Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Predictable, lazy and as overprocessed as Kate Hudson's hair, this thoroughly joyless movie also possesses a deep nasty streak, making it loathsome when it might have been merely annoying.
  2. It's the sort of movie that can make normally well-read and intelligent viewers feel stupid.
  3. Beginning with an intriguing premise, which it manages to squander in record time, it turns out to be a thinly imagined, thinly acted, silly exercise in car crashes, chases and nasty outbursts of generic violence.
  4. For a comedy, there are precious few real laughs. Three to be exact.
  5. An Upper West Sidey exercise in narcissism and self-congratulation disguised as a tribute.
  6. Bland as a fortune cookie and as trite as the message inside.
  7. Fast Food Fast Women is "Sex and the City" in Payless shoes. An incoherent jumble of characters and situations.
  8. You won't feel enlightened, just let down
  9. The story here is just not particularly amusing.
  10. Ought to have been called "The Sap Also Rises."
  11. A coarse, witless and stunningly violent black comedy.
  12. Smits can't wrench free of this tangle of cliches.
  13. Intentionally defies categorization and explication.
  14. Folks, I really feel that seeing this one for you is the movie critic's equivalent of jumping on the grenade to save your lives. Send me medals.
  15. It's a loose reassembly of plot points from "Rosemary's Baby" and "The Exorcist" that never achieves the emotional intensity of either.
  16. Although the hallmarks of Rudolph movies can be found everywhere -- they don't add up to the usual magic this time.
  17. A conceptual train wreck, with half an idea scattered like disaster debris all over the screen.
  18. When a burning rat is the funniest thing in your movie, I think you're in big trouble, even in Miami.
  19. As dull as the decor in a Motel 6.
  20. Pretentious, ponderous and redundant -- You may not need linear narrative to create a great movie, but you do need some original ideas.
  21. Oddly off-balance, estrogen-powered dramedy.
  22. Here, common sense flies out the window, along with the hail of bullets.
  23. A trite, bantamweight "Bull Durham," hasn't a single line, gibe, gesture or twist that hasn't already been chewed up and spat out in many a movie baseball dugout.
  24. There's so much wrong with this movie.
  25. Propelled not by characters but caricatures.
  26. If you're looking for some good family interspecies entertainment, take the little ones to see "Stuart Little 2" again; in the meantime, you might want to crawl into your cave and sleep through this one.
  27. A fast-paced, twisty-turny, high-fiving, but ultimately spiraling disaster of a movie about air traffic controllers, gets lost in this hyperbolic cloud cover, never to be found again.
  28. Cinematic sleeping pill.
  29. If this sounds like "Tootsie" with a ball, well, it is. Screenwriter Bradley Allenstein should be hauled up in writer's court for his shameless cribbing of that far superior comedy. Someone call a foul.
  30. There's little here to offend anyone, and even less here to excite anyone.

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