Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. If its made-for-TV sensibility explains its chaotically blobby shooting style, it doesn't clarify a plot so painfully padded that it looks for laughs in strange digressive asides regarding bratwurst and coffee.
  2. Has all the energy and spontaneity of a bowl of waxed fruit. If watching "Dogtown and Z-Boys" was tantamount to witnessing history itself, watching "Lords of Dogtown," which Peralta wrote, feels more like watching a stiff, meticulously choreographed reenactment.
  3. Visually undistinguished, narratively inert, populated by a cast of charmless child actors, "Sharkboy and Lavagirl," with any luck will fade quickly from theaters, memories and Rodriguez's own Things to Do Today list.
  4. After watching this movie, which stars Robert De Niro, Harvey Keitel, Kathy Bates and Gabriel Byrne, I was moved only to find my own bridge to leap from.
  5. Baby, when you walk out of a movie thinking, "Say, that Heather Locklear was pretty darn good," the movie's got some problems!
  6. Here, by its cooperation with the Disney factory, NASCAR says it's also warm 'n' cuddly, and that if you love your magic bug, it'll repay you with victory. Why does it allow itself to be co-opted by a story that diminishes the skills, experience and talent it takes to win?
  7. If you find yourself at "The Island" I have only three words of advice: Vote yourself off.
  8. So loud, so long, so dumb.
  9. A devastatingly dishonest, tough look at teenage life.
  10. Gilliam does two things well: mud and trees.
  11. Reprises all the tedium of slasher flicks.
  12. It's a diatribe from beginning to end.
  13. It's lewd, crude and socially irredeemable.
  14. It's hard to believe the creative mind that gave us "Almost Famous," "Jerry Maguire," "Say Anything" and "Fast Times at Ridgemont High" looked up with satisfaction after typing 117 pages of this.
  15. Even the basic look of the film -- it was filmed on a stage with every shot set against a bleak, dark backdrop -- underscores the filmmaker's position as master manipulator, in a laboratory, looking down at his mice running through his maze.
  16. The tale grows only more toxic with time.
  17. The most persistent question asked at When Do We Eat? will probably be "When do we leave?" This abrasive Passover comedy-drama is extremely difficult to sit through, and if its makers weren't all Jewish, it would be considered anti-Semitic.
  18. A crass physical comedy of unrelenting irrelevance with a gag or two amid the many other examples of bad taste, extrapolating toward infinite on the theme of remote control reality.
  19. This overproduced romantic comedy doesn't even qualify as fluff; it's flat, featureless plastic.
  20. Thr3e needs help with more than spelling.
  21. It's a shame Allen fired her from that play. After all, then she might not have had the time to make this documentary.
  22. Makes "Conan the Barbarian" seem like Dostoyevsky in its complexity.
  23. The comic equivalent of microwaved leftover food -- and pretty stale at that.
  24. Surely the dullest of Hollywood's many comic-book-derived summer movies, "Silver Surfer" is drearier than corn dying in the Iowa sun, slower than molasses in Antarctica.
  25. It's just gunfights strung together, without a whisper of coherence or meaning. The fights are staged so that they all look the same, and the principle is always the same: The gunman's multiple antagonists never hit, and he never misses. John Woo at least had fun with this sort of thing 20 years ago. And Giamatti? What the heck is he doing here?
  26. A film that contains dialogue so nasty and stupid, you'd swear (right along with the characters) that the booker for "Jerry Springer" wrote it (Zombie did).
  27. Sitting through this is groan-inducing enough, but it's spiritually depressing to watch Djimon Hounsou, who deserves better.
  28. I like watching snakes eat mice just as much as the next fella, maybe even more, but The Strangers turns the gobble-'em-up into an ordeal. It's a fraud from start to finish.
  29. This lurid celebration of shock, schlock and the shamelessly perverse finds the 67-year-old grandfather of torture porn scraping the bottom of his admittedly limited creative barrel.
  30. Anyone with a modicum of good sense -- or a weak stomach -- will take it as a warning to stay the heck away from this literally and figuratively deadly "War Zone."

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