Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Cradle Will Rock is left in mid-rock, as it were, its energy squandered, its sense of history confused, its sound and fury ultimately signifying nothing.
  2. Overwritten, overextended and clunkily symbolic
  3. There's visceral horror, too, including a grisly image -- a horror-in-miniature involving a fingernail -- that located an open nerve in my jaded ability to endure screen violence.
  4. From its deceptively easygoing beginning to the heart-wrenching finale, The Green Mile keeps you wonderfully high above the cynical ground.
  5. A considerable cut above the crop of recent features by other 'SNL' alums.
    • Washington Post
  6. A generally well-made tale of humor and hard luck.
  7. There's so much wrong with this movie.
  8. Fails to capture the spiritual hallelujah of the novel.
  9. Penn's performance is the movie's ultimate grace note. As funny and ingenious as Allen's films can get, they are rarely known for depth of character.
  10. A coy seriocomedy distantly related to--but missing the sting of--"Kiss of the Spider Woman."
  11. Janet McTeer doesn't imitate Mary Jo Walker, and she doesn't act her. She becomes her. It's almost spooky.
  12. All fire-and-brimstone bunk, a tired compendium of involuntary crucifixions, grim messages carved into human flesh, fly buzzings, ominous choral chants on the soundtrack and at least one head twisting.
  13. In its quiet way, Ride With the Devil is terrific.
  14. A sequel that eclipses the original. The toys are back with even more hilarious vengeance. The story's twice as inventive as its predecessor.
  15. The new Bond movie is pure nonsense art of the dadaist school; it follows the rules of the ridiculous as it turns narrative convention, thriller formula and special-effects set pieces into a manifesto of the purest gibberish.
  16. It's enough to make your head spin, but Almodovar, whose mastery of the medium has never been more assured, gives you plenty to think about, ultimately grounding the dizzy whirl of his idiosyncratic fictional world in a story that feels not just true but universal.
  17. In Burton's hands, Washington Irving's spooky classic is reincarnated as an overripe, grisly Goth cartoon.
  18. It isn't Austen, but it's delicious fun.
  19. Demonstrates what writer-director Levinson does best: evoke the sights, smells and atmosphere of his youth with intelligence, humor and a keen sense of social perspective.
  20. So closely observed, so funny and so true to the junk that is everybody's real--as opposed to movie--life that it comes to feel like some kind of a miracle.
  21. So elegantly layered and emotionally restrained, it makes the horror at its center all the more disturbing.
  22. Never was the case for psychotropic medication more acute than in Jovovich's performance.
  23. For a while, the film is screamingly funny, but the further it goes, the more muddled the narrative becomes.
  24. Benefits from affecting performances from a gifted cast headed by R&B heartthrob Usher Raymond.
  25. An unoriginal warming over of a skimpy Japanese production that has been re-edited, rescored and rewritten for American tots and padded out to feature length with a plotless short called "Pikachu's Vacation."
  26. Cutesy in the television sitcom sense.
  27. Less-than-scintillating spin on "Life Is Beautiful."
  28. As quintessential a story of American ambition as Welles' own "Citizen Kane."
  29. You may have as much fun tearing it apart in its aftermath as you do watching it, but the fun is still genuine.
  30. A well-orchestrated nightmare that keeps you on edge until the very end.

Top Trailers