blast occurs, he loses both his legs in the attack. After regaining consciousness in the hospital, Jeff is able to help law enforcement identify one of the bombers, but his own battle has just begun. He tackles months of physical and emotional rehabilitation with the unwavering support of Erin and his family. It is Jeff’s deeply personal account of the heroic journey that tests a family’s bond, defines a community’s pride and inspires his inner courage to overcome devastating adversity.

Though Victor and Thomas have lived their entire young lives in the same tiny town, they couldn't have less in common! But when Victor is urgently called away, it's Thomas who comes up with the money to pay for his trip. There's just one thing Victor has to do: take Thomas along for the ride! (Miramax)

The Miners' Hymns celebrates social, cultural, and political aspects of the extinct industry. Focusing on the Durham coalfield located in northeastern England, it depicts the hardship of pit work, the role of Trade Unions in organizing and fighting for workers' rights, the years of increased mechanization and the annual Miners' Gala in Durham. (Icarus Films)

Donghwa (Ha Seongguk) is a fledgling poet in his thirties. He rejects material aspirations and seeks to lead a life dedicated to truth and beauty. On a lazy afternoon, he drives his girlfriend, Junhee (Kang Soyi), back to her parents’ home outside Seoul. In the driveway, they run into her father (Kwon Haehyo), who is strangely interested in Donghwa’s dinged up old car. He takes it for a spin around the block, then invites Donghwa to stay and meet the family: him, his wife (Cho Yunhee), who also writes poetry, and Junhee’s reclusive sister (Park Miso), who practices the gayageum, a traditional string instrument. They end up wiling away the day together, visiting a temple by the river, climbing the hill near the house, watching the sunset, and, sure enough, imbibing drinks. Egged on by Junhee’s dad, Donghwa gets progressively more drunk as the day advances. Finally, he makes a fool of himself at dinner. Then everything begins to unravel for the poet: his relationship, his art, his revolutionary ideals.

After 40 years of abscence, Felice returns to his hometown : Naples. He rediscovers the places, the rules of the city and a past that haunts him.

Ten year-old Yachine and his 13-year-old brother Hamid live in Sidi Moumen, an impoverished slum on the outskirts of Casablanca. Hamid, though just a child, works hard to sustain his family by any means, but eventually he gets involved with the "wrong crowd" and becomes one of the local neighborhood bosses. He continues to protect his brother Yachine - until the day he is thrown into prison. After years in jail, Hamid returns home a changed man: he is now an Islamic fundamentalist. He persuades Yachine and his pals to join, and the Imam Abou Zoubeir, their spiritual leader, begins to direct their physical and mental preparation - and one day, he tells them they have been chosen to become martyrs. [Kino Lober]

Set during the 1972 Munich Summer Olympics, September 5 follows an American Sports broadcasting team that quickly adapted from sports reporting to live coverage of the Israeli athletes taken hostage. Through this lens, the film provides a fresh perspective on the live broadcast seen globally by an estimated one billion people at the time. At the heart of the story is Geoff (John Magaro), a young and ambitious producer striving to prove himself to his boss, the legendary TV executive Roone Arledge (Peter Sarsgaard). Together with German interpreter Marianne (Leonie Benesch) and his mentor Marvin Bader (Ben Chaplin), Geoff unexpectedly takes the helm of the live coverage. As narratives shift, time ticks away, and conflicting rumors spread, with the hostages' lives hanging in the balance, Geoff grapples with tough decisions while confronting his own moral compass.

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. Her elongated, race-horse physique became the new prototype for the great George Balanchine. Her unique style, humor and authenticity redefined ballet for all dancers who followed. Amazingly, she was the muse to not one great artist but two; both George Balanchine and Jerome Robbins loved her as a dancer and a woman. Balanchine married her, and Robbins created his famous version of Afternoon of a Faun for Tanny. Tanaquil Le Clercq was the foremost dancer of her day until it suddenly all stopped.

Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented. [CBS Films]

After a 23-year hiatus, The Dance of Reality marks the triumphant return of Alejandro Jodorowsky, the visionary Chilean filmmaker behind cult classics El Topo and The Holy Mountain. In the radiantly visceral autobiographical film, a young Jodorowsky is confronted by a collection of compelling characters that contributed to his burgeoning surreal consciousness. The legendary filmmaker was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert, where the film was shot. Blending his personal history with metaphor, mythology, and poetry, The Dance of Reality reflects Jodorowsky’s philosophy that reality is not objective but rather a “dance” created by our own imaginations.

An African American police detective is asked to investigate a murder in a racially hostile southern town.

Parolee Taylor's fresh start hopes are jeopardized by cellmate Dee's arrival. As Dee takes Taylor under his wing, a vicious attack tests their bond, forcing Taylor to choose between protecting Dee and his own parole chances.

