Kino Lorber | Release Date: January 25, 2019
5.8
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Mixed or average reviews based on 5 Ratings
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AxeTFeb 24, 2019
Incoherent, incomprehensible, intolerable dribble by a senile old master French fraud, this might be his ultimate sham. Not only does the less than novice image look atrocious (and we are to believe this is a great artist of cinema?!), butIncoherent, incomprehensible, intolerable dribble by a senile old master French fraud, this might be his ultimate sham. Not only does the less than novice image look atrocious (and we are to believe this is a great artist of cinema?!), but by today's standards you get better conceptual thought and commentary not to mention visual adeptness on the vast amateur junkyard known as YouTube. Free. Anyone liking or making excuses for this ---- is likely as phony and pretentious as the pompous idiots in the jackass critics herd. If there is some brilliant latent conceptual art premise here requiring discovery, it's so hidden as to be pointless and certainly not worth the trouble nor any good will. Expand
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9
AntonioSanAlo99Jun 25, 2019
A very sensitive point of view with a painfull voice talking about the horrors of today. Godard let us a piece of art, beautiful on its colorful images between the visions of light in a mad mad world opposed to the breaking point on theA very sensitive point of view with a painfull voice talking about the horrors of today. Godard let us a piece of art, beautiful on its colorful images between the visions of light in a mad mad world opposed to the breaking point on the oversaturated images from movie classics. The image and the sound envolve us in a letter of compassion with the world in what we have to live. Expand
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7
EstebaanJan 29, 2019
De ser un maestro de la Nouvelle vague a ser un maestro del montaje. Godard consigue transmitir en 90 minutos mas de lo que dan en varios meses de escuela.
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