Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Serves as a fascinating exploration of racial and social prejudice; and an indictment of cultural miscegenation.
  2. There's little here to offend anyone, and even less here to excite anyone.
  3. Feels more like an overblown TV special than a grand theatrical release.
  4. Relentlessly beautiful and wholly annoying.
  5. It's plenty entertaining, but the ending is disappointing, given the buildup.
  6. A chalice of unpretentious delight, flowing over with goodwill, a cheeky love for soccer and, uh, Buddhist humor.
  7. If it were the last videotape available in the only video store in the remotest corner of Alaska, I'd take one last slug of Jack Daniels and start walking directly into the howling snows.
  8. Neither character seems especially insightful, and their intense focus on the self and the terrific delicacy of their feelings comes to feel narcissistic and annoying.
  9. I had to beg my 8-year-old to stop laughing.
  10. Hilarious.
  11. Then as now, visually pleasant and (of course) musically wonderful but, all-in-all, a mixed bag.
  12. Brilliantly played by Denzel Washington
  13. Extraordinary documentary.
  14. I'd give this movie about half a miracle.
  15. As dull as the decor in a Motel 6.
  16. There's something hideously pretentious about the whole thing.
  17. Funny without being flip.
  18. Enter the world of the sociopathic killer and enjoy.
  19. Never transports you to another place and time, as it intends to.
  20. In the translation from page to film, the life seems to have gone out of the story
  21. It's about as deep as electronic white noise.
  22. All credit to Carrey, whose one-man performance is almost enough to redeem the movie.
  23. Tired conventions, hoary themes and obvious conclusions.
  24. A stunner -- as big and messy as a war, as small and perfect as a diamond.
  25. A cold, protracted and unemotional affair.
  26. The tale is propelled by its characters and buoyed by the film's warm and loving spirit.
  27. A 160 minute work of sustained brilliance and delicacy.
  28. Fails as the big-screen romance it wants to be. The main problem: There's only one heart between the principals, and it beats solely in Chow's chest.
  29. As intoxicating as the flower it's named for, and its characters, most of them as flawed and fascinating as the film itself, seem intoxicated by the overpowering scent.
  30. The movie is pure pro-choice agitprop, as it tracks Homer's conversion to the cause of choice and posits the heroism of the abortionist. Pro-lifers will hate it on that point alone.

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