Loco Motive does what it sets out to do – be a modern and faithful homage to the LucasArts adventure games. I’ve said it before, but modern game design has seen puzzles evolve beyond simply combining every item to progress and unfortunately, Loco Motive’s crime is that some puzzles pay too much homage, hurting the experience as it brings the game to a halt when you feel invested. Thankfully, the game’s captivating characters, funny dialogue and excellent pixel art animations mitigate the annoyances, and regardless, adventure fans should give Loco Motive a ride at some point.

So who is this game for? I can imagine cosy gamers being delighted by the intricacies of the puzzles as I was, but others might feel this interrupts the simplicity. I can also see how a game like this could spark delight and long-term nostalgia for someone before finding games that incorporate its elements a bit better. Maybe escapism shouldn’t be the marker for a successful cosy game. Maybe it was necessary for me to play something so casually at the end of the year, so that my mind could be freed up to contemplate the wins and losses of 2024, and the resolutions to be attempted in 2025. Critter Café, with its flaws and subtle successes, is at least a fittingly weird game for the end of a pretty weird year.

With its stunning hand-drawn, graphite visuals and meditative tram driving gameplay, Short Trip is the respite we all need from the chaos of our current zeitgeist. If only it offered a deeper experience to fully escape into.

When Indiana Jones and the Great Circle plays to its strengths it’s a captivating adventure led by Troy Baker's exceptional performances, but sadly some design choices bog it down and stop it from being a generational treasure.

For all it does to add value to the existing package, smooth over existing bumps and enhance presentation, FANTASIAN’s PC and console release is held back slightly by some of the fundamentals of the Apple Arcade original. But at the end of it all, Neo Dimension absolutely feels like the definitive version of an already-excellent little RPG that looks fondly back on Hironobu Sakaguchi’s gameography without using nostalgia as a crutch to skimp on innovation.

A general lack of polish and quality assurance has become a somewhat endearing shortcoming of the S.T.A.L.K.E.R. experience. We joked about it and expected it for the sequel, especially given the endurance of a developer currently facing tragedy at home. GSC Game World’s extraordinary ambition in delivering this long-awaited follow-up is buoyed by some frankly impressive world-building and narrative developments that fully commit. The extraordinary scale of this world, the generally satisfying gunplay, and the ambitious story are always contending with the player’s growing anticipation that their experience is about to break down at any moment. The magic circle that is so crucial to the successful immersiveness of this series is, currently, fractured by the extent to which the many promising aspects of S.T.A.L.K.E.R. 2 simply don’t reliably function together.

Call of Duty has long been criticised for its lack of innovation and endlessly rehashed and recycled features, and it’s true that BO6 does not reinvent the wheel. However the fact I (and many others) have enjoyed this series for so long with only a few exceptions makes me wonder if Call of Duty itself is the wheel. Just when I think it’s time to join all the other angry old jaded gamers and shake my fist at the clouds and feebly declare that CoD is dead, an entry like BO6 comes along that takes me back to the joy I experienced when I first answered the annual call in the first place all those years ago. It’s the sweaty palms and sore hands, the thrill of the online kill and the hours that melt away and take the stress of the real world with them. Yes I’m older and not half the sweaty squeaker I once was, but as long as there’s room for me on the virtual battlefield, I’ll be there.

Lego Horizon Adventures will find an audience in its target demographic of young kids wanting something easy to pick up and play. But a short campaign and a lack of originality hurts the finished product for everyone else.

The gameplay loop is the (black) heart of this game. While the narrative undoubtedly wraps a beautiful black bow around the whole, the core fighting and ability mechanics unite everything in a cohesive and affecting experience. The level of quality is surprising for a small team of four working in New Zealand, representing an impressively solid introduction to Hyporeal’s work and I’m actually scared of what they may accomplish in future. A final word for players and game publishers out there: pick up Blackheart before the world does.

An initially wonderful return to Max Caufield comes entirely undone with competing narrative priorities and nonsensical attempts to build Life is Strange into a cinematic franchise. Despite the game’s stunning animation work and sincere queer writing, Double Exposure is an overexposed mess.

Although the formula is bordering over-familiar at this point, it’s been long enough between entries that this return to the Mario & Luigi series is incredibly welcome. It manages to feel fresh enough with interesting new wrinkles that play on this new world and story’s overall themes, and its obsession with fraternal bonds results in probably my favourite take on the Bros. to date.

Bokeh Game Studio's debut horror title is a game entirely out of time with its genre contemporaries and all the more wild, compelling, and beautiful for it. Satisfying combat and a generational eye for tone and design collide in the year's strangest beast.

If what you want is to re-experience Horizon Zero Dawn – or experience it for the first time – with some of the prettiest visuals you’ll see in modern gaming, this will get you there. But more than that, if you’re interested in game design and production, especially on the artistic side of the process, it’s a fascinating look at what is arguably a “best-case” remastering effort where ambition and capital were clearly in abundance.

