Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. An end-of-the-world movie like no other.
  2. Another sentimental mushfest disguised as a movie.
  3. An enchanting, staggeringly beautiful epic at sea, is poetry in motion.
  4. As spectacular as it is dense and as dense as it is colorful and as colorful as it is meaningless and as meaningless as it is long.
  5. So full of creativity, so subversive, so alive.
    • 61 Metascore
    • 70 Critic Score
    Tapping into the Zeitgeist of young black professionals starving to see themselves on film, it hits all the right cultural touchstones.
  6. The movie's half over before it really starts to whack at the funny bone.
  7. Hopeless rip-off of Hitchcock's "The Birds."
  8. Tries so hard to be cool that it forgets to be alive.
  9. Mark Childress, who wrote the screenplay based upon his book of the same name, would have been better off leaving this Southern Gothic between two covers.
  10. Doesn't pack the punch of Schrader and Scorsese's career-best collaborations ("Raging Bull," "Taxi Driver").
  11. The stranger and more unusual the characters, and the less they're explained, the better.
  12. Folks, I really feel that seeing this one for you is the movie critic's equivalent of jumping on the grenade to save your lives. Send me medals.
  13. Leads you through a miserable childhood without sentimentality or relief. The effect is torturous.
  14. Cuts a path directly to the heart.
  15. A provocative experience that lights you up even as it brutalizes you. And I don't even like Brad Pitt very much.
  16. Solemn, earnest and as laboriously paced as a fat Sicilian's funeral procession.
  17. (Stamp and Fonda's) polar-opposition in acting styles and temperament, their cultural differences and their pop-cultural synergy come together with almost delicious cacophony.
  18. Endearing if slight, Superstar at least knows what it's doing the whole way.
  19. The longest, hardest sit of the season -- you are stuck there, a single tube of puckered muscle, waiting for the extremely ugly violence to occur -- but it is driven by performances of such luminous humanity that they break your heart.
  20. No darn good.
  21. We know the story will conclude with a crescendo of frozen-north hallelujahs. Cheering is endemic to Disney. They can't help themselves.
  22. This sweet little tale is as informative as it is entertaining for its target audience, the very youngest of the Muppet franchise's fans.
  23. Along with a lot of 10-gallon laughs, Happy, Texas rustles up plenty of goodwill for its larcenous, sexually ambiguous leading men.
  24. Enormously entertaining.
  25. Enough to make any thinking person want to shoot a hole in the screen.
  26. Beginning with an intriguing premise, which it manages to squander in record time, it turns out to be a thinly imagined, thinly acted, silly exercise in car crashes, chases and nasty outbursts of generic violence.
  27. A sort of thinking-person's cornball movie.
  28. If you don't operate on the premise that soccer is the most important thing in the universe, you might not go along with everything in Fever Pitch.
  29. But the best thing about Jakob the Liar is that it's not "Patch Adams at Auschwitz."

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