Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Affecting, gloriously acted.
  2. May not rock the joint. But then, it isn't trying to.
  3. A pooped, poorly executed buddy-cop comedy with more cliches than expletives.
  4. The baseball half of the story just slightly works. ... Nothing in [the other] half of the film works.
  5. Hilarious, painful and brutally frank.
  6. This movie reeks, stinks, smells and destroys life as we know it with one olfactory destructive blast.
  7. A vicious anti-Catholic diatribe disguised as an audition tape for MTV.
  8. Fitfully amusing but nothing remarkable
  9. An irredeemably transparent... DIRECT RIPPING OFF OF "SPEED."
  10. The list of great moments is virtually endless.
    • 38 Metascore
    • 80 Critic Score
    A beautiful, sad, spiritual story with joy and delicacy, visual chops and emotional depth.
  11. Too lightweight and streamlined to be memorable.
  12. Performances feel too manufactured to be charming.
  13. Has a gritty authenticity to it … captures the spectacularly crazed quality of urban violence.
  14. About as funny as digging your own grave in an unmarked part of New Jersey.
  15. Lazily written and hopelessly miscast.
  16. This is not a fantastic movie. But there's more to it than just an MTV-slickified "Midnight Express" starring two young, photogenic stars.
  17. Lacks emotional depth and intellectual sincerity.
  18. Well, it could have been good. But this goofy homage to Kiss fans gets dry mouth pretty fast.
  19. You'd think indie filmmakers would have learned by now that people tend to put on a sober face when addressed from the pulpit.
  20. A movie that dares you to slow down and enjoy the subtleties of life.
  21. A live-action cartoon without dramatic focus, a solid structure or discernible theme.
  22. A full-throttle fantasy, about as heady a movie experience as it gets.
  23. Still, the movie -- as beautifully drawn, as sleek and engaging as it is -- has the annoyance of incredible smugness.
  24. It's like an enema to the soul as it probes the ways of death ? some especially grotesque in a family setting. You leave slightly asquirm. You know it will linger.
  25. Entrancing, uncommonly compassionate film.
  26. [Gere] seemed to be improvising his way from beginning to end, like he was disgusted with the actual script.
  27. You have a movie in which sharks with triple-digit IQs hunt humans with double-digit IQs. It’s no contest.
  28. Screenwriter Lona Williams and director Michael Patrick Jann spare no attempt to show characters at their zaniest, wackiest or most grotesque. The effect is disconcerting. Is this light comedy or dark satire? It ends up being neither.
  29. The movie, based on the TV cartoon series, is exceptionally pleasant, and there's just enough humor to make it enjoyable for adults.

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