Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The movie itself may be a species of Montezuma's revenge.
  2. A guaranteed pleasure for anyone who ever loved pop music, owned a record collection or suffered in love
  3. A heartbreaker, plain and simple.
  4. A moldy teenage tear-jerker.
  5. It's still got some panache.
  6. There's a refreshingly unusual spirit at work.
  7. This wonderfully acted romance brings the touching fantasy "Truly, Madly, Deeply" to mind.
  8. Based on "Romeo and Juliet" the way a martini is "based" on vermouth.
  9. It is a rabble-rousing cheerfest, based on a true story.
  10. Your own final destination just might be the box office, to demand your money back.
  11. You don't have to love WWF scrapping to appreciate this movie.
  12. A surprisingly gripping experience.
  13. I'm not sure if it was that or the cloying script, but after a couple of hours of spinning around listening to this drivel I felt like I was going to barf.
  14. Polanski, generally, has fallen farther than Lucifer, and into a more profoundly depressing hell, the hell of utter banality.
  15. Really two movies in one, and there's not enough breathing room for both of them.
  16. It's too bloody to be funny and too silly to be dramatic and too self-indulgent to be anything other than what it is, one more bad movie.
  17. I watched Mona. I felt like drowning.
  18. Has its sinfully funny moments. Funny, that is, if you appreciate a certain cynical clamminess -- or Buck Henry seediness -- to your comedy.
  19. Something to get excited about.
  20. Extraordinarily poetic, suspenseful film.
  21. Here's a film that so merrily thumbs its nose at propriety in exchange for visceral thrills, and at probability in exchange for the really cool plot twist, that it checks in as the guiltiest pleasure since "The 13th Warrior."
  22. Derivative dumpling of a romantic comedy about Irish sexuality.
  23. The sad truth is that Wonder Boys is little more than a sentimentalized encomium to the disheveled, childish life it ascribes to writers.
  24. A portrait of a hero.
  25. The movie's devil-may-care freneticism is edgily amusing, almost liberating.
  26. As a piece of journalism then, Boiler Room is first class.
  27. Essentially an extended cutesy session.
  28. This Matt Perry vehicle is funnier than anyone could hope to expect.
  29. At first, the picture is moving. . And suddenly charm turns to quasi-commie didacticism.
  30. You are allowed to come up with a monster we haven't seen before.

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