For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Hunter
Cradle Will Rock is left in mid-rock, as it were, its energy squandered, its sense of history confused, its sound and fury ultimately signifying nothing.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
There's visceral horror, too, including a grisly image -- a horror-in-miniature involving a fingernail -- that located an open nerve in my jaded ability to endure screen violence.- Washington Post
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Reviewed by
Desson Thomson
From its deceptively easygoing beginning to the heart-wrenching finale, The Green Mile keeps you wonderfully high above the cynical ground.- Washington Post
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Reviewed by
Michael O'Sullivan
A considerable cut above the crop of recent features by other 'SNL' alums.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Fails to capture the spiritual hallelujah of the novel.- Washington Post
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Reviewed by
Desson Thomson
Penn's performance is the movie's ultimate grace note. As funny and ingenious as Allen's films can get, they are rarely known for depth of character.- Washington Post
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Reviewed by
Rita Kempley
A coy seriocomedy distantly related to--but missing the sting of--"Kiss of the Spider Woman."- Washington Post
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Reviewed by
Stephen Hunter
Janet McTeer doesn't imitate Mary Jo Walker, and she doesn't act her. She becomes her. It's almost spooky.- Washington Post
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Reviewed by
Desson Thomson
All fire-and-brimstone bunk, a tired compendium of involuntary crucifixions, grim messages carved into human flesh, fly buzzings, ominous choral chants on the soundtrack and at least one head twisting.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
A sequel that eclipses the original. The toys are back with even more hilarious vengeance. The story's twice as inventive as its predecessor.- Washington Post
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Reviewed by
Stephen Hunter
The new Bond movie is pure nonsense art of the dadaist school; it follows the rules of the ridiculous as it turns narrative convention, thriller formula and special-effects set pieces into a manifesto of the purest gibberish.- Washington Post
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Reviewed by
Michael O'Sullivan
It's enough to make your head spin, but Almodovar, whose mastery of the medium has never been more assured, gives you plenty to think about, ultimately grounding the dizzy whirl of his idiosyncratic fictional world in a story that feels not just true but universal.- Washington Post
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Reviewed by
Rita Kempley
In Burton's hands, Washington Irving's spooky classic is reincarnated as an overripe, grisly Goth cartoon.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Demonstrates what writer-director Levinson does best: evoke the sights, smells and atmosphere of his youth with intelligence, humor and a keen sense of social perspective.- Washington Post
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Reviewed by
Stephen Hunter
So closely observed, so funny and so true to the junk that is everybody's real--as opposed to movie--life that it comes to feel like some kind of a miracle.- Washington Post
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Reviewed by
Desson Thomson
So elegantly layered and emotionally restrained, it makes the horror at its center all the more disturbing.- Washington Post
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Reviewed by
Desson Thomson
Never was the case for psychotropic medication more acute than in Jovovich's performance.- Washington Post
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Reviewed by
Rita Kempley
For a while, the film is screamingly funny, but the further it goes, the more muddled the narrative becomes.- Washington Post
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Reviewed by
Rita Kempley
Benefits from affecting performances from a gifted cast headed by R&B heartthrob Usher Raymond.- Washington Post
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Reviewed by
Michael O'Sullivan
An unoriginal warming over of a skimpy Japanese production that has been re-edited, rescored and rewritten for American tots and padded out to feature length with a plotless short called "Pikachu's Vacation."- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
As quintessential a story of American ambition as Welles' own "Citizen Kane."- Washington Post
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Reviewed by
Stephen Hunter
You may have as much fun tearing it apart in its aftermath as you do watching it, but the fun is still genuine.- Washington Post
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Reviewed by
Desson Thomson
A well-orchestrated nightmare that keeps you on edge until the very end.- Washington Post
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