Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. If this garbage sounds like your kind of thing, and the folks who jump up and talk back to the screen are your kind of people, then, sweetheart, you and this movie deserve each other.
  2. Meant to be a sleek, dark, disturbing David Cronenberg-style thriller, Olivier Assayas's film is just an annoying concoction.
    • 52 Metascore
    • 30 Critic Score
    What's supposed to be a deep examination of the transcendence of love and art and poetry turns into another shallow film about how repressed the British are.
  3. Best news: over in 87 minutes.
  4. Made me feel like a Christmas goose being fattened for slaughter. Its force-fed diet of whimsy cloyed long before the eagerly anticipated romantic payoff arrived to put me out of my misery.
    • Washington Post
  5. Suffers from melodramatic overkill.
  6. Not a music video, not yet a movie, but more like an extended-play advertisement for the Product that is Britney.
  7. From the get-go, the story remains bogged down in its rather limited morass.
  8. The movie's chief crime against the planet, other than the sheer wastage of time, is the trivializing of the great Freeman. This actor has such dignity and depth and humanity, he almost makes the film watchable.
  9. Hardly out of the driveway before director Penny Marshall loses control.
  10. All dancing and hugging and no good.
  11. Has so little going for it, you wonder if you've missed something.
  12. An irredeemably transparent... DIRECT RIPPING OFF OF "SPEED."
  13. It's a silly, if simultaneously deadpan and stomach-churning, psychological portrait of one crazy lady.
  14. Very much the cheap knockoff of its prototype, but not half as visceral.
  15. The 20th-anniversary sequel to the groundbreaking horror film-and the sixth in an increasingly awful series about the bulletproof murderer Michael Myers-is a styleless and predictable affair.
  16. The frightening myths about adoption that run through Like Mike make even its happiest endings a little bit creepy.
    • 62 Metascore
    • 30 Critic Score
    So chock-full of stereotypes as to be a filmic Southern Country Safari.
  17. This sloppily made, poky, extra cheesy adventure is virtually a remake of "Armageddon."
  18. Though the comedy falls short of a debacle -- which is what such egocentric projects tend to be -- it isn't as sharp, fast or funny as Rock's stand-up routines.
  19. Too infuriatingly quirky and taken with its own style to get down to telling a story.
  20. Sometimes in horror movies, bad acting is effective, its very woodenness contributing to the sense of robotic horror. That ain't happening here. These guys are just bad actors.
  21. Should have been a smart bit of cinematic froth but instead sinks like an overworked souffle.
    • 61 Metascore
    • 30 Critic Score
    Surprisingly mawkish teen film.
  22. Allen, who's a natural charmer, seems to be at half-strength here.
  23. Relentless formulaic fodder for the explosion-starved; it's loud, shallow, sexist and a complete waste of time.
  24. Torpid, syrupy melodrama from the Chinese director of 1993's "Farewell My Concubine."
  25. Many of the visual effects are stunning, but others are downright cheesy -- especially an attempt to fuse the Rock's head onto a scorpion's body.
    • 60 Metascore
    • 30 Critic Score
    Misses almost every opportunity to break new ground on the issue.
  26. The film doesn't even cut it as cheap escapism.

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