Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
    • 25 Metascore
    • 30 Critic Score
    To that long list of third- and fourth-rate comedies we can now add Sorority Boys.
  1. Another soundtrack-driven, disposable, not entirely objectionable teen movie.
  2. Smith and Jones seem like superannuated company men: They're going through the motions, but the zip is gone.
  3. Just a few guilty laughs, a predictable resolution and repeated close-ups of that dog jerking its head to one side, doing the cute thing.
  4. The movie is so disturbing that it seems nearly blasphemous. I wouldn't wish it on an anthrax spore. After all, anthrax has feelings, too.
  5. A vicious anti-Catholic diatribe disguised as an audition tape for MTV.
  6. It's too manufactured and deliberate to be persuasive.
  7. It's laughably stupid, only fitfully scary and relatively harmless summer fun – if you're 12 years old, in which case you probably aren't supposed to be going to movies like this anyway.
  8. It just never began to work for me, and the sub story behind the ghost story is far more interesting than the ghost story in front of the sub story.
  9. Flops where it should zing, trotting out cringe-worthy cliches and hoary plot contrivances and depicting femininity through a drag queen's funhouse mirror.
  10. All fire-and-brimstone bunk, a tired compendium of involuntary crucifixions, grim messages carved into human flesh, fly buzzings, ominous choral chants on the soundtrack and at least one head twisting.
  11. Could have been a sensation if a director with a smidgen of moviemaking instinct had taken the helm.
  12. There's more bathroom and slapstick humor than a sixth-grader could stand, and a veritable flood of drool, blood and less mentionable effluvia, most of it courtesy of Mr. Wayans as he tries to be – you know – funny.
  13. About as funny as malaria.
  14. There's something hideously pretentious about the whole thing.
  15. The exuberance of the Rugrats seems nullified by the effete quirkiness of the Thornberrys.
  16. Ultimately undone by its sheer busyness. The screenwriters never get the story to settle down, and it becomes a case of one damn thing after another.
  17. If you only live twice, spend both lifetimes avoiding it.
  18. This is a one-note deal, and it doesn't take long before you want to, well, just move out and leave these characters in their rent-controlled limbo.
    • 47 Metascore
    • 30 Critic Score
    The movie's heart is in the right place, but good intentions can't overcome dialogue that alternates between melodramatic and cliched.
  19. What's strangest, though, about Die Mommie Die! is how material that was obviously so giddily irreverent in origin became so inert, so joyless and dull.
  20. It's uninspired and insipid all the way.
  21. An offering so endearingly lame it seems to have missed the past 10 years' worth of special-effects breakthroughs.
  22. This latest, utterly gratuitous chapter in the saga of the wisecracking reptile hunter will add nothing to the ever-dimming reputation of the Subaru pitchman.
  23. Becomes a strung-together collection of interesting, semi-interesting, boring and sometimes embarrassing (seemingly improvised) moments from the cast.
  24. The baseball half of the story just slightly works. ... Nothing in [the other] half of the film works.
  25. The insane casting: When was the last time Julianne Moore cracked you up?
  26. A fascinating premise. And yet, the movie, directed by Bruce Beresford, never quite blooms.
  27. The loudest, trashiest, stupidest, cheesiest celebration of ritualized male aggression of 2004.
  28. A second-rate romantic comedy.

Top Trailers