Don't come into Hi Hi Puffy AmiYumi: The Genie and the Amp expecting too much, and you'll be satisfied with what you get – a fun, short brawling romp that is reasonably well-suited to portable play.

Balan Wonderworld is a great idea on paper, and it's perfectly playable from start to finish, but it's held back by some baffling design decisions and boring gameplay. The idea of a protagonist who swaps between costumes to collect Mario-style shines could be great, but the costumes are too simple, the environments are too boring, and the gameplay is too basic. It could possibly be a good game for extremely young players due to its low difficulty and cartoony graphics, but even then, I would recommend one of the many other offerings intended for that demographic instead.

Many lackluster games have spectacular ideas but poor execution. Rampage: Total Destruction, on the other hand, has the same gameplay it's had 20 years ago, offering only negligible upgrades.

If you're looking for a game that's going to keep you on the edge of your seat, keep looking. This one is definitely not for you. If, on the other hand, you enjoy a game that will severely challenge your intellect (or you happen to hold a doctorate in economics or politics), then I heartily recommend this one.

The nuggets of genuine hilarity hidden within a few encounters are worth a once-over, but Matt Hazard's reboot should perhaps have been left for a later date.

Once you get past the (incredibly frustrating) first hour or two, earn some cash, and buy or upgrade a few cars, it's an OK combat-racing game that's hamstrung by its appalling camera and handicapped AI, and both of those sabotage any satisfaction you might actually get from the game.

Warlords looks nice in demo form, but is a soul-sucking, horrific experience when you're actually playing it.

A more-than-perfect gift for the kiddies, and a solid rental at the very least for older people who, like me, still love the Looney Tunes characters.

It borrows heavily from other titles, but it needed some more refinement before it could have been a smash hit.

The mini-games in the pit are more bothersome than fun, while the opponent's AI makes the game more frustrating than it should be. However, the graphics are good, and the single-player challenges are a great way to keep the player engaged in the story being told.

There are a few good things about Neptunia Riders vs. Dogoos. The silly story provides a good vehicle for the shenanigans of Nep Nep and her friends, and going for a completely different genre is always a welcome move. It would've been nice if the game were actually good in every other area. The gameplay loop is far from exciting, especially since it gets very repetitive rather quickly, and the graphical presentation is terrible when you consider the hardware the game is running on. This is also a painfully short experience without any multiplayer capabilities, despite the format being perfect for team or versus play. Unless you're in the habit of collecting every Neptunia-related game, stay away from this title.

This game isn't worth $45 or $50, but it does have a small degree of potential.

Disaster Report 4: Summer Memories is a mess of a game. The use of an earthquake as a backdrop is wasted due to the lack of meaningful reactions from anyone in the story. All of the incidents you witness range from semi-normal to wildly ridiculous, but the cast of unlikeable characters punctuates each scenario. The mechanic of stumbling across major story beats makes it so that you'll only figure out things by dumb luck, while the solutions to some of the puzzles feel unsatisfying due to their bewildering solutions. The choice system is the game's real saving grace, but unless you're interested in seeing how much of a terrible person you can be in later runs or are just a massive fan of the series, there's little reason to check out this title.

If you like driving recklessly and crashing into things, you won't be disappointed. If you're just looking for a chance to actually drive a big rig truck, look towards Sega's Eighteen Wheeler game.

All in all, I can't recommend Hail to the Chimp as a game, but it gets my vote as a satire of politics. The clunky controls, slow character movement, obstructive camera, repetitive gameplay, and chaotic multiplayer work against the title, and although the graphics and audio make up for it to a degree, it's nowhere near enough.

Lacks the muscular gameplay promised by its street-tough premise.

The weak AI, easily abused trick moves, and lo-res graphics all add up to create a boring experience.

In the end, Puzzler Mind Gym 3D is simply decent.

G.I. Joe: Operation Blackout is messy. The presentation is inconsistent, while the story is serviceable at best. The addition of local multiplayer outweighs the lack of online play, and the game is lengthy enough. However, the poor combat mechanics drag down the experience heavily, and on a platform that's absolutely bursting with more competent third-person shooters, this is one that you can easily pass on.

The dragon customization is a nice feature, but every other aspect is so bad that How to Train Your Dragon doesn't come close to justifying its $50 price tag

There just isn't a reason for Rengoku II: Stairway to Heaven to exist besides duping buyers into picking up a throwaway title, or, the most likely case, to get PS3 owners who've never played the PSP versions to pick up that game just because the franchise seems familiar somehow.

With more time and polish, Nowhere to Run could have shown that Spy Hunter can move beyond the car, but for now, The Interceptor is still the more interesting main character.

Children in the target age range for the "WALL-E" movie will undoubtedly love this game, from the youngest in that demographic to the oldest. But the game is also quite enjoyable and good for adults, especially fans of "WALL-E" or Pixar movies in general.

While the crisp graphics hold up their end, the story deflates through a series of recycled clichés and a gradually diminishing sense of drama and excitement to a rather unsatisfying short — and somewhat hysterical — conclusion that leaves you feeling your time could have been better spent watching folk dance.

The premise is great, the big set-piece battles are fun, but everything else is boxed within dated design concepts from which other titles have long evolved.

There were some obvious attempts to bring the game beyond the usual mediocre fare provided by film-to-game adaptations, but the few bright parts are eclipsed by the repetitive gameplay, lackluster graphics and atrocious controls. More frustrating than fun.

Penguins of Madagascar is ambitious for a children's game but ultimately flawed.

Even if Away: Journey to the Unexpected weren't a roguelike, it still has issues that would put it in mediocre territory. The main melee combat would be awful, the level designs would be boring, and the boss fights wouldn't be exciting. While some people may be fine with that, the forced repetitive nature of the roguelike makes Away feel unnecessarily padded, especially since parts of the title are too forgiving for the genre. It may look nice most of the time, and the story is so off the wall that it's endearing, but Away should only be on your radar if you can purchase it on sale and don't mind its baggage.