The true story of the romance between novelist and philosopher Iris Murdoch (Dench, Winslet) and John Bayley (Broadbent), from their meeting at Oxford, through over 40 years, including Murdoch's fight with Alzheimer's Disease.

A man, his wife and their friend stage a bloody bank robbery without realizing they are stealing from the Mob.

In the middle of the Aegean Sea, six men on a fishing trip on a luxury yacht decide to play a game. During this game, things will be compared. Things will be measured. Songs will be butchered, and blood will be tested. Friends will become rivals and rivals will become hungry. But at the end of the journey, when the game is over, the man who wins will be the best man. And he will wear on his smallest finger the victory ring: the Chevalier.

Samuel Lap (Haas) a young Amish boy witnesses a murder while visiting Philadelphia with his mother Rachel (McGillis). Detective John Book (Ford) goes undercover in Amish country when he realizes the killer is a corrupt cop out to kill the only witness.

Luciano, a charming and affable fishmonger, becomes obsessed with being a contestant on the reality show “Big Brother” leading him down a rabbit hole of skewed perceptions and paranoia. So overcome by his dream of being on reality TV, Luciano’s own reality begins to spiral out of control. [Oscilloscope Pictures ]

A lawyer's family is stalked by a man he once helped put in jail.

A poor boy gets a job working for his rich uncle and ends up falling in love with two women.

A kept woman runs into her former fiancé and finds herself torn between love and comfort.

A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.

To save her ill son, a field mouse must seek the aid of a colony of rats, with whom she has a deeper link than she ever suspected.

Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy—Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola’s original intentions of The Godfather: Part III, and delivers, in the words of Coppola, “a more appropriate conclusion to The Godfather and The Godfather: Part II.”

King Richard follows the journey of Richard Williams, an undeterred father instrumental in raising two of the most extraordinarily gifted athletes of all time, who will end up changing the sport of tennis forever. Driven by a clear vision of their future and using unconventional methods, Richard has a plan that will take Venus and Serena Williams from the streets of Compton, California to the global stage as legendary icons. The profoundly moving film shows the power of family, perseverance and unwavering belief as a means to achieve the impossible and impact the world.

Doc Jenkins (Willie Nelson) is a country music star who has become fed up with the industry. With some help from an old friend (Kris Kristofferson) he attempts to right some wrongs and get back at the ruthless promoter who swindled him.

Renowned horror writer Shirley Jackson (Elisabeth Moss) is on the precipice of writing her masterpiece when the arrival of newlyweds upends her meticulous routine and heightens tensions in her already tempestuous relationship with her philandering husband. The middle-aged couple, prone to ruthless barbs and copious afternoon cocktails, begins to toy mercilessly with the naïve young couple at their door.

A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

The Carbone family consists of three brothers, Luigi (Marco Leonardi) and Rocco (Peppino Mazzotta) who are engaged in the family business of international drug trade and Luciano (Fabrizio Ferracane) who has remained in the ancestral town of Africo in the Aspromonte mountains on the Mediterranean coast—herding goats. His 20-year old son Leo (Giuseppe Fumo) has little respect for his farmer father, but idealizes his Mafioso uncles. When Leo shoots up a bar owned by a rival family with a longstanding blood feud with the Carbones, his reckless actions create trouble that brings the whole family back to Africo for the inevitable bloody showdown. [Vitagraph Films]

Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she’s determined to make a new start and she’ll do it with style and panache. [Cannes]

Tommy is an unemployed mechanic who spends most of his time in a bar (Trees Lounge) in a small blue collar town. He seems to always be thinking, "If only X then I could stop drinking".

Following a car accident, which kills her mother, 17-year old Ida moves in with her estranged aunt and her aunt’s grown sons. The home is filled with physical tenderness and love, but outside of the home, the family leads a violent and criminal life. When an unforeseen murder pressures the family and their loyalty to each other, tension builds as love and violence become impossible to separate. Ida is faced with the same question her mother faced before her: What are you willing to sacrifice for your family?

Waking up from a car accident, a young woman (Mary Elizabeth Winstead) finds herself in the basement of a man who says he's saved her life from a chemical attack that has left the outside uninhabitable.

Set in the suburbs of Boulogne-Sur-Mer in northern France, The Worst Ones captures a film within a film as it follows the production of a feature whose director turns to the local Cité Picasso housing project for casting. Eager to capture performances of gritty authenticity, the director selects four working class teenagers to act in the film to the surprise and consternation of the local community, who question the director’s choice of “the worst ones.” As the director and crew audition, rehearse, film, and interact with their hand-picked cast, jealousies are stoked, lines are crossed, and ethical questions arise, with thought-provoking and at times darkly funny results.