| United Artists | Release Date: February 6, 1958 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
10
Mixed:
2
Negative:
0
|
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Critic Reviews
For a courtroom melodrama pegged to a single plot device--a device that, of course, everybody promises not to reveal--the Arthur Hornblow Jr. film production of the Agatha Christie play "Witness for the Prosecution" comes off extraordinarily well. This results mainly from Billy Wilder's splendid staging of some splintering courtroom scenes and a first-rate theatrical performance by Charles Laughton in the defense-attorney role.
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While not amongst the greater, more celebrated titles in Billy Wilder’s acclaimed filmography, his big screen adaptation of Agatha Christie’s Witness for the Prosecution boasts a fine, scenery-chewing performance by Charles Laughton, here playing a cantankerous barrister defending a murder suspect.
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This illustrious courtroom drama, adapted from an Agatha Christie play, is directed by Billy Wilder, who wisely stands back and allows Charles Laughton to give one of his gloriously hammy performances as a barrister hired to defend Tyrone Power on a murder charge. Marlene Dietrich is also excellent as the accused's wife.
The artificial plotting is all Christie’s, but the film eventually becomes Wilder’s—thanks to a trick ending that dovetails nicely with a characteristic revelation of compassion behind cruelty. His theatrical mise-en-scene—his proscenium framing—serves the material well, as does Charles Laughton’s bombastic portrayal of the defense attorney.
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