Ubisoft’s XDefiant is a compelling live-service offering that is remarkably substantive in its free-to-play offering. As a competitive shooter, its blend of satisfyingly agile movement and liberal lifting of modes and map philosophies from every other shooter makes a strange first impression. There is nothing new or surprising about what XDefiant offers. But those curious few eager to go through the initiation hellscape of purely random-skill matchmaking will find a clean and well-structured shooter that should broadly impress anyone who doesn’t mind their competent online shooter to be a personality-lacking, serials-filed amalgam of all its best competitors. Flaws and all, I was continually drawn back in the hopeful search for any active, local lobby.

When the game makes you feel like you’re in the world of A Quiet Place being pursued by Death Angels, The Road Ahead is an immersive and tense time. It’s just a shame that the game’s mechanics and its 8–10-hour journey ultimately come at a cost to the tension and overall experience. As a result, fans of the franchise and the first-person horror genre will likely find more to like here than most, even with its budget price tag.

Botworld Odyssey is the perfect creature-collecting game for all ages at any level of expertise, thanks to its fun and simple gameplay. Despite its repetitive nature, it has an abundance of Bots, enemies, biomes, quests, and game modes for players to experience for hours on end. Most of all, it has an interesting story that you can uncover at your leisure with no need to rush.

Fear the Spotlight masterfully captures the look and feel of a classic PS1 horror title while leveraging modern concepts and gameplay features to produce an atmospheric and nostalgic experience that every lover of horror should enjoy.

With some light visual touchups, Adol continues to dominate his PS2 era. The new sea air is good for his crimson hair, but the breadth of exploration can occasionally feel as broad as the Suez Canal.

It’s difficult to place in the face of the game’s overwhelming and evident visual prowess but there’s a quiet self-consciousness to Neva that leads it to places incrementally but mountingly less than it should be. There are moments and even stretches of ingenuity and beauty that paint a portrait of a developer entirely in control of their craft, coalescing into a richly satisfying emotional conclusion. Neva’s path to this place is less certain though, resting too neatly atop a pile of influences and structural choices that rob it of being more than its aesthetics or touchstones. Perhaps most simply, Neva is a good game from a studio capable of greatness.

Sonic X Shadow Generations once again proves that while Sonic may be timeless, Shadow just squeaks ahead in understanding the assignment a little better – offering a revisited revamp that is easy to enjoy for fans and fence sitters alike.

While Until Dawn remains Supermassive’s best rendition of its choice-driven horror games, this remake (a term that feels generous) feels like nothing but a cash grab and a move to fatten the PS5 game catalogue given you can buy the still perfectly fine original for $25 and there’s no upgrade option for existing owners. However, if this is your first night on Blackwood Pines Mountain, this new version is a great way to experience the game, but it will come at a cost.

Those who delve into the survival horror genre and Cthulhu enthusiasts will be able to scratch their Cthulhu-shaped itch with the experience Edge of Sanity offers. Despite its predictability, it is an addictive, fun and spooky eldritch horror that will keep you entertained for hours as you endure monsters on each run and manage your resources for survival. It’s safe to say that Edge of Sanity is yet another great addition to the Cthulhu-inspired eldritch horror genre.

As someone who plays EA Sports FC casually and just wants a solid football game, EA Sports FC25 ticks the boxes. Career Mode has had some nice additions but it still pales in comparison to its competition, but the new Rush mode is a blast. But as the years go on and the changes get less meaningful and more buzzwordy, it’s hard to argue against the idea that this could be a DLC pack that EA charges for a fee much less than a full-priced product. However, the shareholders would likely give that idea a red card.

Dragon Ball: Sparking! Zero does a decent enough job in carrying on the legacy of the 3D arena fighter, with some fun if slightly tricky mechanics and a story mode that does just enough to be enjoyable in its own right. Ultimately it serves its purpose as an entertaining slice of the animated series, despite not feeling wholly unique to the franchise. I would have loved an even broader story mode, allowing a greater number of the available roster to be playable, but fans of the previous entries in the series will no doubt flock to this modern iteration solely to play online. Time will tell if there’s longevity here, but as a total package there should be more than enough to appease even the most die-hard of Dragon Ball fans.

If you can only play one turn-based fantasy roleplaying game this year, let it be this one. Swords and sorcery Persona is a marvellously-executed pitch.

There’s a lot to like about Beyond Galaxyland, from its 80’s-vibe story full of vibrant characters to its enjoyable turn-based combat. It manages to pull together a number of different mechanics into a level of coherence (though some work better than others) in a package that impresses with visual flair and an identity wholly its own. This is the kind of sci-fi I love, the fish out of water tale where the impossible becomes possible and the characters all manage to feel unique to each other amongst a sea of weird designs. Come for the action, stay for the Boom Boom.

Despite some troubled animations and controls, Copycat plays its emotional journey excellently. As a cat owner and someone who has lived somewhat similar events in recent times, its tale of love and loss hit hard, but was a journey worth taking.

Echoes of Wisdom is an exemplary game. It has completely obliterated the limitations of the old top-down Zelda formula and will have huge gameplay ramifications for the next generation of Legend of Zelda games, whatever form they take (Zelda Maker seems so obvious). It’s heartbreaking to see some control oversights and the glossy plastic art direction hampered slightly by the technical wobbles. I barely cared, though. I just wonder how I’ll be able to go back to the overhead adventures of the little green-hooded twink after this.